Content | The MR12 from Midas is a 12-input, portable, rackmountable mixer for iPad and Android tablets. It can be used for both live and studio environments in applications for live stage, theater, houses of worship, rehearsals, and more. It features four Midas mic preamps and an integrated Wi-Fi module for wireless control, giving you the ability to move around and manipulate all parameters of your mix. Furthermore, it has USB connectivity for file storage and future system updates. The built-in USB connector makes it easy to store files or record and play back uncompressed stereo WAV files of your mix. You can then dial-in a monitoring mix with effects and zero latency while sending your stereo mix and the keyboard player\'s MIDI notes to your DAW for recording.
The MR12 has additional features including the MIDI in/out jack for controlling the mixer via MIDI equipment, using Mackie control protocol via a live-performance controller. This mixer also comes with several Midas effects, such as a Leisure compressor and leveling amplifier, mid/sides Fair compressor, a 5-band Combinator compressor, modulation delay, Sub Octaver, and an Edison EX1 that enables simple manipulation of the stereo field. Finally, the MR12 includes Sound Maxer and a dimensional chorus effect, which can help you to restore natural sheen and clarity to the original audio signal. Whether you\'re recording in the studio, or you want to capture intimate live performances, it\'s never been easier to record professional-sounding tracks with clarity.
- iPad / Android tablet-controlled, 12-input digital mixer for studio and live applications
- 4 high-quality MIDAS PRO microphone preamplifiers
- Built-in, tri-mode Wi-Fi router for direct operation—no need for external routers
- Dugan-style auto-mixing automatically manages microphone gain-sharing
- USB connector for uncompressed stereo WAV recording and playback
- 4 digital signal-processing effects engines
- Rack ears and protection bumpers included for flexible rack and onstage applications
- 6 aux buses and main LR with inserts, full dynamics processing, and 6-band parametric or 31-band graphic EQ
- 2 TRS aux outputs and 2 XLR main outputs, plus a headphone connector
- 40-bit, floating-point digital signal processing
- Free iOS, Android, and Windows/Mac/Linux apps available for remote operation via Ethernet, LAN, or Wi-Fi
- MIDI in/out ports allow for controlling the mixer via MIDI equipment
- Future firmware updates, including new FX "plug-ins," downloadable free of charge
- Auto-ranging, universal-switch-mode power supply
- Limited 3-year warranty
Connectors |
Mic Inputs |
Programmable Mic Preamps (Designed by Midas Pro): 4 XLR/TRS combo jacks, balanced |
Line Inputs |
8 x 1/4" / 6.35 mm TRS, balanced |
Main Outputs |
2 x XLR, balanced |
AUX Outputs |
2 x 1/4" / 6.35 mm TRS, balanced |
Headphone Out |
1 x 1/4" / 6.35 mm TRS, balanced |
MIDI |
In: 5-pin DIN
Out: 5-pin DIN |
Ethernet |
1 x RJ45 |
USB Port |
Type-A |
Input/Output Characteristics |
Microphone Characteristics |
Preamp Design: Midas Pro
THD + Noise: 0.005%, unweighted (noise, unity gain, 0 dBu, 1 kHz)
Phantom Power: 48 V (switchable per input)
EIN Noise: -125 dBu, 22 Hz - 22 kHz unweighted (at +60 dB gain, 150R source)
CMRR, XLR (1 kHz @ Unity Gain): Typically 65 dB
CMRR, XLR, (1 kHz @ +60 dB Gain): Typically 90 dB |
Input / Output |
Frequency Range: 20 Hz - 20 kHz (at 48 kHz sample rate, +/- 0.5 dB)
Dynamic Range: 107 dB, 22 Hz - 22 kHz unweighted (analog in to analog out)
A/D Dynamic Range: 110 dB, 22 Hz - 22 kHz unweighted (preamp to converter)
D/A Dynamic Range: 111 dB, 22 Hz - 22 kHz unweighted (converter and output)
