OMNITRONIC MIC 77M Rack Drum Dynamic Microphone for Toms and Snare Drums

Original price was: €56.00.Current price is: €42.00. incl. GR VAT

Available on backorder

EAN: 4026397535389
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Type: Microphone for instruments Capsule type: Dynamic Polar pattern: Cardioid Frequency range: 50 – 14000 Hz Sensitivity: -56 dB Impedance: 350 Ohm Connections: Microphone via 3-pin XLR Switch: Without Weight: 330 g Dynamic microphone for toms and snare drums Dynamic microphone for direct pick-up of low-frequency musical instruments like drums, percussions, as well as acoustic […]

 

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Type: Microphone for instruments
Capsule type: Dynamic
Polar pattern: Cardioid
Frequency range: 50 – 14000 Hz
Sensitivity: -56 dB
Impedance: 350 Ohm
Connections: Microphone via 3-pin XLR
Switch: Without
Weight: 330 g

Dynamic microphone for toms and snare drums

  • Dynamic microphone for direct pick-up of low-frequency musical instruments like drums, percussions, as well as acoustic instruments
  • Integrated swivel stand mount
  • Robust diecast body, applicable for touring
  • Polar pattern: Cardioid
  • For application areas such as: Stage; homerecording and studios
Weight 0.4 kg

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Quick Comparison

OMNITRONIC MIC 77M Rack Drum Dynamic Microphone for Toms and Snare Drums removeSHURE PGA52-XLR - Kick Drum Microphone 30Hz to 13kHz removeELECTRO VOICE PL33 Kick-Drum Microphone, Dynamic, Supercardioid removeSHURE KSM-137SL - Cardioid Instrument Microphone 20Hz to 20kHz removeShure DMK57-52 - Drum Mic Kit removeAKG C 451B B/ST Matched Pair remove
NameOMNITRONIC MIC 77M Rack Drum Dynamic Microphone for Toms and Snare Drums removeSHURE PGA52-XLR - Kick Drum Microphone 30Hz to 13kHz removeELECTRO VOICE PL33 Kick-Drum Microphone, Dynamic, Supercardioid removeSHURE KSM-137SL - Cardioid Instrument Microphone 20Hz to 20kHz removeShure DMK57-52 - Drum Mic Kit removeAKG C 451B B/ST Matched Pair remove
ImageOMNITRONIC MIC 77M Rack Drum Dynamic Microphone for Toms and Snare Drums
SKU13030903PGA52-XLR001808KSM137/SLDMK57-52C 451B STEREO PAIR
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Price Original price was: €56.00.Current price is: €42.00. incl. GR VAT Original price was: €172.00.Current price is: €165.12. incl. GR VAT Original price was: €130.00.Current price is: €110.00. incl. GR VAT Original price was: €426.99.Current price is: €396.80. incl. GR VAT Original price was: €697.00.Current price is: €627.00. incl. GR VAT Original price was: €1,078.85.Current price is: €917.03. incl. GR VAT
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Only 1 left in stock (can be backordered)

Available on backorder

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Description
Content
Type: Microphone for instruments
Capsule type: Dynamic
Polar pattern: Cardioid
Frequency range: 50 - 14000 Hz
Sensitivity: -56 dB
Impedance: 350 Ohm
Connections: Microphone via 3-pin XLR
Switch: Without
Weight: 330 g

Dynamic microphone for toms and snare drums

  • Dynamic microphone for direct pick-up of low-frequency musical instruments like drums, percussions, as well as acoustic instruments
  • Integrated swivel stand mount
  • Robust diecast body, applicable for touring
  • Polar pattern: Cardioid
  • For application areas such as: Stage; homerecording and studios

OVERVIEW

Cardioid dynamic kick drum mic with swivel mount and cable.

The PGA52 is a professional quality kick drum microphone with an updated industrial design that features a black metallic finish and grille offering an unobtrusive visual presence. Legendary Shure quality construction ensures exceptional performance in rigorous environments.

