NEUMANN TLM-67 Condenser Microphone Grey/Nickel

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A contemporary development of the legendary U 67. K 67 capsule, new circuit design, which closely reproduces the U 67 sound characteristics, three directional pattern, pre-attenuation and high-pass filter. Novel Neumann dual-color design.   In the world of studio microphones, the numbers “47”, “67” and “87” have associations that inspire enthusiasm among professionals in the […]

 

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A contemporary development of the legendary U 67. K 67 capsule, new circuit design, which closely reproduces the U 67 sound characteristics, three directional pattern, pre-attenuation and high-pass filter. Novel Neumann dual-color design.

 

In the world of studio microphones, the numbers “47”, “67” and “87” have associations that inspire enthusiasm among professionals in the field. It is of course no coincidence that the name of the new TLM 67* contains the number “67”. In many respects, the TLM 67 is based on the “workhorse” of the 1960s, the legendary U 67. Like the U 67, the TLM 67 incorporates the K 67 capsule. In addition, the special new circuit design closely reproduces the sound characteristics of the classic U 67, without the use of tubes. Similar Neumann circuit technology has already proved very successful in the TLM 49.

The TLM 67 is extremely versatile. Its three switchable directional characteristics (omnidirectional, cardioid and figure-8), selectable 10 dB pre-attenuation and high-pass filter permit detailed adjustments to be made, depending upon the specific recording situation.

 

Type: Condenser
Pick Up Pattern: Omni/cardioid/figure-8
Frequency response: 20 Hz … 20 kHz
Sensitivity: 10/18/9 mV/Pa
Ιmpedance: 50 ohms
Τotal harmonic distortion: 110/105/111 dB
Dimensions: Diameter:56 mm, Length: 200 mm
Weight: 490 g

 

Weight 0.50 kg

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Description
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A contemporary development of the legendary U 67. K 67 capsule, new circuit design, which closely reproduces the U 67 sound characteristics, three directional pattern, pre-attenuation and high-pass filter. Novel Neumann dual-color design.   In the world of studio microphones, the numbers "47”, "67” and "87” have associations that inspire enthusiasm among professionals in the field. It is of course no coincidence that the name of the new TLM 67* contains the number "67”. In many respects, the TLM 67 is based on the "workhorse” of the 1960s, the legendary U 67. Like the U 67, the TLM 67 incorporates the K 67 capsule. In addition, the special new circuit design closely reproduces the sound characteristics of the classic U 67, without the use of tubes. Similar Neumann circuit technology has already proved very successful in the TLM 49.

The TLM 67 is extremely versatile. Its three switchable directional characteristics (omnidirectional, cardioid and figure-8), selectable 10 dB pre-attenuation and high-pass filter permit detailed adjustments to be made, depending upon the specific recording situation.  

Type: Condenser
Pick Up Pattern: Omni/cardioid/figure-8
Frequency response: 20 Hz ... 20 kHz
Sensitivity: 10/18/9 mV/Pa
Ιmpedance: 50 ohms
Τotal harmonic distortion: 110/105/111 dB
Dimensions: Diameter:56 mm, Length: 200 mm
Weight: 490 g
 
Behringer C-1 Studio Condenser Microphone   Behringer C-1 Studio Condenser Microphone The C-1 Studio Condenser Microphone from Behringer offers a cardioid pickup pattern for maximum sound source separation and feedback rejection. This low noise microphone is suitable for a wide range of recording scenarios, including project, professional, and home studio applications. There is a pressure gradient transducer and a shock-mounted large diaphragm capsule for open, transparent sound with high-quality transient response. It is constructed of a die-cast metal body for durability and features an LED light to indicate when the microphone is receiving phantom power. The C-1 includes a swivel mount and custom case.
  • Professional large-diaphragm condenser microphone for unsurpassed audio quality
  • Ideal as main and support microphone for studio and live applications
  • Exceptionally flat frequency response and ultra-high sound resolution
  • Cardioid pickup pattern for outstanding sound source separation and feedback rejection
  • Ultra low-noise transformerless FET input circuitry
  • LED indicates phantom power operation
  • Gold-plated 3-pin XLR output connector for perfect signal transmission
  • Ultra-rugged construction with die-cast body
  • Swivel stand mount and carrying case included
Operating Principle Pressure Gradient
Capsule Condenser
Diaphragm 0.63" / 16.0 mm
Polar Pattern Cardioid
Performance
Frequency Range 40 Hz to 20 kHz
Maximum SPL 136 dB SPL
Impedance 100 Ohms
Load Impedance 1000 Ohms
Sensitivity -33 dB
THD 1%
Connectivity
Output Connectors (Analog) 1 x XLR 3-Pin
Power
Operating Voltage 36 to 52 V
Operating Current Consumption 2.5 µA
Physical 0.93 lb / 0.42 kg
Dimensions ø: 2.13 x L: 7.09" / ø: 54 x L: 180 mm
Weight
 
