Content | A passive dual channel line splitter that is mainly used to feed the left and right master outputs of a mixer into several inputs such as power amplifiers, recording machines etc. A specially designed audio frequency transformer maintains signal integrity and prevents ground loop hum. This unit also converts unbalanced signals into balanced signals and vice versa.
Technical specifications:
- 2 channel line splitter "1 into 3"
- Each channel with: Input: female XLR type with parallel male XLR Type output 2 transformer isolated male XLR type outputs
- Transformer ratio 1 : 1
- Nominal level: 0 dB
- Max. level +20 dB
- Nominal impedance input and output: 600 ohms
- Ground lift switch
Number of split-outputs per canal
2
Max. output level
+ 20 dB
Transformer isolated outputs
Yes
Cabinet material
Die-cast aluminium
Cabinet surface
Powder coated
| Practical distributor with 1 input and 6 outputs
- Extends every mixer with additional outputs
- 1 stereo XLR input
- 6 stereo zone outputs (XLR)
- Each zone with level control and mono switch
- LED display of signal input and mono/stereo mode
- Rack installation with 1 U
- (19") 48.3 cm rack installation 1 U
Power supply: |
230 V AC, 50 Hz |
Power consumption: |
7 W |
S/N ratio: |
>69 dB |
THD: |
<0.2 % at 1 kHz |
Power connection: |
Mains input IEC connector (M) mounting version Power supply cord with safety plug (provided) |
Impedance: |
Input 45.1 kOhm
Output 125 Ohm |
Gain: |
15 dB |
Max. level: |
Output: +22 dB
Input: +9 dBV |
Color: |
Silver |
Housing design: |
(19") 48.3 cm rack installation 1 U |
Dimension: |
Width: 48.3 cm
Depth: 12.6 cm
Height: 4.45 cm |
Weight: |
2.15 kg |
|
About the DI6s It's a fact of audio life that a lot of equipment that has to be connected to professional audio systems isn't impedance or level compatible. Interfaces Unlimited Tape/cassette/DVD/CD decks, audio for video, drum machines, synthesizers, bass guitars, computers; at some stage all these need linking up to Balanced inputs, whether the application is Live sound, Studio or Broadcast. To solve these problems, we've developed the DI-6s:
Six active D.I. (Direct Injection) boxes, plus a 6 into 1 Line Mixer, plus a 1 to 6 Splitter, All of this in a compact, all steel 1 RU package.
A Pro Audio Toolbox This unique and flexible audio toolbox allows Six independent unbalanced audio sources to easily and quietly interface with Balanced pro audio systems, either to individual channels or summed down to one Master output. But that's not all. By pressing a single switch on the rear panel the DI6s will change from being Direct Boxes and a Mixer to being a 6 way Splitter (line distribution amplifier). Now it will split an incoming signal to 6 individual outputs or zones. On the front panel, each channel has 2 IN/OUT jacks, a level control from infinity (off) through 0dB to +15dB gain, and a Clip indicator LED.The Master section has a Master volume control and status LEDs indicating whether the unit is in DI or Splitter mode. In addition, as on all ARX single rack unit equipment, each channel has a numbered marker panel ('scribble strip') you can write on for easy confirmation of channel assigns. Balanced Outputs On the rear, each channel has an XLR Balanced output, with associated Ground lift switch and status LED, to isolate the chassis and electronic grounds. The Master section has both Balanced XLR and Unbalanced Jack outputs. In addition there is a Balanced XLR input with a switch to put the unit in either DI or Splitter mode. Universal AC Power AC power range is a universal 100 to 120V or 220 to 240V AC, and is connected to the unit via a removable power lead and standard 3 pin IEC connector, with built-in fuse and voltage change switch. With so many handy functions, plus a true 'user friendly' layout, it's no wonder people call the DI-6s 'A total Audio Patching System in 1 RU!' You'll never compromise on Quality when you choose ARX
Features Unique Pro Audio problem solver Six Direct boxes, Splitter and Line Mixer in one unit Multi mode unit: Six in, Six out; Six in, One out; One in, Six out Individual Output Ground lift switches Up to +15dB Gain available per channel Balanced XLR Outputs; High Impedance Jack Ins and Outs Flawless performance in any audio environment
T E C H N I C A L S P E C I F I C A T I O N S
