PRESONUS COMP 16 – PROFESSIONAL AUDIO COMPRESSOR w-PRESET COMPRE

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126.35 incl. GR VAT

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Based on the award winning BlueMax compressor design, the COMP16 is the simplest professional quality compressor in the world. Sixteen presets have been carefully tailored for a wide range of applications including vocals, percussion, fretted instruments, keyboards, stereo program material and compression effects. Simply select the preset and adjust the input and output to desired […]

 

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Based on the award winning BlueMax compressor design, the COMP16 is the
simplest professional quality compressor in the world. Sixteen presets have been
carefully tailored for a wide range of applications including vocals, percussion,
fretted instruments, keyboards, stereo program material and compression effects.
Simply select the preset and adjust the input and output to desired level of compression.
Finally a great-sounding compressor that anyone can use!  
 
Features 
? Easy to Use 16 Presets
? Award-Winning Compressor Design
? Ultra Low Noise
? Back-Lit VU for Metering Compression
? Bypass Switch to Audition Compression
? Balanced XLR and Unbalanced ?? I/O
? Musical / Wide Dynamic Range Compression
? Great for Recording or Live Sound
? Great for Guitars and Basses

Technical Specifications
Input
XLR Impedance 10k Ohms
TRS Impedance 10k Ohm
Panel Controls
Input -20dB to +20dB
Output -20dB to +20dB
Bypass
Output to Meter
Preset Select Digital Encoder
Meters Blue Backlit VU
Power Supply
Type Linear
Input 16VAC/1000mA
Output
XLR Balanced 51 Ohms Impedance
1/4? TRS Unbalanced 51 Ohms Impedance
Performance
THD+Noise (Unweighted) 0.006% at 0dB
Noise Floor -98dB
Signal To Noise >95dB
Power Supply Rejection >98dB
Physical
Weight 5lbs./ 2.30
Dimensions 5.5 x 5.5 x 1.75
Mounting Universal Rack Tray Insert
Chassis Steel
Panel Brushed Aluminum
Sides Cast Aluminum
Power 16 Watts

Weight 4.00 kg

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Quick Comparison

PRESONUS COMP 16 - PROFESSIONAL AUDIO COMPRESSOR w-PRESET COMPRE removeBEHRINGER MDX4600 MULTICOM PRO-XL PROCESSOR removeDBX-1074 OUAD NOISE GATE removeBEHRINGER FBQ100 DIGITAL FEEDBACK SUPPRESOR removeBEHRINGER FBQ1000 FEEDBACK DESTROYER removeARX AFTERBURNER DUAL CH.BAND ENHANCED COMPRESSOR-LIMITER remove
NamePRESONUS COMP 16 - PROFESSIONAL AUDIO COMPRESSOR w-PRESET COMPRE removeBEHRINGER MDX4600 MULTICOM PRO-XL PROCESSOR removeDBX-1074 OUAD NOISE GATE removeBEHRINGER FBQ100 DIGITAL FEEDBACK SUPPRESOR removeBEHRINGER FBQ1000 FEEDBACK DESTROYER removeARX AFTERBURNER DUAL CH.BAND ENHANCED COMPRESSOR-LIMITER remove
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SKUCOMP16E005314DBX 1074E005280E005281AFTERBURNER
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Price 126.35 incl. GR VAT 174.00 incl. GR VAT 589.00 incl. GR VAT 95.00 incl. GR VAT 173.00 incl. GR VAT 403.00 incl. GR VAT
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Description
Content

Based on the award winning BlueMax compressor design, the COMP16 is the
simplest professional quality compressor in the world. Sixteen presets have been
carefully tailored for a wide range of applications including vocals, percussion,
fretted instruments, keyboards, stereo program material and compression effects.
Simply select the preset and adjust the input and output to desired level of compression.
Finally a great-sounding compressor that anyone can use!  
 
