Neumann NEUMANN TLM-170-R Condenser Microphone Nickel

2,849.00 incl. GR VAT

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The TLM 170 R was the first microphone to use the successful fet 100 technology. Along with a balanced, transformerless output stage it features extremely low self-noise and an impressive dynamic range. Five directional characteristics are selectable by means of a rotary switch. In the sixth position, marked ‘R’, the directional patterns can be controlled […]

 

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The TLM 170 R was the first microphone to use the successful fet 100 technology. Along with a balanced, transformerless output stage it features extremely low self-noise and an impressive dynamic range.

Five directional characteristics are selectable by means of a rotary switch. In the sixth position, marked ‘R’, the directional patterns can be controlled remotely with the N 248 power supply. There is no special cable necessary for this purpose.

The microphone has at its rear a 10 dB attenuation switch for extremely high sound pressure levels, and a high-pass filter to suppress structure born noise.

Weight 0.50 kg

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NameNeumann NEUMANN TLM-170-R Condenser Microphone Nickel removeNEUMANN TLM-49 Condenser studio mic removeRODE NT-2A Multipattern Condenser Microphone removeAvantone AV-CK6 Condenser FET mic, inc shock mount, wooden mic box and metal case removeAKG PERCEPTION 420 large-diaphragm condenser microphone removeBEHRINGER C-2 - 2 Matched Studio Condenser Microphones remove
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Description
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The TLM 170 R was the first microphone to use the successful fet 100 technology. Along with a balanced, transformerless output stage it features extremely low self-noise and an impressive dynamic range.

Five directional characteristics are selectable by means of a rotary switch. In the sixth position, marked 'R', the directional patterns can be controlled remotely with the N 248 power supply. There is no special cable necessary for this purpose.

The microphone has at its rear a 10 dB attenuation switch for extremely high sound pressure levels, and a high-pass filter to suppress structure born noise.

Acoustical operating principlePressure gradient transducer
Directional patternCardioid
Frequency range20 Hz ... 20 kHz
Sensitivity at 1 kHz into 1 kohm13 mV/Pa
Rated impedance50 ohms
Rated load impedance1000 ohms
Equivalent noise level, CCIR1)23 dB
Equivalent noise level, A-weighted1)12 dB-A
Signal-to-noise ratio, CCIR1) (rel. 94 dB SPL)71 dB
Signal-to-noise ratio, A-weighted1) (rel. 94 dB SPL)82 dB
Maximum SPL for THD 110 dB
Maximum SPL for THD 129 dB
Maximum output voltage for THD -1 dBu
Dyn. range of the mic. amplifier /A-weighted, 0.5 %2))98 dB
Dyn. range of the mic. amplifier /A-weighted, 5 %2))117 dB
Supply voltage (P48, IEC 61938)48 V ± 4 V
Current consumption (P48, IEC 61938)3.2 mA
Matching connectorXLR 3F
Weight825 g
Diameter78 mm
Length165 mm
1) According to IEC 60268-1; CCIR-weighting according to CCIR 468-3, quasi peak; A-weighting according to IEC 61672-1, RMS
2) Measured as equivalent el. input signal

NT2-A - ?The Legend Continues? Multi Pattern 1? Condenser Microphone.
 
The new NT2-A carries on the tradition forged by the now legendary R?DE NT2.
A professional large capsule (1?) studio microphone incorporating three-position
pick-up patterns, pad and high pass filter switches conveniently located on the
mic body.
At the heart of the NT2-A is the Australian designed and manufactured HF1 dual
diaphragm capsule. The frequency and transient response of this new transducer
has been voiced to complement today?s modern recording techniques, and yet still
evoke the silky smooth character of the legendary microphones of the 50?s and 60?s.
These features provide the flexibility and superlative audio characteristics that make
the NT2-A one of the most versatile condenser mics available.
The NT2-A?s variable controls allow switching between Omni, Figure 8, and Cardioid
polar patterns. The three position high-pass filter provides a flat response or an 80Hz
and 40Hz high pass filter to be selected. Finally the microphones Pad can be switched
between 0 dB, -5dB and -10dB. The NT2-A comes in a soft pouch with an M2 stand mount.
 
SPECIFICATIONS:
Features:
The Australian designed and manufactured HF1 1? edge terminated, gold sputtered, dual
5 um diaphragm capsule. 3-position variable polar pattern: Omni, Cardioid & Figure 8; all
controlled on the mic. 3-position variable high-pass filter: Flat, 80 Hz or 40 Hz. 3-position
variable pad: 0 dB, -5 dB or -10 dB. Ultra low noise, transformerless SMT circuitry. Wide
dynamic range. High strength heat-treated steel mesh head. Durable satin nickel finish.
Internal capsule shock mounting. Supplied complete with soft pouch and clip. Designed
and manufactured in Sydney, Australia.
Operation power:
The NT2-A is designed to operate from phantom power to the P48 standard. The NT2-A will
operate between 44V and 52V applied with positive polarity to pin 2 and pin 3 of the output
XLR connector.
Operation output impedance:
The NT2-A will operate satisfactorily into a load impedance as low as 1 kΩ. If a load below this
is used, the output signal level will be reduced. The NT2-A output is balanced between pin 2 (hot)
and pin 3 (cold). Pin 1 is ground.
Acoustic principle: Externally polarized 25 mm (1?) dual diaphragm.
Directional pattern: Multi-pattern
Frequency range:  20 Hz ~ 20 000 Hz
Output impedance: 200 Ω
Signal noise ratio din iec 651:
87 dB (1 kHz rel 1 Pa; per IEC651, IEC268-15)
Equvalent noise: 7 dBA SPL (per IEC651, IEC268-15)
Maximum spl:
147 dB (@ 1% THD into 1 kΩ); 157 dB (@ 1% THD into 1 kΩ) - pad at maximum
Sensitivity: -36 dB re 1 Volt/Pascal; (16 mV @ 94 dB SPL) +/-2 dB
Dynamic range din iec 651: 140 dB (per IEC651, IEC268-15)
Power supply voltage: 48 Volts (P48)
Output connection:
3 pin XLR, balanced output between; pin 2(+) and pin 3(-); Pin 1 ground
Weight with battery: 860 grm

The AVANTONE CK-6 is truly a gorgeous looking and sounding microphone. The design, character and performance can be compared directly to fine studio-standard FET mics…but at a fraction of their cost!

