| Content |
The RMX-33i from Reloop is a 3+1 channel DJ mixer with built-in digital effects and connectivity for smartphones and tablets for professional DJs, serious home enthusiasts, and clubs. The mixer boasts a total of 10 inputs, with channels 1 & 2 featuring line and phono RCA inputs, as well as 1/8" / 3.5mm jacks for connecting any smartphone or tablet. The included audio splitter cable divides the output of the device into two separate mono channels for split cuing, or one stereo channel for production or sampler apps. Channel 3 offers CD and line inputs via RCA.
The main outputs include two balanced XLR (Stereo L+R) and unbalanced stereo RCA connections, while booth outputs are offered via unbalanced stereo RCA. The two headphone outputs include 1/4" / 6.35 mm and 1/8" / 3.5 mm jacks. A combo XLR/1/4" / 6.35 mm input is offered for a microphone, which feeds a dedicated mic channel with a 2-band EQ. Additionally, the mic input can be switched to accept an 1/8" / 3.5 mm stereo input for an additional line input.
Each channel features a 3-band EQ that is switchable between isolator and classic EQ to suit any individual mixing styles. The instant sound FX section is available on any channel, with dedicated potentiometers for control and manipulation. The effects offered include white noise, filter, bit crush, and gate. The 1.8" / 45.0 mm crossfader is replaceable and compatible with innoFADER. The crossfader also features fader-start, reverse, and curve control. The Remix 33i ships with the audio split cable and an international power supply.
- 3 (+1) Channel Digital Effect Mixer
- Fully digital architecture for outstanding sound and flexibility
- 4 Instant Sound Color Effects per channel (Filter, White Noise, Bit Crush & Gate)
- iPad / tablet / smartphone audio split-input
- EQ-setting for classic or isolator (kill)
- 1.8" / 45.0 mm club line & crossfader
- Fader-start, reverse & curve control
- innoFADER compatible
- Mic channel with 2-band EQ
- 2 headphones outputs (1/4" / 6.3 mm jack and 1/8" / 3.5 mm jack)
- Balanced (XLR) and unbalanced (RCA) outputs
- Altogether 10 inputs (2x phono, 7x line, 1x combo-mic)
- Altogether 5 outputs (1x XLR, 2x RCA, 2x headphones)
- Club-quality sound & built
- Optional Reloop RMX innoFADER accessory by Audio Innovate available
- Includes smartphone / tablet audio split cable and international power supply
| Type |
3-channel effect mixer |
| Connections |
Input
Phono: 2 x stereo RCA
Mic: 1 x combo XLR/1/4" / 6.35 mm
Line: 3 x stereo RCA
Line: 2 x 1/8" / 3.5 mm mono inputs
Line: 1 x stereo 1/8" / 3.5 mmOutput
Main Out: 2 x balanced XLR (stereo L+R)
Main Out: 1 x stereo RCA
Booth Out: 1 x stereo RCA
Headphone: 1 x 1/4" / 6.35 mm
Headphone: 1 x 1/8" / 3.5 mm |
| Input |
Line/CD/iPad/Aux: 51 kOhm / -14 dBV (200 mV) ±1 dB
Phono: 47 kOhm / -50 dBV (3.16 mV) ±1 dB
Mic: 12 kOhm / -54 dBV (1.99 mV) ±1 dB |
| Output |
Master: 1 kOhm / 0 dBV (1 V) ±2 dB
Balanced: 600 Ohm / 0 dBV (1 V) ±2 dB
Booth: 1 kOhm / 0 dBV (1 V) ±2 dB
Phones: 33 Ohm / 0 dBV (1 V) ±2 dB |
| Frequency Range |
iPad/CD/Aux: 20 Hz to 20 kHz +2/-3 dB
Phono: 20 Hz to 20 kHz +2/-3 dB (RIAA) at input level = -60 dBV
Mic: 20 Hz to 20 kHz +2/-3dB
Frequency Increase/Decrease: +12 dB / < -26 dB |
| S/N Ratio |
iPad/CD: > 80 dB at 0 dB Input
Phono: > 70 dB at -36 dB Input
Aux: > 70 dB at 0 dB Input
Mic: 70 dB at -40 dB Input |
| Dimensions |
10.0 x 4.1 x 14.0" / 25.4 x 10.4 x 35.5 cm |
| Weight |
8.4 lb / 3.8 kg |
| Since 1984 the SCLAT mixing desks have been rocking thousands of class venues around the world, serving the most demanding technicians, the most creative pro-Djs and the most exciting dance floors.
