The MOTU 112D is an incredibly flexible device. A digital audio interface, router, format converter, and stand-alone mixer – all in a roadworthy, rackmount 1U chassis, the 112D connects to your host computer through ultra-fast Thunderbolt technology, AVB Ethernet, or class compliant, high-speed USB 2.0 (with USB 3.0 and iOS compatibility). The 112D rocks 24 […]
The MOTU 112D is an incredibly flexible device. A digital audio interface, router, format converter, and stand-alone mixer – all in a roadworthy, rackmount 1U chassis, the 112D connects to your host computer through ultra-fast Thunderbolt technology, AVB Ethernet, or class compliant, high-speed USB 2.0 (with USB 3.0 and iOS compatibility).
The 112D rocks 24 channels of AES/EBU digital I/O, 24 channels of ADAT optical digital I/O and 64 channels of MADI – that’s a whopping total of 112 simultaneous digital I/O channels! Freely route anything, anywhere – all with near-zero latency. Whether you work your audio magic in the studio or onstage, you owe it to yourself to check out the MOTU 112D.
112 simultaneous digital I/O channels
Prodigious router and converter
Big-console-style mixing
Rule your network
You read that right. And all channels can be active simultaneously. Check it out: 64 channels of MADI – the 112D operates as a near-zero latency 64-channel MADI-to-AVB converter with flexible routing and splitting to/from your AVB network.
Cool, but the plot thickens, with 24 channels of AES/EBU and ADAT up to 96kHz: three 8-channel banks (on D-sub) of AES/EBU at all sample rates up to 96kHz. Then there’s ADAT optical, with three 8-channel banks at rates up to 48kHz and six banks (24 channels) of ADAT at 2x sample rates.
With the MOTU 112D, you can route any input to any (or multiple) outputs – again, with vanishingly low latency. Freely route all 112 audio channels to and from your Mac or PC over Thunderbolt, or to/from any devices on the AVB network.
So, we see that the 112D is indeed a prodigious router, but it’s also a rockin’ format converter that lets you convert any format to any other. Compatible formats include AES/EBU, optical, MADI, AVB, and computer audio (Thunderbolt or USB).
MOTU endowed the 112D with robust DSP that offers you big-console-style mixing with 48 channels, 12 stereo busses, and 32-bit floating-point effects processing that includes modeled analog EQ, vintage-style compression, and classic reverbs. You can even use the 112D as a stand-alone mixer and control the whole shebang from its innovative web app running on your tablet, smart phone, or laptop.
Connect a second MOTU AVB interface (such as a 1248, 8M, 16A or another 112D) to the 112D with a simple Ethernet cable. You can add more I/O with the optional MOTU AVB Switch. Build your AVB audio network with multiple switches and sub-millisecond latency, even over lengthy cable runs.
Stream hundreds of channels among the devices and computers on the network. In the studio or onstage, the 112D gives you flexible digital routing/conversion, state-of-the-art performance, and rock-solid reliability. You need it.
Features:
112 simultaneous digital audio channels:
24 channels of AES/EBU I/O
24 channels of ADAT optical I/O
64 channels of MADI I/O
Universal computer connectivity:
Thunderbolt
AVB Ethernet
Audio-class-compliant high-speed USB 2.0 (USB 3.0/iOS compatible)
On-board 32-bit floating point DSP with big-console-style mixing and effects
Flexible 48-input digital mixer with 12 stereo busses and DSP effects
Web app control of DSP, mixing, device settings, and network audio routing
Discovery app and web app software works alongside your host audio software
Web app control from laptop, tablet, or smart phone connected to your LAN by wire or Wi-Fi
Flexible system expansion and audio networking with ultra-low network latency
Weight
3.00 kg
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The MOTU 112D is an incredibly flexible device. A digital audio interface, router, format converter, and stand-alone mixer - all in a roadworthy, rackmount 1U chassis, the 112D connects to your host computer through ultra-fast Thunderbolt technology, AVB Ethernet, or class compliant, high-speed USB 2.0 (with USB 3.0 and iOS compatibility).
The 112D rocks 24 channels of AES/EBU digital I/O, 24 channels of ADAT optical digital I/O and 64 channels of MADI - that's a whopping total of 112 simultaneous digital I/O channels! Freely route anything, anywhere - all with near-zero latency. Whether you work your audio magic in the studio or onstage, you owe it to yourself to check out the MOTU 112D.
112 simultaneous digital I/O channels
Prodigious router and converter
Big-console-style mixing
Rule your network
You read that right. And all channels can be active simultaneously. Check it out: 64 channels of MADI - the 112D operates as a near-zero latency 64-channel MADI-to-AVB converter with flexible routing and splitting to/from your AVB network.
