PRESONUS COMP 16 – PROFESSIONAL AUDIO COMPRESSOR w-PRESET COMPRE

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126.35 incl. GR VAT

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Based on the award winning BlueMax compressor design, the COMP16 is the simplest professional quality compressor in the world. Sixteen presets have been carefully tailored for a wide range of applications including vocals, percussion, fretted instruments, keyboards, stereo program material and compression effects. Simply select the preset and adjust the input and output to desired […]

 

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Based on the award winning BlueMax compressor design, the COMP16 is the
simplest professional quality compressor in the world. Sixteen presets have been
carefully tailored for a wide range of applications including vocals, percussion,
fretted instruments, keyboards, stereo program material and compression effects.
Simply select the preset and adjust the input and output to desired level of compression.
Finally a great-sounding compressor that anyone can use!  
 
Features 
? Easy to Use 16 Presets
? Award-Winning Compressor Design
? Ultra Low Noise
? Back-Lit VU for Metering Compression
? Bypass Switch to Audition Compression
? Balanced XLR and Unbalanced ?? I/O
? Musical / Wide Dynamic Range Compression
? Great for Recording or Live Sound
? Great for Guitars and Basses

Technical Specifications
Input
XLR Impedance 10k Ohms
TRS Impedance 10k Ohm
Panel Controls
Input -20dB to +20dB
Output -20dB to +20dB
Bypass
Output to Meter
Preset Select Digital Encoder
Meters Blue Backlit VU
Power Supply
Type Linear
Input 16VAC/1000mA
Output
XLR Balanced 51 Ohms Impedance
1/4? TRS Unbalanced 51 Ohms Impedance
Performance
THD+Noise (Unweighted) 0.006% at 0dB
Noise Floor -98dB
Signal To Noise >95dB
Power Supply Rejection >98dB
Physical
Weight 5lbs./ 2.30
Dimensions 5.5 x 5.5 x 1.75
Mounting Universal Rack Tray Insert
Chassis Steel
Panel Brushed Aluminum
Sides Cast Aluminum
Power 16 Watts

Weight 4.00 kg

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Quick Comparison

PRESONUS COMP 16 - PROFESSIONAL AUDIO COMPRESSOR w-PRESET COMPRE removeAVALON AD2055 DUAL MONO PURE CLASSA PARAMETRIC MUSIC EQUALIZER removeBEHRINGER DEQ2496 Ultra High-Precision Digital 24-Bit-96 kHz EQ-RTA Mastering Processor removeARX AFTERBURNER DUAL CH.BAND ENHANCED COMPRESSOR-LIMITER removeBEHRINGER FBQ1000 FEEDBACK DESTROYER removeDBX 266XS COMPRESSOR/GATE 2CH remove
NamePRESONUS COMP 16 - PROFESSIONAL AUDIO COMPRESSOR w-PRESET COMPRE removeAVALON AD2055 DUAL MONO PURE CLASSA PARAMETRIC MUSIC EQUALIZER removeBEHRINGER DEQ2496 Ultra High-Precision Digital 24-Bit-96 kHz EQ-RTA Mastering Processor removeARX AFTERBURNER DUAL CH.BAND ENHANCED COMPRESSOR-LIMITER removeBEHRINGER FBQ1000 FEEDBACK DESTROYER removeDBX 266XS COMPRESSOR/GATE 2CH remove
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SKUCOMP16AD2055E005263AFTERBURNERE005281DBX 266XS
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Price 126.35 incl. GR VAT 4,250.00 incl. GR VAT 437.00 incl. GR VAT 403.00 incl. GR VAT 173.00 incl. GR VAT 162.00 incl. GR VAT
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Description
Content

Based on the award winning BlueMax compressor design, the COMP16 is the
simplest professional quality compressor in the world. Sixteen presets have been
carefully tailored for a wide range of applications including vocals, percussion,
fretted instruments, keyboards, stereo program material and compression effects.
Simply select the preset and adjust the input and output to desired level of compression.
Finally a great-sounding compressor that anyone can use!  
 
Features 
? Easy to Use 16 Presets
? Award-Winning Compressor Design
? Ultra Low Noise
? Back-Lit VU for Metering Compression
? Bypass Switch to Audition Compression
? Balanced XLR and Unbalanced ?? I/O
? Musical / Wide Dynamic Range Compression
? Great for Recording or Live Sound
? Great for Guitars and Basses

Technical Specifications
Input
XLR Impedance 10k Ohms
TRS Impedance 10k Ohm
Panel Controls
Input -20dB to +20dB
Output -20dB to +20dB
Bypass
Output to Meter
Preset Select Digital Encoder
Meters Blue Backlit VU
Power Supply
Type Linear
Input 16VAC/1000mA
Output
XLR Balanced 51 Ohms Impedance
1/4? TRS Unbalanced 51 Ohms Impedance
Performance
THD+Noise (Unweighted) 0.006% at 0dB
Noise Floor -98dB
Signal To Noise >95dB
Power Supply Rejection >98dB
Physical
Weight 5lbs./ 2.30
Dimensions 5.5 x 5.5 x 1.75
Mounting Universal Rack Tray Insert
Chassis Steel
Panel Brushed Aluminum
Sides Cast Aluminum
Power 16 Watts

The AD2055 combines 100% discrete, pure class A signal amplifiers with state-of-
the-art passive and active filter topologies. The AD2055's unique circuitry delivers
very high resolution transient detail at the operational extremes of real world equalization
demands. The AD2055 auto-bias DC servo loop control eliminates the need for all
interstage capacitor coupling. The AD2055 breathes life into all musical performances!
 
