The Radial JPC is an analogue stereo interface designed to help solve the buzz and hum problems commonly associated with connecting a computer to an audio system. This is accomplished by combining active buffers and transformer isolation to create an effective ‘hybrid’ circuit. Intended for professional field use, the JPC comes fully loaded with choice […]
The Radial JPC is an analogue stereo interface designed to help solve the buzz and hum problems commonly associated with connecting a computer to an audio system. This is accomplished by combining active buffers and transformer isolation to create an effective ‘hybrid’ circuit.
Intended for professional field use, the JPC comes fully loaded with choice of ¼“, RCA and 3.5mm input connectors that make it easy to interface with all types of unbalanced audio sources such as computers, iPods, and CD players. It is equipped with isolation transformers to eliminate hum and buzz caused by ground loops and to further reduce system noise; while AC blocking capacitors in the active circuit prevent pollution from the audio system from bleeding back into the computer. Outputs are XLR balanced mic level for easy interface to snake systems and PAs. Powering the JPC is accomplished via 48V phantom from a mixing console. This enables the JPC to be used in concert environments without requiring an external power supply.
The JPC is a great sounding stereo direct box that is plug-and-play easy to use with practically any consumer electronic device. The noise eliminating advantages makes the JPC a must-have problem solver for any technician’s audio kit. The Radial JPC… an effective tool designed to make interfacing gear easy.
Features:
Easy to use stereo interface for laptop computers
Active signal path with transformer isolation
Eliminates hum and buzz common to PCs
Full connector options set for easy interface
Weight
0.50 kg
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The Radial JPC is an analogue stereo interface designed to help solve the buzz and hum problems commonly associated with connecting a computer to an audio system. This is accomplished by combining active buffers and transformer isolation to create an effective 'hybrid' circuit.
Intended for professional field use, the JPC comes fully loaded with choice of ¼“, RCA and 3.5mm input connectors that make it easy to interface with all types of unbalanced audio sources such as computers, iPods, and CD players. It is equipped with isolation transformers to eliminate hum and buzz caused by ground loops and to further reduce system noise; while AC blocking capacitors in the active circuit prevent pollution from the audio system from bleeding back into the computer. Outputs are XLR balanced mic level for easy interface to snake systems and PAs. Powering the JPC is accomplished via 48V phantom from a mixing console. This enables the JPC to be used in concert environments without requiring an external power supply.
The JPC is a great sounding stereo direct box that is plug-and-play easy to use with practically any consumer electronic device. The noise eliminating advantages makes the JPC a must-have problem solver for any technician's audio kit. The Radial JPC... an effective tool designed to make interfacing gear easy.
Features:
Easy to use stereo interface for laptop computers
Active signal path with transformer isolation
Eliminates hum and buzz common to PCs
Full connector options set for easy interface
Standard active DI box. Can be operated with 9 V batteries or 48 V phantom power. High-impedance input; higher output level than with a passive DI box. Active circuitry allows for high input impedance ( 1 meg. ohm) and higher input sensitivity (typical difference between in and out -4 dB). Maximum output impedance with phantom power operation +10 dB. Output: transformer balanced. The special "floating ground" circuitry enables ground lift even during phantom power operation. Metal case 110 x 73 x 42 mm.
User´s Manual
LD Systems LDI02
DI Box active
Active DI box in a sturdy metal housing (aluminium/steel) with protective corners, silver-blue metallic, internal battery (9 V flashes during operation) is switched off automatically when phantom power is used (LED permanently illuminated),
extremely low battery consumption. Battery: 9 V block (not included).
Product type DI Boxes
Channels 1
Inputs 2
Input connectors 6.3 mm Jack , XLR
Max. input level + 10 / + 30 dBu dBu
Input impedance 1 M Ohm(s)
Outputs 1
THRU outputs/channel 1
Output connectors XLR
Frequency response 20 - 20.000 Hz
THDIndicators Power
Controls ground lift , Power
Operating voltage +48 V phantom power , 9 V block
Cabinet material metal
Cabinet surface painted
Width 135 mm
Depth 128 mm
Height 53 mm
Weight 0,645 kg
At dbx, when we do something, we do it right. So when we decided to create our new direct injection boxes, we didnʼt settle for the same old tired approach to direct box design. With our dbx name on the line, how could we? One look at our new dB10 Passive and dB12 Active direct boxes will tell you that these are clearly different. With their bullet-proof construction, and extraordinary audio performance to rival their looks, finally thereʼs a direct box worthy of the dbx name.
