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Now with 96k sampling rate*, the DigiMAX is the newest member in the award winning
family of Presonus mic preamp's. Combine eight channels of pristine mic preamplification
with 24 simultaneous digital and analog outputs, and the DigiMAX 96k seamlessly fits
into any digital recording situation. The DigiMAX 96k is the perfect front-end for DAW's as
well as adding mic pre's to digital mixers and sound cards.
A MIC PRE WITH HERITAGE
We started with the same design as the MP20, M80 and VXP: Class A Discrete Input Buffers
followed by a dual-servo gain stage giving you 60db of preamp gain with 52db of headroom. The
DigiMAX 96k is electronically balanced and features phase reverse on the first two channels, as
well as a 20dB pad and selectable 48v phantom power on each channel. A unique feature is EQ
Enhance? which contours the EQ curve -4dB centered at 1k from 250Hz to 5kHz. This is especially
helpful on drum overheads and other sources to bring out definition and notch out problem frequencies.
THE COMPRESSOR TRAPPED IN THE BODY OF A LIMITER
What makes a limiter musical? Typically, most limiters use peak detection which actually clips the
signal and can produce nasty artifacts. RMS detection, though commonly used with most compressors,
has the drawback of not being fast enough to catch extremely fast transients. The DigiMAX 96k uses
both RMS and Peak detection to give you the best of both worlds. The DigiMAX 96k uses an RMS style
compressor with a high ratio while the peak portion is used only to protect the input of the A/D converter
from clipping. The end result? Fast, musical, natural and able to catch anything you throw at it.
CONNECTIVITY FOR DAYS
The DigiMAX 96k features more I/O options than any mic pre on the planet! 8 XLR Mic Inputs + 2 1/4"
Instrument Inputs. The outputs consist of 8 balanced TRS analog outputs plus a 24 bit ADAT? lightpipe
output AND (4) stereo RCA SPDIF Digital Ouputs (Unit ships in AES/EBU mode, breakout cable not included).
And here's the best part... They all work simultaneously! The Ultimate Live Recording Preamp! Use the
ADAT? Lightpipe Outputs to feed your recorders digital inputs while you send an identical signal to a FOH
Console via the TRS Analog Outputs. Bye, bye latency! Use the TRS analog outputs to monitor tracks while
you send the Lightpipe to your soundcard or standalone computer interfaces like MOTU 2408 and Digi001.
Mixer Beefer-Upper! Add high gain/low noise quality micpre's to your digital console using either Lightpipe,
AES/EBU, SPDIF, or analog TRS outputs.
* Over AES/EBU or S/PDIF digital output cables ONLY.
Features
? 44.1, 48, 88.2 and 96kHz Sample Rates
? Ultra-Wide Dynamic Range
? Low-Noise Operating Levels
? Dual-Domain Limiter on Every Channel
? EQ Enhance on Every Channel
? -20dB Pad on Every Channel
? 48V Phantom Power on Every Channel
? Instrument Input on Channels One and Two
? Phase Reverse on Channels One and Two
? Eight 24-bit ADC Converters
? ADAT? Lightpipe Output
? S/PDIF Outputs
? AES/EBU Outputs
? 1/4? TRS Balanced Analog Outputs
? BNC Word Clock I/O for Sync
Technical Specifications:
Input
Number of Channels Eight
Input Impedance, XLR Input 1.3k Ohms
Input Impedance, 1/4" Instrument Input 1M Ohms
Connectors
Eight XLR, Two 1/4" Instrument Inputs on Channel One and Two
Panel Controls
Gain 0dB to +40dB
Limiter 0dB to Off
Phase Reverse (Channel One and Two Only) On/Off
EQ Enhance Button On/Off
Meters
Signal Present LED -20dBu
Clip LED +22dBu
Limit LED Limiter Active
Output
1/4" TRS Impedance Balanced 51 Ohms
ADAT? LightPipe Digital Optical 24-bit
AES/EBU (4 Pair, Stereo) 24-bit
S/PDIF (4 Pair, Stereo) 24-bit
Digital
Sampling Rates 44.1, 48, 88.2 and 96kHz
Performance
THD + Noise (Unweighted) 0.009%
Noise Floor -94dBu
Signal to Noise >98dB
Analog Dynamic Range >120dB
Power Supply Rejection >98dB
Amplifier Type Dual Servo
Power Supply
Type Linear, External
Power 80 Watts
Input 100/120/220/240V AC (Factory Configured)
Physical
Size 1U Rack
Dimensions 19" W x 1.75" H x 7" D
Weight 15 lbs./ 6.8 kg
Chassis Steel
Panel Aluminum
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The PRE-73 Mk2 pre-amp and the FC3 condenser microphone in one bundle. The bundle also includes Golden Age P1 Pop Filter, Proel RSM180 mic stand and Proel CHL250 5m cable. |
PreSonusʼ popular Class A XMAX preamps are widely lauded for their clarity and transparency. Our tube preamps are beloved for their warm, smooth sound. With the Blue Tube DP V2 dual-path mic/instrument preamp, you get both types of high-quality sound in one unit.
