Eris E7 XT Our best-selling studio monitors just got even better. With their smooth, accurate frequency response; powerful amplification with tons of headroom; and acoustic tuning functions that ensure you always get the best sound, it’s no wonder that Eris®-series studio monitors have been a runaway hit since their introduction. The Eris E7 XT builds […]
Our best-selling studio monitors just got even better.
With their smooth, accurate frequency response; powerful amplification with tons of headroom; and acoustic tuning functions that ensure you always get the best sound, it’s no wonder that Eris®-series studio monitors have been a runaway hit since their introduction. The Eris E7 XT builds on the Eris XT series, adding big, controlled bass in a compact form that will fit into a studio of nearly any size. Deep lows and a wide, more controlled sweet spot (thanks to its EBM waveguide design) mean that our best-selling studio monitors just got even better.
Studio speakers with a wide sweet spot.
We outfitted the Eris XT studio monitors with a new EBM (Elliptical Boundary Modeled) waveguide designed by none other than Hugh Sarvis of WorxAudio, the mind behind our award-winning CDL loudspeakers and lauded R-series monitors. The result? A superior high-frequency response and wider 100-degree horizontal dispersion to create a broader sweet spot that’s ideal for group listening and collaboration. Narrow vertical dispersion reduces reflections from your desk. Silk-dome tweeters ensure snappy, accurate transient reproduction.
Bass that’s just right.
The familiar woven composite low-frequency driver offers Eris’ signature tight, clear bass, with plenty of punch and no flab. Eris E7 XT studio monitors sport a ported enclosure that is designed to maximize bass in a compact cabinet, allowing them to reach down to an astonishing 42 Hz—with no subwoofer!
Set up your studio monitors for your room.
Modern recording studios can be anywhere from a spare bedroom to a multi-million dollar facility. That’s why every studio monitor we make is equipped with controls that ensure the flattest response in your mix environment. Acoustic tuning controls allow you to configure the Eris E7 XT perfectly for your room: You get Low-cut, Mid, and High controls, as well as 3-way Acoustic Space tuning that allows you to easily compensate for the sonic consequences of speaker placement against a wall or in a corner.
Studio monitor connections.
It’s easy to feed audio to your Eris E7 XT studio monitors from an audio interface, mixer, monitor controller, or almost any other line-level source. Eris E7 XT monitors provide balanced XLR, balanced ¼-inch TRS, and unbalanced RCA line-level inputs. You’ll have no problem hooking your Eris speakers up to virtually anything.
Accuracy defined.
Suitable for both home recording studios and professional mix engineering, Eris XT studio monitors combine sterling audio quality with the flexible tuning and connectivity you’ve come to expect from PreSonus®. It’s Eris remastered.
Active Studio Monitor
Equipped with a 6.5″ woofer and a 1.25″ silk-dome tweeter
Frequency response: 42 – 22,000 Hz
Crossover frequency: 2.5 kHz
Gain control
MF Control – Bell EQ, 1 kHz, +/- 6 dB
HF Control: Shelving filter, 10 kHz, +/- 6 dB
Low cut switchable at 80 or 100 Hz
Acoustic space switch: -2 dB, -4 dB
LF Amplifier power: 70 W
HF Amplifier power: 60 W
Max. SPL (sound pressure level): 104 dB (continuous operation)
Input: XLR and jack (balanced), and RCA (unbalanced)
100° (H) x 60° (V) EBM Waveguide
Turn-on delay
Output current limiting
Overheating-, transient-, and subsonic protection circuits
Dimensions: (W x D x H) 240 x 242 x 365 mm
Weight: 8.4 kg
Weight
6.00 kg
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Our best-selling studio monitors just got even better.
With their smooth, accurate frequency response; powerful amplification with tons of headroom; and acoustic tuning functions that ensure you always get the best sound, it's no wonder that Eris®-series studio monitors have been a runaway hit since their introduction. The Eris E7 XT builds on the Eris XT series, adding big, controlled bass in a compact form that will fit into a studio of nearly any size. Deep lows and a wide, more controlled sweet spot (thanks to its EBM waveguide design) mean that our best-selling studio monitors just got even better.
Studio speakers with a wide sweet spot.
We outfitted the Eris XT studio monitors with a new EBM (Elliptical Boundary Modeled) waveguide designed by none other than Hugh Sarvis of WorxAudio, the mind behind our award-winning CDL loudspeakers and lauded R-series monitors. The result? A superior high-frequency response and wider 100-degree horizontal dispersion to create a broader sweet spot that's ideal for group listening and collaboration. Narrow vertical dispersion reduces reflections from your desk. Silk-dome tweeters ensure snappy, accurate transient reproduction.
