NEUMANN U-87 Ai Studio Set Condenser studio microphone

2,849.00 incl. GR VAT

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Variable large diaphragm microphone Pressure-gradient transducer with double membrane capsule The studio microphone classic Three directional characteristics: omni, cardioid, figure-8 Switchable low frequency roll-off Switchable 10 dB pre-attenuation Ideal as main and as support microphone in the most differing recording situations   Acoustical operating principle Pressure gradient transducer Directional pattern Omnidirectional, cardioid, figure-8 plus Frequency […]

 

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Variable large diaphragm microphone
Pressure-gradient transducer with double membrane capsule
The studio microphone classic
Three directional characteristics: omni, cardioid, figure-8
Switchable low frequency roll-off
Switchable 10 dB pre-attenuation

Ideal as main and as support microphone in the most differing recording situations

 

Acoustical operating principle Pressure gradient transducer
Directional pattern Omnidirectional, cardioid, figure-8 plus
Frequency range 20 Hz … 20 kHz
Sensitivity at 1 kHz into 1 kohm 20/28/22 mV/Pa1)
Rated impedance 200 ohms
Rated load impedance 1 kohms
Equivalent noise level, CCIR2) 26/23/25 dB1)
Equivalent noise level, A-weighted2) 15/12/14 dB-A1)
Signal-to-noise ratio, CCIR2) (rel. 94 dB SPL) 68/71/69 dB1)
Signal-to-noise ratio, A-weighted2) (rel. 94 dB SPL) 79/82/80 dB1)
Maximum SPL for THD 0.5%3) 117 dB (cardioid)
Maximum SPL for THD 0.5% with preattenuation3) 127 dB
Maximum output voltage 390 mV
Dynamic range of the microphone amplifier (A-weighted) 105 dB
Supply voltage (P48, IEC 61938) 48 V ± 4 V
Current consumption (P48, IEC 61938) 0.8 mA
Matching connectors XLR3F
Weight 500 g
Diameter 56 mm
Length 200 mm

 

Weight 2.00 kg

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NEUMANN U-87 Ai Studio Set Condenser studio microphone removeAvantone AV-CK6 Condenser FET mic, inc shock mount, wooden mic box and metal case removeAKG C-214 Condenser Microphone removeRODE NTK TUBE CONDENSER STUDIO MICROPHONE removeAKG PERCEPTION 120 Condenser microphone removeAvantone AV-CK7 Condenser FET mic, inc shock mount, wooden mic box and metal case remove
NameNEUMANN U-87 Ai Studio Set Condenser studio microphone removeAvantone AV-CK6 Condenser FET mic, inc shock mount, wooden mic box and metal case removeAKG C-214 Condenser Microphone removeRODE NTK TUBE CONDENSER STUDIO MICROPHONE removeAKG PERCEPTION 120 Condenser microphone removeAvantone AV-CK7 Condenser FET mic, inc shock mount, wooden mic box and metal case remove
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SKUH11NE00046AV-CK6C 214H11RD00012PERCEPTION 120AV-CK7
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Description
Content
Variable large diaphragm microphone
Pressure-gradient transducer with double membrane capsule
The studio microphone classic
Three directional characteristics: omni, cardioid, figure-8
Switchable low frequency roll-off
Switchable 10 dB pre-attenuation

Ideal as main and as support microphone in the most differing recording situations

 

Acoustical operating principle Pressure gradient transducer
Directional pattern Omnidirectional, cardioid, figure-8 plus
Frequency range 20 Hz ... 20 kHz
Sensitivity at 1 kHz into 1 kohm 20/28/22 mV/Pa1)
Rated impedance 200 ohms
Rated load impedance 1 kohms
Equivalent noise level, CCIR2) 26/23/25 dB1)
Equivalent noise level, A-weighted2) 15/12/14 dB-A1)
Signal-to-noise ratio, CCIR2) (rel. 94 dB SPL) 68/71/69 dB1)
Signal-to-noise ratio, A-weighted2) (rel. 94 dB SPL) 79/82/80 dB1)
Maximum SPL for THD 0.5%3) 117 dB (cardioid)
Maximum SPL for THD 0.5% with preattenuation3) 127 dB
Maximum output voltage 390 mV
Dynamic range of the microphone amplifier (A-weighted) 105 dB
Supply voltage (P48, IEC 61938) 48 V ± 4 V
Current consumption (P48, IEC 61938) 0.8 mA
Matching connectors XLR3F
Weight 500 g
Diameter 56 mm
Length 200 mm

 

The AVANTONE CK-6 is truly a gorgeous looking and sounding microphone. The design, character and performance can be compared directly to fine studio-standard FET mics…but at a fraction of their cost!

