The MOTU 112D is an incredibly flexible device. A digital audio interface, router, format converter, and stand-alone mixer – all in a roadworthy, rackmount 1U chassis, the 112D connects to your host computer through ultra-fast Thunderbolt technology, AVB Ethernet, or class compliant, high-speed USB 2.0 (with USB 3.0 and iOS compatibility). The 112D rocks 24 […]
The MOTU 112D is an incredibly flexible device. A digital audio interface, router, format converter, and stand-alone mixer – all in a roadworthy, rackmount 1U chassis, the 112D connects to your host computer through ultra-fast Thunderbolt technology, AVB Ethernet, or class compliant, high-speed USB 2.0 (with USB 3.0 and iOS compatibility).
The 112D rocks 24 channels of AES/EBU digital I/O, 24 channels of ADAT optical digital I/O and 64 channels of MADI – that’s a whopping total of 112 simultaneous digital I/O channels! Freely route anything, anywhere – all with near-zero latency. Whether you work your audio magic in the studio or onstage, you owe it to yourself to check out the MOTU 112D.
112 simultaneous digital I/O channels
Prodigious router and converter
Big-console-style mixing
Rule your network
You read that right. And all channels can be active simultaneously. Check it out: 64 channels of MADI – the 112D operates as a near-zero latency 64-channel MADI-to-AVB converter with flexible routing and splitting to/from your AVB network.
Cool, but the plot thickens, with 24 channels of AES/EBU and ADAT up to 96kHz: three 8-channel banks (on D-sub) of AES/EBU at all sample rates up to 96kHz. Then there’s ADAT optical, with three 8-channel banks at rates up to 48kHz and six banks (24 channels) of ADAT at 2x sample rates.
With the MOTU 112D, you can route any input to any (or multiple) outputs – again, with vanishingly low latency. Freely route all 112 audio channels to and from your Mac or PC over Thunderbolt, or to/from any devices on the AVB network.
So, we see that the 112D is indeed a prodigious router, but it’s also a rockin’ format converter that lets you convert any format to any other. Compatible formats include AES/EBU, optical, MADI, AVB, and computer audio (Thunderbolt or USB).
MOTU endowed the 112D with robust DSP that offers you big-console-style mixing with 48 channels, 12 stereo busses, and 32-bit floating-point effects processing that includes modeled analog EQ, vintage-style compression, and classic reverbs. You can even use the 112D as a stand-alone mixer and control the whole shebang from its innovative web app running on your tablet, smart phone, or laptop.
Connect a second MOTU AVB interface (such as a 1248, 8M, 16A or another 112D) to the 112D with a simple Ethernet cable. You can add more I/O with the optional MOTU AVB Switch. Build your AVB audio network with multiple switches and sub-millisecond latency, even over lengthy cable runs.
Stream hundreds of channels among the devices and computers on the network. In the studio or onstage, the 112D gives you flexible digital routing/conversion, state-of-the-art performance, and rock-solid reliability. You need it.
Features:
112 simultaneous digital audio channels:
24 channels of AES/EBU I/O
24 channels of ADAT optical I/O
64 channels of MADI I/O
Universal computer connectivity:
Thunderbolt
AVB Ethernet
Audio-class-compliant high-speed USB 2.0 (USB 3.0/iOS compatible)
On-board 32-bit floating point DSP with big-console-style mixing and effects
Flexible 48-input digital mixer with 12 stereo busses and DSP effects
Web app control of DSP, mixing, device settings, and network audio routing
Discovery app and web app software works alongside your host audio software
Web app control from laptop, tablet, or smart phone connected to your LAN by wire or Wi-Fi
Flexible system expansion and audio networking with ultra-low network latency
Weight
3.00 kg
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The MOTU 112D is an incredibly flexible device. A digital audio interface, router, format converter, and stand-alone mixer - all in a roadworthy, rackmount 1U chassis, the 112D connects to your host computer through ultra-fast Thunderbolt technology, AVB Ethernet, or class compliant, high-speed USB 2.0 (with USB 3.0 and iOS compatibility).
The 112D rocks 24 channels of AES/EBU digital I/O, 24 channels of ADAT optical digital I/O and 64 channels of MADI - that's a whopping total of 112 simultaneous digital I/O channels! Freely route anything, anywhere - all with near-zero latency. Whether you work your audio magic in the studio or onstage, you owe it to yourself to check out the MOTU 112D.