Behind the renowned experience of ECLER Laboratories, the SCLAT 200vs keeps combining all the requirements technicians demand regarding features and operating safety together with the inventive functionality Professional DJs demand from a high-end mixing desk.
Designed to optimize the best high-end club P.A.s, featured to fit any studio recording standard, built to withstand the most demanding mobile touring set-ups, the SCLAT 200vs is probably the best quality Audio Mixing Desk presently available in the Industry.
Superior effects processor
Remix live...
Built-in processor with double DSP featuring 2 manual filters and 10 effects with BPM synchronization. Includes a DRY/WET crossfader taking your effects control to the next level: activate and deactivate, fade in to the level of your choice… Allows routing every single channel to the module independently. Features control of TIME and PARAMETER and a friendly user selectable panel. Effects consists of LFO Filter, Low Pass Filter, High Pass Filter, Delay, Reverb, Flanger, Phaser, Vocoder, Pitch Shifter, Echo Reverb, Filtered Echo and Flanger Echo.
Midi out
Control you favorite devices...
The module includes a MIDI output and features start and stop commands to activate and deactivate your devices and a clock to adjust the tempo.
Edi:lab software
Expand your creativity...
The built-in effect processor is reprogramable in real-time with the edi:lab software (included). The user can load a new effect set-up in the SCLAT mixer and play it stand-alone without any need of the computer. An effect library is available in the edi:lab software in order to save the different user set-ups. | * 6 Dual stereo inputs, 2 with mic inputs
* RIAA preamps for up to 4 turntables
* Input selectors with 2 colour indicators
* Smooth action level controls
* 2 Stereo aux sends with pre/post switching
* 4 band EQ - high definition of frequency bands, with ʽinfinite killʼ on HF and LF; wide Q for cut, narrow Q for boost
* MIDI output from VCF 1+2, crossfader, LFO 2 (MIDI clock), dedicated data control and start/stop button
* Large ʽlight-pipeʼ illuminated cue switches
* 9 led 3 colour channel ʽbulls eyeʼ LED meters
* Crossfader and Filter assign switches
* Either smooth travel 60mm VCA faders or rotary VCA faders (Linear or Rotary versions)
* Active Penny & Giles VCA crossfader allowing contour to be set from smooth to scratch mix
* Cue/Mix monitor balance control
* 2 Independent mix outputs
* 2 Rotary master level controls
* Dual stereo analogue VCF effects
* 3 Filter modes combine for more effects
* Independent frequency sweep controls
* Resonance control for subtle or wild effects
* Filter LFO Depth and tempo controls
* Illuminated Filter switches punch effect in or out
* Powerful headphones monitor with auto cue
* Headphones split cue and Aux 1 & 2 monitoring
* Stereo music only booth monitor output
* Booth mono and mute switching
* 9 led 3 colour main ʽbulls eyeʼ LED meters
* Balanced +4dBu XLR stereo Mix 1 output
* Impedance balanced Line stereo Mix 2 output
* Pre-fade recording output
Technical Data
Outputs:
2 Independent mix outputs
Mix 1:Balanced 0dBu XLR stereo Mix 1
Mix 2:Impedance balanced Line stereo Mix 2 output
Booth monitor: Stereo music only
MIDI output from VCF 1+2
2 Headphone (6,3 mm/ 3,5 mm) |
MIC/LINE Input Channels
The XLR microphone input is equipped with an extremely high quality, ultra-low noise, discrete preamp.