Bass that’s just right.
The familiar woven composite low-frequency driver offers Eris' signature tight, clear bass, with plenty of punch and no flab. Eris E7 XT studio monitors sport a ported enclosure that is designed to maximize bass in a compact cabinet, allowing them to reach down to an astonishing 42 Hz—with no subwoofer!
Set up your studio monitors for your room.
Modern recording studios can be anywhere from a spare bedroom to a multi-million dollar facility. That's why every studio monitor we make is equipped with controls that ensure the flattest response in your mix environment. Acoustic tuning controls allow you to configure the Eris E7 XT perfectly for your room: You get Low-cut, Mid, and High controls, as well as 3-way Acoustic Space tuning that allows you to easily compensate for the sonic consequences of speaker placement against a wall or in a corner.
Studio monitor connections.
It’s easy to feed audio to your Eris E7 XT studio monitors from an audio interface, mixer, monitor controller, or almost any other line-level source. Eris E7 XT monitors provide balanced XLR, balanced ¼-inch TRS, and unbalanced RCA line-level inputs. You’ll have no problem hooking your Eris speakers up to virtually anything.
Accuracy defined.
Suitable for both home recording studios and professional mix engineering, Eris XT studio monitors combine sterling audio quality with the flexible tuning and connectivity you've come to expect from PreSonus®. It’s Eris remastered.
Active Studio Monitor
Equipped with a 6.5" woofer and a 1.25" silk-dome tweeter
Frequency response: 42 - 22,000 Hz
Crossover frequency: 2.5 kHz
Gain control
MF Control - Bell EQ, 1 kHz, +/- 6 dB
HF Control: Shelving filter, 10 kHz, +/- 6 dB
Low cut switchable at 80 or 100 Hz
Acoustic space switch: -2 dB, -4 dB
LF Amplifier power: 70 W
HF Amplifier power: 60 W
Max. SPL (sound pressure level): 104 dB (continuous operation)
Input: XLR and jack (balanced), and RCA (unbalanced)
100° (H) x 60° (V) EBM Waveguide
Turn-on delay
Output current limiting
Overheating-, transient-, and subsonic protection circuits
Dimensions: (W x D x H) 240 x 242 x 365 mm
Weight: 8.4 kg
The Twin6 Be is the best seller of the Focal Professional range and the most versatile work tool of the SM6 line. It represents the only necessary solution for recording, mixing and mastering. The image precision, treble definition as well as midrange neutrality are at the heart of its reputation.
The excellent articulation of the bass and midbass registers, even at very high sound levels, makes it an unavoidable reference for engineers who require absolute transparency. Furthermore, the design of the Twin6 Be permits a high SPL while at the same time offering a stable tonal balance. One of the two 6.5" woofers works in large band (midrange – bass) whereas the other reproduces from 40 to 150Hz. This creates a bass that preserves all the signal dynamics, without any masking effect in the midrange, thereby keeping all its neutrality and transparency. Additional control of the bass register is accomplished by fine-tuning on the control plate on the back of the Twin6 Be in order to obtain a perfect mirror configuration with its mate. The Twin6 Be can be installed vertically or horizontally to respond to the space requirements of each studio.
Specifications
Frequency response :
40Hz - 40kHz
Maximum SPL :
115dB SPL (peak @ 1m)
Input :
Type/Impedance: symmetrical/10 kOhms
Connector: XLR
Sensitivity: Adjustable, +4dBu or -10dBV
Integral through cancellation magnets or by magnet design
Box :
7-1/2" (19mm) MDF panels
Finish :
Dark red natural veneering side panels, black body
Dimensions (HxWxD) :
9-13/16 x 19-11/16 x 13-3/8 " (250x500x340mm)
Weight :
30.8lb (14kg)
PRICE PER UNIT
S2X
The S2X brings together the virtues of the ʽclassicalʼ 7” woofer and tweeter combination by using ADAM innovative technologies and top-class materials.
The HexaCone 7” woofer is driven by a sophisticated magnet system with a 2” voice coil creating a greater linear excursion. This produces more dynamics than one would assume in a monitor of such small proportions. As a result, in addition to the unsurpassed audio quality of the X-ART and A/B amplifier combination, this monitor surprises the listener with a very powerful, deep, but always tight and precise low end.