Acoustical operating principlePressure transducer
Directional patternOmnidirectional
Frequency range20 Hz ... 20 kHz
Sensitivity at 1 kHz into 1 kohm20 mV/Pa
Rated impedance50 ohms
Rated load impedance1000 ohms
Equivalent SPL CCIR 468-328 dB
Equivalent SPL DIN/IEC 65115 dB-A
S/N ratio CCIR 468-366 dB
S/N ratio DIN/IEC 65179 dB
Max. SPL (tube characteristic)K
Dynamic range (of the amplifier)K
Maximum output voltage8 dBu
Weight800 g
Diameter78 mm
Length165 mm
* THD of the microphone amplifier at an input voltage which is equivalent to the capsule output voltage at the specified SPL.

Behringer B-5 Sputtered Diaphragm Studio Condenser Microphone



The B-5 is a professional gold-sputtered diaphragm condenser microphone featuring two interchangeable capsules for different pickup patterns (cardioid and omnidirectional). It is perfect for acoustic instruments, vocals and overhead miking. Its ultra low-noise transformerless FET input eliminates low frequency distortion. The -10 dB attenuator can be used with high volume signal sources, while the low-cut filter eliminates floor rumble. The microphone is delivered in a rugged hard case with stand adapter and windscreen.

 

Professional true condenser microphone for studio and live applications
2 interchangeable capsules with cardioid and omnidirectional pickup patterns
Low-mass gold sputtered diaphragm for ultimate sound reproduction
Perfect for acoustic instruments, voice and overhead etc.
Ultra low-noise transformerless FET input eliminates low-frequency distortion
Smooth, super-wide frequency response and incredible musicality
Switchable low-frequency roll-off and -10 dB input attenuation
Gold-plated 3-pin XLR output connector
Rugged construction with satin nickel-plated brass body
Custom microphone stand adapter, windscreen and transport case included

 

 

 

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Behringer C-3 Dual-Diaphragm Studio Condenser Microphone Introducing the Professional Condenser Microphone C-3 from BEHRINGER Our latest dual-diaphragm condenser microphone C-3 is ideal for high-quality studio recording and live applications. The selectable omnidirectional, cardioid, and figure-eight pickup patterns offer ultimate versatility needed to professionally record vocals and acoustic instruments. The C-3 holds a pressure-gradient transducer with a shock-mounted dual-diaphragm capsule. Its ultra-high sound resolution and flat frequency response rival those of microphones with much higher price tags. It also includes an LED that indicates phantom power operation and a gold-plated XLR output connector to ensure highest signal integrity. The C-3 comes with extensive accessories such as swivel stand and transport case. The C-3 represents state-of-the-art technology at a price that is simply unheard of.

NT2000 - ?Explore, Control, Create?? Seamlessly Variable Dual 1? Condenser Microphone.

The world's first large diaphragm condenser studio microphone with seamlessly variable Polar
Patterns, Filter and Pad located conveniently on the microphone body. The NT2000?s state of
the art surface-mount electronics combined with the new Australian designed and manufactured
HF1 Capsule, provide extremely low self-noise (7 dBA) and a maximum SPL of 147 dB (157 dB
with pad fully engaged) ensuring exceptional results and the ultimate in recording creativity.
The NT2000 is supplied with the SM2 Shock Mount, together in a durable custom carry case.

SPECIFICATIONS:
Acoustic principle:
Externally polarised 25 mm (1?) dual diaphragm condenser
Directional pattern: Multipattern
Frequency range:  20Hz - 20KHz
Output impedance: 200 ohms
Signal noise ratio din iec 651:  87 dB (1kHz rel 1Pa)
Equvalent noise: 7 dBA SPL (per IEC651, IEC268-15)
Maximum spl:
147 dB (@ 1% THD into 1K ohm) 157dB (@ 1% THD into 1K ohm) with pad set to maximum
Sensitivity:
-36 db re 1 Volt/Pasca (16 mv @94db SPL) +/- 2 dB
Dynamic range din iec 651: 140 dB (per IEC651, IEC268-15)
Power supply voltage: Phantom P48
Weight without battery: 831 gm
Weight with battery:  2.6 kg
 

Weight0.500.500.800.400.453.00
DimensionsN/AN/AN/AN/AN/AN/A
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