PRESONUS BLUEMAX – TWO-CHANNEL COMPRESSOR with PRESETS

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194.90 incl. GR VAT

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The BlueMAX is the world’s first affordable stereo analog compressor with preset compression curves tailored for a variety of individual instrument and vocal applications. There is a ‘manual’ mode that allows control over parameters like attack, release, and ratio. The BlueMAX also features full metering over gain reduction and input/output levels plus a sidechain insert […]

 

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The BlueMAX is the world’s first affordable stereo analog compressor with preset
compression curves tailored for a variety of individual instrument and vocal applications.
There is a ‘manual’ mode that allows control over parameters like attack, release,
and ratio. The BlueMAX also features full metering over gain reduction and input/output
levels plus a sidechain insert jack for spectral processing. The BlueMAX is truly the
easiest way to get world-class dynamics control for any recording or live sound application.  
 
FeaturesTop 
? 15 studio pre-sets: 3 vocal, 8 instrument, 2 classic stereo, 2 special effects
“Squeeze Guitar” and “Pump“
? Manual mode gives you full control over compression parameters, including:
variable input/output; Attack/release times and ratio from 1:1 to 20:1
? Onboard metering shows input/output levels and gain reduction
? Stereo/mono operation with high gain mono input for plugging instruments in direct
? Sidechain input for de-essing, ducking and other forms of special processing
? Input/Outputs are 1/4″ TS unbalanced
? +4/-10 stereo operating level
? Internal power supply
? Power transformer is switchable for international operation

Technical Specifications:
Input
Impedance Left 100K Ohms
Impedance Right 100K Ohms
Connectors Tip-Ring, 1/4“
Gain -20dB to +40dB
Sidechain
Sidechain Output Impedance 51 Ohms
Sidechain Input Impedance 10K Ohms
Panel Controls
Input -20dB to +40dB
Ratio 1:1 to 20:1
Attack 0.01ms to 100ms
Release 10ms to 500ms
Output -20dB to +20dB
Meters
Metering Input/Output -24dB to +24dB
Metering Gain Reduction -1dB to -28dB
Power Supply
Power Supply Linear, Internal
Input 110/220, Internal Jumper
Power 10 Watts
Output
Impedance Left/Right 51 Ohms
Connectors Tip/Ring, 1/4“
Operating Level +4/-10dB Selectable
Preset Selections
Encoder 16 Position, Rotary
Presets 15 + Manual
Vocal Settings Hard, Medium, Soft Compression
Percussion Settings Fast Transient, Contour
Fretted Settings Acoustic, Electric, Bass
Keyboards Piano, Synth Brass, Orchestral
Effects “Squeeze” Guitar, Dynamic Release “Pump“
Performance
THD Noise (Unweighted) = 0.02%

Weight 5.00 kg

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Quick Comparison

PRESONUS BLUEMAX - TWO-CHANNEL COMPRESSOR with PRESETS removeAVALON VT-737SP DIRECT SIGNAL PATH removeBSS DPR-504 QUAD NOISE GATE removeALPHATON FC-100 FEEDBACK CONTROLLER removeBEHRINGER FBQ1000 FEEDBACK DESTROYER removeBEHRINGER DEQ2496 Ultra High-Precision Digital 24-Bit-96 kHz EQ-RTA Mastering Processor remove
NamePRESONUS BLUEMAX - TWO-CHANNEL COMPRESSOR with PRESETS removeAVALON VT-737SP DIRECT SIGNAL PATH removeBSS DPR-504 QUAD NOISE GATE removeALPHATON FC-100 FEEDBACK CONTROLLER removeBEHRINGER FBQ1000 FEEDBACK DESTROYER removeBEHRINGER DEQ2496 Ultra High-Precision Digital 24-Bit-96 kHz EQ-RTA Mastering Processor remove
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Price 194.90 incl. GR VAT3,439.00 incl. GR VAT 742.63 incl. GR VAT 166.65 incl. GR VAT 173.00 incl. GR VAT 437.00 incl. GR VAT
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Description
Content

The BlueMAX is the world's first affordable stereo analog compressor with preset
compression curves tailored for a variety of individual instrument and vocal applications.
There is a 'manual' mode that allows control over parameters like attack, release,
and ratio. The BlueMAX also features full metering over gain reduction and input/output
levels plus a sidechain insert jack for spectral processing. The BlueMAX is truly the
easiest way to get world-class dynamics control for any recording or live sound application.  
 