Now weʼve improved on the classic unit with the BlueTube DP V2. The solid-state path now feeds PreSonusʼ top-of-the-line Class A XMAX™ mic preamplifier with 80 dB of variable gain—an upgrade from the original BlueTube DPʼs solid-state stage.
You still get all the secondary features you expect in a professional-grade preamp: 48V phantom power, an 80 Hz high-pass filter, -20 dB pad to control hot input signals, and a polarity-reverse switch. Each channel has an illuminated VU meter so you can visually monitor your input levels.
A Tube Drive control provides a wide range of sounds: when itʼs clicked off, youʼre using the solid-state preamp for quiet, transparent amplification; when itʼs engaged, your signals flow through the tube preamp, and you can achieve anything from gentle warmth to edgy distortion.
2 input channels, each with:
High-headroom Class A XMAX™ mic preamplifier with 80 dB gain range
12AX7 vacuum tube gain stage
Tube Drive tube-saturation control
48V phantom power
80 Hz high-pass filter
-20 dB pad to reduce hot input levels
Polarity-reverse switch
Illuminated analog VU input-level meter
Input/Output
2 balanced combo mic/unbalanced instrument inputs
2 balanced XLR main (L/R) line outputs
2 unbalanced ¼” main (L/R) line outputs
Physical
Compact 1/2U chassis
External 12 VDC, 1A power supply
| • Road proof housing
• High quality components
• Professional balanced XLR outputs
• Level control
The ASC-202 converts consumer level stereo RCA signals to balanced XLR professional line level, and back. One side of the unit, has two XLR inputs and stereo RCA outputs. The other side has stereo RCA inputs and two XLR outputs. Each side has stereo level controls. A possible application of the SC-13 is to use it as a level control in balanced audio lines.
The DAP Pro Audio Solutions are a complete line-up of audio tools for the professional musician or audio engineer. It is a series of audio modifying tools like mini-mixers, pre-amps and converters available in active or passive models. All audio solutions are designed to meet the highest stage and audio demands and feature a metal road proof housing with rubber feet and easy accessible controls. The units also have a small footprint which make them ideal to be used and placed in any environment where space is critical.
Specifications Frequency Response: 20Hz-20KHz
Inputs: XLR/Jack Combo, RCA
Outputs: XLR male, RCA
Input sensitivity RCA in: -10 dBv
Input Impedance RCA in: 10 kOhm
Input sensitivity XLR/Jack in: +4 dBu
Input Impedance XLR/Jack in: 20 kOhm
Output voltage RCA Out: -10 dBV
Output Impedance XLR Out: 100 Ohm
Output voltage XLR Out: +4 dBu
Output Impedance XLR Out: 200 Ohm
Power supply: 18V AC (adapter included)
Dimensions: 53 x 158 x 135 mm (HxWxD)
Weight: 0,65 Kg | Vacuum Tube Mic Preamp. 12AX7 Vacuum Tube. +48V Phantom Power, 20dB Pad.
This premium tube mic/line preamp features an integrated limiter for studio,
live and hard disk recording applications. It features a carefully-selected
12AX7 vacuum tube with Behringer's UTC technology for exceptional warmth
and lowest noise. Using the MIC100 is a great way to eliminate the "dull"
sound of standard digital recorders & sound cards. Also, it perfectly
complements studio-grade condenser mics. When used as a high-end DI-box,
it ensures outstanding signal integrity. Features also include a phase reverse
switch, +48 V phantom power, a 20 dB pad, and balanced I/O.
The heart of the Tube Untragain is an extremely low-noise microphone preamp
circuitry that uses discrete components and produces a highly trans-parent
sound. In combination with Behringer's tube technology, the operational amplifiers
4580 and a sophisticated circuit topology, the Tube Untragain yields excellent
noise and distortion properties. The innovative UTC circuitry that has been developed
by our engineering team offers an abundance of sound-shaping possibilities.
Absolute musicality was Behringer's major goal when we designed the Tube
Untragain. The result is a device that, thanks to our tube circuitry, lends an
incredible punch to percussion instruments. On the other hand, instruments
that are rich in upper harmonics will receive more transparency. The sound
will be warm, detailed and brilliant.