The +48V phantom power for condenser microphones can be switched in groups of six.
The Line Input and Channel Insert are implemented as jack sockets.
The Gain can be controlled in the range 0-60 dB.
The switchable Lo Cut filter (80Hz, 18dB/oct.) serves to eliminate low-frequency noise. A very typical DYNACORD feature is the asymmetrical Voicing Filter by means of which, if desired, the voice can be powerfully emphasized in the mix.
Optimized for ease-of-use, the 3-band semi-parametric equalizer makes it possible even for unpracticed users to perform the requisite corrections swiftly and intuitively.
With their extended buss structures, the CMS3 mixers offer very flexible configuration options. In all, 6 AUX busses are available in each case:
2 (FX) are assiged to the two effects devices;
2 (AUX) can be configured either as monitor or effects sends by means of a switch in the Main section;
2 (MON) are designed as monitor sends, each being equipped with a sweepable anti-feedback filter in the Master section.
MUTE and PFL switches, each with its own LED, make it possible to mute each input channel individually and/or listen to its pre-fader signal.
Each channel offers a Signal Present and Peak LED for level control.
The channel faders are dust-protected and offer not only excellent crosstalk attenuation but also a practice-optimized control characteristic.
All potentiometers and faders are high-quality components from ALPS.
Stereo MIC/LINE Input Channels
The stereo input channels are equipped in much the same way, but optimized, naturally, to carry stereo signals.
Two of the four stereo inputs of each model are additionally equipped with cinch (RCA) sockets switched in parallel for CD or MP3 players.
The two other stereo inputs receive in addition the four channels of the digital audio interface USB 1-2 and USB 3-4
Separate Gain controls are provided for the Stereo Line and Mic inputs to permit them to be used in parallel if desired.
Three-band tone controls are provided, and a Balance control replaces the PAN control found in the mono channel strips.
MASTER
In the Master Section, too, the CMS3 mixers are lavishly equipped.
The 11-band stereo equalizer can be routed to the Master channels or else to either or both of the Monitor Sends according to choice.
The FX1+2 Returns as well as the AUX1+2 and MON1+2 Sends are on faders just like the Master L/R signal, which makes for comfortable and intuitive operation.
The Master B signal is available pre or post MASTER L/R fader and can be mono-summed if desired. The Master signal is also available on the REC Send cinch (RCA) output with level control.
The level meters of the CMS3 comprise two LED chains of 12 LEDs each. The display range covers 40 dB; what is shown is the level in dBu at the master outputs. When the PFL switch is activated, the left-hand LED chain shows the internal level of the master buss in dBu.
The Standby switch mutes all channels e.g. during pauses, with only the 2TRACK-to-Master input remaining active for the playback of interval music.
A 4-pin XLR socket is provided for the connection of a standard 12V/5W gooseneck lamp.
DIGITAL USB 2.0 AUDIO INTERFACE
The USB 2.0 port serves as a digital audio interface between the CMS3 and a PC or Mac. Four channels can be transmitted in either direction simultaneously. This interface can therefore be used either for the input of audio signals (e.g. for playback or interval music) or else for live- or studio-recording applications. It is configured by selecting the relevant setting in the menu.
For the use of the CMS3 with a PC or Mac, a free Cubase LE license as well as the requisite USB drivers are included free-of-charge on the supplied DVD.
PC MIDI Interface
The CMS3 also offers a fully-featured PC MIDI interface.
The MIDI input also supports the remote switching of both internal effects units using a master keyboard or MIDI footswitch.
Professional Effects, OLED Display and Processing Menus
The CMS3 has two integrated stereo multi-effects processors that work independently of one another, each offering 100 effects algorithms optimized for live performance, the most important parameters of which are editable.
Linear 24-bit AD/DA converters and 48-bit double-precision processing guarantee the finest studio quality based on state-of-the-art technology.