112 simultaneous digital I/O channels
Prodigious router and converter
Big-console-style mixing
Rule your network
You read that right. And all channels can be active simultaneously. Check it out: 64 channels of MADI - the 112D operates as a near-zero latency 64-channel MADI-to-AVB converter with flexible routing and splitting to/from your AVB network.
Cool, but the plot thickens, with 24 channels of AES/EBU and ADAT up to 96kHz: three 8-channel banks (on D-sub) of AES/EBU at all sample rates up to 96kHz. Then there's ADAT optical, with three 8-channel banks at rates up to 48kHz and six banks (24 channels) of ADAT at 2x sample rates.
With the MOTU 112D, you can route any input to any (or multiple) outputs - again, with vanishingly low latency. Freely route all 112 audio channels to and from your Mac or PC over Thunderbolt, or to/from any devices on the AVB network.
So, we see that the 112D is indeed a prodigious router, but it's also a rockin' format converter that lets you convert any format to any other. Compatible formats include AES/EBU, optical, MADI, AVB, and computer audio (Thunderbolt or USB).
MOTU endowed the 112D with robust DSP that offers you big-console-style mixing with 48 channels, 12 stereo busses, and 32-bit floating-point effects processing that includes modeled analog EQ, vintage-style compression, and classic reverbs. You can even use the 112D as a stand-alone mixer and control the whole shebang from its innovative web app running on your tablet, smart phone, or laptop.
Connect a second MOTU AVB interface (such as a 1248, 8M, 16A or another 112D) to the 112D with a simple Ethernet cable. You can add more I/O with the optional MOTU AVB Switch. Build your AVB audio network with multiple switches and sub-millisecond latency, even over lengthy cable runs.
Stream hundreds of channels among the devices and computers on the network. In the studio or onstage, the 112D gives you flexible digital routing/conversion, state-of-the-art performance, and rock-solid reliability. You need it.
Features:
112 simultaneous digital audio channels:
24 channels of AES/EBU I/O
24 channels of ADAT optical I/O
64 channels of MADI I/O
Universal computer connectivity:
Thunderbolt
AVB Ethernet
Audio-class-compliant high-speed USB 2.0 (USB 3.0/iOS compatible)
On-board 32-bit floating point DSP with big-console-style mixing and effects
Flexible 48-input digital mixer with 12 stereo busses and DSP effects
Web app control of DSP, mixing, device settings, and network audio routing
Discovery app and web app software works alongside your host audio software
Web app control from laptop, tablet, or smart phone connected to your LAN by wire or Wi-Fi
Flexible system expansion and audio networking with ultra-low network latency
Yamaha AUDIOGRAM3 Computer Recording System Specifications:
Mic/Hi-Z input: 1
Audio Format: USB AUDIO 1.1, 16bit/44.1kHz
Combo Connectors: 1
Stereo In connectors: Phone connector x 2 (L/MONO x 2, R x 2)
USB Connector: To Host x 1
Headphone connector: Stereo Phone connector x 1
Stereo Out connector: Phone connector x 2 (L, R)
Power Supply: USB powered
Dimensions (W x H x D): 180 mm x 61 mm x 112 mm (7-1/8" x 2-3/8" x 4-3/8“)
Accessories: CUBASE AI DVD, Owner's Manual, USB Cable
System Requirements
Windows Vista
Windows-based computer with built-in USB interface
CPU: Intel CPU / Macintosh G3 processor 300 MHz or better
Memory: More than 128MB
Cubase AI4 System Requirements:
Windows
OS: Windows XP Professional SP1 / XP Home Edition SP1 / Windows Vista (32-bit)
CPU: Intel Pentium 1.4GHz or better
Available Memory: More than 512MB
Hard Disk: Free disk space of 1GB or more
Audio Interface: Windows DirectX / ASIO compatible
Macintosh
OS: Mac OS X 10.4 or higher
CPU: Power Mac G4 1GHz or Core Solo 1.5GHz or better
Available Memory: More than 512MB
Hard Disk: Free disk space of 1GB or more
The all new 896mk3 FireWire audio interface delivers high-end performance, superb sound, innovative new features and enhanced standard features that remain unique.
The 896mk3 provides eight channels of pristine 24-bit 192 kHz analog recording and playback, combined with sixteen channels of optical digital I/O, stereo AES/EBU, S/PDIF and separate analog main outs. Expand your system by connecting the 8pre mic input expander or other MOTU audio interfaces.
The 896mk3 is equally well-suited for studio and stage, with or without a computer. As an interface or standalone mixer, the 896mk3 provides 28 separate inputs and 32 separate outputs, including dedicated main outs on XLRs and two front panel headphone outs.