Channels 1 - 6 High Z Input Impedance 2.2 Meg Ohm Max Channel Gain 15dB Clip LED Illuminates 1dB prior to clip Direct Output Impedance 300 ohms Balanced Max Input Level +20dB Max Output Level +21dB Signal to Noise -96dB(unity gain) Frequency Response 20Hz to 20KHz, ±0.5dB Distortion < 0.004%, 1KHz, +4dB Output Connector 3 pin XLR Master Section Output Impedance 300 Ohms Balanced Max Output Level +21dB Signal to Noise -90dB (unity gain) Frequency Response 10Hz to 20KHz, ±0.5dB Distortion < 0.004%, 1KHz, +4dB Output Connector 3 pin XLR Splitter Section Maximum Level + 20dB Input Impedance 20 KOhms, Balanced Input Connector XLR Frequency Response 10Hz?20KHz ±0.5dB AC Power 100-120, 220-240 V AC, 8 VA Size 19?W x 6?D x 1??H, 482 x 155 x 44mm Weight 2.2 Kg (5 lbs)
Front Panel Controls Hi Impedance (Hi Z) insulated jack Input and Output connectors Level control with up to +15dB of Gain available Clip LED indicator Marker panels for labelling DI assigns Master Level controls Rear Panel Balanced XLR Outputs Individual Audio Ground Lift switches and status LEDs XLR and jack Master Outputs XLR Input for splitter Splitter/DI + Mixer mode switch AC input connector, with voltage switch and fuse. | Compressos Expander Gate Kimiter DBX 166XS Stereo
Overview Bring a more professional sound to your mix
Adding a dbx® 166xs Compressor/Limiter/Gate to your live sound rig or studio gives you more dynamic control to help create a more polished, professional sound. Having compression in your audio chain gives you the ability to smooth out uneven levels, add sustain to guitars and fatten up your drums. It also makes it easy to bring vocals to the front of your mix - adding greater clarity and making them stand out from the surrounding instruments. To protect your expensive amps and speakers the PeakStop® limiter provides an absolute ceiling for peak excursions or large transients that could damage your equipment.
dbx knows compressors...after all we invented them! The 166xs is the latest in a long line of the world's most successful compressors from the inventors of the technology. Its patented Overeasy® compression technology provides smooth and musical performance while the AutoDynamic™ attack and release controls, found only on dbx compressors, puts great sound within easy reach. The 166xs can operate in stereo or dual-mono modes, has true RMS power summing and features quality XLR and 1/4" TRS inputs and outputs. It cuts no corners on visual feedback with gain reduction metering and easy-to-read backlit switches.
Specifications
Input Connectors |
1/4" TRS, female XLR (pin 2 hot) |
Input Impedance |
>50kΩ balanced, >25kΩ unbalanced |
Max Input |
>+24dBu, Balanced or Unbalanced |
Input Type |
Electronically balanced/unbalanced, RF filtered |
Sidechain |
1/4" TRS Phone, Normalled: Ring = Output (send); tip = Input (return) |
Sidechain Impedance |
Tip = >10kΩ (Input), Ring = 2kΩ (Output) |
Sidechain Max Input Level |
>+20dBu (tip/input); >+20dBu (ring/output) |
Output Connectors |
1/4" TRS, female XLR (pin 2 hot) |
Output Impedance |
120Ω balanced, >60Ω unbalanced |
Max Output |
+21dBu balanced/unbalanced into 2kΩ or greater; >+18 dBm balanced/unbalanced (into 600Ω) |
Frequency Response |
20Hz - 20kHz; +0, -0.5dB, Typical 3dB points are 0.35Hz and 110kHz, unity gain |
Noise |
|
| Bring a more professional sound to your mix
Adding a dbx® 266xs Compressor/Limiter/Gate to your live sound rig or studio gives you more dynamic control to help create a more polished, professional sound. Having compression in your audio chain gives you the ability to smooth out uneven levels, add sustain to guitars and fatten up your drums. It also makes it easy to bring vocals to the front of your mix - adding greater clarity and making them stand out from the surrounding instruments.
dbx knows compressors...after all we invented them! The 266xs is the latest in a long line of the world's most successful compressors from the inventors of the technology. Its patented Overeasy® compression technology provides smooth and musical performance while the AutoDynamic™ attack and release controls, found only on dbx compressors, puts great sound within easy reach. The 266xs can operate in stereo or dual-mono modes, has true RMS power summing and features quality XLR and 1/4" TRS inputs and outputs. It cuts no corners on visual feedback with gain reduction metering and easy-to-read backlit switches.