The 100 program locations of each device are packed with high-quality reverbs, halls and plates that deliver professional results in live performance on stage as well as in both studio and home recording environments.
Other presets include Echo/Reverb and Chorus/Echo combinations, a variety of delay, flanger, chorus and doubling algorithms, as well as special reverb and delay programs. When a delay effect is active, the delay time can be synchronized to the beat of the music using the TAP key.
Edited effects programs can be stored in the 20 User memories offered by each device, assigned names, and later selected and used in the same way as the presets.
The large, high-contrast OLED display is easily read from a wide range of viewing angles—even in very bright surroundings. The operation of the effects units and processing menus is intuitive and made easier still through the use of soft keys and a rotary encoder.
Processing Menus
For the basic settings, configuration, use of the effects and special functions, a wide variety of editing options can be selected from the clearly arranged menus.
Innovative Solution for Protection and Transportation
Optionally available for the CMS 1000 and 1600 is a very robust plastic lid with an integrated handle—a highly innovative solution that offers optimal protection for the device as well as greater carrying comfort.
For the CMS 2200, due to its greater size, a flight-case solution is recommended (available as a further option is a dust cover: the DC-PM2200-COVER).
Accessories
For rack installation of the CMS 1000 (or table installation of the models 1600 and 2200), the mounting kit RMK 1000-3 is available.
Other accessories include the gooseneck light DC-LITLITE-4P and the DC-FS11 ON/OFF footswitch for the effects units. | Behringer Micromix MX-400 Ultra Low-Noise 4-Channel Line Mixer
Despite its ultra-compact size, this 4-channel line mixer is big on features! It yields the highest sonic quality at all output levels, boasting ultra low-noise 4580 operational amplifiers for outstanding audio performance?the same op amps found in its much bigger brethren. Expanding on the capabilities of standard-size mixers is where the MX400 does extremely well, for example as a sub-mixer. If you are running short on available channels on your ?big? mixer and need to bring the output of three different keyboards into your mix, you can simply connect them to the MX400, work out the keyboard mix, and connect the MX400?s output to a single input on your main mixer.
It will catch your eye because it?s cute as a button, but you?ll want to own one because of what it can do for your performance.
- Compact 4-channel line mixer
- Separate volume control for each channel
- Low noise 4580 operational amplifier
- 4x 6.3 mm Mono jack inputs
- 1x 6.3 mm Mono jack outputs
- Includes 12-Volt power supply
- Dimensions: 46.5 x 57.2 x 103.6 mm
- Weight: 190 g
|
- 5 MIC (JACK ¼”) / stereo LINE (RCA) input channel mixer
- Input signal pushbutton selector (MIC/LINE) on back panel
- PFL on all inputs for headphone monitoring
- Independent internal assignable phantom power for all MIC inputs
- Channel 1 features integrated TALKOVER on MIC input. Additional front panel MIC connector (JACK ¼”)
- Direct MIX input allows straight forward connection of further mixers
- Triple tone control (accessible only with screwdriver)
- 2 stereo OUTPUTS (XLR3 / RCA) with independent volume control
- 3 LED OUTPUT level meter
- 2 additional stereo REC outputs (REC1, REC2)
- Mono mode pushbutton
- Full remote MUTE control (EUROBLOCK) allows connection with fire detection systems
The SAM mixer series has been specially designed for all public address and communication systems requiring a minimum risk of unwanted external manipulation.
Frequently used controls are easily accessible. Specific adjustments remain only accessible by the installer for precise and permanent settings.
SAM SERIES are very easy to use, even for non-technical users. All this is packed into a compact, 1 unit high, 19'' rack unit.
SAM series general KEY features
- Universal 1 RU, 19” installation mixers
- Excellent frequency response
- Balanced MIC and stereo LINE inputs and main outputs
- Reliable proprietary power supply
- Ideal for any application requiring a trouble free mixer
|
Reviews
There are no reviews yet.