Cool, but the plot thickens, with 24 channels of AES/EBU and ADAT up to 96kHz: three 8-channel banks (on D-sub) of AES/EBU at all sample rates up to 96kHz. Then there's ADAT optical, with three 8-channel banks at rates up to 48kHz and six banks (24 channels) of ADAT at 2x sample rates.
With the MOTU 112D, you can route any input to any (or multiple) outputs - again, with vanishingly low latency. Freely route all 112 audio channels to and from your Mac or PC over Thunderbolt, or to/from any devices on the AVB network.
So, we see that the 112D is indeed a prodigious router, but it's also a rockin' format converter that lets you convert any format to any other. Compatible formats include AES/EBU, optical, MADI, AVB, and computer audio (Thunderbolt or USB).
MOTU endowed the 112D with robust DSP that offers you big-console-style mixing with 48 channels, 12 stereo busses, and 32-bit floating-point effects processing that includes modeled analog EQ, vintage-style compression, and classic reverbs. You can even use the 112D as a stand-alone mixer and control the whole shebang from its innovative web app running on your tablet, smart phone, or laptop.
Connect a second MOTU AVB interface (such as a 1248, 8M, 16A or another 112D) to the 112D with a simple Ethernet cable. You can add more I/O with the optional MOTU AVB Switch. Build your AVB audio network with multiple switches and sub-millisecond latency, even over lengthy cable runs.
Stream hundreds of channels among the devices and computers on the network. In the studio or onstage, the 112D gives you flexible digital routing/conversion, state-of-the-art performance, and rock-solid reliability. You need it.
Features:
112 simultaneous digital audio channels:
24 channels of AES/EBU I/O
24 channels of ADAT optical I/O
64 channels of MADI I/O
Universal computer connectivity:
Thunderbolt
AVB Ethernet
Audio-class-compliant high-speed USB 2.0 (USB 3.0/iOS compatible)
On-board 32-bit floating point DSP with big-console-style mixing and effects
Flexible 48-input digital mixer with 12 stereo busses and DSP effects
Web app control of DSP, mixing, device settings, and network audio routing
Discovery app and web app software works alongside your host audio software
Web app control from laptop, tablet, or smart phone connected to your LAN by wire or Wi-Fi
Flexible system expansion and audio networking with ultra-low network latency
nio 2 | 4 is a 2 In / 4 Out mobile USB interface for the modern music maker. Nio 2 | 4 features Novationʼs unique ʽDirect FXʼ technology, placing a powerful multi-effects engine within nio 2 | 4ʼs custom drivers. These effects rest close to the core of your computer, working independently of other software and providing powerful ultra-low latency effects for hassle-free, real time jamming and recording. This same unique environment ensures rock-solid, lightning-fast performance, making it the ideal interface solution for home recording, live performing and DJʼing alike; one size fits all. With two headphones outputs, itʼs also an ideal solution for the classroom environment.
Specifications
Audio Interfacing
Inputs:
1 XLR (with phantom power)
1 TS Jack
2 RCA Phono
Two inputs simultaneously only - either stereo RCA phono or the XLR and Jack
Outputs:
4 RCA Phono
2 stereo 1/4" Headphones Jacks
Digital Audio:
44.1/48kHz sample rate
24-bit resolution
Other interfacing
Data ports: 1 x USB 1.1
MIDI i/o
System requirements
Operating system: Mac OSX 10.3.9 or greater (Leopard also supported) or Windows XP with Service Pack 2 or greater (Vista 32/64 also supported)
Minimum Computer spec: Mac - G3/600MHz or G4/667MHz, both with 256MB RAM or PC - Pentium 3/500MHz/256MB RAM (machines running Vista will require a higher spec)
Interfacing: USB 1.1 compatible USB connector (also compatible with USB 2.0), 28/24 awg USB cable recommended
Weights and Dimensions
633g
45.4mm (H) x 144mm (W) x 149mm (D)
The SONAR REAC Recording System when used in conjunction with the RSS V-Mixing System or RSS Digital Snakes provides the most comprehensive live recording, mixing, mastering and delivery product available. This is the next phase in product development of the REAC driver, which Cakewalk engineered for Roland as a way for users to record from their Digital Snake/V-Mixer System directly into SONAR. The SONAR REAC Recording System includes:
The REAC protocol provides up to 40 channels of audio to be sent via a single CAT5e Ethernet or fiber optic cable. The REAC driver, developed by Cakewalk, allows the REAC output from the RSS V-Mixer or RSS Digital Snake to connect directly into a PC using a single Ethernet cable.