Utilizing custom dbx mu-metal-shielded audio transformers, high-quality Neutrik® connectors, and low-noise circuitry preserves the sonic integrity and true characteristics of the signal source. Both boxes include a pad switch that accomodates instrument, line and even speaker level signals. Take even more control of your sound by utilizing the polarity invert switch to set the phase relationship between the direct and mic'd sound.
As a professional, you donʼt have time for interference, so weʼve included a ground lift switch to solve potential hum and buzz problems due to ground loops. And between the combined shielding of the cast metal chassis and the custom-wound transformer, you can be doubly assured of a clean signal free from interference. All of this sits atop a solid, stable footprint, that will keep the box from being dragged around the stage, and the unique contoured underside allows secure stacking of multiple units.
So whether you need to control the level, placement in the mix, or overall characteristics of 4 independent signals or control the gain leveling on a couple of stereo pairs, the dbx dB12 is for you.
Thru Output: 1 parallel connection from input jack
Connector: 1/4" jack
Type: Unbalanced, RF filtered
Main Output: 1 line level
Connector: XLR male jack
Type: Balanced
Impedance: 150 Ohm typical
Max Output Level: 0dBu
PERFORMANCE
Transformer: Custom dbx mu-metal-shielded
Frequency Response: 20Hz to 20kHz, +/-2.5dB
Noise:
THD:
GENERAL
Dimensions: 5.82" L X 5.44" W X 2.20" H (148 x 138 x 56mm)
Weight: 1.4 lbs / 0.65 kg
Note: Specifications subject to change without notice.
The Stewart ADB-1 is a single channel active direct box that allows an unbalanced source to directly feed a balanced input. Musical instruments, tape recorders, VCRs and sound projectors can be run "direct" to the mixing console, avoiding unnecessary degradation of sound quality. The ADB-1 operates on either phantom power or a 9-volt battery.
FEATURES: Flat response Low distortion Low noise Wide dynamic range No transformer RF protection on input and output Switchable ground isolation Flush mounted slide switches
With added functionality and enhanced audio performance, the AR-133 has been
designed to be more affordable for musicians, studios and PA companies.
The unit includes phantom power and battery supplies as standard. Should the
phantom power from the console fail or be accidentally switched off, the AR-133
automatically switches over to the internal 9V battery providing uninterrupted use.
The unit is housed in a rugged aluminium extrusion case, with robust polyurethane
end-cheeks which give the AR-133 a very distinctive look.
Input connectors are both 1/4" jack sockets and an XLR socket, the latter meaning
that the AR-133 can be used to convert unbalanced signals to a balanced output on
XLRs throughout.
The arched case allows cables to run back underneath the unit from the end for neat
cable management.
Input attenuation is 0, -20 or -40dB, making the box suitable for instrument, line or
amplifier levels on inputs. On the output side, a ground-lift switch is provided for quick
solutions to ground-loop problems.
The AR-133 uses an enhanced version of the same audio path as the AR-116, now
regarded by many people as a reference standard. The sound quality is legendary,
particularly on acoustic and bass guitars.
Numerous applications can be satisfied by the AR-133. For example, as well as the
traditional guitar use, the AR-133 can be used with keyboards, DJ consoles, amplifier
outputs, and other electronic sources.An additional bonus is the ability to use the AR-133
as an active balancing device.
Input Section
Input Impedance 1M Ohm (pad at 0dB)
47k Ohm (pad at -20dB)
47k Ohm (pad at -40dB)
Max Input Level +9dBu (pad at 0dB)
+29dBu (pad at -20dB)
+49dBu (pad at -40dB)
Connectors Two Parallel 1/4" jack connectors and a parallel
XLR connector (unbalanced)
Jack: Tip Hot (+ve)
Sleeve Ground
XLR: Pin 2 Hot (+ve)
Pin 1 & 3 Ground
Output Section
Output Transformer Balanced
Max. Output Level +8dBu into 600 Ohms or greater
Connector XLR3-32 or equivalent
System Performance
Distortion (THD) < 0.005% at 1khz, 0dbu output
Noise < -105db unweighted, 22hz-22khz, rms*
Frequency Response 30Hz to 20kHz, +0dB/-1dB
General
Main/Standby battery 9 volt PP3 type, preferably alkaline.
Current drain on phantom - less than 7.5mA
on battery - less than 2mA.
Phantom Power +20 volts DC to +48 volts DC
Weight 650 gms, excluding batteries.
Overall Dimensions 59 mm x 124 mm x 143 mm
(2.3" x 4.9" x 5.6“)
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