Review at a glance: "Sonic sensation“
“The ADAM Audio S2X can convince in all areas, concerning the sound as well as the workmanship, and are worth every Euro. […] a no-compromise tool for all who mean serious business, whether in music or postproductions.” (www.96kHz.de, 03/2010)
“We started off with a classical string quartet recording and let´s just say right away that the S2Xs floored us. Several adjectives spring to mind [...] - wide open, transparent, effortless, breathtaking realistic, loud, dynamic, involving... [...] If you close your eyes and continue listening, the S2Xs seem to ‚disappearʽ almost entirely. [...] you gradually become less aware that you´re listening to speakers because they´re like an open window on the music itself. [...] Result: These monitors are up there with the best we´ve tried so far.” (MusicTech, 01/2010)
Woofer
Number
1
Basket Ø
7.5" (186 mm)
Voice coil Ø
2" (50 mm)
Cone material
HexaCone
Tweeter
Number
1
Type
X-ART
Diaphragm area
4 inch² (2420 mm²)
Equiv. Diaphragm Ø
2" (56 mm)
Velocity transform ratio
4:1
Diaphragm weight
0.17 g
Built-in Amplifiers
Woofer
1
Type
PWM
Amp. power RMS / music
250 W / 350 W
Tweeter
1
Type
A/B
Amp. power RMS / music
50 W / 100 W
Control panel
Input Sensitivity (coarse)
-20 to +8 dB (4 dB steps)
Input Sensitivity (fine)
-1.5 to +2 dB (0.5 dB steps)
EQ 80 Hz
0 to +6 dB (1 dB steps)
High Shelf EQ > 6 kHz
±4 dB (1 dB steps)
Low Shelf EQ
±4 dB (1 dB steps)
Tweeter gain
±2 dB (0.5 dB steps)
Input connectors
Analog
XLR
Digital (optional)
AES/EBU / SPDIF / word clock
General data
Panel
Front
Frequency response
35 Hz - 50 kHz
THD > 80 Hz
≤0.8 %
Long term output
≥110 dB
Max. peak
≥120 dB
Crossover frequencies
2200 Hz
Input impedance
10 KOhm
Weight
23.8 lb (10,8 kg)
Magnetically shielded
Optional
Height x Width x Depth
14.5" (370 mm) x 8.5" (220 mm) x 12.5" (320 mm)
Warranty
5 Years
Delivery contents
Power cord, Manual
PRICE PER UNIT
A revolutionary formula: 2 x 7 = 77
In some set-ups it can be advisable to use a horizontally designed speaker rather than a vertical one. Until now, such monitors were only available within the SX top line.
The brand new A77X, due to its outstanding features, might become a true game changer: Equipped with the same advanced technologies as the A7X, it therefore is very similar to the two-way speaker. The A77X, however, distinguishes itself by much higher, compression-free maximum sound pressure levels and dynamics. Due to its power and radiation characteristics, it also is perfectly suited for both near- and midfield monitoring.
Driver technology
Like all models of the AX series, the A77X features the ADAM proprietary X-ART tweeter. The ʽXʼ stands for ʽeXtended frequency responseʼ and thus for one of the features of the Accelerating Ribbon Technology that has been drastically improved: the frequency response. It now extends all the way up to 50kHz. In addition, the X-ART tweeter has higher efficiency and higher maximum sound pressure levels.
The two 7” woofers are identical with that of the A7X. With their large voice coils (1.5”) and powerful amplifiers, they are capable of both very high maximum sound pressure levels as well as very deep registers. The woofers do not cover the same frequency bands: while both of them are responsible for the (sub-) bass frequencies up to about 400Hz, only one of them reproduces the midrange. This prevents interferences between the two drivers. For stereo setups the A77X is available in A and B versions in order to guarantee a precise stereo image.
Amplifiers / controls
Each driver has its own dedicated amplifier. A 50W A/B amp is responsible for the X-ART tweeter, while the bass-/midwoofers are driven by a 100W PWM amp each. The front panel includes a power switch and a control for the volume that retains the volume setting independently from the on/off switch.
The rear panel features several additional controls: a gain for the high frequencies (± 4dB) and two shelf filters for high and low frequencies. To ensure greater compatibility, there are both XLR (balanced) and RCA (unbalanced) connectors.
