PRESONUS FIRESTUDIO 8IN FIREWIRE RECORDING INTERFACE

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559.50 incl. GR VAT

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High-speed FireWire (IEEE 1394) audio interface 24-bit resolution, up to 96K sampling rate 26 simultaneous inputs and outputs 8 Class A microphone preamps w/ trim control 8 analog line Inputs, 2 Instrument Inputs 16 channels of optical ADAT I/O (8 ch. via 96k dual SMUX) S/PDIF I/O, MIDI I/O DICE II Chipset – ultra efficient […]

 

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  • High-speed FireWire (IEEE 1394) audio interface
  • 24-bit resolution, up to 96K sampling rate
  • 26 simultaneous inputs and outputs
  • 8 Class A microphone preamps w/ trim control
  • 8 analog line Inputs, 2 Instrument Inputs
  • 16 channels of optical ADAT I/O (8 ch. via 96k dual SMUX)
  • S/PDIF I/O, MIDI I/O
  • DICE II Chipset – ultra efficient data transfer
  • JetPLL™ – jitter elimination technology
  • Zero latency DSP full-matrix mixer/router
  • PreSonus ProPak Complete Audio Software Suite with Cubase LE, Reason Adapted, Amplitube LE, BFD Lite, Drumagog LE and more

Computer system requirements:
Below are the minimum computer system requirements for your FIRESTUDIO.

Windows

  • OS: Microsoft Windows XP SP1
  • Computer: Windows compatible computer with FireWire port.
  • CPU/Clock: Pentium, Celeron with 1.6Ghz or higher
  • Memory(RAM): 512 MB (1 GB recommended)

Macintosh

  • OS: MacOS X 10.4.x or later
  • Computer: Apple Macintosh series with on-board FireWire port.
  • CPU/Clock: PowerPC G4/Dual 1 GHZ or faster, all Intel-based Mac models.
  • Memory(RAM): 512 MB (1 GB recommended)
Weight 3.00 kg

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Quick Comparison

PRESONUS FIRESTUDIO 8IN FIREWIRE RECORDING INTERFACE removeBEHRINGER UCA222 Ultra-low latency 2-In/2-Out USB audio interface with digital output removeDIGIDESIGN Pro Tools Mbox USB AUDIO INTERFACE 4X4 removeMOTU Ultralite-mk3 Hybrid FIREWIRE USB2 AUDIO INTERFACE removeMOTU 896mk3 - 8 mic/guitar inputs with on-board effects and mixing removeEDIROL FA-101 FireWire Audio Capture remove
NamePRESONUS FIRESTUDIO 8IN FIREWIRE RECORDING INTERFACE removeBEHRINGER UCA222 Ultra-low latency 2-In/2-Out USB audio interface with digital output removeDIGIDESIGN Pro Tools Mbox USB AUDIO INTERFACE 4X4 removeMOTU Ultralite-mk3 Hybrid FIREWIRE USB2 AUDIO INTERFACE removeMOTU 896mk3 - 8 mic/guitar inputs with on-board effects and mixing removeEDIROL FA-101 FireWire Audio Capture remove
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SKUFIRESTUDIOE005368ProTools MboxUltralite-mk3896mk3FA101
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Description
Content
  • High-speed FireWire (IEEE 1394) audio interface
  • 24-bit resolution, up to 96K sampling rate
  • 26 simultaneous inputs and outputs
  • 8 Class A microphone preamps w/ trim control
  • 8 analog line Inputs, 2 Instrument Inputs
  • 16 channels of optical ADAT I/O (8 ch. via 96k dual SMUX)
  • S/PDIF I/O, MIDI I/O
  • DICE II Chipset - ultra efficient data transfer
  • JetPLL™ – jitter elimination technology
  • Zero latency DSP full-matrix mixer/router
  • PreSonus ProPak Complete Audio Software Suite with Cubase LE, Reason Adapted, Amplitube LE, BFD Lite, Drumagog LE and more

Computer system requirements:
Below are the minimum computer system requirements for your FIRESTUDIO.