Features 
? Easy to Use 16 Presets
? Award-Winning Compressor Design
? Ultra Low Noise
? Back-Lit VU for Metering Compression
? Bypass Switch to Audition Compression
? Balanced XLR and Unbalanced ?? I/O
? Musical / Wide Dynamic Range Compression
? Great for Recording or Live Sound
? Great for Guitars and Basses

Technical Specifications
Input
XLR Impedance 10k Ohms
TRS Impedance 10k Ohm
Panel Controls
Input -20dB to +20dB
Output -20dB to +20dB
Bypass
Output to Meter
Preset Select Digital Encoder
Meters Blue Backlit VU
Power Supply
Type Linear
Input 16VAC/1000mA
Output
XLR Balanced 51 Ohms Impedance
1/4? TRS Unbalanced 51 Ohms Impedance
Performance
THD+Noise (Unweighted) 0.006% at 0dB
Noise Floor -98dB
Signal To Noise >95dB
Power Supply Rejection >98dB
Physical
Weight 5lbs./ 2.30
Dimensions 5.5 x 5.5 x 1.75
Mounting Universal Rack Tray Insert
Chassis Steel
Panel Brushed Aluminum
Sides Cast Aluminum
Power 16 Watts

The Multicom Pro-XL MDX4600 gives you 4 channels of first-class dynamic
control in a single rack space. With a multitude of new features like the
advanced program-adaptive expander gate, extensive metering plus a variety
of configuration options, the Multicom Pro-XL puts a lot of dynamic processing
power in your rack.

Features
Switchable IKA (Interactive Knee Adaptation) program-adaptive compression
circuitry combines the advantages of hard-knee and soft-knee characteristics
IRC (Interactive Ratio Control) expander/gate circuitry for virtually inaudible noise
suppression
Switchable dynamic enhancer for brilliant, lively audio even with heavy compression
IGC (Interactive Gain Control) peak limiting circuitry combines clipper and program
limiter for reliable and inaudible protection against signal peaks
Switchable low contour filter prevents "pumping" due to low-frequency dominated
compression
Stereo couple function selectable for channels 1/2 and 3/4
Ultra low-noise 4580 operational amplifiers and state-of-the-art THAT¬ VCA's
Separate 8-segment LED meters for input/output levels and gain reduction
Selectable operating level (+4 dBu/-10 dBV)
High-quality detented ALPS¬ potentiometers and illuminated switches
Servo-balanced inputs and outputs with ? in. TRS and gold-plated XLR
connectors
Manufactured under ISO9000 certified management system

The latest addition to the 10 Series product line, the dbx® 1074 QuadGate™, is the perfect companion to the 1066 and 1046. The 1074 offers 4 channels of gating with threshold, depth and release controls on each channel. The 1074, like the rest of the products in dbx 10 Series, is based on the legendary dbx V2 VCA and offers XLR inputs and outputs, and 1/4” side-chain input. In addition to an external key input per channel, the 1074 also has an internal filter that can be independently activated and controlled on a channel-per-channel basis. This filter allows the 1074 to not only clean up tracks, but gives you frequency selective control on each gate, to open exactly when you want it to. These features combined, make the 1074 an absolute must for those who require quad gating on applications including: Gating dry and percussive sounds such as snare drum and kick drum,gating sounds that have longer decay times such as cymbals and Pianos, gating hum or buzz from live instruments or recorded tracks or eliminating Headphone leakage into microphones. Gating instrument microphones to eliminate amplifier bleed. 

From the company that has been redefining the standard of signal processing for more than 30 years, dbx® Professional Products comes a bulletproof product that caters to the scrutinizing needs of those who require the precision noise gating capabilities. Once again, the engineering staff at dbx® Professional Products have taken technology that has been over three decades in the making and have created a product that is flexible, versatile and rock solid in construction design. The 1074ʼs independent channel design with key filtering capabilities make it the perfect tool for countless applications.