Technical Description
Specifications
XLR input Connector: Balanced/unbalanced
Type: Transformerless, DC-decoupled input
Impedance: Approx. 2 kOhms
Maximum input level: +7 dBu / 20 dB with pad
1/4 in. TRS input Connector: Balanced/unbalanced
Type: Transformerless, DC-decoupled input
Impedance: Approx. 1 MOhms
Maximum input level: +16 dBu / 20 dB with pad
Audio outputs Connectors: XLR and 1/4 in. TRS connector balanced/unbalanced
Type: Transformerless, DC-decoupled output
Impedance:
Approx. 700 Ohms balanced
Approx. 350 Ohms unbalanced
Maximum output level: Approx. +26 dBu @ 100 k§?
System Frequency Response Mic input: |
Mic Inputs
• Frequency response at minimum gain (0dB): -0.35dB at 20Hz and –3dB at 122kHz
• Frequency response at maximum gain (60dB): –2.5dB at 20Hz and –3dB 103kHz
• Gain range: 0dB to +60dB in 10dB steps, plus 0dB to +20dB continuously variable trim
• Maximum headroom: +7.4dBu
• THD+N: 0.0009% (measured at 1kHz -20dBu input signal, at 30dB gain setting, with a 20Hz/22kHz bandpass filter)
• Noise EIN: -126dB (measured at 60dB of gain with 150Ω termination and 20Hz/22kHz bandpass filter)
• Noise at main output with unity gain: -98dBu (measured with a 20Hz/22kHz bandpass filter)
• SNR: 123dB (relative to max output 25dBu)
• SNR: 120dB (relative to 0dBFS (+22dBu)
• CMRR: 88dB.
• Input Impedance, variable: 600Ω, 1400Ω, 2400Ω, 6800Ω
Line Inputs
• Frequency Response at unity gain (0dB): -0.3dB at 20Hz and –3dB at 94kHz
• Gain range: -20dB to +10dB in 10dB steps, plus 0dB to +20dB continuously variable trim
• Maximum headroom: +25.4dBu
• THD+N: 0.002% (measured with +4dBu input signal, 0dB gain setting, with a 20Hz/22kHz bandpass filter)
• Noise at main output with unity gain: -91dBu (measured with a 20Hz/22kHz bandpass filter)
• SNR: 116dB (relative to max output 25dBu)
• SNR: 113dB (relative to 0dBFS +22dBu). Input Impedance: 10kΩ
Instrument Inputs
• Frequency Response at +10dB gain: -0.2dB at 20Hz and 0dB at 200kHz
• Frequency Response at +40dB gain: -3dB at 20Hz and –3dB at 38.4kHz
• Gain range: +10dB to +40dB continuously variable
• Maximum headroom: +11.5dBu
• THD+N: 0.006% (measured with –20dBu input signal, at minimum gain (+10dB), with a 20Hz/22kHz bandpass filter)
• Noise at main output with minimum gain (+10dB): -95dBu (measured with a 20Hz/22kHz bandpass filter)
• Input Impedance = >1MΩ
High Pass Filter
• Roll off = 18dB per octave 3 pole filter
• Frequency range: 16Hz to 420Hz (continuously variable, measured at the 3dB down point)
Meters
• 6 LED meter is calibrated 0dBFS = +22dBu (the maximum level which can be correctly converted by the optional internal A/D converter before overload occurs). The meter calibration points are as follows:
Meter panel calibration value in dBFS / Equivalent dBu value
0dBFS / +22dBu
-2dBFS / +20dBu
-6dBFS / +16dBu
-12dBFS / +10dBu
-18dBFS / +4dBu
-42dBFS / -20dBu
Front and rear connectivity
Analogue Channel Inputs (Inputs 1-4)
• 4 instrument 1⁄4” TS jack inputs on front panel
• 4 microphone XLR inputs on rear panel
• 4 line 1⁄4” TRS jacks on rear panel
• 4 insert return 1⁄4” TRS jacks on rear panel
• 4 ADC XLR inputs on rear panel
Analogue Audio Outputs (Outputs 1-4)
• 4 line XLR outputs on rear panel
• 4 insert send 1⁄4” TRS jacks on rear panel
Other I/O
• IEC power input connector 100Vac – 240Vac
Front Panel Indicators
• 8 output meters, 6 segment
• 4 30-60 mic gain range selection indicator
• 4 +48V phantom power indicator
• 4 Phase indicator
• 4 Insert In indicator
• 4 Filter In indicator
• 4 Input selection indicators (Mic, Line, Inst)
• 4 Z In microphone input impedance selection indicators (Low, ISA110, Med, High) Clock select indicators (44.1, 48, 88.2, 96, 176.4, 192)
• Ext clock indicators (Lock, Word clock, 256X)
Weight
5.5kg
12.2lbs
Dimensions (W x H x D)
480mm (W) x 88mm (H) x 280mm (D)
19" (W) x 3.5" (H) x 11" (D)
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