The rugged CK-6 microphone body and capsule assembly are precision machined of Brass. Aesthetically the compact body features an elegant Metallic Cabernet Wine-Red finish, accented with polished nickel trim and capsule assembly. Manufactured using the finest materials yielding a very solid feel, superb structural integrity and rugged reliability.

This Transformerless CLASS A FET Microphone w/ 32mm gold sputtered thin Mylar capsule is designed with circuitry that will yield pleasing professional results comparable to much more expensive designs. It also features -10 dB pad  &  80 Hz LF roll off switches for varied recording situations.
 
The included Custom Retro Shockmount is superb in allowing a precise positioning of the mic while inhibiting the transfer of unwanted vibrations up into the mic. This isolation allows for superior professional results.
 
Applications

Studio vocals, acoustic guitar, mandolin, drum overheads, piano, etc…

Specifications

Type: True Transformerless Condenser
Polar Pattern: Cardioid
Frequency Response: 35-20,000 Hz +/- 3.5dB
Output Impedance:

AKG C214 – large 1” diaphragm microphone with cardioid polar pattern, frequency response: 20Hz-20kHz, 20dB pad, requires phantom power (12-52V), XLR connector. Includes clip, case and windshield. Dimensions: 160 x 55mm. Weight: 280g, optional microphone holder SA61 The C214 professional large-diaphragm condenser microphone has been designed as a cost-effective alternative to the high-end C414 family. Like the C414, the C214 offers a supreme one-inch capsule on an integrated suspension to reduce mechanical noise. A switchable 20dB attenuation pad allows recording of loud sources of up to 156dB SPL. A switchable bass-cut filter allows close-up recording with almost no proximity effect. The C214 captures sound by combining one capsule of the legendary C414 dual-capsule system and the patented AKG Back-Plate Technology, resulting in an outstanding performance close to the famous C414 XLII. Sonic character of the C414 XLII for beautifully detailed recording of lead vocals and solo instruments Outstanding dynamic range and ultralow noise for close-up recording of high-output sources of up to 156dB SPL Switchable 20dB attenuator and bass-cut filter for close-up recording and reduction of proximity effect Integrated suspension to reduce mechanical noise and vibration from stage Roadworthy design all-metal die-cast body with shock- and scratch-resistant finish

Rode's new NTK has the quality and warmth demanded from a tube mic.
With the large 1 in. capsule gold-plated membrane and twin triode tubes
(hand graded and selected), Rode is again setting the standard for value.
This is a tube mic designed exclusively for recording professionals who
want what only the best can offer.

Features:
Dynamic range of 47dB
Ultra low noise of only 12dB
Internal capsule shock mounting
Cardioid polar pattern
20Hz - 20kHz frequency response
Includes a power supply, 30 ft. cable, and stand adapter

Technical Description:
Capsule: Externally polarised 1 in. pressure-gradient condenser
Active Electronics: Unity-gain closed-loop impedance converter;
vacuum-tube input with bipolar buffering
Pickup Pattern: Cardioid
Frequency Response: 20Hz - 20kHz (+/-6dB)
Output Impedance: 200 ohms (100 ohms per leg)
Sensitivity: -38dB re 1V/Pa (12mV @ 94dB SPL) +/-1dB
Equivalent Noise: 12dB SPL (A-weighted per IEC268-15) +/-2dB
Maximum Output: > +29dBu (@ 1kHz, 5% THD into 1k (load)
Dynamic Range: > 147dB (A-weighted, per IEC268-15)
Maximum SPL: > 158dB SPL (@ 1kHz, 5% THD into 1k (load)
Signal/Noise Ratio: > 82dB (A-weighted, per IEC268-15)
External power supply: 100-120V/200-240V AC (user selectable)
50Hz/60Hz, 25VA maximum
Packed Weight: 4.53 kg (Mic only 760 gm)