Windows
  • OS: Microsoft Windows XP SP1
  • Computer: Windows compatible computer with FireWire port.
  • CPU/Clock: Pentium, Celeron with 1.6Ghz or higher
  • Memory(RAM): 512 MB (1 GB recommended)
Macintosh
  • OS: MacOS X 10.4.x or later
  • Computer: Apple Macintosh series with on-board FireWire port.
  • CPU/Clock: PowerPC G4/Dual 1 GHZ or faster, all Intel-based Mac models.
  • Memory(RAM): 512 MB (1 GB recommended)
U-CONTROL UCA222 Ultra-Low Latency 2 In/2 Out USB Audio Interface with Digital Output and Massive Software Bundle Behringer U-Control UCA202
  • 2 In/2 Out USB Audio Interface
  • Mac or PC, no drivers required
  • 16-bit/48kHz converters
  • Low latency
  • Headphone output
  • S/PDIF optical out
  • USB powered
  • Free Software
  • Ultra-flexible audio interface connects your instruments, mixer, etc. with your computer for recording and playback
  • Revolutionary energyXT2.5 Compact music production software included with feature-rich audio/MIDI sequencer that loads almost instantaneously on all computer platforms
  • Massive software bundle includes Audacity audio editor, comprehensive podcasting software and over 150 virtual instruments and effect plug-ins
  • Works with your PC or Mac computer—no setup or drivers required
  • High-resolution 48 kHz converters for high-end audio quality
  • Stereo Headphone output with dedicated Level control lets you monitor both input and output
  • Additional S/PDIF optical output for direct digital conversion
  • Powered via USB—no external power supply needed
  • High-quality components and exceptionally rugged construction ensure long life
  • Conceived and designed by BEHRINGER Germany
The Smallest, Most Portable 2x2 USB Interface Around!Are you looking for a simple upgrade to your computer's stock audio hardware? Do you want to record high-quality stereo audio to your laptop? Are you searching for the most affordable audio interface for computer DJ applications? The Behringer UCA222 USB Audio Interface does all this and more in one of the smallest, simplest, and lowest-priced packages around. It's a quick, simple, reliable solution for a wide range of audio applications. High-Quality, Industry Standard ConnectionsLook at your computer's audio output. What is it? A 1/8-inch mini stereo jack, most likely. That's fine for plugging in headphones, but a terrible way to connect to external sound systems, stereos, PAs, mixing boards, or any other audio hardware. The UCA222 easily connects to your outboard pro audio gear, and you even get an optical S/PDIF digital output for connecting to high-end digital equipment. Now, take a look at your computer's input. If it has one at all, it's most likely the same deal -- 1/8-inch mini-jack. Again, the Behringer UCA222 provides universally recognized RCA inputs for bringing a wide variety of audio sources and equipment into your computer for pristine recording. You also get a dedicated headphone output for direct monitoring of both the ins and the outs on the UCA222. Greatly Improved AudioYou computer's built-in audio system has a number of limitations, especially if your computer is a laptop. Machine noise and other electrical interference can disrupt, distort, or otherwise ruin recording and critical listening and playback situations. The Behringer UCA222 solves this problem by placing your sound card at the end of a USB cable run far from your machine's noisy electrical components. It seems like a such a simple solution, but this arrangement greatly reduces interference and provides a wonderfully low noise-floor for recording and professional playback. The UCA202 provides analog-to-digital audio conversion at 48 kHz or 44.1 kHz sampling rates and 16-bit resolution. Super Simple Setup As a USB device, the UCA222 is the textbook example of a Plug-N-Play device. Compatible with both Windows and Mac systems, the UCA222 requires no additional software drivers to work. Relying on your operating system's sound architecture, the UCA222 is instantly compatible with just about every audio software on the market, from multitrack DAWs like Logic and Cubase to audio editing programs like BIAS to DJ software like Itch. Spend time making music, not troubleshooting your hardware. The applications for the Behringer UCA222 USB Audio Interface are practically limitless. Whether you're an electronic music producer, latptop DJ, mix engineer, audio archivist, or just a lover of music, the Behringer UCA222 is just about the easiest way to add a professional audio interface to your computer.

Mbox® is a premium audio interface, packing a wide range of analog and digital I/O connections into a mobile form factor.

* Compatible with most major audio software (Pro Tools LE®, Logic, Live, Cubase, and more)
* Bus-powered USB 2.0 connection for maximum mobility
* Professional-grade circuitry and converters deliver exceptional audio performance
* Up to 24-bit, 96 kHz sample rates
* Soft-clip limiter lets you track hot signals without clipping—providing a classic overdriven tape saturation sound
* Built-in guitar tuner
* Onboard DSP offers flexible cue mixing and reverb effects
* Assignable Pro Tools multi-function button on interface gives you fast access to software functions
* Hardware configuration:
o 4 x 4 simultaneous channels of I/O
o 2 XLR mic/line combo inputs with 48 V phantom power
o 2 1/4” DI inputs on front panel for easy access
o 2 balanced 1/4” monitor outputs
o 1 1/4” stereo headphone output with volume control
o Stereo S/PDIF digital I/O
o 1 MIDI input, 1 MIDI output
o Monitor control section with Mono and Dim controls
o Dedicated monitor volume knob

Pro Tools LE Software
Pro Tools 8 Software

The Pro Tools® software platform is used in professional studios around the world, and includes all the tools you need to easily compose, record, edit, mix, and master your projects with pro results—every time.