Cross Talk Rejection: 90 dB (at 1 kHz, adjacent channels)
Mic/Line 1-16 Input Impedance 10 kOhm (XLR jack, unbalance / balanced)
Non Clip Maximum Input Level: +23.5 dBu (XLR)
Hi-Z Input Impedance: 1 MOhm / 2 MOhm (TRS jack, unbalance / balanced)
Line Input 5-10 impedance: 20 kOhm / 40 kOhm (TRS jack, unbalance / balanced)
Non Clip Maximum Input Level: TRS +21 dBu |
Analog Output Characteristics |
Output Impedance (XLR/TRS): 50 Ohms
Maximum Output Level (XLR/TRS): +21 dBu
Phones Output Impedance: 50 Ohms
Maximum Phones Output Level: +21 dBu
Noise at Unity Gain: -86 dBu, 22 Hz - 22 kHz unweighted (1 input assigned, XLR and TRS)
Noise when Muted (XLR and TRS): -90 dBu, 22 Hz - 22 kHz unweighted |
USB |
Stereo USB Return Channel: 1 (Type-A) |
Wireless LAN |
WLAN |
Antenna: External, SMA connector, 50 Ohms
Access Point (Number of Clients): 4 maximum
IEEE 802.11 b/g Standard: 2.4 GHz
Frequency Range: 2412-2462 MHz
WLAN Channels: 1-11 (Wi-Fi Client, Access Point)
Max Output Power: 19 dBm (802.11 b) / 18 dBm (802.11 g) |
General Specifications |
Power |
Power Supply: Switch-mode, Autorange 100-240 V, (50/60 Hz) Power Consumption: 30 W |
Temperature |
41 to 104°F / 5 to 40°C |
Dimensions |
13.1 x 5.9 x 3.7" / 332.7 x 149.9 x 94.0 mm |
Weight |
6.4 lb / 2.9 kg |
Channels |
Number of Processing Channels: 16 input channels
Stereo USB Return Channel: 1
Stereo FX Return Channels: 4
Aux Buses: 6
Main: 2 (L,R) |
Effects Engine |
Internal Effects Engines: 4 true stereo |
Signal Processing |
40-bit floating point |
AD/DA Conversion |
24-bit @ 44.1 / 48 kHz, 115 dB dynamic range |
Latency |
Analog I/O Latency: 0.8 ms |
| 18-Channel Digital Mixer
- Remote controlled via built-in router with Wi-Fi, Ethernet and multi-channel USB audio interface
- 16 Mic/Line XLR/Combo jack inputs
- Inputs: 2 x Line - 6.3 mm jack
- Outputs: Main XLR
- 6 AUX / Monitor sends
- 4 Integrated effects processors
- 100 Band Analyser
- Stereo headphone output
- Ultranet monitor connection
- MIDI in-/output
- iOS, Android and other software apps available free of charge
- 3 U
- Installation depth: 114 mm
- Dimensions with rack ears and protection bumpers (W x H x D): 333 x 140 x 150 mm
- Dimensions without rack ears and protection bumpers (B x H x T): 311 x 132 x 150 mm
- Weight: 3.2 kg
- Includes a rackmount chassis
Further Information
Buses |
6 |
Inputs |
18 |
Channels (max. amount) |
18 |
DCA (Digitally Contr. Amp.) |
Yes |
Card Slot (external) |
No |
Touchscreen |
No |
Offline Editing |
Yes |
Demountable Stagebox |
No |
External Power Supply |
No |
Port For Ext. Power Supply |
No |
19" Rack Unit |
Yes |
Built in Audio player |
No |
|
Si Performer 3 Highlights
| • |
Massive mix capacity – 80 inputs to mix in a small format live sound digital mixer
| • |
2 ViSi Connect™ option card slots with 128x96 input/output paths for expanded digital I/O including the MultiDigital Card (Firewire/USB/ADAT), BSS Digital Audio Bus (BLU Link), Dante™, CAT5 or optical MADI, AVIOM™, CobraNet™ and others.
| • |
Assignable Fader Layers - Customise each of the four fader layer pages to meet your needs or add/insert faders to accommodate that additional mic that was not in the patch list!
| • |
1 Control = 1 Function - With each control dedicated to a given function there is never any 'layering' of controls or navigating through screens; this allows the Si Performer controls to be labeled on the surface just as they would have been on an analogue mixer.
| • |
TOTEM™ - The One Touch Easy Mix; press a single key to mix to an AUX, FX or Matrix bus, the surface and monitoring instantly reconfigure to allow instant mixing to your chosen bus on the faders.
