NEUMANN TLM-170-R-MT Condenser Microphone Black

2,849.00 incl. GR VAT

Available on backorder

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The TLM 170 was the first microphone to use the successful fet 100 technology. Along with a balanced, transformerless output stage it features extremely low self-noise and an impressive dynamic range. Five directional characteristics are selectable by means of a rotary switch. In the sixth position, marked ‘R’, the directional patterns can be controlled remotely with […]

 

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The TLM 170 was the first microphone to use the successful fet 100 technology. Along with a balanced, transformerless output stage it features extremely low self-noise and an impressive dynamic range.

Five directional characteristics are selectable by means of a rotary switch. In the sixth position, marked ‘R’, the directional patterns can be controlled remotely with the N 248 power supply. There is no special cable necessary for this purpose.

The microphone has at its rear a 10 dB attenuation switch for extremely high sound pressure levels, and a high-pass filter to suppress structure born noise.

Weight 0.50 kg

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NameNEUMANN TLM-170-R-MT Condenser Microphone Black removeNEUMANN M-149 TUBE Condenser Tube Microphone removeRODE NT-2A Multipattern Condenser Microphone removeBEHRINGER C1 Studio Condenser Microphone removeAKG PERCEPTION 420 large-diaphragm condenser microphone removeSHURE KSM44A/SL - Large Dual-Diaphragm Microphone 20Hx to 20kHz remove
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Description
Content

The TLM 170 was the first microphone to use the successful fet 100 technology. Along with a balanced, transformerless output stage it features extremely low self-noise and an impressive dynamic range.

Five directional characteristics are selectable by means of a rotary switch. In the sixth position, marked 'R', the directional patterns can be controlled remotely with the N 248 power supply. There is no special cable necessary for this purpose.

The microphone has at its rear a 10 dB attenuation switch for extremely high sound pressure levels, and a high-pass filter to suppress structure born noise.

Acoustical operating principlePressure gradient transducer
Directional patternOmnidirectional, wide angle cardioid, cardioid, hypercardioid, figure-8 plus one intermediate position each
Frequency range20 Hz ... 20 kHz
Sensitivity at 1 kHz into 1 kohm34/47/62 mV/Pa*
Rated impedance50 ohms
Rated load impedance1000 ohms
Equivalent SPL CCIR 468-328/25/23 dB*
Equivalent SPL DIN/IEC 65116/13/11 dB-A*
S/N ratio CCIR 468-366/69/71 dB*
S/N ratio DIN/IEC 65178/81/83 dB*
Typical SPL (tube characteristic)K
Maximum output voltage18 dBu
Dynamic range of the microphone amplifier cardioid DIN/IEC 651 for 101 (121) dB
PoweringPower supply N 149
Matching connectorsMicrophone DIN 8F, Power supply XLR 3F
Weight730 g
Diameter70 mm
Length201 mm
* Omnidirectional / cardioid / figure-8

NT2-A - ?The Legend Continues? Multi Pattern 1? Condenser Microphone.
 
The new NT2-A carries on the tradition forged by the now legendary R?DE NT2.
A professional large capsule (1?) studio microphone incorporating three-position
pick-up patterns, pad and high pass filter switches conveniently located on the
mic body.
At the heart of the NT2-A is the Australian designed and manufactured HF1 dual
diaphragm capsule. The frequency and transient response of this new transducer
has been voiced to complement today?s modern recording techniques, and yet still
evoke the silky smooth character of the legendary microphones of the 50?s and 60?s.
These features provide the flexibility and superlative audio characteristics that make
the NT2-A one of the most versatile condenser mics available.
The NT2-A?s variable controls allow switching between Omni, Figure 8, and Cardioid
polar patterns. The three position high-pass filter provides a flat response or an 80Hz
and 40Hz high pass filter to be selected. Finally the microphones Pad can be switched
between 0 dB, -5dB and -10dB. The NT2-A comes in a soft pouch with an M2 stand mount.
 
SPECIFICATIONS:
Features:
The Australian designed and manufactured HF1 1? edge terminated, gold sputtered, dual
5 um diaphragm capsule. 3-position variable polar pattern: Omni, Cardioid & Figure 8; all
controlled on the mic. 3-position variable high-pass filter: Flat, 80 Hz or 40 Hz. 3-position
variable pad: 0 dB, -5 dB or -10 dB. Ultra low noise, transformerless SMT circuitry. Wide
dynamic range. High strength heat-treated steel mesh head. Durable satin nickel finish.
Internal capsule shock mounting. Supplied complete with soft pouch and clip. Designed
and manufactured in Sydney, Australia.
Operation power:
The NT2-A is designed to operate from phantom power to the P48 standard. The NT2-A will
operate between 44V and 52V applied with positive polarity to pin 2 and pin 3 of the output
XLR connector.
Operation output impedance:
The NT2-A will operate satisfactorily into a load impedance as low as 1 kΩ. If a load below this
is used, the output signal level will be reduced. The NT2-A output is balanced between pin 2 (hot)
and pin 3 (cold). Pin 1 is ground.
Acoustic principle: Externally polarized 25 mm (1?) dual diaphragm.
Directional pattern: Multi-pattern
Frequency range:  20 Hz ~ 20 000 Hz
Output impedance: 200 Ω
Signal noise ratio din iec 651:
87 dB (1 kHz rel 1 Pa; per IEC651, IEC268-15)
Equvalent noise: 7 dBA SPL (per IEC651, IEC268-15)
Maximum spl:
147 dB (@ 1% THD into 1 kΩ); 157 dB (@ 1% THD into 1 kΩ) - pad at maximum
Sensitivity: -36 dB re 1 Volt/Pascal; (16 mV @ 94 dB SPL) +/-2 dB
Dynamic range din iec 651: 140 dB (per IEC651, IEC268-15)
Power supply voltage: 48 Volts (P48)
Output connection:
3 pin XLR, balanced output between; pin 2(+) and pin 3(-); Pin 1 ground
Weight with battery: 860 grm

