PRESONUS STUDIO 192 Mobile 22×26 USB 3.0 Audio Interface and Studio Command Center

The PreSonus® Studio 192 Mobile USB 3.0 audio interface delivers exceptional sonic fidelity, flexible connectivity, and professional monitoring and mixing controls in a compact desktop design. Whether you’re a producer, an audio engineer, an independent band, a sound designer, or all of the above, your Studio 192 Mobile was built for you to create.   The Studio 192 Mobile provides an integrated, portable, hardware and software solution for recording in personal and professional studios wherever they may be. Switch between any two mixes using the Cue function and the onboard headphone amp. Software-controlled Dim and Mono options let you take control of your main mix. Use the six balanced outputs for monitor mixing or speaker switching, or both, depending on how you work. With its flexible software and abundant I/O, the Studio 192 Mobile fits into any recording and production environment.   Connect a Studio 192 Mobile and you’ll instantly hear details and an open high end you expect from a professional studio front end. The Studio 192 Mobile operates at up to 192 kHz for ultra-high-definition mixing and recording. High-quality Burr-Brown converters on every input and output provide 118 dB of dynamic range to capture complex musical harmonics smoothly and naturally with no audible distortion. And our recallable XMAX microphone preamps deliver incredibly high headroom, deep lows, smooth highs, and a rich overall sound so you’ll hear every breath, transient, and detail in your recordings.   At PreSonus, we know that the microphone preamplifier is a key component in the sonic quality of a recording. The Studio 192 Mobile includes two custom-design, high-voltage, Class A XMAX preamps with discrete components for accuracy and transparency.   XMAX preamplifiers are built with three key elements:   Class A. Class A circuits have no crossover distortion and deliver purer, clearer, and more musical results than the Class AB designs that are found in many preamps. High Voltage. The XMAX preamplifier runs on power rails of 30V. Most off-the-shelf, op-amp-based designs run on power rails of 10V to 18V. Higher-voltage power rails deliver more headroom, deeper lows, smoother highs, and a richer overall sound. Discrete components—not op-amps. We only use genuine transistors, resistors, and capacitors. Op-amps add noise, coloration, and harshness to a signal. Our discrete design delivers ultra-low noise and transparency. The net result of the XMAX preamp design is high headroom, low noise, wide dynamic range, extended frequency response, and—most important—musicality and transparency.   The Studio 192 Mobile’s XMAX preamps offer another advantage: They are recallable. In 1995, PreSonus patented digital control over analog circuits with our first studio product. Building on this legacy, we created a separate digital volume-control circuit ahead of our analog XMAX preamp design, providing the convenience of digital recall without sacrificing fidelity. The preamps can be controlled from the unit’s front panel, from UC Surface control software, from Studio One’s mixer, from Studio One Remote, and via MIDI in Pro Tools, Logic, or Live so you can save the settings with your recordings.   With the Studio 192 Mobile, your audio interface is an integrated extension of your recording environment. Launch Studio One® 3, and you’ll find full preamp control and monitor-mix functions integrated into your recording environment. Our hybrid Fat Channel plug-in runs on the Studio 192’s DSP and in Studio One on your computer so you can record and monitor with Studio 192-based processing and seamlessly switch to the Studio One Fat Channel for playback. Need to track away from your computer? Launch Studio One Remote on your iPad®.   The Studio 192 Mobile’s onboard features can also be controlled in PreSonus’ free UC Surface control software, so even if you use third-party recording software, you can remotely access them. UC Surface has rapidly won accolades for an intuitive mixing interface that provides quick access to everything you need to create quality monitor mixes.   Managing both a monitor-mixing application and your DAW can be challenging if you don’t have multiple screens. Because UC Surface can be run wirelessly on a Windows touchscreen computer or iPad, you don’t have to share screen real estate with your DAW. This also allows your musicians to dial in their monitor mixes remotely without adding an expensive personal monitor system.   In addition to creating high-quality monitor mixes, UC Surface can also be used to turn your Studio 192 Mobile into a speaker-management system by providing speaker switching plus main-mix mono and dim functions. Listening to your mix on multiple pairs of reference monitors can reveal new insights. Enabling speaker-switching mode in UC Surface allows you to listen to your main mix through three different output pairs on your Studio 192 Mobile and switch between them.   Adding just the right amount of effects and processing to a monitor mix can make a huge difference in a musician’s ability to experience their performance naturally. To that end, the Studio 192 Mobile includes Studio One Fat Channel plug-in processing on every analog input and the first ADAT inputs, plus a stereo reverb and delay. The result is a better performance and a better recording.   The Fat Channel suite of studio-grade signal processors evolved from our classic ACP88 compressor/gate and was first incorporated into our StudioLive mixers. The musical, natural sound of the combined signal path quickly made StudioLive mixers famous for their ability to help create great-sounding mixes.   The Fat Channel includes a highpass filter, noise gate with key listen, compressor, 4-band parametric equalizer, and limiter. Fifty factory presets, created by professionals, are included to help you quickly create the sound you want. Fat Channel presets can be created in UC Surface or in Studio One and can be shared between the two. You can also share settings with other Studio One, StudioLive, and Studio 192 users.   The Studio 192 Mobile has 18 digital inputs and outputs, allowing you to add more analog I/O when you need it. The DigiMax DP88 preamp/converter was designed to seamlessly extend the analog I/O on the Studio 192 Mobile with eight digitally-controlled XMAX preamps, ADAT I/O support up to 96 kHz, direct analog inputs, DAC outputs, and word clock I/O. Its mic preamps are fully remote-controllable from UC Surface, Studio One, and Studio One Remote when connected via ADAT Lightpipe to the Studio 192 Mobile so that they naturally extend your analog inputs both sonically and functionally.   The Studio 192 Mobile gives you a powerful combination audio interface and studio command center. With pristine audio up to 192 kHz, Fat Channel DSP effects, remote-controllable preamps, monitor mixing, speaker switching, a headphone amp, and unprecedented Studio One integration, it gives you a portable recording solution like no other.  