AD2055 FEATURES
Pure Class A, 100% discrete design
Smooth musical detail and sonic excellence
Minimum audio signal path
Dual mono operation
Transparent active and passive filter design
High headroom +30dB Very low noise -94dB
Fully balanced inputs and outputs
DC coupled, no transformers in audio path
Switched frequencies in high and low bands
Mid bands use X10 frequency for extended range
Wide bandwidth -3dB 1Hz to 450kHz
Low distortion less than 0.5% THD and IMD
All signal routing with sealed silver relays Conductive
plastic potentiometers for low noise
External 150W toroidal power supply 100% discrete
power supplies for audio path
Long lasting, stainless steel hardware
 
SONIC EXCELLENCE
The Avalon AD2055 Pure Class A music equalizer is the most powerful, low noise
parametric equalizer available today. Designed to optimize absolute signal integrity
and musical performance, the AD2055 combines the best of active and passive filter
topologies with sonic excellence unequaled by lesser designs. The AD2055 is the
perfect solution for two buss music-program equalization, special instrument EQ and
FX applications and ultra high performance mastering studio's.

Features include state-of-the-art, balanced 100% discrete, Pure Class A signal amplifiers,
practical user features and rugged hardware designed to deliver true high performance
audio for many years. 

PASSIVE-ACTIVE FILTER DESIGN
Avalon equalizers feature the unique combination of both active and passive filter EQ designs.
This special combination enables the AD2055 to deliver high speed transient detail at the
operational extremes of real-world equalization demands. The passive high and low bands offer
alternate musical tone range to the full function active parametric mid bands. Passive equalizers
have long been a favorite with music lovers around the world.  Full bodied, powerful (up to +/-32dB,
64dB range !) and sweet frequency selections are the benefits of the passive high-low EQ bands.
The full bandwidth twin mid bands provide variable frequency selection (X10 frequency multipliers
for very wide range), variable Q (width) and amplitude control.

MINIMUM SIGNAL PATH DESIGN
Avalon's advanced true symmetry design offers high-voltage, large headroom, extended bandwidth
and very low noise. The use of 100% discrete, Pure Class A signal amplifiers give the serious music
professional unlimited sonic character and a natural harmonic detail that enhances the program
material and becomes one with the music itself. The Avalon AD2055 breathes life!

AD2055 SPECIFICATIONS
Circuit Topology  High-voltage 100% discrete, balanced and symmetrical
Class A 
Output Gain Range  Unity Gain 
Maximum Input Level  +30dB balanced XLR pin 2 hot 
Maximum Output Level  +32dB balanced 600 ohms, DC coupled, high-current
discrete Class A 
Input / Output Type  XLR type, pin 2 hot balanced 
Noise 20kHz Unweighted  -94dB (EQ in) 
Distortion THD, IMD  0.5% (typical 0.05% at +6dB 1kHz) 
Frequency Response -3dB  1Hz to 450kHz (input band limited) 
Equalizer Type  Passive high and low bands plus two fully parametric mid
bands 
Bypass  Hard-wire relay bypass for equalizer in-out 
Low Band F1  Passive, amplitude to -32dB to +32dB shelf or peak-dip curve 
F1 Frequency Range  Switched 10 position 18Hz, 25, 30, 50, 72, 100, 150, 215,
300, 450Hz 
Mid Band F2  Active, amplitude to -16dB to +16dB peak-dip curve 
F2 Frequency Range  Variable 35Hz to 450Hz (x10) 350Hz to 4k5Hz, Q (width)
0.3 to 3.0 
Mid Band F3  Active, amplitude to -16dB to +16dB peak-dip curve 
F3 Frequency Range  Variable 160Hz to 2k0Hz (x10) 1k6Hz to 20kHz, Q (width)
0.3 to 3.0 
High Band F4  Passive, amplitude to -26dB to +26dB shelf or peak-dip curve 
F4 Frequency Range  Switched 10 position 1k5Hz, 2k5, 3k5, 5k, 7k2, 10k, 12k5,
15k, 20k, 25kHz 
AC-DC Power  External AC supply, 150w toroidal transformer, 4 pin cable 90v
isolated, 
(B2T Power Supply Included)  100-240v selectable 50/60Hz, 150w max 
Dimensions  19 x 3.5 x 12 in (482 x 88 x 305mm) 
Shipping weight  30lbs (13.6 kg) 

