RME Fireface UCX-II USB 2.0 Audio/Midi Interface ADAT 20X20

1,299.00 incl. GR VAT

In stock (can be backordered)

EAN: 4260123363376
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Availability: Available in 1-3 days Available in 1-3 days SKU: J08RM00066 Category:
  • Musicians, Content Creators & Engineers
  • USB 2.0 and ADAT Connectivity
  • 2 Mic/Line In, 2 Line/Hi-Z In, 4 Line In
  • 1 Headphone Out, 6 TRS Line Out
  • 24-Bit / 192 kHz AD/DA Conversion
  • AC Powered / Mac, Windows, Linux
  • Phantom Power, MIDI I/O, Wordclock I/O
  • Record all I/O to USB Flash Storage
  • Supports Standalone Operation
  • Powerful Remote Control Options
  • Musicians, Content Creators & Engineers
  • USB 2.0 and ADAT Connectivity
  • 2 Mic/Line In, 2 Line/Hi-Z In, 4 Line In
  • 1 Headphone Out, 6 TRS Line Out
  • 24-Bit / 192 kHz AD/DA Conversion
  • AC Powered / Mac, Windows, Linux
  • Phantom Power, MIDI I/O, Wordclock I/O
  • Record all I/O to USB Flash Storage
  • Supports Standalone Operation
  • Powerful Remote Control Options

 

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DESCRIPTION
The Fireface UCX II is a highly integrated pro audio solution in an ultra-compact format for studio and live recordings. It continues RME’s long tradition of designing compact advanced interfaces, packing into a half-rack size unit what usually would be spread out over two or three 19 inch panels.

The most powerful & portable RME Audio USB Interface :
This unique audio system is capable of transferring analog and digital audio data directly to Windows and Mac computers. The latest Plug and Play technology guarantees a simple installation, even for the inexperienced user.

Compact, portable, and packed with features from their premier interfaces, the RME Fireface UCX II is a desktop 20×20 USB audio/MIDI interface that effectively serves as a mobile version of RME’s respected UFX rackmount models, earning it the flexibility to benefit musicians, content creators, and serious engineers alike. Not only is it a capable interface with plenty of analog and digital I/O for your DAW-based productions, but it also supports powerful remote control options and standalone operation to accommodate a myriad of workflows and recording scenarios. Additionally, it can record all I/O channels directly to USB flash storage thanks to the internal DURec digital recorder.

Since it has eight analog inputs—two high-gain mic/line preamps, two line / Hi-Z inputs, and four rear-panel line inputs, the Fireface UCX II can easily handle dynamic and condenser mics, electric instruments, and professional line-level devices. With six balanced TRS line outputs and a stereo headphone jack, it has no problem feeding monitors, cans, and even CV/gate inputs on synth gear. Reference-class clocking and compliance with resolutions up to 24-bit / 192 kHz enable the interface to perform at its best, and a crisp color display shows metering for all inputs and outputs at the same time.

Big on Features, Small on Size

The Fireface UCX II is a highly integrated pro-audio solution in an ultracompact format for studio and live recordings. It continues RME’s long tradition of designing advanced compact interfaces, packing into a half-rack size unit what usually would be spread outover two or three 19″ panels. 

With up to 20 channels for recording and playback, SteadyClock FS, high-performance microphone inputs, parametric EQ, dynamics processing, echo, reverb, DURec (Direct USB Recording), MIDI I/O, a powerful headphone output, and full standalone operation, the Fireface UCX II excels with RME’s highest feature-to-space ratio ever.

Special Functionality

  • Full standalone operation, no computer required
  • DURec-integrated digital recorder allows you to record directly to USB memory devices
  • All channels (20 inputs and 20 outputs) can be individually chosen for recording and playback
  • CV/gate low-latency voltage control for automating synthesizers, mixing consoles, and effects
  • SteadyClock FS reference-class digital clocking
  • USB out for ARC USB remote control (available separately)
  • Compatible with TotalMix FX for iPad
  • DIGICheck turns the interface into a highly versatile front-end for audio measurements and software development
  • Class-compliant mode for Linux environments
  • Crisp high-resolution color display shows metering for all input and output channels

Eight Analog Inputs

  • Two XLR-1/4″ combo mic/line preamps with phantom power and up to 75 dB of gain, plenty even for low-output dynamic mics such as the Shure SM7B
  • Two 1/4″ TRS inputs for balanced line-level sources or unbalanced Hi-Z instruments
  • Input sensitivity for line/Hi-Z inputs switchable to 19 or 13 dBu
  • Four rear-panel balanced 1/4″ TRS line-level inputs with up to 12 dB of gain, perfect for patching in synths or outboard gear
  • All analog inputs are digitally controlled