FeaturesTop 
? 15 studio pre-sets: 3 vocal, 8 instrument, 2 classic stereo, 2 special effects
“Squeeze Guitar" and "Pump“
? Manual mode gives you full control over compression parameters, including:
variable input/output; Attack/release times and ratio from 1:1 to 20:1
? Onboard metering shows input/output levels and gain reduction
? Stereo/mono operation with high gain mono input for plugging instruments in direct
? Sidechain input for de-essing, ducking and other forms of special processing
? Input/Outputs are 1/4" TS unbalanced
? +4/-10 stereo operating level
? Internal power supply
? Power transformer is switchable for international operation

Technical Specifications:
Input
Impedance Left 100K Ohms
Impedance Right 100K Ohms
Connectors Tip-Ring, 1/4“
Gain -20dB to +40dB
Sidechain
Sidechain Output Impedance 51 Ohms
Sidechain Input Impedance 10K Ohms
Panel Controls
Input -20dB to +40dB
Ratio 1:1 to 20:1
Attack 0.01ms to 100ms
Release 10ms to 500ms
Output -20dB to +20dB
Meters
Metering Input/Output -24dB to +24dB
Metering Gain Reduction -1dB to -28dB
Power Supply
Power Supply Linear, Internal
Input 110/220, Internal Jumper
Power 10 Watts
Output
Impedance Left/Right 51 Ohms
Connectors Tip/Ring, 1/4“
Operating Level +4/-10dB Selectable
Preset Selections
Encoder 16 Position, Rotary
Presets 15 + Manual
Vocal Settings Hard, Medium, Soft Compression
Percussion Settings Fast Transient, Contour
Fretted Settings Acoustic, Electric, Bass
Keyboards Piano, Synth Brass, Orchestral
Effects "Squeeze" Guitar, Dynamic Release "Pump“
Performance
THD Noise (Unweighted) = 0.02%

The Avalon VT-737SP features a combination of TUBE preamplifiers,
opto-compressor,sweep equalizer, output level and VU metering in a
2U space.
PREAMPLIFIER
The VT-737SP has three input selections: 1. The VT-737SP features a
higher-performance microphone input transformer with +48v phantom
selection. 2. Instrument DI high source input with jack located on front
panel. 3. Balanced line input, discrete high-level Class A. The Class A
preamplifier utilizes two cascaded, dual vacuum tube triodes configured
with minimum negative feedback. A high gain switch boosts the overall
gain of the preamplifier. The four high quality tubes are configured as
singled ended anode coupled followers. A passive-variable high pass filter
and hard-wire relay bypass completes the input signal conditioning. The
phase reverse relay is available on all three inputs.
OPTO-COMPRESSOR
The opto-compressor features a minimum signal path design with twin Class
A vacuum tube triodes for gain matching. The optical attenuator acts as a
simple passive level controller. Full dynamic control from soft compression to
hard- knee limiting can be achieved with threshold, ratio-compression, attack
and release controls plus gain reduction selection on the large VU meter. Special
spectral control including de-ess is available with the dual sweep mid EQ to side-
chain switch. The EQ section can be flipped pre or post the opto-compressor
via a front panel switch for alternate effects and tone shaping. Two VT-737SPs
can be linked via a rear panel link cable for stereo tracking. The compressor
bypass is a sealed silver relay for the most direct signal path.
SWEEP-EQUALIZER AND OUTPUT LEVEL
The VT-737SP equalizer utilizes 100% discrete, Class A-high-voltage transistors
for optimum sonic performance. The high and low frequency bands provide the
smooth characteristics of an all passive design, while the dual mid bands include
variable frequency and switched Q-width selection. The enhanced range of the mid
bands is extended into the high and low bands by the use of X10 frequency multipliers.
The bypass switch incorporates a sealed silver relay for the most direct signal path.
When the EQ to sidechain is engaged, the high-low EQ remains in the audio path for
"tone enhancement“. The output level control provides a variable control of the overall
signal path. The output amplifier utilizes another dual triode vacuum tube driving a
100% discrete, Class A, high-current, balanced and DC coupled low noise output
amplifier.