Χαρακτηριστικά:

• Compatible with most recording software for Mac and Windows
• Simultaneous I/O up to 22 inputs/26 outputs (8x14 at 192 kHz)
• Individual stereo main balanced outputs with mono, dim, mute, output metering and level control accessible from front-panel and UC Surface
• 2 front-panel combo microphone/instrument inputs
• 2 XMAX remote-controllable mic preamps with individually switched 48V phantom power
• 2 balanced, line level, direct-to-ADC inputs, available via dual-purpose rear-panel combo jacks
• 4 balanced ¼” TRS outputs for monitor mixing and speaker switching
• ADAT Optical/Dual SMUX inputs/outputs: 16x16 channels at 44.1 or 48 kHz; 8x8 channels at 88.2 or 96 kHz
• Stereo S/PDIF coaxial input and output
• 1 high-volume headphone output with dedicated DAC
• BNC word clock input and output with low-jitter clocking
• USB 3.0 audio interface
• USB 2.0 compatible
• 24-bit resolution and up to 192 kHz sampling rate
• Top-quality 118 dB A/D/A converters
• Road-rugged construction with all-metal chassis and metal knobs
• 1U rack-mountable
• 18 VDC external power supply (included)

The all new 896mk3 FireWire audio interface delivers high-end performance, superb sound, innovative new features and enhanced standard features that remain unique.

The 896mk3 provides eight channels of pristine 24-bit 192 kHz analog recording and playback, combined with sixteen channels of optical digital I/O, stereo AES/EBU, S/PDIF and separate analog main outs. Expand your system by connecting the 8pre mic input expander or other MOTU audio interfaces.

The 896mk3 is equally well-suited for studio and stage, with or without a computer. As an interface or standalone mixer, the 896mk3 provides 28 separate inputs and 32 separate outputs, including dedicated main outs on XLRs and two front panel headphone outs.

Connect all of your studio gear, including microphones, guitars, synths, keyboards, drum machines and even effects processors. Record, monitor, route and process all of these live inputs using the professional on-board CueMix FX digital mixer – with no latency and no processor strain on your computer. Apply hardware DSP-driven effects processing to inputs, outputs, and busses independent of your host computer. Add Classic Reverb™ with lengths up to 60 seconds. Further sculpt your sound with 7-band parametric EQ featuring filter types carefully modeled after British analog console EQs. Choose between two forms of compression: a conventional compressor and the Leveler™, an accurate model of the legendary LA-2A™ optical compressor that provides vintage, musical automatic gain control.

