4. input : 2 x jack 6.3mm /2 x XLR female
5. output: 2 x jack 3.5mm
€59.79 incl. GR VAT
In stock
EAN: N/A
Weight | 0.30 kg |
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N AUDIO MIC2 Double Microphone - Line pre amplifier remove | GOLDEN AGE PRE73 MK2 + FC3 Microphone preamp and condenser microphone bundle remove | SOUND DEVICES MM-1 Portable Mic Preamp with Headphone Monitor remove | ARX E-PRE ULTRA COMPACT MIC PREAMP FOR HD RECORDING remove | DAP AUDIO D1535 ASC-202 2 Way Stereo Converter remove | BEHRINGER MIC100 TUBE ULTRAGAIN VACUUM TUBE PREAMPLIFIER w-LIMIT remove | |||||||||||||
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Name | N AUDIO MIC2 Double Microphone - Line pre amplifier remove | GOLDEN AGE PRE73 MK2 + FC3 Microphone preamp and condenser microphone bundle remove | SOUND DEVICES MM-1 Portable Mic Preamp with Headphone Monitor remove | ARX E-PRE ULTRA COMPACT MIC PREAMP FOR HD RECORDING remove | DAP AUDIO D1535 ASC-202 2 Way Stereo Converter remove | BEHRINGER MIC100 TUBE ULTRAGAIN VACUUM TUBE PREAMPLIFIER w-LIMIT remove | ||||||||||||
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SKU | NAUDIOMIC2 | PRE-73 MK2 FC-3 | MM-1 SD | E-PRE | D1535 | E005632 | ||||||||||||
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Price | €59.79 incl. GR VAT | €554.47 incl. GR VAT | €695.00 incl. GR VAT | €162.49 incl. GR VAT | €66.95 incl. GR VAT | €45.00 incl. GR VAT | ||||||||||||
Stock | In stock | Available on backorder | In stock | Only 1 left in stock (can be backordered) | Only 3 left in stock | Available on backorder | ||||||||||||
Availability | In stock | Available on backorder | In stock | Only 1 left in stock (can be backordered) | Only 3 left in stock | Available on backorder | ||||||||||||
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Description | ||||||||||||||||||
Content | Microphone preamplifier - Musical instrument
1. Microphone channel : 2
2. Instrument channel: 2
3. PHANTOM POWER 48V
4. input : 2 x jack 6.3mm /2 x XLR female
5. output: 2 x jack 3.5mm |
The PRE-73 Mk2 pre-amp and the FC3 condenser microphone in one bundle. The bundle also includes Golden Age P1 Pop Filter, Proel RSM180 mic stand and Proel CHL250 5m cable. | Highly versatile and portable, Sound Devices' MM-1 is a single-channel, portable microphone preamplifier with a powerful headphone monitoring function. Proven in mission-critical applications, the high-performance microphone preamplifier uses a transformer-balanced input and output with a bipolar ±15 volt power supply to produce low-noise, low-distortion gain at all switch positions. It features an "unclippable" dual-stage limiter and two-position high-pass filter. Flexible microphone powering provides phantom power at 48 volts or 12 volts and 12-volt T-power. It is powered from two-AA batteries or external 5-18 VDC.
The MM-1 is at home in high-definition television production, corporate/industrial environments, radio/television announce booths, and music production. Its headphone monitor is an advantage in applications where communications channels or mix-minus feeds need to be monitored in headphones. The user can monitor both microphone audio and external audio sources in headphones with level control.
The MM-1 is designed to be durable. Its aluminum chassis, oversized end panels, machined knobs, and panel mounted connectors assure reliable mechanical operation.
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Features Any way you look at it, the e-pre by ARX is the total professional microphone pre-amp for e-pre Benefits T E C H N I C A L S P E C I F I C A T I O N S | • Road proof housing • High quality components • Professional balanced XLR outputs • Level control The ASC-202 converts consumer level stereo RCA signals to balanced XLR professional line level, and back. One side of the unit, has two XLR inputs and stereo RCA outputs. The other side has stereo RCA inputs and two XLR outputs. Each side has stereo level controls. A possible application of the SC-13 is to use it as a level control in balanced audio lines. The DAP Pro Audio Solutions are a complete line-up of audio tools for the professional musician or audio engineer. It is a series of audio modifying tools like mini-mixers, pre-amps and converters available in active or passive models. All audio solutions are designed to meet the highest stage and audio demands and feature a metal road proof housing with rubber feet and easy accessible controls. The units also have a small footprint which make them ideal to be used and placed in any environment where space is critical. Specifications Frequency Response: 20Hz-20KHz Inputs: XLR/Jack Combo, RCA Outputs: XLR male, RCA Input sensitivity RCA in: -10 dBv Input Impedance RCA in: 10 kOhm Input sensitivity XLR/Jack in: +4 dBu Input Impedance XLR/Jack in: 20 kOhm Output voltage RCA Out: -10 dBV Output Impedance XLR Out: 100 Ohm Output voltage XLR Out: +4 dBu Output Impedance XLR Out: 200 Ohm Power supply: 18V AC (adapter included) Dimensions: 53 x 158 x 135 mm (HxWxD) Weight: 0,65 Kg | Vacuum Tube Mic Preamp. 12AX7 Vacuum Tube. +48V Phantom Power, 20dB Pad. This premium tube mic/line preamp features an integrated limiter for studio, live and hard disk recording applications. It features a carefully-selected 12AX7 vacuum tube with Behringer's UTC technology for exceptional warmth and lowest noise. Using the MIC100 is a great way to eliminate the "dull" sound of standard digital recorders & sound cards. Also, it perfectly complements studio-grade condenser mics. When used as a high-end DI-box, it ensures outstanding signal integrity. Features also include a phase reverse switch, +48 V phantom power, a 20 dB pad, and balanced I/O. The heart of the Tube Untragain is an extremely low-noise microphone preamp circuitry that uses discrete components and produces a highly trans-parent sound. In combination with Behringer's tube technology, the operational amplifiers 4580 and a sophisticated circuit topology, the Tube Untragain yields excellent noise and distortion properties. The innovative UTC circuitry that has been developed by our engineering team offers an abundance of sound-shaping possibilities. Absolute musicality was Behringer's major goal when we designed the Tube Untragain. The result is a device that, thanks to our tube circuitry, lends an incredible punch to percussion instruments. On the other hand, instruments that are rich in upper harmonics will receive more transparency. The sound will be warm, detailed and brilliant. Technical Description Specifications XLR input Connector: Balanced/unbalanced Type: Transformerless, DC-decoupled input Impedance: Approx. 2 kOhms Maximum input level: +7 dBu / 20 dB with pad 1/4 in. TRS input Connector: Balanced/unbalanced Type: Transformerless, DC-decoupled input Impedance: Approx. 1 MOhms Maximum input level: +16 dBu / 20 dB with pad Audio outputs Connectors: XLR and 1/4 in. TRS connector balanced/unbalanced Type: Transformerless, DC-decoupled output Impedance: Approx. 700 Ohms balanced Approx. 350 Ohms unbalanced Maximum output level: Approx. +26 dBu @ 100 k§? System Frequency Response Mic input: | ||||||||||||
Weight | 0.30 kg | 7.00 kg | 3.00 kg | 1.00 kg | 0.65 kg | 1.50 kg | ||||||||||||
Dimensions | N/A | N/A | N/A | N/A | N/A | N/A | ||||||||||||
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