Connect all of your studio gear, including microphones, guitars, synths, keyboards, drum machines and even effects processors. Record, monitor, route and process all of these live inputs using the professional on-board CueMix FX digital mixer – with no latency and no processor strain on your computer. Apply hardware DSP-driven effects processing to inputs, outputs, and busses independent of your host computer. Add Classic Reverb™ with lengths up to 60 seconds. Further sculpt your sound with 7-band parametric EQ featuring filter types carefully modeled after British analog console EQs. Choose between two forms of compression: a conventional compressor and the Leveler™, an accurate model of the legendary LA-2A™ optical compressor that provides vintage, musical automatic gain control.
MOTU FireWire audio interfaces are fully compatible with FireWire 800-equipped Macs. All you need is a standard FireWire 400-to-800 cable. Just plug in and go. The FireWire bus operates at 400 Mb/sec, providing the same high speed, low latency and rock solid reliability that MOTU FireWire interfaces are known for.
When recording from the mic/guitar inputs, the 896mk3ʼs signal overload protection gives you an extra 12 dB of headroom above zero with no clipping or harsh artifacts.
After programming the on-board mixing in the studio, unplug the 896mk3 from the computer and take it on the road for operation as a stand-alone mixer with effects. All mixing and effects parameters are adjustable using the front panel backlit LCD.
The 896mk3 provides cross-platform compatibility with Mac and Windows and all of your favorite audio software and host-based effects via WDM/ASIO/Core Audio drivers. Or you can use the included AudioDesk workstation software for Mac, with 24-bit recording/editing and 32-bit mixing/processing/mastering.
U-CONTROL UCA222 Ultra-Low Latency 2 In/2 Out USB Audio Interface with Digital Output and Massive Software Bundle
Behringer U-Control UCA202
2 In/2 Out USB Audio Interface
Mac or PC, no drivers required
16-bit/48kHz converters
Low latency
Headphone output
S/PDIF optical out
USB powered
Free Software
Ultra-flexible audio interface connects your instruments, mixer, etc. with your computer for recording and playback
Revolutionary energyXT2.5 Compact music production software included with feature-rich audio/MIDI sequencer that loads almost instantaneously on all computer platforms
Massive software bundle includes Audacity audio editor, comprehensive podcasting software and over 150 virtual instruments and effect plug-ins
Works with your PC or Mac computer—no setup or drivers required
High-resolution 48 kHz converters for high-end audio quality
Stereo Headphone output with dedicated Level control lets you monitor both input and output
Additional S/PDIF optical output for direct digital conversion
Powered via USB—no external power supply needed
High-quality components and exceptionally rugged construction ensure long life
Conceived and designed by BEHRINGER Germany
The Smallest, Most Portable 2x2 USB Interface Around!Are you looking for a simple upgrade to your computer's stock audio hardware? Do you want to record high-quality stereo audio to your laptop? Are you searching for the most affordable audio interface for computer DJ applications? The Behringer UCA222 USB Audio Interface does all this and more in one of the smallest, simplest, and lowest-priced packages around. It's a quick, simple, reliable solution for a wide range of audio applications.
High-Quality, Industry Standard ConnectionsLook at your computer's audio output. What is it? A 1/8-inch mini stereo jack, most likely. That's fine for plugging in headphones, but a terrible way to connect to external sound systems, stereos, PAs, mixing boards, or any other audio hardware. The UCA222 easily connects to your outboard pro audio gear, and you even get an optical S/PDIF digital output for connecting to high-end digital equipment. Now, take a look at your computer's input. If it has one at all, it's most likely the same deal -- 1/8-inch mini-jack. Again, the Behringer UCA222 provides universally recognized RCA inputs for bringing a wide variety of audio sources and equipment into your computer for pristine recording. You also get a dedicated headphone output for direct monitoring of both the ins and the outs on the UCA222.
Greatly Improved AudioYou computer's built-in audio system has a number of limitations, especially if your computer is a laptop. Machine noise and other electrical interference can disrupt, distort, or otherwise ruin recording and critical listening and playback situations. The Behringer UCA222 solves this problem by placing your sound card at the end of a USB cable run far from your machine's noisy electrical components. It seems like a such a simple solution, but this arrangement greatly reduces interference and provides a wonderfully low noise-floor for recording and professional playback. The UCA202 provides analog-to-digital audio conversion at 48 kHz or 44.1 kHz sampling rates and 16-bit resolution.