Review samples:
“… a refreshing change“ "… if you liked the A7X youʼll like the A77X even more, and if the companyʼs smaller near-fields werenʼt your cup of tea, the A77X are definitely worth another listen. They are not much bigger than a two-driver cabinet design, so should slip into any installation where a near-field speaker will fit, but the extra low/ mid frequency drivers mean that the bass is more naturally extended and the mid-range clearer and more detailed. I like the A77X a lot and they make a refreshing change from the usual mid-priced near-field speakers." AUDIO MEDIA magazine / February 2012
“… wide and spacious soundstage with solid left/right imaging“ "… they are fun and easy to work with, covering all the essential functions required of high-end monitors with aplomb." MusicTech magazine / April 2012
High-Resolution, Active 2-Way Reference Studio Monitor with 5.25" Kevlar Woofer
Ultra-linear studio monitor with true active design
Precision Class A/B amplifiers with active protection circuits: 50 W for LF / 25 W for HF
Ultra-high resolution, ferrofluid-cooled 1" dome tweeter for ultimate sound reproduction
Long-throw 5.25" woofer with deformation-resistant Kevlar cone for ultimate bass response
Ultimate dispersion characteristics and extremely large "sweet spot" owing to advanced wave guide technology
High-precision crossover network with 4th order Linkwitz-Riley filters
Adjustable to a wide range of acoustic conditions
Separately controlled limiter for low and high frequency overload protection
Magnetic shielding allows placement near computer monitors
“Planet Earth" power supply for maximum flexibility (100 - 240 V~), noise-free audio, superior transient response plus low power consumption for energy saving
Servo-balanced inputs with XLR, 1/4" and unbalanced RCA connectors
High-quality components and exceptionally rugged construction ensure long life
Conceived and designed by BEHRINGER Germany
Midrange -
Treble 3/4" metal dome, magnetically shielded
Crossover frequencies 3 kHz
Free field frequency
response 58 Hz - 20 kHz (± 2 dB)
Amplifier power /ch
Bass 40 W
Midrange -
Treble 40 W
Speaker dimensions (H x W x D)
mm 285 x 189 x 178 mm (Height with Iso-Pod? 299 mm)
inches 11 1/4 x 7 7/16 x 7 1/16" (Height with Iso-Pod? 11 13/16“)
Amplifier dimensions* (H x W x D)
mm Integrated in the speaker cabinet
inches
Speaker weight 5.6 kg (12.3 lb)
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%20technology%20provides%20excellent%20frequency%20balance%20even%20in%20difficult%20acoustic%20br%20environments.br%20The%20integrated%20design%20allows%20the%20amplifiers%20and%20the%20drivers%20to%20be%20calibrated%20as%20a%20single%20unit,%20br%20eliminating%20the%20effects%20of%20component%20tolerances%20and%20ensuring%20consistent%20quality.br%20The%20all-aluminium%20Minimum%20Diffraction%20Enclosure?%20(MDE?)%20and%20advanced%20Directivity%20Control%20br%20Waveguide?%20(DCW?)%20technologies%20are%20carefully%20matched%20with%20advanced%20amplifier%20and%20electronics%20br%20circuitry.%20The%20low%20frequency%20response%20extends%20down%20to%2055%20Hz%20(-3%20dB)%20while%20distortion%20is%20extremely%20br%20low%20due%20to%20a%20uniquely%20new%20rear%20reflex%20port%20design.br%20The%208130A%20has%20been%20specially%20designed%20to%20have%20a%20sufficient%20LF%20extension%20for%20most%20situations.%20br%20However%20if%20greater%20SPL's%20and%20a%20lower%20cutoff%20frequency%20are%20required,%20it%20can%20be%20complemented%20br%20with%20Genelec%207050B%20subwoofer.br%20The%208130A%20is%20very%20easy%20to%20set%20up%20and%20use,%20the%20only%20connections%20required%20are%20the%20mains%20supply%20br%20and%20the%20input%20signal.%20The%20female%20XLR%20input%20connector%20can%20be%20fed%20with%20either%20AES/EBU%20formatted%20br%20digital%20signal%20or%20analog%20line%20level%20audio%20signal.%20The%20Genelec%208130A%20automatically%20detects%20analog%20or%20br%20digital%20signals%20and%20directs%20them%20to%20the%20correct%20signal%20paths.%20/p%20%20%20p%20Technical%20Specifications%20br%20Input%20word%20length%2016%20-%2024%20bits%20br%20Input%20format%20AES/EBU%20br%20Digital%20input%20XLR%20female%20br%20Connector%20type %20br%20Input%20Sampling%20ratebr%20No%20de-emphasis %2029%20-%20200%20kHz%20br%20Input%20Sampling%20ratebr%20Using%20de-emphasis %20br%20Peak%20per%20pair%20with%20music%20material%20108%20dB%20SPL%20@%201m%20br%20Drivers%20br%20Bass%205)
Midrange - 
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