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Sharing the same iconic looks as our larger stage-ready PPC cabinets, this miniature incarnation is the companion cab for the Micro Terror and Micro Dark. With an 8? Voice of the World speaker, this cabinet records remarkably well when paired with its matching amp head, delivering a punchy tone that has to be heard to be believed. A smart looking, smart sounding half stack that will fit on your sideboard: Whatʼs not to love?
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Marshall 1960BV 300W 4x12'' Guitar Speaker Cabinet
Nothing personifies the image of rock 'n' roll more completely than a wall of Marshall stacks. Though often imitated, nothing compares to the original. The 1960BV is the straight version that features 4 Marshall/Celestion Vintage speakers and is the perfect addition to your stage or recording rig! It's ideal for players who appreciate a lot of low end, without all the boomyness.
Marshall 1960BV at a Glance:
- Incredibly flexible 4x12 straight cab
- Low End That Never Gets Boomy
- Slightly brighter sound than a straight cab
- Sonically speaking, nothing compares to a Marshall amp
- Rugged and ready for the road
The Ultimate in Flexibility
To ensure the ultimate in flexibility, the 1960A (angled) and the 1960B (straight), is switchable between Mono (4 or 16 Ohms) and Stereo (8 Ohms per side). The two Mono impedance options provide extra amp matching capability while the cabinets' stereo capability makes them ideal for rack systems which typically run in stereo.
Low End That Never Gets Boomy
This has a thicker, warmer sound than the 1960A with a fat, well-defined midrange and a rounded high end that sparkles nicely while not being overly bright. It also has a good low end "chunk" which never gets "boomy.“
Offers That Low-End Thump
B (Base) cabinets offer some sonic differences. A straight cab sounds more focused and has more low-end thump. The additional size gives the cabinet a lower resonant frequency for more low-end. All speakers facing the same direction gives a more focused sound. Many players prefer to use only the B cabs, even when they are on stage with a full stack. Zakk Wylde (Ozzy's guitarist) uses only the B cabs because of the tighter low end and because (believe it or not) he values his hearing and the sound from the B cab doesn't hit him directly in the head.
Sonically Superior
The only choice for serious musicians. Nothing compares to Marshall cabinets in terms of awesome tone and projection. Both visually and aurally, Marshall 4x12 cabs are indeed rock and roll history in a stack!
Ready For Your Gig - Wherever That Might Be!
Roadworthiness is a vital prerequisite in the world of relentless touring and as Marshall's 40 years of cabinet building attests, Marshall cabinets are definitely built to stand the test of time! Their highly skilled craftsmen construct these 4x12s from the finest materials available - 15mm birch plywood with precision 'finger locked' (comb) joints, tough cotton backed PVC covering, heavy duty hardware and the highest quality fittings.
Weighing in at around 80 lbs, the JCM1960BV is made of 15mm birch plywood (except for the back panel, which is medium density fiberboard) and built for tone, projection, and durability. The majority of cabinet construction is done by hand.
Marshall 1960BV Features:
- 300W 4x12 straight 4/16 ohm, mono; 8 ohm stereo.