Eight Analog Outputs

  • Six balanced 1/4″ TRS line outputs with high dynamic range (115 dBA) and three selectable output levels (+19, +13, or +4 dBu)
  • High-power 1/4″ stereo headphone output

Digital I/O

  • 8-channel ADAT I/O via TOSLINK optical ports
  • 2-channel AES3 I/O via breakout cable
  • 2-channel S/PDIF I/O via breakout cable
  • USB Type-B host connection for Mac/Windows/Linux supports USB 2.0 and 3.0 standards

Extra Connections

  • DIN 5-pin MIDI I/O for connecting keyboard controllers, arranger workstations, and synthesizers
  • BNC wordclock jack can be assigned as an input or output
  • Barrel input for AC power adapter
Form Factor Tabletop
Channels of I/O Analog:
8 Inputs / 8 Outputs
Digital:
12 Inputs / 12 Outputs
Max Sample Rate/Resolution 192 kHz / 24-Bit
Number of Mic Preamps 2
Input Level Adjustment 1 x Knob
Expansion Slots None
Pad None
Gain/Trim Range 1/4″ Hi-Z Inputs:
+6 dB
Combo XLR-1/4″ Mic/Line Inputs:
+75 dB
1/4″ Line Inputs:
+12 dB
High-Pass Filter None
Solo/Mute None
Connectivity
Analog Audio I/O 2 x Combo XLR-1/4″ TRS Balanced Mic/Line Input (Front Panel)
2 x 1/4″ TRS Balanced/Unbalanced Line/Hi-Z Input (Front Panel)
4 x 1/4″ TRS Balanced Line Input
6 x 1/4″ TRS Balanced Line Output
1 x 1/4″ TRS Unbalanced Headphone Output (Front Panel)
Phantom Power 48 V, Selectable On/Off
Digital Audio I/O 1 x TOSLINK Optical ADAT Input
1 x TOSLINK Optical ADAT Output
1 x XLR 3-Pin AES3 Input (on Breakout Cable)
1 x XLR 3-Pin AES3 Input (on Breakout Cable)
1 x RCA Coaxial S/PDIF Input (on Breakout Cable)
1 x RCA Coaxial S/PDIF Output (on Breakout Cable)
Host Connection / USB 1 x USB Type-B (USB 2.0)
USB (Non-Host) 1 x USB Type-A (External Storage)
Sync I/O 1 x BNC Word Clock Input or Output
Network I/O None
MIDI I/O 1 x DIN 5-Pin Input
1 x DIN 5-Pin Output
Other I/O 1 x DE-9/DB-9 9-Pin Breakout Cable In/Out
Wireless Connectivity None
Performance
Max Input Level 1/4″ Hi-Z Inputs:
+13 dBu (Min Gain)
-5 dBu (Max Gain)
Combo XLR-1/4″ Mic Inputs:
+18 dBu (Min Gain)
-57 dBu (Max Gain)
Combo XLR-1/4″ Line Inputs:
+24 dBu (Min Gain)
-51 dBu (Max Gain)
1/4″ Line Inputs:
+19 dBu (Min Gain)
+1 dBu (Max Gain)
Max Output Level Line/Headphone Outputs:
+19 dBu
Headphone Output Power 210 mW per Channel into 32 Ohms (Max, 0.1% THD)
Impedance Combo XLR-1/4″ Mic Inputs:
5.4 Kilohms
Combo XLR-1/4″ Line Inputs:
10 Kilohms (Balanced)
5 Kilohms (Unbalanced)
1/4″ Line Inputs:
12 Kilohms (Balanced)
8 Kilohms (Unbalanced)
Line Outputs:
75 Ohms
Headphone Outputs:
1 Ohm
Dynamic Range Line Outputs:
115 dB (A-Weighted)
112 dB RMS (Unweighted)
SNR 1/4″ Line Inputs:
115 dB (A-Weighted)
112 dB RMS (Unweighted)
Digital Audio
Sample Rates Up to 192 kHz
Sample Rate Conversion None
Bit Depths 24-Bit
Sync Sources ADAT, AES3, Internal, S/PDIF, Word Clock
Memory Card Slot None
Compatibility
OS Compatibility macOS
Windows
Linux
Included Software None
Compatible Software (Not Included) Any Core Audio (Mac) Compliant Software
Included Plug-Ins None
Mobile Device Compatibility None
Required Hardware Available USB 2.0 Port or USB 3.0 / 3.1 Gen 1 Port
Internet Connection Required for Registration, Software/Driver Download
Power
Power Requirements AC/DC Power Adapter (Not Included)
AC/DC Power Adapter 9 to 18 VDC (Not Included)
Power Consumption 12 W
Physical
Rackmount Size 1 RU (1/2-Rack)
Weight 1 kg

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