Accessories included:
Power Supply
30 ft (10 m) Multicore Cable
M2 Standmount plus 3/8-5/8 in. Thread Adapter
Optional Extras: SM2 Shockmount

Live sound
Podcasting Home recording Vocals Musical instruments Perception 120
  • General-purpose cardioid recording microphone
  • Extended frequency response
  • Roadworthy construction
  • Switchable 20 dB preattenuation pad
  • Switchable bass cut filter
  • Designed and engineered by AKG in Vienna, Austria
The Perception 120 is a 2/3-inch diaphragm true condenser microphone that offers solid build quality, outstanding performance, and excellent value. The low-mass diaphragm delivers a clear sound with accurate sonic detail. A switchable 20 dB preattenuation pad and bass cut filter make the Perception 120 an excellent choice for a wide range of recording and live sound applications. Backed by AKG\'s six decades of experience in making microphones and input from sound engineers around the world, the Perception 120 now brings AKG studio quality to musicians and project studio applications.
Type 2/3\" Diaphragm True Condenser
Polar pattern cardioid
Frequency range 20 to 20,000 Hz
Sensitivity 22 mV/Pa (-33 dBV)
Max. SPL 130/150 dB (0/-20 dB) for 0.5% THD
Equivalent noise level 22 dB-A (IEC 60268-4)
Signal/noise ratio (A-weighted) 72 dB
Preattenuation pad 0 dB, -20 dB
Bass filter 12 dB/octave at 300 Hz
Impedance
Recommended load impedance >= 1,000 ohms
Powering
Power requirement 48 V phantom power to DIN/IEC
Connector 3-pin XLR
Finish metallic blue
Dimensions 53 dia. x 165 mm (2.1 dia. x 6.5 in.)
Net weight 525 g (18.5 oz.)
Shipping weight 955 g (33.7 oz.)

The CK-7 houses a 35mm gold-sputtered thin Mylar capsule. The CK-7 uses high grade Polystyrene and Metalized Polypropylene capacitors in the audio path. This represents a commitment to quality, as these normally are the type of "upgrade" components that are implemented by microphone modders/hot-rodders! Any studio can proudly offer the CK-7 as a vocal mic or utility condenser due to its versatility...It exudes class visually as well as sonically.

Manufactured using the finest materials yielding a very solid feel, superb structural integrity and rugged reliability. The versatile CK-7 mic is able to produce professional results with a clean sonic character. The included Custom Retro Shockmount is superb in allowing a precise positioning of the mic while inhibiting the transfer of unwanted vibrations up into the mic. This isolation allows for superior professional results. The 3 patterns allow the CK-7 to be used in a variety of situations.

The cardioid pattern is generally best used on vocals and single instruments. The omni mode works well in incorporating some room sound into the track. The figure 8 pattern allows 2 vocalists to use the mic at the same time from opposite sides. The CK-7 has separate -10 dB pad & 80 Hz LF roll off switches....The -10dB attenuation switch can be engaged when miking very high SPL sources to keep from overloading the electronics. The 80Hz high-pass filter switch can be engaged to reduce rumble and to keep unwanted low frequencies from "muddying up" the track.

Applications.

studio vocals, acoustic guitar, mandolin, drum overheads, piano, room mic

Specifications

Type: True Condenser
Polar Pattern(s): Cardioid , Omni , Figure 8
Capsule: Dual-sided 35mm center-terminated gold-sputter Mylar (6 micron)
Frequency Response: 20-20,000 Hz +/- 3dB
Output Impedance:

Weight2.00 kg0.60 kg0.40 kg2.00 kg0.50 kg0.70 kg
DimensionsN/AN/AN/AN/AN/AN/A
Additional information
Weight 2.00 kg
Weight 0.60 kg
Weight 0.40 kg
Weight 2.00 kg
Weight 0.50 kg
Weight 0.70 kg