| • |
Soundcraft FaderGlow™ - Illuminates the fader slots according to function with clearly defined colours for FX, Stereo, Linked Mono, GEQ, POST Fade Aux, PRE Fade Aux; you'll never be lost again!
| • |
DMX interface - control sound and light from the same device.
|
•
|
BSS® GEQ - With a BSS GEQ on every bus there is never any need to assign from a pool of resources and you will never 'run out' of processing.
| • |
Security Lockout - Lock the whole console or just selected elements, manage the security with the users and profile settings.
| • |
Personal Monitoring Interface - When used with the Si BLU link option card, the Si Performer is a perfect partner to the dbx PMC16 Personal Monitoring System , using simple Cat5 cabling for easy setup.
| • |
D.O.G.S. (Direct Out Gain Stabiliser) - Prevents manual change of a mic gain control affecting direct out levels, perfect when 2 consoles share a stagebox or when recording the channel direct outputs.
| • |
Global Mode Controls - A row of rotary controls above each fader assignable at the touch of a button to be GAIN, PAN or HPF for all of the inputs allowing instant access to the core functions.
| • |
Copy & Paste - Copy whole channels, busses, mixes, Lexicon™ effects, a single part such as the EQ or multiple parts like the channel gate and compressor.
| • |
Instant Access Keys - Dedicated keys on the front panel for STORE, RECALL, NEXT, MUTE 1-8, TAP TEMPO and more negate the need to dive into screen & context menus.
| • |
Function Focus - Whenever a control is moved or SELect key pressed the screen displays information about the channel identifying the absolute value of the controls and the channel name, number etc.
|
|
|
|
|
Key Features
• 32 mono mic inputs
• 8 line inputs
• 80 channels to mix
• 2 ViSi Connect™ option card slots for 128 x 96 input/output paths
• Pre/Post selection per input per bus
• Freely assignable faders and patching
• Soundcraft FaderGlow™
• Colour backlit LCD screens per fader
• GEQ on every bus
• 20 sub-group / aux busses
• 4 FX busses
• 8 Matrix busses
• LRC Mix busses
• LCR panning
• 4 Stereo Lexicon Effects engines
• Delay on inputs and outputs
• 8 Mute Groups
• 8 VCA Groups
• AES in and out
• DMX interface and control - control sound and light simultaneously
• Freely assignable insert loops
• Harman HiQnet integration
• Colour touch screen interface
| With a three-section fader layout for efficient hands-on control, the CL5 is the ideal choice for a diverse spectrum of live sound systems.
- Input channels: 72 mono, 8 stereo.
- Fader configuration: 16-fader left section, 8-fader Centralogic section, 8-fader right section, 2-fader master section .
- Stainless steel stay for iPad support.
- Built-in meter bridge.
General specifications
Sampling frequency rate |
Internal |
44.1kHz / 48kHz |
External |
44.1kHz: +4.1667%, +0.1%, -0.1%, -4.0% (±200ppm), 48kHz: +4.1667%, +0.1%, -0.1%, -4.0% (±200ppm) |
Signal delay |
Less than 2.5ms, OMNI IN to OMNI OUT, Fs=48kHz |
Total harmonic distortion |
Less than 0.05% 20Hz-20kHz@+4dBu into 600Ω, OMNI IN to OMNI OUT, Input Gain = Min. |
Frequency response |
+0.5, -1.5dB 20Hz-20kHz, refer to +4dBu output @1kHz, OMNI IN to OMNI OUT |
Dynamic range |
112dB typ.: DA Converter / 108dB typ.: OMNI IN to OMNI OUT, Input Gain = Min. |
Crosstalk |
-100dB*1, adjacent OMNI IN/OMNI OUT channels, Input Gain = Min. |
Power requirements |
US/Canada: 120V 60Hz, Japan: 100V 50/60Hz, China: 110-240V 50/60Hz, Korea: 220V 60Hz, Other: 110-240V 50/60Hz |
Power consumption |
170W: Internal Power Supply / 200W: Simultaneous use of Internal PSU and External PW800W |
Dimensions |
W |
1053mm (41 1/2in) |
H |
299mm (11 3/4in) |
D |
667mm (26 1/4in) |
Net weight |
36kg (79.4lb) |
Others |
Temperature Range: Operating temperature range: 0 - 40℃, Storage temperature range: -20 - 60℃ |
|
GLD is a user-friendly, cost effective and scalable live digital mixing system, conceptually based on the hugely successful digital iLive series. A standard GLD 32 input system offers 28 XLR mic inputs with plug nʼ play I/O expanders allowing easy expansion up to 48 inputs (44 XLR mic inputs).