SONAR 8 Producer gives you what you need for recording, composing, editing, mixing, and mastering. Get innovations that matter, from exclusive features to ignite creativity and perfect your tracks, to groundbreaking technologies that always keep you in control, all backed by the industry's leading 64-bit audio quality. And SONAR 8 Producer delivers the go-to production tools you want with the best collection of virtual instruments, mixing, and mastering effects found in any DAW.
With unlimited tracks, amazing creative tools, inspiring virtual instruments, the freedom to work with any audio interface or control surface, and the most complete delivery capability for collaboration with users of other DAWS, award-winning SONAR Producer is your best choice in a digital audio workstation.
SONAR 8 is the only DAW that offers one-of-a-kind music creation tools that actually help in the songwriting process. Whether you are searching for new ideas or looking to add musical parts to existing songs, SONAR 8 can help you break through those creative blocks.
SONAR 8 provides the most comprehensive recording features of any DAW on the market today. It's designed to meet the needs of even the most demanding professional—whether recording a solo performance, a band, or even an orchestra.
Recommended System Requirements:
* Operating System: Windows XP (32 bit), Windows Vista (32 bit or 64 bit) * Processor Speed: Intel Core 2 Duo 2GHz or higher * RAM: 3 GB for 40 Channel Recording * Ethernet Port Speed: Gigabit Ethernet/CAT5e Only * Graphics: 1280 x 960, 24-bit color or higher * Audio Hard Drive Size: 30 GB * Audio Hard Disk Type: RAID 0 with (2) SATA drives * Audio Interface: SPS/FA-66 FireWire Audio Interface or Cakewalk VS-700 R * Media Drive: DVD-ROM, DVD+/-R or DVD+/-RW * Other Hardware: RSS Digital Snake or V-Mixing System, Roland CAT5e Cables (supplied with Digital Snakes), Gigabit Ethernet Switch (optional) * Other Software: Adobe Acrobat
System Requirements
Mac PC
* Mac OS X 10.5.8 (Leopard) or 10.6.1-10.6.4 (Snow Leopard)
* 1 GB RAM (2 GB recommended)
* 6 GB free disk space
* Intel® processor (no PowerPC® support)
* One FireWire port
* Windows® XP 32-bit SP3, Windows Vista® 32-bit SP2, Windows 7 32-bit, or Windows 7 64-bit
* 1 GB RAM (2 GB recommended)
* 5 GB free disk space
* One FireWire port
Compatibility
ASIO, Core Audio, WDM, MME, and multi-client drivers
Mbox Pro Hardware
Pro Tools Mbox Pro
Mbox® Pro is the ultimate high-definition recording interface, packing a wide range of analog and digital I/O connections into a desktop audio workstation.
* Compatible with most major audio software (Pro Tools LE®, Logic, Live, Cubase, and more)
* FireWire connection
* Professional-grade circuitry and converters deliver exceptional audio performance
* Up to 24-bit, 192 kHz sample rates*
* Soft-clip limiter lets you track hot signals without clipping—providing a classic overdriven tape saturation sound
* Built-in guitar tuner
* Onboard DSP offers flexible cue mixing and reverb effects
* Assignable Pro Tools multi-function button on interface gives you fast access to software functions
* Connect up to three pairs of monitors or do 5.1 surround mixing**
* Hardware configuration:
o 8 x 8 simultaneous channels of I/O
o 4 mic inputs with 48 V phantom power and high pass filter (2 XLR/DI combo, 2 XLR)
o 4 1/4" TRS line inputs
o 2 unbalanced Alt line inputs (2 RCA, 1 mini 1/8”)
o 6 1/4" TRS balanced line outputs
o 2 discrete 1/4” stereo headphone outputs with separate volume controls
o Stereo S/PDIF digital I/O
o 1 MIDI input, 1 MIDI output
o Word clock I/O
o Monitor control section with Mono, Mute, Dim, Alt Source, and Speaker A/B/C switching controls
o Dedicated monitor volume knob
* Up to 96 kHz sample rates supported with Pro Tools LE software.
** Mixing 5.1 surround sound in Pro Tools LE requires Complete Production Toolkit
Pro Tools LE Software
Pro Tools 8 Software
The Pro Tools software platform is used in professional studios around the world, and includes all the tools you need to easily compose, record, edit, mix, and master your projects with pro results—every time.