Product Features:

Ultra-high resolution 24-bit/96 kHz mastering processor featuring 32/40-bit floating-point DSP technology
Audiophile 24-bit/96 kHz A/D- and D/A converters offering 113 dB dynamic range
4 concurrently selectable EQ modules (31-band graphic EQ, 10-band parametric EQ, Feedback Destroyer plus 3 Dynamic EQs per stereo channel)
Ultra-high resolution 61-band real-time FFT analyzer with additional auto EQ function for room and loudspeaker equalization
Unique VPQ (Virtual Paragraphic EQ) option allows parametric control of graphic EQs
State-of-the-art compressor/expander with peak limiter per stereo channel, additional stereo imager and stereo delay for delay line applications
Multi-functional level meters (peak/RMS, VU and SPL meter with dBA/dBC weighting via RTA/Mic input)
64 user memories for complete setups and/or individual module configurations
Separate mic/line input with phantom power for RTA and Auto-EQ applications
Balanced inputs and servo-balanced outputs with gold-plated XLR connectors, stereo aux output, AES/EBU and S/PDIF inputs and outputs (XLR and optical)
Professional Wordclock input and MIDI connections for full remote control, preset dumps and system updates
Open architecture allowing future software updates via MIDI
"Planet Earth" switching power supply for maximum flexibility (100 - 240 V~), noise-free audio, superior transient response plus low power consumption for energy saving
High-quality components and exceptionally rugged construction ensure long life
Conceived and designed by BEHRINGER Germany

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Bring a more professional sound to your mix Adding a dbx® 266xs Compressor/Limiter/Gate to your live sound rig or studio gives you more dynamic control to help create a more polished, professional sound. Having compression in your audio chain gives you the ability to smooth out uneven levels, add sustain to guitars and fatten up your drums. It also makes it easy to bring vocals to the front of your mix - adding greater clarity and making them stand out from the surrounding instruments. dbx knows compressors...after all we invented them! The 266xs is the latest in a long line of the world's most successful compressors from the inventors of the technology. Its patented Overeasy® compression technology provides smooth and musical performance while the AutoDynamic™ attack and release controls, found only on dbx compressors, puts great sound within easy reach. The 266xs can operate in stereo or dual-mono modes, has true RMS power summing and features quality XLR and 1/4" TRS inputs and outputs. It cuts no corners on visual feedback with gain reduction metering and easy-to-read backlit switches. Features
  • Error proof operation to smooth uneven levels, add sustain to guitars, fatten drums or tighten up mixes
  • New gate timing algorithms ensure the smoothest release characteristics
  • Program-adaptive expander/gates
  • Great sounding dynamics control for any type of program material
  • Separate precision LED displays for gain reduction, compression threshold and gate threshold allow quick, accurate setup
  • Stereo or dual-mono operation
  • Balanced inputs and outputs on 1/4" TRS and XLR connectors
  • Side Chain insert
  • Classic dbx® "Auto" mode
Specifications
Input Connectors 1/4" TRS and female XLR (pin 2 hot)
Input Type Electronically balanced/unbalanced, RF filtered
Input Impedance 40kΩ balanced/unbalanced
Max Input >+22dBu Balanced or Unbalanced
Output Connectors 1/4" TRS, female XLR (pin 2 hot)
Output Type Impedance-balanced/unbalanced, RF filtered
Output Impedance +4dBu: 100Ω balanced, 50Ω unbalanced; -10dBu: 1kΩ balanced, 500Ω unbalanced
Max Output >+21dBu balanced/unbalanced into 2kΩ or greater; >+18dBm balanced/unbalanced (into 600Ω)
Sidechain 1/4" TRS Phone, Normalled: Ring = Output (send); tip = Input (return)
Sidechain Impedance Tip = >10kΩ (Input), Ring = 2kΩ (Output)
Sidechain Max Input Level Tip = >+22dBu (Input)
Sidechain Max Output Level Ring = >+20dBu (Output)
Compressor Threshold Range -40dBu to +20dBu
Compressor Threshold Characteristic Selectable OverEasy® or hard knee
Compressor Ratio 1:1 to Infinity:1
Compressor Attack Time Scalable Program-Dependent AutoDynamic™
Compressor Release Time Scalable Program-Dependent AutoDynamic™
Expander/Gate Threshold Range -60dBu to +15dBu
Expander/Gate Ratio 1:1 to 4:1
Expander/Gate Attack Time
Weight4.00 kg13.60 kg3.50 kg5.20 kg1.90 kg3.00 kg
DimensionsN/AN/AN/AN/AN/AN/A
Additional information
Weight 4.00 kg
Weight 13.60 kg
Weight 3.50 kg
Weight 5.20 kg
Weight 1.90 kg
Weight 3.00 kg