At the heart of the system is the GLD-80 mixer, providing 48 input processing channels, 8 stereo FX returns fed by iLiveʼs acclaimed FX emulations, 30 configurable buses, 20 mix processing channels, and DSP power to provide full processing without compromise.
- Compact digital mixer with scalable, remote I/O
- Systems from 4 to 44 mics
- Easy to use, quick to access, analogue style interface
- dSNAKE Cat5 digital snake—up to 120m cable length
- 8.4 inch colour touchscreen for graphical view and setup
- 20 faders, 4 layers, 80 channel strips in a freely customizable layout
- 48 input channels into 30 assignable buses (Aux, Group, Matrix, Main, FX Send) into 20 mix outputs
- 8 stereo RackFX engines with dedicated ʽshortʼ returns with 4-band PEQ
- Full processing on all inputs including trim, polarity, HPF, insert, gate, 4-band PEQ, compressor and delay
- Full processing on all outputs including insert, PEQ, GEQ, compressor and delay
- LR, None (monitors), LR+M (sum), LR+M (bus), LCR main mix modes
- 16 DCAs / mute groups
- Built-in Talkback, RTA and Signal Generator
- I/O module options for FOH/Monitor split, multitrack recording, link to iLive and more
- MIDI In/Out and Ethernet Network port
- AviomTM Pro16 compliant Monitor port on main AudioRack
- High end 1dB step recallable mic/line preamps
- User definable channel names and colours
- Engineerʼs mono Wedge and stereo IEM strips
- Input, output and insert soft patchbays
- Quick copy, paste and reset of mixes and parameters
- Libraries, Scenes and Show memories with USB transfer
- Get started quickly with Template Shows
- Dimensions: (W x D x H) 730 x 577 x 159mm
- Weight: 16kg
|
The X32 Compact 40-Channel, 25-Bus Digital Mixing Console from Behringer provides a wealth of features in a compact design, ideal for professional live and recording applications. The mixer features 16 fully programmable MIDAS-designed mic preamps. The Main LCR (left, center, right) channels, 16 mix busses, and 6 independent matrix mix busses all have 6-band parametric EQs and integrated dynamics processing for excellent sonic tailoring capabilities.
The mixer has 16 analog XLR outputs, as well as 6 balanced line-level 1/4" Aux inputs and outputs, and two 1/4" headphone jacks. The talkback section allows you to communicate with the integrated mic or an external mic. The mixer also has a pair of AES50 ports that feature Klark Teknik SuperMAC networking capability for use with 48-channel digital snakes for ultra-low jitter and latency. The system also has an integrated expansion port that ships with a 32 x 32 XUF FireWire/USB audio card installed.
The built-in Virtual FX offers 8 true-stereo FX slots that deliver high-end simulations of popular processors, such as Lexicon 480L and PCM70, EMT250 and Quantec QRS, etc. The integrated high-power 40-bit floating-point DSP system delivers "unlimited" dynamic range, no internal overload, and near-zero latency between inputs and outputs for top-quality performance. The mixer also has 6 mute groups and 8 DCA groups.
The intuitive interface offers ease-of-use with a dedicated channel strip section that has direct-access controls. There is also a high-resolution 7" color TFT display with associated controls and individual RGB backlit graphic LCDs on every channel. The unit has 17 motorized 100mm faders for extensive user-definable control.
The system has a USB flash connector to provide file storage for uncompressed recordings, show presets, and system updates. There are also connections that support the P-16 personal monitoring system, AES/EBU stereo digital outputs, and MIDI. Adjustable line delays are available on all of the physical inputs and outputs.
Other features of the X32 Compact include networked remote control or show setups with the included remote editor software via USB and Ethernet ports. You can even conveniently handle the scene management duties of complex productions. All of these features are packed into a compact and durable enclosure to ensure a long life of professional use.