Key Features

* Award-winning Pro Tools recording, editing, and mixing
* 48 simultaneous stereo audio tracks (expandable with Toolkit options)
* Includes over 70 professional effects and virtual instruments
* Professional MIDI sequencing with dedicated MIDI Editor window
* Integrated Score Editor based on award-winning Sibelius notation software
* Full Elastic Time and Elastic Pitch to easily adjust timing and pitch on your tracks
* Unique Beat Detective LE automatic groove analysis and correction tool
* ReWire support for streaming your favorite applications right into Pro Tools
* Huge selection of compatible third-party plug-ins and software options
* Works on Windows and Mac computers

System Requirements
Mac PC

* Mac OS X 10.5.8 (Leopard) or 10.6.1-10.6.4 (Snow Leopard)
* 1 GB RAM (2 GB recommended)
* 6 GB free disk space
* Intel® processor (no PowerPC® support)
* One USB port



* Windows® XP 32-bit SP3, Windows Vista® 32-bit SP2, Windows 7 32-bit, or Windows 7 64-bit
* 1 GB RAM (2 GB recommended)
* 5 GB free disk space
* One USB port

Compatibility
ASIO, Core Audio, WDM, MME, and multi-client drivers


  • Hybrid FireWire/USB2 connectivity — connect to your computer via either bus-powered FireWire or hi-speed USB2.
  • CueMix FX™ — flexible 10 input/14 bus mixer with on-board DSP effects, including reverb with sends/returns, plus EQ and compression on every input and output.
  • 10 inputs / 14 outputs — there's no channel sharing in the UltraLite-mk3 Hybrid; the mic inputs, S/PDIF I/O, headphone out and main outs are all handled as separate channels.
  • Classic Reverb™ — provides five different room types, three frequency shelves with adjustable crossover points, shelf filtering and reverb lengths up to 60 seconds.
  • Two forms of compression — a standard compressor with conventional threshold/ratio/attack/release/gain controls and the Leveler™, an accurate model of the legendary LA-2A optical compressor, which provides vintage, musical automatic gain control.
  • Modeled EQ — provides 7-band parametric EQ modeled after British analog console EQs, featuring 4 filter styles (gain/Q profiles) to effectively cover a wide range of audio material. LP and HP filters are also supplied with slopes that range from 6 to 36 dB.
  • CueMix FX cross-platform mixing software — attractive graphic mixing, graphic editing of parametric EQ and a convenient tabbed interface for quick access to all features in one window. Also provides full-screen real-time FFT display, spectrogram "waterfall" display, oscilloscope, X-Y plot and linear or polar phase analysis.
  • Front-panel control — access any setting in your entire UltraLite-mk3 Hybrid mix directly from the front panel.
  • “Reverb return" stream — allows users to record or mix UltraLite-mk3 Hybrid reverb output separately in their DAW. Effects can also be applied when the UltraLite-mk3 Hybrid is operating stand-alone (without a computer) as a complete stand-alone mixer.
  • Stand-alone operation — program your mixes at the studio and then bring the UltraLite-mk3 Hybrid to your gig — no computer needed. Just plug in the included power adapter and you are ready to go. Need to tweak the mix? Do it on site using the back-lit LCD and front-panel controls.
  • Multiple CueMix FX mixes — for example, create different monitor mixes for the main outs and headphones. Or add send/return loops for outboard gear — with no latency.
  • Two combo jacks provide hi-Z 1/4” guitar input or low-Z XLR mic input with phantom power, pad and plenty of gain.
  • Eight 24-bit 192kHz analog inputs and outputs on balanced/unbalanced 1/4" TRS jacks
  • Precision Digital Trim™ — Digitally controlled analog trim on all analog inputs (mic/guitar inputs + quarter-inch TRS inputs) provides accurate adjustements in 1 dB increments. Fine-tune the balance of your analog inputs and then save/recall trim configurations.
  • Direct Digital Synthesis™ (DDS) — a DSP-driven phase lock engine and internal clock source that produces imperceptibly low jitter characteristics (below the noise floor), even when the UltraLite-mk3 Hybrid is resolved to an external clock source via SMPTE time code.
  • Time code support — directly resolves to (or generates) time code via any quarter-inch input or output, without the need for an extra synchronizer.
  • Sample-accurate MIDI — connect a MIDI controller and/or sound module with no separate interface needed. MIDI I/O is sample-accurate with supporting software.
  • Expandable — add additional interfaces for more I/O as your needs grow.
  • Separate TRS main outs with front panel volume control.
  • Stereo 24-bit 96kHz S/PDIF in/out.
  • Includes drivers for Mac & PC, including ASIO, WDM, Wave, Core Audio, and Core MIDI. Supports all popular Mac and Windows audio software.
  • 100% compatible with all host-based effects processing in today's popular audio programs.
  • Includes AudioDesk full-featured sample-accurate workstation software for the Mac with recording, editing, mixing, real-time 32-bit effects processing & sample-accurate sync.
  • Plug-and-play operation with your Mac or PC via FireWire or USB2.
  • Front panel volume control for monitoring. Stereo, Quad, 6.1, 7.1 and user-defined surround monitoring setups available.
  • Front panel headphone jack with volume control.
  • Bus-powered FireWire operation. No need for external power when operating as a FireWire interface connected to a computer. A power supply is included for stand-alone operation.
  • Chassis dimensions, excluding rack ears and front and back panel knobs and connectors: 9.5 x 7 x 1.75 inches (24.13 x 17.78 x 4.45 cm). Knobs and connectors extend up to 0.5 inch (1.27 cm) from front and back panels, adding 1 inch (2.54 cm) to depth. With rack ears attached, fits one half of a standard 19 inch (48.26 cm) rack at 1U high.