Additional design highlights include a swivel joint featuring a quick-release latch similar to bicycle component-locking technology for extremely quick and easy positioning.

FEATURES
  • Mountable microphone featuring swivel joint with quick-release latch for kick drum
  • Dynamic cartridge (does not require phantom power) with cardioid polar pattern
  • Tailored cartridge design for low-frequency clarity, including on bass amps
  • Includes PGA52, zipper pouch and user guide
  • XLR to XLR mic cable included

Audio Frequency Response    20 Hz - 10,000 Hz
Case Material    Die cast zinc
Connector Type    3-pin XLR
Element    Dynamic
Finish    Textured Satin Black
Impedance, Low-Z balanced    150 Ω
Mic Type    Instrumental
Open Circuit Voltage    0.63 mV/Pascal
Polar Pattern    Supercardioid
Power Requirement    Passive
Shipping Weight    23.7 oz (672 g)
Wired/Wireless    Wired
Weight Net    12.84 oz (364 g)

The Shure KSM137 is an end-address condenser microphone with a cardioid polar pattern. Designed for studio use, yet rugged enough for live applications, the KSM137 can withstand extremely high sound pressure levels (SPL). Its low self-noise and extended frequency response make it ideal for recording musical instruments.

Features

  • A highly consistent cardioid polar pattern
  • Ultra-thin, 2.5 micron, 24 karat gold-layered, low mass Mylar? diaphragm for superior transient response
  • Class A, discrete, transformerless preamplifier for transparency, extremely fast transient response, no crossover distortion, and minimal harmonic and intermodulation distortion
  • Premium electronic components, including gold-plated internal and external connectors
  • Subsonic filter eliminates low frequency rumble (less than 17 Hz) caused by mechanical vibration
  • Switchable 15 dB pad for handling extremely high sound pressure levels (SPLs)
  • Three-position switchable pad (0 dB, 15 dB, and 25 dB) for handling extremely high sound pressure levels (SPLs)
  • Three-position switchable low-frequency filter reduces background noise and counteracts proximity effect

Performance Characteristics

  • Extended frequency response
  • Low self noise
  • Exceptional reproduction of low-frequency sounds
  • Can withstand high sound pressure levels (SPL)
  • High output level
  • No crossover distortion
  • Uniform polar response
  • Superior common mode rejection and suppression of radio frequency interference

APPLICATIONS

Some typical applications for the KSM137 are listed below. Microphone use, however, is a matter of personal taste. The KSM137 may be used for a variety of applications other than those listed.

  • Acoustic instruments -- such as piano, guitar, drums, percussion, strings
  • Wind instruments -- brass and woodwind
  • Low frequency instruments -- such as double bass, electric bass, kick drum
  • Overhead miking -- drums or percussion
  • Ensembles -- choral or orchestral
  • Room ambiance pick-up -- guitar amplifier or drums

Both the acoustic environment and microphone placement strongly affect the sound obtained from miking a source. You may need to experiment with microphone placement and room treatments to achieve the best overall sound for each application.

Suggested Applications

Acoustic Guitar
Acoustic Bass
Cymbals
Brass/Woodwinds
Orchestra
Ensemble Vocals
Piano
Strings
Room Ambience
Live Recording

The DMK57-52 Drum Mic Kit is a conveniently packaged selection of microphones and mounts, designed to offer a complete core package of microphones for recording and performing drummers at a great price. The Drum Mic Kit includes three SM57 microphones, one Beta 52 microphone, three A56D drum-mounting systems, and a lightweight and durable carrying case.

  • The industry standard for snare drum, and a reliable and high-performing choice for toms, Shure's cardioid dynamic SM57 microphone features a contoured frequency response that cuts through the mix with exceptional impact, while reproducing sound accurately.