Key Features
* Award-winning Pro Tools recording, editing, and mixing
* 48 simultaneous stereo audio tracks (expandable with Toolkit options)
* Includes over 70 professional effects and virtual instruments
* Professional MIDI sequencing with dedicated MIDI Editor window
* Integrated Score Editor based on award-winning Sibelius notation software
* Full Elastic Time and Elastic Pitch to easily adjust timing and pitch on your tracks
* Unique Beat Detective LE automatic groove analysis and correction tool
* ReWire support for streaming your favorite applications right into Pro Tools
* Huge selection of compatible third-party plug-ins and software options
* Works on Windows and Mac computers
UA-20: Audio Capture USB Audio/MIDI Interface
Features
The UA-20 is the standard model to Edirol's rapidly expanding UA series of USB Audio Capture devices. The unit can accept input from Mic, Line and even guitar level signals. The audio is converted at 24-bit quality and is transferred to your computer via industry standard low latency WDM, ASIO, MME drivers for compatibility with all major sequencing platforms, the input signal may be also monitored directly in hardware. Outputs include analogue, digital and headphone. The built-in MIDI in and out utilize Edirol's Fast Processing Technology for super accurate MIDI timing with any sequencing software on Mac or PC platforms and can be used with both OMS or FreeMIDI drivers on the Apple Macintosh. The UA-20 requires no external power supply and is ideal for use by mobile laptop or Powerbook users. The unit ships with drivers for Windows XP, 2000, Me, 98, MacOS X, and Mac OS 9.x, 8.5 and may also be used with the native USB audio drivers that are included with both Mac & PC.
Audio and MIDI in a compact unit.
Fully equipped with I/O jacks.
Great tool for creating music.
Edirol's FPT Technology.
Record1 pair of stereoPlayback1 pair of stereoSignal ProcessingPC interface24 bitSampling RateDigital output44.1 kHzNominal Input Level-45 – -10 dBuInput ImpedanceLINE22 k ohmsGUITAR470 k ohmsMIC22 k ohmsNominal Output Level-10 dBuOutput Impedance1 k ohmsResidual Noise LevelMaster Out-105 dBu or less
(input terminated with 1 k ohm, Master Volume = max.,
Input Monitor = off, IHF-A, typ.)InterfaceUSB
Digital output (Optical Type , conforms to S/P DIF)ConnectorsInput Jack (1/4 inch phone type) x 2
Digital Out Connector (Optical type)
Headphones Jack (Stereo miniature phone type)
Master Out Jack (RCA phono type)
MIDI ConnectorsOthersPower SupplySupplied from the computerCurrent Draw170 mAAccessoriesOwnerʼs Manual
USB cable
CD-ROMSize and WeightWidth149 mm5-7/8 inchesDepth111 mm4-3/8 inchesHeight43 mm1-11/16 inchesWeight0.2 kg0 lbs. 8 oz.
Mbox® is a premium audio interface, packing a wide range of analog and digital I/O connections into a mobile form factor.
* Compatible with most major audio software (Pro Tools LE®, Logic, Live, Cubase, and more) * Bus-powered USB 2.0 connection for maximum mobility * Professional-grade circuitry and converters deliver exceptional audio performance * Up to 24-bit, 96 kHz sample rates * Soft-clip limiter lets you track hot signals without clipping—providing a classic overdriven tape saturation sound * Built-in guitar tuner * Onboard DSP offers flexible cue mixing and reverb effects * Assignable Pro Tools multi-function button on interface gives you fast access to software functions * Hardware configuration: o 4 x 4 simultaneous channels of I/O o 2 XLR mic/line combo inputs with 48 V phantom power o 2 1/4” DI inputs on front panel for easy access o 2 balanced 1/4” monitor outputs o 1 1/4” stereo headphone output with volume control o Stereo S/PDIF digital I/O o 1 MIDI input, 1 MIDI output o Monitor control section with Mono and Dim controls o Dedicated monitor volume knob
Pro Tools LE Software Pro Tools 8 Software
The Pro Tools® software platform is used in professional studios around the world, and includes all the tools you need to easily compose, record, edit, mix, and master your projects with pro results—every time.
Key Features
* Award-winning Pro Tools recording, editing, and mixing * 48 simultaneous stereo audio tracks (expandable with Toolkit options) * Includes over 70 professional effects and virtual instruments * Professional MIDI sequencing with dedicated MIDI Editor window * Integrated Score Editor based on award-winning Sibelius notation software * Full Elastic Time and Elastic Pitch to easily adjust timing and pitch on your tracks * Unique Beat Detective LE automatic groove analysis and correction tool * ReWire support for streaming your favorite applications right into Pro Tools * Huge selection of compatible third-party plug-ins and software options * Works on Windows and Mac computers
System Requirements Mac PC
* Mac OS X 10.5.8 (Leopard) or 10.6.1-10.6.4 (Snow Leopard) * 1 GB RAM (2 GB recommended) * 6 GB free disk space * Intel® processor (no PowerPC® support) * One USB port
* Windows® XP 32-bit SP3, Windows Vista® 32-bit SP2, Windows 7 32-bit, or Windows 7 64-bit * 1 GB RAM (2 GB recommended) * 5 GB free disk space * One USB port
Compatibility ASIO, Core Audio, WDM, MME, and multi-client drivers
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