The rugged CK-6 microphone body and capsule assembly are precision machined of Brass. Aesthetically the compact body features an elegant Metallic Cabernet Wine-Red finish, accented with polished nickel trim and capsule assembly. Manufactured using the finest materials yielding a very solid feel, superb structural integrity and rugged reliability.

This Transformerless CLASS A FET Microphone w/ 32mm gold sputtered thin Mylar capsule is designed with circuitry that will yield pleasing professional results comparable to much more expensive designs. It also features -10 dB pad  &  80 Hz LF roll off switches for varied recording situations.
 
The included Custom Retro Shockmount is superb in allowing a precise positioning of the mic while inhibiting the transfer of unwanted vibrations up into the mic. This isolation allows for superior professional results.
 
Applications

Studio vocals, acoustic guitar, mandolin, drum overheads, piano, etc…

Specifications

Type: True Transformerless Condenser
Polar Pattern: Cardioid
Frequency Response: 35-20,000 Hz +/- 3.5dB
Output Impedance:

A/B, X/Y, and M/S stereo recording Ambience recording Grand piano, woodwind and brass instruments Percussions Drums Classical music recording Studio applications
  • Back-to-back large-diaphragm multi-pattern transducer
  • True condenser technology
  • High sensitivity and 155 dB maximum SPL capability
  • Switchable 20 dB preattenuation pad
  • Switchable bass cut filter
  • Legendary, pristine AKG sound quality
  • Complete with spider-type shock mount and aluminium carrying case
Type Dual-capsule,1-inch large-diaphragm, true condenser pressure-gradient microphone
Polar pattern Cardioid, omnidirectional, figure-eight
Frequency range 20 to 20,000 Hz
Sensitivity 28 mV/Pa (-31 dBV)
Max. SPL 135/155 dB SPL (0/-20 dB) for 0.5% THD
Equivalent noise level 16 dB-A (IEC 60268-4)
Signal/noise ratio (A-weighted) 78 dB
Preattenuation pad 0 dB, -20 dB
Bass filter 12 dB/octave, 300 Hz
Impedance =1000 ohms
Current consumption
Behringer C-2 2 Matched Studio Condenser Microphones 2 Matched Studio Condenser Microphones
  • 2 matched condenser microphones for stereo studio recording and live applications
  • Ideal as main and support microphones for studio and live applications
  • Cardioid pickup pattern for effective feedback elimination
  • Low-mass diaphragm for ultra-wide frequency response and ultimate sound reproduction
  • Switchable low-frequency roll-off and input attenuation
  • Ultra low-noise transformerless FET input eliminates low-frequency distortion
Excellent Source Isolation Our C-2 mics also feature a low-frequency rolloff switch to eliminate infrasonics (mic handling noise, sound created by creaky stages), as well as a switchable -10 dB input pad to accommodate hot signals, such as a really loud vocalist or overzealous cellist. The cardioid pickup pattern provides unparalleled sound source separation and feedback rejection. C-2 mics contain ultra low-noise transformerless FET input circuitry that can handle extreme dynamics with a maximum sound pressure level of 136 dB. So even if the featured performer at your next recording session or live show happens to be a revved-up jet engine, this workhorse mic will not distort! Sound That Astounds Every stitch of these mics is designed to deliver beautiful sound. Beginning with the gold-plated 3-pin XLR connector, you get the highest signal integrity. Once connected to your system, youʼll notice these twin pro-caliber microphones have a 4 dB boost in the 1 kHz - 8 kHz range. For those of you new to condenser mics, this basically means youʼll get a slightly brighter sound that will give the perfect shape to cymbals and overhead miking. Acoustic pianos and choirs also benefit greatly from this type of frequency response. Excellent Source Isolation The cardioid pickup pattern provides unparalleled sound source separation and feedback rejection. C-2 mics contain ultra low-noise transformerless FET input circuitry that can handle extreme dynamics with a maximum sound pressure level of 136 dB. So even if the featured performer at your next recording session or live show happens to be a revved-up jet engine, this workhorse mic will not distort! Our C-2 mics also feature a low-frequency rolloff switch to eliminate infrasonics (mic handling noise, sound created by creaky stages), as well as a switchable -10 dB input pad to accommodate hot signals, such as a really loud vocalist or overzealous cellist. You Are Covered We always strive to provide the best possible Customer Experience. Our products are made in our own MUSIC Group factory using state-of-the-art automation, enhanced production workflows and quality assurance labs with the most sophisticated test equipment available in the world. As a result, we have one of the lowest product failure rates in the industry, and we confidently back it up with a generous 3-Year Warranty program.
Weight0.50 kg0.82 kg2.90 kg0.60 kg2.00 kg0.90 kg
DimensionsN/AN/AN/AN/AN/AN/A
Additional information
Weight 0.50 kg
Weight 0.82 kg
Weight 2.90 kg
Weight 0.60 kg
Weight 2.00 kg
Weight 0.90 kg