  • Perfect for the kick drum, the supercardioid Beta 52? derives its low-end punch and sonic presence from a carefully tailored frequency response. Equipped with its own pneumatic shock mount, the Beta 52 is additionally designed with an integral locking stand mount for quick-and-easy set up.

  • A key element of the kit, Shure's A56D universal drum mounting system can be used to position microphones virtually anywhere -- on drum rims, microphone stands, even cymbal stands. Designed with captive parts to prevent the loss of individual pieces, the A56D is small, secure, and can be used with any standard microphone, making it a great tool for both stage and studio environments.
  • Precise artistic work deserves precise artistic craftsmanship. A classic by now, the CMS Series CK 1 capsule from AKG was a best seller from the moment it was launched in 1969. Comprising a range of interchangeable capsules and preamps as well as then innovative, dedicated accessories, the CMS Series from AKG quickly became a legend. It was discontinued in 1993. Responding to growing demand from recording engineers, AKG decided to produce the C 451 B with identical acoustical behaviour of the popular original C 451 EB + CK 1 microphone again, with dramatically improved specifications and outstanding price/ performance. The capsule of the new version is fixed permanently to the preamp to eliminate the mechanical problems of the screw joint. Using an extremely light diaphragm, the new C 451 B is almost totally insensitive to handling noise. An all-metal body provides excellent protection from RF interference and the microphone is rugged enough to give excellent results even under very harsh conditions.

    The C 451 B is an excellent tool for accurately capturing signals rich in transients such as drums, overhead miking, or other instruments with a percussive sound. The airy sound, high overload limit of the capsule and electronic circuitry, and improved engineering details of the C 451 B are a solid foundation for creating another legend.

    The matched pairs consist of two microphones that are within 1 dB to each other in sensitivity and also within 1 dB to each other in the range of 200 Hz to 15,000 Hz of the individual frequency response when used in cardioid mode and are selected from a large quantity of individual microphones using the described criteria by using a proprietary computer program.

    Using this matched pair for stereo recordings utilizing various techniques will provide for a good and stable balance without frequency-dependent shifting of the stereo panorama.

    The kit includes all the standard accessories of the individual package along with a stereo bar and proof of performance charts in an attractive carrying case (Soundtool case, middle size).

    Features:

    • Identical acoustics of the legendary CK 1.
    • Rugged construction.
    • Ruler-flat on-axis frequency response.
    • Precise, nearly frequency independent cardioid.
    • Extremely accurate signal transfer.
    • Transformerless output stage for minimum distortion at low frequencies.
    • Protected against electrostatic and magnetic interference.
    • Selectable 10-dB and 20-dB preattenuation pads.
    • Switchable highpass filter (75 Hz or 150 Hz, 12dB/octave).
    • Operates on phantom power to DIN/IEC between 12 V and 48 V.
    • Complete with SA 40 stand adapter and W 90 windscreen.
    • Each microphone comes with its own individual frequency response plot.

    Specifications:

    • Polar pattern: Cardioid
    • Frequency range: 20 to 20,000 Hz
    • Sensitivity: 9 mV/Pa (-41 dBV)
    • Max. SPL: 135/145/155 dB (0/-10/-20 dB) (k=0,5%)
    • Equivalent noise level (CCIR 468-3): 29 dB
    • Equivalent noise level: 18 dB-A
    • Signal/noise ratio (A-weighted): 76 dB
    • Preattenuation pad: 0 dB, 10 dB, 20 dB selectable
    • Bass filter: Flat, 12 dB/octave at 75 or 150 Hz, selectable
    • Impedance: 1000 ohms
    • Supply voltage: 9 to 52 V phantom power to DIN 45596
    • Current consumption:
    Weight0.4 kg0.80 kg0.35 kg0.50 kg2.00 kg2.00 kg
    DimensionsN/AN/AN/AN/AN/AN/A
    Additional information
    Weight 0.4 kg
    Weight 0.80 kg
    Weight 0.35 kg
    Weight 0.50 kg
    Weight 2.00 kg
    Weight 2.00 kg