AVALON VT-737SP FEATURES
Vacuum tube triode signal path, transformer balanced microphone input, high-voltage
circuits for maximum headroom to +30dB, low noise -92dB, internal discrete power
supply with toroidal transformer, soft-start tube life extender, stereo link for compressors,
all discrete Class A equalizer with musical passive filter design, sealed silver relays for
signal routing, large control knobs with professional conductive plastic potentiometers,
VU meter for output level monitoring and compressor gain reduction.

VT-737SP SPECIFICATIONS
Circuit topology Four dual triode vacuum tubes (Sovtek 6922), high-voltage discrete
Class A
Gain Range Microphone: Transformer balanced 850/2500 ohm, 0dB to +58dB Instrument:
Unbalanced 1 meg ohm, 0dB to+30dB Line: Balanced Class A 20k ohms, -27dB to 28dB
Maximum input level and connector types Microphone26dB@25Hz, +30dB@1kHz balanced
XLR Instrument+30dB unbalanced front panel jack socket
Line +36dB balanced XLR
Maximum output level +30dB balanced 600 ohms, DC coupled, discrete Class A
Output type and gain XLR connector, output trim gain -45dB to20dB
Noise 20kHz unweighted -92dB
Noise microphone EIN -116dB, 22Hz to 22kHz unweighted
Distortion THD, IMD 0.5%
Frequency response -/2.5dB 10Hz to 120kHz input filter included
Frequency response -3dB 1Hz to 200kHz line in-out
VU meter and gain reduction High quality illuminated OVU =+4dB and gain reduction to -20dB
High cut filter Variable 6dB per octave 30Hz to 140Hz
Compressor type Optical passive attenuator incorporating twin vacuum tubes and stereo link
Threshold - Ratio Threshold variable -30dB to +20dB, ratio-compression variable 1:1 to 20:1
Attack - Release Attack variable 2mS to 200mS, release variable 100mS to 5 seconds
Equalizer type Discrete Class A, variable active and switched passive design
Frequency bands (4) Treble - switched 10kHz, 15kHz, 20kHz, 32kHz, +/- 20dB range, shelf
High mid - variable 200Hz to 2k8Hz and 2kHz to 28kHz, +/- 16dB range, hi-lo Q Low mid -
variable 30Hz to 450Hz and 300Hz to 4k5Hz, +/- 16dB range, hi-lo Q Bass - switched 15Hz,
30Hz, 60Hz, 150Hz, +/- 24dB range, shelf
AC power Internal toroidal 100v to 240v, 50-60Hz selectable, 75 watts maximum
Dimensions 19 x 12 x 3.5 in (482 x 305 x 89mm)
Weight 22lbs (10kg)
Dimensions-shipping carton 21 x 18 x 8 in (533 x 457 x 203mm)
Weight-packed 26lbs (11.8kg)

The DPR-504 is a 4-channel noise gate.

Each channel features:
A parametric key filter with key filter listening.
Simultaneous key level and threshold metering with average and
peak metering.
A gate status LED.
A RELEASE/HOLD control (hold tracks proportionally with release
times).
Attack switchable auto/fast (auto tracks signal dynamics for optimum
setting).
Link (links two channels together).
Key source allows external triggers.

The Range switch selects between 7OdB and 2OdB gating depth to
provide alternative release profiles.
The unit features electronically balanced inputs and outputs. 