  • Four independent channels of gating
  • Independent key filtering
  • Independent Threshold and Release controls
  • Differentially balanced gold-plated XLR and 1/4" inputs and outputs
  • True RMS level detection
  • Stereo Coupling mode
  • Switchable +4dBu or -10dBv operation per channel

    Input ConnectorsXLR (Pin 2 and tip hot)
    Input TypeElectronically balanced/unbalanced, RF filtered
    Input ImpedanceBalanced > 50 kOhm, unbalanced >25 kOhm
    Max Input> +22 dBu balanced or unbalanced
    CMRR40dB: Typically >55 dB at 1 kHz
    Key InputElectronically balanced/unbalanced, RF fitered Balanced 50kOhm, unbalanced > 25 kOhm
    Output ConnectorsXLR (Pin 2 hot)
    Output TypeServo-balanced/unbalanced, RF filtered
    Output ImpedanceBalanced 60 Ohm, unbalanced 30 Ohm
    Max Output> +22 dBm balanced, > +20 dBm unbalanced
    Bandwidth20 Hz to 20 kHz, +0/-0.5 dB
    Frequency Response0.35 Hz to 200 kHz, +0/-3 dB
    Noise
    Dynamic Range> 115 dB, unweighted
    THD+Noise0.008% typical at +4 dBu (1 kHz unity gain), 0.08% typical at +20 dBu (1 kHz unity gain),
    Interchannel Crosstalk
    Stereo CouplingTrue RMS Power Summing
    Operating Voltage100-120 VAC 50-60 Hz or 200-240 VAC 50/60 Hz
    Power Consumption30 Watts
    Fuse100-120 VAC:250 mA Slow Blow, 200-240 VAC:125 mA Type T
    Power ConnectorIEC receptacle
    Unit Weight6.9 lbs.
    Shipping Weight9.3 lbs.


SHARK FBQ100 Automatic Feedback Destroyer with Integrated Microphone Preamp, Delay Line, Noise Gate and Compressor High performance single channel Feedback Destroyer with integrated microphone preamp, delay line, noise gate and compressor Automatically and "intelligently" locates and destroys up to 8 feedback frequencies Narrow FBQ filters for extremely effective feedback suppression, while keeping highest sonic quality Ultra-low noise Mic/Line input with Gain control and +48 V phantom power Delay line with up to 2.5 seconds of delay, adjustable in meters, feet and msec Noise gate with automatic and manual parameter settings Automatic compressor with variable density Subsonic filter with adjustable cut-off frequency Balanced inputs and servo-balanced outputs with ¼'' TRS and gold-plated XLR connectors High-quality components and exceptionally rugged construction ensure long life Conceived and designed by BEHRINGER GermanyFEEDBACK DESTROYER FBQ1000 Automatic and Ultra-Fast Feedback Destroyer/Parametric EQ with 24 FBQ Filters High-performance 2-channel Feedback Destroyer and Parametric EQ Automatically and "intelligently" locates and destroys up to 24 frequencies Ultra-narrow FBQ filters for extremely effective feedback suppression, while keeping highest sonic quality "Set-and-forget" default setting enables immediate and super-easy Feedback Destroyer performance Auto mode continuously monitors the mix and automatically sets filters Single-Shot mode automatically detects and destroys feedback plus locks the filter until you reset it manually Manual mode allows setting of up to 24 fully parametric filters with individual frequency, bandwidth and gain parameters Extensive MIDI implementation and user preset memories for instant program recalls Balanced inputs and servo-balanced outputs with ¼'' TRS and gold-plated XLR connectors High-quality components and exceptionally rugged construction ensure long life Conceived and designed by BEHRINGER Germany BEHRINGER FEEDBACK DESTROYER FBQ1000

Innovation

The ARX AFTERBURNER? is a unique Multi Mode compressor/limiter
designed for use in any professional audio dynamics control application.
Multiple Modes
The Afterburner can be set up and used in three different ways:
In Two channel mode, it performs as two independent compressor/limiters,
with 'industry standard' variable Threshold, Ratio and Output gain. In stereo
mode, our New Adaptive Stereo Link circuitry provides increased stereo
imaging accuracy when linking both channels as a stereo pair. A single front
panel switch puts the Afterburner into its alternative Mono mode, setting it up
as a Single channel, Dual Band compressor/limiter, with separate dynamics
control of both Low and High frequencies, opening up a whole new range of
gain control techniques.
Enhance Switch
In any mode, the Afterburner features an 'Enhance' switch, which provides
frequency restoration to preserve the spectral balance of the audio signal,
compensating for the sagging Low and High frequency response of compressed
program material. Think of it as a 'smart' loudness control.
 