The all new 896mk3 FireWire audio interface delivers high-end performance, superb sound, innovative new features and enhanced standard features that remain unique.

The 896mk3 provides eight channels of pristine 24-bit 192 kHz analog recording and playback, combined with sixteen channels of optical digital I/O, stereo AES/EBU, S/PDIF and separate analog main outs. Expand your system by connecting the 8pre mic input expander or other MOTU audio interfaces.

The 896mk3 is equally well-suited for studio and stage, with or without a computer. As an interface or standalone mixer, the 896mk3 provides 28 separate inputs and 32 separate outputs, including dedicated main outs on XLRs and two front panel headphone outs.

Connect all of your studio gear, including microphones, guitars, synths, keyboards, drum machines and even effects processors. Record, monitor, route and process all of these live inputs using the professional on-board CueMix FX digital mixer – with no latency and no processor strain on your computer. Apply hardware DSP-driven effects processing to inputs, outputs, and busses independent of your host computer. Add Classic Reverb™ with lengths up to 60 seconds. Further sculpt your sound with 7-band parametric EQ featuring filter types carefully modeled after British analog console EQs. Choose between two forms of compression: a conventional compressor and the Leveler™, an accurate model of the legendary LA-2A™ optical compressor that provides vintage, musical automatic gain control.

MOTU FireWire audio interfaces are fully compatible with FireWire 800-equipped Macs. All you need is a standard FireWire 400-to-800 cable. Just plug in and go. The FireWire bus operates at 400 Mb/sec, providing the same high speed, low latency and rock solid reliability that MOTU FireWire interfaces are known for.

When recording from the mic/guitar inputs, the 896mk3ʼs signal overload protection gives you an extra 12 dB of headroom above zero with no clipping or harsh artifacts.

After programming the on-board mixing in the studio, unplug the 896mk3 from the computer and take it on the road for operation as a stand-alone mixer with effects. All mixing and effects parameters are adjustable using the front panel backlit LCD.

The 896mk3 provides cross-platform compatibility with Mac and Windows and all of your favorite audio software and host-based effects via WDM/ASIO/Core Audio drivers. Or you can use the included AudioDesk workstation software for Mac, with 24-bit recording/editing and 32-bit mixing/processing/mastering.

Portable 10-in/10-out compact, mobile FireWire audio at home or on the road The FA-101 has the highest specs available to support your most demanding applications. You get 24-bit, 192kHz simultaneous recording and playback in a compact 1U half-rack unit, with all the headroom you need. Supports up to 24 bit, 192 kHz Compatible with Mac OS X standard driver Two independent, on board mic pre-amps Capable of full duplex recording and playback on 10 independent channels Bus powered and durable metal construction for mobile applications Lots of ins and outs to support a wide range of recording and gigging applications The FA-101 is a feature-packed 10x10 audio interface that can handle a full 10 channels of input/output at 24-bit/96kHz. Record and monitor all 10 channels simultaneously in full duplex. Phenomenal audio power for the studio musician! In addition, the FA-101 offers 6-channel recording and playback at 24-bit/192kHz for performance at DVD-A quality. * 10x10 24-bit/96kHz audio performance * 6x6 24-bit/192kHz audio performance * Firewire bus-powered * Direct monitoring * Low-latency driver support * Native Support in Mac OS X (10.3.4 or later) * 2x phantom-powered mic preamps * 8x8 balanced analog I/O * S/PDIF optical I/O * MIDI I/O
Weight3.00 kg0.20 kg2.00 kg2.00 kg4.00 kg1.00 kg
DimensionsN/AN/AN/AN/AN/AN/A
Additional information
Weight 3.00 kg
Weight 0.20 kg
Weight 2.00 kg
Weight 2.00 kg
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Weight 1.00 kg