MOTU FireWire audio interfaces are fully compatible with FireWire 800-equipped Macs. All you need is a standard FireWire 400-to-800 cable. Just plug in and go. The FireWire bus operates at 400 Mb/sec, providing the same high speed, low latency and rock solid reliability that MOTU FireWire interfaces are known for.

When recording from the mic/guitar inputs, the 896mk3ʼs signal overload protection gives you an extra 12 dB of headroom above zero with no clipping or harsh artifacts.

After programming the on-board mixing in the studio, unplug the 896mk3 from the computer and take it on the road for operation as a stand-alone mixer with effects. All mixing and effects parameters are adjustable using the front panel backlit LCD.

The 896mk3 provides cross-platform compatibility with Mac and Windows and all of your favorite audio software and host-based effects via WDM/ASIO/Core Audio drivers. Or you can use the included AudioDesk workstation software for Mac, with 24-bit recording/editing and 32-bit mixing/processing/mastering.

The Yamaha GO44 is a mobile audio solution that features high quality line
inputs/outputs and worldclass MIDI and audio recording software enabling
professional quality recording to a computer in a very compact package that
can be carried and used virtually anyway.
The Yamaha GO44 boasts up to 24-bit/192kHz resolution on the analog inputs/
outputs - the best in its class - and 24-bit/96kHz on the digital I/O. This pro-level
quality makes the Yamaha GO44 perfect for any type of recording, and allows
you to capture the full details and nuances of the original source - from the
breathiness of a vocal to the delicate finger slides of an acoustic guitar performance.

The Yamaha GO44 features 4-in/4-out multi-channel audio, with two analog phone
jack terminals for both input and output, and special S/P DIF coaxial terminals for
two-channel digital in/out. This device is simple and easy to use, yet provides high-quality
recording capability - perfect not only for those who want to create music, but also
for those who want an audio playback system for their computer that delivers
outstanding sound quality.

The digital outputs on the Yamaha GO44 are compatible with the AC-3 and DTS
surround sound formats. Simply connect a surround compatible amplifier/speaker
setup, and enjoy the powerful sonic experience of surround sound.

Yamaha GO44 Features:
FireWire audio interface
Durable aluminum die cast body
Simple, small and light weight
2 x Balanced Line inputs / outputs
Headphones output on Front Panel
1 MIDI In /1 MIDI Out
S/P DIF In/Out up to 24 bit/96 kHz
24 Bit/192 kHz compatible

Computer Based Recording Packages 

Computer-Based Recording Packages For All Players Of Musical Instruments 

The AUDIOGRAM Series has been carefully designed to make setting up your computer-based recording environment an absolute breeze. Coming as a complete kit, the AUDIOGRAM6 and AUDIOGRAM3 each bundle together a hardware interface that adds audio inputs and outputs to your computer, software for recording and producing music, and a USB cable for connecting the audio interface. As such, either package will instantly turn your computer into a powerful yet intuitive tool for recording and editing audio from virtually any microphone or audio input device. What's more, setup is as easy as installing the bundled music-production application, CUBASE AI, on your computer and connecting the audio interface using the USB cable provided! You're then ready to connect instruments, microphones, CD players, MP3 players, and even old record or tape players for recording straight into CUBASE AI.

• 2 In/2 Out USB Audio Interface
• Mac or PC, no drivers required
• 16-bit/48kHz converters
• Low latency
• Headphone output
• S/PDIF optical out
• USB powered
• Free Software

• Ultra-flexible audio interface connects your instruments, mixer, etc. with your computer for recording and playback
• Revolutionary energyXT2.5 Compact music production software included with feature-rich audio/MIDI sequencer that loads almost instantaneously on all computer platforms
• Massive software bundle includes Audacity audio editor, comprehensive podcasting software and over 150 virtual instruments and effect plug-ins
• Works with your PC or Mac computer—no setup or drivers required
• High-resolution 48 kHz converters for high-end audio quality
• Stereo Headphone output with dedicated Level control lets you monitor both input and output
• Additional S/PDIF optical output for direct digital conversion
• Powered via USB—no external power supply needed
• High-quality components and exceptionally rugged construction ensure long life
• Conceived and designed by BEHRINGER Germany