Description

The alphaton Feedback-Controller FC-100 is a revolutionary product for every microphone
application including wireless types. It can provide effective feedback control to any sound
reinforcement situation. It can also eliminated string feedback in guitars and bass instruments
which are equipped with piezo or condenser pickups.
The FC-100 provides 6 to 10 dB of feedback protection by analysing the incoming signal,
detecting the presence of feedback and then notching out the feedback frequency.
The FC-100 relieves the sound engineer automatically. It works dynamically and eliminates a
feedback signal before it can grow into a peak. Internally a discriminator circuit detects the
presence of regenerative feedback and triggers the automatic equaliser to insert a notch where
the feedback peak is coming up. This normally prevents other peaks from developing but if they
do, the process is repeated at high speed, thus keeping feedback under control.

Technical Data
In- and Outputs transformer balanced
max. Inputlevel + 3 dB
Gain (RS=200 Ohm, RL=2kOhm) 0 dB
Frequency Response 20 Hz ... 20 kHz, +/- 1,5 dB
Feeback Cancellation  6 ... 10 dB
Power Requirement  30 ... 48 V Phantom
Current drain ca. 8 mA
External Power Supply 9 ... 20 V DC, 3,5 mm jack, tip +
Housing Aluminium Diecast
Weight  285 grams
Dimensions  112 x 60 x 32 mm

FEEDBACK DESTROYER FBQ1000 Automatic and Ultra-Fast Feedback Destroyer/Parametric EQ with 24 FBQ Filters High-performance 2-channel Feedback Destroyer and Parametric EQ Automatically and "intelligently" locates and destroys up to 24 frequencies Ultra-narrow FBQ filters for extremely effective feedback suppression, while keeping highest sonic quality "Set-and-forget" default setting enables immediate and super-easy Feedback Destroyer performance Auto mode continuously monitors the mix and automatically sets filters Single-Shot mode automatically detects and destroys feedback plus locks the filter until you reset it manually Manual mode allows setting of up to 24 fully parametric filters with individual frequency, bandwidth and gain parameters Extensive MIDI implementation and user preset memories for instant program recalls Balanced inputs and servo-balanced outputs with ¼'' TRS and gold-plated XLR connectors High-quality components and exceptionally rugged construction ensure long life Conceived and designed by BEHRINGER Germany BEHRINGER FEEDBACK DESTROYER FBQ1000

Product Features:

Ultra-high resolution 24-bit/96 kHz mastering processor featuring 32/40-bit floating-point DSP technology
Audiophile 24-bit/96 kHz A/D- and D/A converters offering 113 dB dynamic range
4 concurrently selectable EQ modules (31-band graphic EQ, 10-band parametric EQ, Feedback Destroyer plus 3 Dynamic EQs per stereo channel)
Ultra-high resolution 61-band real-time FFT analyzer with additional auto EQ function for room and loudspeaker equalization
Unique VPQ (Virtual Paragraphic EQ) option allows parametric control of graphic EQs
State-of-the-art compressor/expander with peak limiter per stereo channel, additional stereo imager and stereo delay for delay line applications
Multi-functional level meters (peak/RMS, VU and SPL meter with dBA/dBC weighting via RTA/Mic input)
64 user memories for complete setups and/or individual module configurations
Separate mic/line input with phantom power for RTA and Auto-EQ applications
Balanced inputs and servo-balanced outputs with gold-plated XLR connectors, stereo aux output, AES/EBU and S/PDIF inputs and outputs (XLR and optical)
Professional Wordclock input and MIDI connections for full remote control, preset dumps and system updates
Open architecture allowing future software updates via MIDI
"Planet Earth" switching power supply for maximum flexibility (100 - 240 V~), noise-free audio, superior transient response plus low power consumption for energy saving
High-quality components and exceptionally rugged construction ensure long life
Conceived and designed by BEHRINGER Germany

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Weight5.00 kg11.80 kg5.00 kg0.30 kg1.90 kg3.50 kg
DimensionsN/AN/AN/AN/AN/AN/A
Additional information
Weight 5.00 kg
Weight 11.80 kg
Weight 5.00 kg
Weight 0.30 kg
Weight 1.90 kg
Weight 3.50 kg