Behringer C-1 Studio Condenser Microphone   Behringer C-1 Studio Condenser Microphone The C-1 Studio Condenser Microphone from Behringer offers a cardioid pickup pattern for maximum sound source separation and feedback rejection. This low noise microphone is suitable for a wide range of recording scenarios, including project, professional, and home studio applications. There is a pressure gradient transducer and a shock-mounted large diaphragm capsule for open, transparent sound with high-quality transient response. It is constructed of a die-cast metal body for durability and features an LED light to indicate when the microphone is receiving phantom power. The C-1 includes a swivel mount and custom case.
  • Professional large-diaphragm condenser microphone for unsurpassed audio quality
  • Ideal as main and support microphone for studio and live applications
  • Exceptionally flat frequency response and ultra-high sound resolution
  • Cardioid pickup pattern for outstanding sound source separation and feedback rejection
  • Ultra low-noise transformerless FET input circuitry
  • LED indicates phantom power operation
  • Gold-plated 3-pin XLR output connector for perfect signal transmission
  • Ultra-rugged construction with die-cast body
  • Swivel stand mount and carrying case included
Operating Principle Pressure Gradient
Capsule Condenser
Diaphragm 0.63" / 16.0 mm
Polar Pattern Cardioid
Performance
Frequency Range 40 Hz to 20 kHz
Maximum SPL 136 dB SPL
Impedance 100 Ohms
Load Impedance 1000 Ohms
Sensitivity -33 dB
THD 1%
Connectivity
Output Connectors (Analog) 1 x XLR 3-Pin
Power
Operating Voltage 36 to 52 V
Operating Current Consumption 2.5 µA
Physical 0.93 lb / 0.42 kg
Dimensions ø: 2.13 x L: 7.09" / ø: 54 x L: 180 mm
Weight
 
A/B, X/Y, and M/S stereo recording Ambience recording Grand piano, woodwind and brass instruments Percussions Drums Classical music recording Studio applications
  • Back-to-back large-diaphragm multi-pattern transducer
  • True condenser technology
  • High sensitivity and 155 dB maximum SPL capability
  • Switchable 20 dB preattenuation pad
  • Switchable bass cut filter
  • Legendary, pristine AKG sound quality
  • Complete with spider-type shock mount and aluminium carrying case
Type Dual-capsule,1-inch large-diaphragm, true condenser pressure-gradient microphone
Polar pattern Cardioid, omnidirectional, figure-eight
Frequency range 20 to 20,000 Hz
Sensitivity 28 mV/Pa (-31 dBV)
Max. SPL 135/155 dB SPL (0/-20 dB) for 0.5% THD
Equivalent noise level 16 dB-A (IEC 60268-4)
Signal/noise ratio (A-weighted) 78 dB
Preattenuation pad 0 dB, -20 dB
Bass filter 12 dB/octave, 300 Hz
Impedance =1000 ohms
Current consumption

KSM44A Multi-Pattern Dual Diaphragm Microphone Premium microphone with three polar pattern options (cardioid, omnidirectional, bidirectional).

Features

  • Prethos® Advanced Preamplifier Technology: Class A, discrete, transformerless preamplifier provides  transparency, extremely fast transient response and no crossover distortion. Minimizes harmonic and intermodulation distortions.  
  • Groundbreaking specifications: 4dB of self-noise and max SPL of 131 dB for a total dynamic range of 127 dB – an increase of 7 dB that defines the new standard for cleanly nuanced audio capture
  • Multiple polar patterns–cardioid, omnidirectional and bidirectional–for maximum flexibility in a wide variety of recording applications
  • Dual 1 inch, externally biased, ultra-thin, 2.5 μm, 24 Karat gold-layered, low mass diaphragms provide superior frequency response
  • Premium electronic components and gold-plated internal and external connectors
  • Subsonic filter eliminates rumble from mechanical vibration below 17 Hz.
  • Switchable 15 dB pad for handling extremely high sound pressure levels (SPLs)
  • 3-position switchable low-frequency filter helps reduce unwanted stand vibration noise or counteract proximity effect
  • Integrated three-stage "pop” protection grille reduces plosives and other breath noise

    Type Condenser (externally biased)
    Frequency Response 20 to 20,000 Hz
    Polar Pattern Cardioid, Omnidirectional, Bidirectional
    lmpedance 50 ohms
    Phantom power required? 11–52 V DC phantom power (IEC-61938) 5.8 mA, maximum


Weight0.50 kg0.73 kg2.90 kg0.50 kg2.00 kg1.00 kg
DimensionsN/AN/AN/AN/AN/AN/A
Additional information
Weight 0.50 kg
Weight 0.73 kg
Weight 2.90 kg
Weight 0.50 kg
Weight 2.00 kg
Weight 1.00 kg