Free Control Software Applications
Behringer iPad and iPhone apps for professional remote operation are free downloads on the Apple App Store. All of the X32's features can be managed concurrently from various locations and instances of the XiQ, XiControl, and XControl apps.
Versatile and Expandable
The X32 Compact can act as the nucleus of a flexible and expandable audio system. The built-in 32 x 32 USB recording interface, 8 stereo effects engines, zero-latency monitoring and 100% total recall deliver the tools to handle a wide variety of projects.
Number of Analog Input Channels |
40 |
Number of Mic Preamps |
16 |
Max I/O Capacity |
150 x Input / 160 x Output (with Optional Hardware) |
Mix Routing |
1 x Main LRC
16 x Bus
6 x Matrix
8 x Aux Send
8 x FX Return |
Presets |
100 x Scene |
Display |
Main Display:
7" / 177.8 mm LCD Touchscreen
Channel Display:
LCD (Backlit) |
Display Resolution/Color |
Main Display:
800 x 480 / 6-Bit Color
Channel Display:
128 x 64 / RGB Color |
Meters |
3 x 24-Segment LED |
Signal Processing
Internal Effects |
8 x Stereo
16 x Mono |
Digital Audio
Sample Rates |
44.1 / 48 kHz |
Bit Depth |
AD/DA Conversion:
24-Bit |
DSP |
40-Bit Floating Point |
Converter Dynamic Range |
A/D:
109 dB
D/A:
108 dB |
Latency |
0.8 ms (Console Input to Main Output)
1.1 ms (Stagebox Input to Stagebox Output) |
Performance
Frequency Response |
10 Hz to 22 kHz |
Max Input Level |
1/4" TRS Input:
+16 dBu
Mic Input:
+23 dBu |
Output Level |
1/4" TRS Output:
+4 dBu (Nominal)
+16 dBu (Max)
Headphone Output:
+25 dBm (Stereo)
XLR Output:
+4 dBu (Nominal)
+21 dBu (Max) |
Analog Dynamic Range |
Input to Output:
106 dB |
I/O Impedance |
1/4" Input:
40 Kilohms (Balanced)
20 Kilohms (Unbalanced)
Headphone Output:
40 Ohms
Mic Input:
5 Kilohms (Unbalanced)
10 Kilohms (Balanced)
XLR Output:
75 Ohms (Balanced/Unbalanced)
1/4" TRS Output:
300 Ohms (Balanced)
150 Ohms (Unbalanced) |
Crosstalk |
Adjacent Channels:
100 dB at 1 kHz |
CMRR |
> 70 dB at +20 dB Gain
> 80 dB at +40 dB Gain |
EIN |
-128 dBu (Input Shorted) |
Noise Floor |
-87 dBu A-Weighted |
THD+N |
< 0.006% at +20 dB Gain (A-Weighted) |
Connectivity
Analog Inputs |
1 x XLR Talkback Input
16 x XLR Balanced Mic/Line Input
6 x 1/4" TRS Aux Input
1 x 2RCA Line/Aux Input |
Analog Outputs |
2 x 1/4" TRS Balanced Monitor Output
2 x 1/4" TRS Headphone Output
6 x 1/4" TRS Aux Output
1 x 2RCA Aux/Line Output
8 x XLR Balanced Line Output |
Phantom Power |
+48 V (Selectable on Individual Inputs) |
Digital I/O |
1 x RJ45 (Control)
1 x RJ45 Ultranet (Control)
1 x XLR AES3 Output
2 x etherCON AES50/SuperMAC |
MIDI I/O |
1 x MIDI 5-Pin In
1 x MIDI 5-Pin Out |
USB |
1 x USB Type-A (USB 2.0, Audio Playback, External Memory) |
Expansion Ports |
1 x 32 x 32 I/O Card |
Power
AC Input Power |
100 to 240 VAC, 50 / 60 Hz |
Power Consumption |
120 W |
Physical
Dimensions |
8.5 x 24.6 x 20" / 215 x 625 x 510 mm |
Weight |
33.9 lb / 15.4 kg |
|
Reviews
There are no reviews yet.