Features
Switchable Modes - Stereo; Dual Channel Single band; or Single Channel
Dual Band (Low and High)
Low and High frequency compression in Single Channel mode
'Enhance' switch restores spectral balance of compressed signal
New Hard/Soft knee compression switch
New Adaptive Stereo Link circuit for accurate stereo imaging
New Above/Below Threshold LEDs enable at-a-glance compression
confirmation
Balanced XLR and Jack Inputs and Outputs
Sidechain Insert points
Intuitive user-friendly layout
Flawless performance
 
New Above/Below Threshold LEDs enable at-a-glance compression confirmation
New Hard or Soft knee compression option
New LED metering provides accurate Level status, with separate Gain Reduction
metering in easy to read 'wide scale' meters. There is also comprehensive LED
indication of all operating functions and status in any mode.
Balanced Inputs and Outputs
On the rear panel, each channel has true differential Balanced inputs and outputs,
on both XLR and TRS jack connectors. As well, each channel has a TRS jack
Sidechain access insert point, for applications such as De-essing (when used with
an external equalizer such as the ARX Multi Q or EQ 260).Other features include a
true Hardwire bypass switch for each channel, and passive RFI filters on the inputs.
Universal AC Power
AC power range is a universal 100 to 120V or 220 to 240V AC, and is connected to
the unit via a removable power lead and standard 3 pin IEC connector, with built-in
fuse and voltage change switch.
With its smooth compression, intuitive user friendly layout, high density precision
circuitry, and extensive user-variable operating parameters, the unique ARX Afterburner
is equally at home in Studio, Installation, Broadcast and Sound Reinforcement
environments. It can provide great sounding dynamics control effects that are not
available with any other device.
 
T E C H N I C A L  S P E C I F I C A T I O N S
Input Impedance Balanced 20 Kohms, Unbalanced 10 Kohms
Input Headroom + 22 dB
CMRR >60 dB, 20 Hz-20 KHz
Output Impedance Balanced 300 ohms, Unbalanced 150 ohms
Output Level (Max) + 22 dB
Frequency Response 20Hz to 20KHz ±0.2dB
Signal to Noise ratio -93 dB Unweighted, -99 dB 'A' weighted
Distortion .02% THD @ 0dB,1KHz
Dynamic Range 115 dB
Sidechain Insert Impedance 10 Kohm
Filter Section
Filter Type Phase corrected 6dB/octave
Summed Filter Response ±0.2dB through crossover region
Dividing Frequency 250 Hz
Enhance Section
Low Enhance 50 Hz, High Enhance 10 KHz
Power Requirements 100/120 V AC, 220/240 V AC
Weight 5 lbs/2.2 Kg
Dimensions 19“W x 1?“H x 6“D, 482 x 44 x 155mm
Input/OutputConnector type XLR, Balanced Jack
Sidechain Insert Connector TRS Jack

Front Panel Controls
Hardwire bypass IN/OUT switch
Threshold, Ratio and Output Gain controls
Above/Below Threshold LEDs
12 segment LED Output Level display
Numbered marker panel for labelling compressor assigns
7 segment LED Gain Reduction display
Enhance switch and status LED
Adaptive Stereo link switch and status LED
Dual/Single channel mode switch and status LEDs
Rear Panel Connectors
Balanced Inputs and Outputs, on both XLR and TRS jack
connectors. In Single channel (Mono) mode, use Channel
1 Inputs and Outputs only
Sidechain Insert TRS connector on each channel
AC input connector, with voltage switch and fuse.
 

Weight4.00 kg3.45 kg3.00 kg0.38 kg1.90 kg5.20 kg
DimensionsN/AN/AN/AN/AN/AN/A
Additional information
Weight 4.00 kg
Weight 3.45 kg
Weight 3.00 kg
Weight 0.38 kg
Weight 1.90 kg
Weight 5.20 kg