Features
- Error proof operation to smooth uneven levels, add sustain to guitars, fatten drums or tighten up mixes
- New gate timing algorithms ensure the smoothest release characteristics
- Program-adaptive expander/gates
- Great sounding dynamics control for any type of program material
- Separate precision LED displays for gain reduction, compression threshold and gate threshold allow quick, accurate setup
- Stereo or dual-mono operation
- Balanced inputs and outputs on 1/4" TRS and XLR connectors
- Side Chain insert
- Classic dbx® "Auto" mode
Specifications
Input Connectors |
1/4" TRS and female XLR (pin 2 hot) |
Input Type |
Electronically balanced/unbalanced, RF filtered |
Input Impedance |
40kΩ balanced/unbalanced |
Max Input |
>+22dBu Balanced or Unbalanced |
Output Connectors |
1/4" TRS, female XLR (pin 2 hot) |
Output Type |
Impedance-balanced/unbalanced, RF filtered |
Output Impedance |
+4dBu: 100Ω balanced, 50Ω unbalanced; -10dBu: 1kΩ balanced, 500Ω unbalanced |
Max Output |
>+21dBu balanced/unbalanced into 2kΩ or greater; >+18dBm balanced/unbalanced (into 600Ω) |
Sidechain |
1/4" TRS Phone, Normalled: Ring = Output (send); tip = Input (return) |
Sidechain Impedance |
Tip = >10kΩ (Input), Ring = 2kΩ (Output) |
Sidechain Max Input Level |
Tip = >+22dBu (Input) |
Sidechain Max Output Level |
Ring = >+20dBu (Output) |
Compressor Threshold Range |
-40dBu to +20dBu |
Compressor Threshold Characteristic |
Selectable OverEasy® or hard knee |
Compressor Ratio |
1:1 to Infinity:1 |
Compressor Attack Time |
Scalable Program-Dependent AutoDynamic™ |
Compressor Release Time |
Scalable Program-Dependent AutoDynamic™ |
Expander/Gate Threshold Range |
-60dBu to +15dBu |
Expander/Gate Ratio |
1:1 to 4:1 |
Expander/Gate Attack Time |
|
|
Signal distributor. 1 stereo input / 4 stereo outputs or 1 mono input / 8 mono outputs
This audio distributor is very useful to supply several audio devices with only one audio source. Its 2 operating modes allow to work with mono or stereo signals. Output level can be controlled independently.
WD 421 adapts itself to work with different impedances, ensuring that output signal level is at least equal to input signal level. It avoids any undesired attenuation and features a LED vumeter to visualize the input signal level.
Audio signal distributor with 2 inputs and 8 outputs. Two operating modes: 1 stereo input with 4 stereo outputs. 1 mono input with 8 mono outputs. Adjusting Output level. Balanced LINK output for interconnecting several units. Individual gain control of each channel
Inputs: 2 x XLR3 female balanced. Outputs: 8 x XLR3 male balanced. Input sensitivity: 0 dBu. Max. level input: 22 dBu. Input impedance: 10 kohm. Level range: ? to - 12dBu. Frequency response: 20 Hz to 22 kHz. Distortion: 110 dBu. Noise and hum: < - 80 dB @ 20 Hz - 22 kHz. Crosstalk: < - 80 dB @ 20 Hz - 22 kHz. Output impedance: 120ohm. Main supply: 110 - 120 V / 220 - 240 V 50/60 Hz. Power consumption: 20 W. Dimensions (WxHxD): 483 x 44 x 220 mm. Weight: 2.75 kg. |
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