Super Simple Setup
As a USB device, the UCA222 is the textbook example of a Plug-N-Play device. Compatible with both Windows and Mac systems, the UCA222 requires no additional software drivers to work. Relying on your operating system's sound architecture, the UCA222 is instantly compatible with just about every audio software on the market, from multitrack DAWs like Logic and Cubase to audio editing programs like BIAS to DJ software like Itch. Spend time making music, not troubleshooting your hardware.
The applications for the Behringer UCA222 USB Audio Interface are practically limitless. Whether you're an electronic music producer, latptop DJ, mix engineer, audio archivist, or just a lover of music, the Behringer UCA222 is just about the easiest way to add a professional audio interface to your computer.
The UA-1G is a compact 1 x 1 USB Audio Interface that offers excellent-quality sound via multiple connection options and a simple, user-friendly design.
Stereo input and output at 24-bit/96kHz audio quality
High-end A/D and D/A converters for accurate recording and playback
Large Input Level knob for easy control while recording
1/4" jack with Hi-Z option for recording electric guitar or bass
Electret condenser mic input
RCA phono type and optical-digital audio I/O
Headphone output
USB powered – no AC adapter required
SONAR LE for music recording, editing, and publishing on PC
Low-latency ASIO 2.0 (PC); WDM (Windows Vista, Windows XP) and Core Audio (Mac OS X) support
Number of Audio Record/Playback Channels
Record: 1 pair of stereo
Play: 1 pair of stereo
REC SOURCE switch = ANALOG: Full duplex (except for 96 kHz setting)
REC SOURCE switch = DIGITAL: Recording only
Digital output: 32/44.1/48/96 kHz
Digital input: 32/44.1/48/96 kHz
AD/DA Conversion: 32/44.1/48/96 kHz
* ADVANCE DRIVER switch = OFF: 32/44.1/48 kHz
Nominal Input Level
Line input jacks: -10 to +4 dBu
Guiter input jakcs: -30 to -16dBu
Mic input jack: -40 to -26 dBu
Nominal Output Level
Line output jacks: -10 dBu
Interface
USB Digital input (Optical mini type)
* The same jack serves as both the Mic Input jack and digital input connector.
Digital output (Optical mini type)
* The same jack serves as both the headphones jack and digital output connector.
* conforms to IEC60958 consumer format.
USB Connector (B type)
Line Input jacks (L, R) (RCA phono type)
Line Output jacks (L, R) (RCA phono type)
Guiter/Mic Input jack: (1/4 inch phone type)
Mic Input jack (Plug-in powered miniature phone type)
Digital Intput connector (Optical mini type)
* The same jack serves as both the headphones jack and digital output connector.
Headphones jack (Stereo miniature phone type)
Digital Output connector (Optical mini type)
* The same jack serves as both the Mic Input jack and digital input connector.
Power Supply
Supplied from the computer
Current Draw
200 mA
Accessories
Ownerʼs Manual, UA-1G CD-ROM, SONAR LE CD-ROM
Size and Weight
Width
160 mm
6-5/16 inches
Depth
58 mm
2-5/16 inches
Height
28 mm
1-1/8 inches
Weight
165 g
0 lbs. 6 oz.
he U46XL is a powerful multi-purpose 4-in 6-out multi-channel audio interface designed for various recording applications at home or on the road. The U46XL is the successor of to ESI Audio's famous U46DJ interface.
As its predecessor, it provides 2 stereo line inputs, a microphone input with +48V phantom power and a headphone output. A main difference is the improved analog circuitry improving the audio quality as well as the professional microphone preamplifier with XLR input. This makes the U46XL the perfect solution to record signals from dynamic or condenser microphones on the road or in your studio.
The unit also features an instrument input (Hi-Z), typically to connect a guitar directly to it. Two totally separate stereo line input on the backside provide 4 simultaneously usable input channels at one time. There are also 6 independent individual outputs on the backside, perfect for multi-channel playback applications like to provide individual outputs for software synthesizers, to provide independent playback channels for DJ software or to provide surround playback capability via a 5.1 setup. A separate mix output with professional TRS outputs could be used to connect U46XL to professional stereo studio monitors.
A cool feature is the DirectWIRE support in the driver, allowing you to record signals from one application to another internally. U46XL works with this driver based on our EWDM technology under Windows XP and Windows Vista/7, however U46XL is also Mac OS X compatible.
U46XL ships with Cubase LE 4 from Steinberg for Mac and PC to start recording on a professional level right out of the box.
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