- The extra warm sounding Marshall/Celestion "Vintage" speaker - rated at 70 watts each - (1960BV/BV)
- Black grille cloth / white piping
- Large white logo
- Black elephant grain vinyl
| Ampegʼs PN-410HLF is a modern, lightweight bass enclosure built to handle the power of high-output Ampeg bass heads. Designed and assembled in the U.S.A. out of the highest quality components, including four custom-designed 10-inch neodymium Eminence® woofers, the PN-410HLF delivers high-quality, high-output bass in a modern design that looks mean and plays meaner. | Fitted with a pair of Celestion Vintage 30 speakers, the PPC212OBʼs design accentuates the top end frequencies whilst softening the bass response. The split rear panel means the delivery is less directional, creating an airy, spacious and three-dimensional sound. The added presence and chime makes the PPC212OB especially suited for cleaner styles, or for players who want a more vintage combo-type tone from their amp head. The PPC212OB features an 18mm birch plywood shell with our signature skid runners secured to the base to help acoustically couple the cabinet to the stage. | Palmer cabinets are rugged, flexible and affordable guitar cabinets. The main features are:
- Front-mounted speakers
- Detachable grill
- Solid workmanship
- Speaker mount and quality check carried out in Germany
- Cabinet impedance (Mono): 8
- Cabinet impedance (Stereo): 16/Speaker
- Power Rating (Mono): 120 W
- Power Rating (Stereo): 60/Speaker
- Cabinet weight without speakers: 15,6 kg
- Back: Closed
- Dimensions (WxDxH): 48x71x29 cm
- Front Grill: Fabric, detachable
- Speaker Mounting: 2 x 12" front mounted
Vintage 30
Back in 1986 a new breed of hard rock player was on the rise. To meet the demands of the players and their increasingly ʽhot-roddedʼ amplifiers, we set out to develop a modern speaker, capable of handling much more power and overdrive. To achieve this, we coupled our ʽHʼ magnet (the closest in performance to Alnico) with a new cone and voice coil employing contemporary materials.
Our most revealing speaker, the Vintage 30 features enormously detailed and complex overtones, a warm low-end, a famously rich vocal mid-range and a beautifully detailed top-end. Used singly to reveal the complexities in hand-wired boutique amps, or in quartets for a wonderfully intricate vintage 3D crunch, the Vintage 30 sound has been captured on thousands of recordings from a diverse range of notable players including Slash, Steve Stevens and Peter Frampton.
Specifications
- Nominal diameter: 12“, 305 mm
- Power Rating: 60 W
- Nominal impedance: 8 ohms
- Sensitivity: 100 dB
- Chassis type: Pressed steel
- Voice coil diameter: 1,75“, 44,5 mm
- Voice coil material: Round copper
- Magnet type: Ceramic
- Magnet weight: 50 oz, 1,42 kg
- Frequency range: 70 - 5000 Hz
- Resonance frequency, Fs: 75 Hz
- DC resistance, Re: 7,3 ohms
| Marshall MF-280A 280W Guitar Speaker Cabinet
The MF280 (280W) and MF400 (400W) cabinets are specially engineered to reproduce the balanced mid range and huge bottom end that are a pre-requisite for extreme hard rock and nu-metal sounds, these cabinets feature:
- Sonically optimised Celestion loudspeaker designs
- Pro-gauge internal wiring
- Increased internal volume
- Metal logo and piping
In keeping with all legendary Marshall cabinets the MF 4x12" cabinets are not only ready for the sonic demands of a high performance head like the MF350, but also the extreme physical abuse they may receive on the road.
We recommend the MF280A (angled) and B (base) for full stack operation and the MF400A or B for half stack operation.
Stack versus Half Stack:
The MODE FOUR cabinets can be used either as a full stack (two cabinets) or half stack (one cabinet) configuration. The rig you choose is a matter of personal taste and as always when it comes to sound we recommend you try both to see which suits your style best. Below is a guide to the major attributes of each:
Full Stack:
Enhanced on stage spread. More 'cut through' due to accentuated treble and high mids. Iconic stage presence.
Half Stack:
More controllable spread of sound on stage (especially base type) Convenient and portable.
Half Stack Options:
Whether you choose an angled or base half stack configuration is a personal choice between the different tonal qualities of each set up.
The MF400A (angled) is, in keeping with other angled 4x12" cabinets, tonally more aggressive than the base option. The angled cabinet is the usual choice for those who want a more prominent upper mid and treble response that really cuts through in a live situation.
Alternatively, the MF400B (base) delivers a more even mid range with less spread of the aggressive treble response. Marshall 4x12" base cabinets are more often used by professionals as they have a more focused bottom end and a smoother mid range and treble response. They are often easier to deal with in terms of sound reinforcement and monitoring in a live situation |
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