RME Fireface UCX-II USB 2.0 Audio/Midi Interface ADAT 20X20

1,449.00 incl. GR VAT

Only 1 left in stock (can be backordered)

EAN: 4260123363376
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Availability: Available in 1-3 d. Available in 1-3 d. SKU: J08RM00066 Category:
  • Musicians, Content Creators & Engineers
  • USB 2.0 and ADAT Connectivity
  • 2 Mic/Line In, 2 Line/Hi-Z In, 4 Line In
  • 1 Headphone Out, 6 TRS Line Out
  • 24-Bit / 192 kHz AD/DA Conversion
  • AC Powered / Mac, Windows, Linux
  • Phantom Power, MIDI I/O, Wordclock I/O
  • Record all I/O to USB Flash Storage
  • Supports Standalone Operation
  • Powerful Remote Control Options
  • Musicians, Content Creators & Engineers
  • USB 2.0 and ADAT Connectivity
  • 2 Mic/Line In, 2 Line/Hi-Z In, 4 Line In
  • 1 Headphone Out, 6 TRS Line Out
  • 24-Bit / 192 kHz AD/DA Conversion
  • AC Powered / Mac, Windows, Linux
  • Phantom Power, MIDI I/O, Wordclock I/O
  • Record all I/O to USB Flash Storage
  • Supports Standalone Operation
  • Powerful Remote Control Options

 

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DESCRIPTION
The Fireface UCX II is a highly integrated pro audio solution in an ultra-compact format for studio and live recordings. It continues RME’s long tradition of designing compact advanced interfaces, packing into a half-rack size unit what usually would be spread out over two or three 19 inch panels.

The most powerful & portable RME Audio USB Interface :
This unique audio system is capable of transferring analog and digital audio data directly to Windows and Mac computers. The latest Plug and Play technology guarantees a simple installation, even for the inexperienced user.

Compact, portable, and packed with features from their premier interfaces, the RME Fireface UCX II is a desktop 20×20 USB audio/MIDI interface that effectively serves as a mobile version of RME’s respected UFX rackmount models, earning it the flexibility to benefit musicians, content creators, and serious engineers alike. Not only is it a capable interface with plenty of analog and digital I/O for your DAW-based productions, but it also supports powerful remote control options and standalone operation to accommodate a myriad of workflows and recording scenarios. Additionally, it can record all I/O channels directly to USB flash storage thanks to the internal DURec digital recorder.

Since it has eight analog inputs—two high-gain mic/line preamps, two line / Hi-Z inputs, and four rear-panel line inputs, the Fireface UCX II can easily handle dynamic and condenser mics, electric instruments, and professional line-level devices. With six balanced TRS line outputs and a stereo headphone jack, it has no problem feeding monitors, cans, and even CV/gate inputs on synth gear. Reference-class clocking and compliance with resolutions up to 24-bit / 192 kHz enable the interface to perform at its best, and a crisp color display shows metering for all inputs and outputs at the same time.

Big on Features, Small on Size

The Fireface UCX II is a highly integrated pro-audio solution in an ultracompact format for studio and live recordings. It continues RME’s long tradition of designing advanced compact interfaces, packing into a half-rack size unit what usually would be spread outover two or three 19″ panels.

With up to 20 channels for recording and playback, SteadyClock FS, high-performance microphone inputs, parametric EQ, dynamics processing, echo, reverb, DURec (Direct USB Recording), MIDI I/O, a powerful headphone output, and full standalone operation, the Fireface UCX II excels with RME’s highest feature-to-space ratio ever.

Special Functionality

  • Full standalone operation, no computer required
  • DURec-integrated digital recorder allows you to record directly to USB memory devices
  • All channels (20 inputs and 20 outputs) can be individually chosen for recording and playback
  • CV/gate low-latency voltage control for automating synthesizers, mixing consoles, and effects
  • SteadyClock FS reference-class digital clocking
  • USB out for ARC USB remote control (available separately)
  • Compatible with TotalMix FX for iPad
  • DIGICheck turns the interface into a highly versatile front-end for audio measurements and software development
  • Class-compliant mode for Linux environments
  • Crisp high-resolution color display shows metering for all input and output channels

Eight Analog Inputs

  • Two XLR-1/4″ combo mic/line preamps with phantom power and up to 75 dB of gain, plenty even for low-output dynamic mics such as the Shure SM7B
  • Two 1/4″ TRS inputs for balanced line-level sources or unbalanced Hi-Z instruments
  • Input sensitivity for line/Hi-Z inputs switchable to 19 or 13 dBu
  • Four rear-panel balanced 1/4″ TRS line-level inputs with up to 12 dB of gain, perfect for patching in synths or outboard gear
  • All analog inputs are digitally controlled

Eight Analog Outputs

  • Six balanced 1/4″ TRS line outputs with high dynamic range (115 dBA) and three selectable output levels (+19, +13, or +4 dBu)
  • High-power 1/4″ stereo headphone output

Digital I/O

  • 8-channel ADAT I/O via TOSLINK optical ports
  • 2-channel AES3 I/O via breakout cable
  • 2-channel S/PDIF I/O via breakout cable
  • USB Type-B host connection for Mac/Windows/Linux supports USB 2.0 and 3.0 standards

Extra Connections

  • DIN 5-pin MIDI I/O for connecting keyboard controllers, arranger workstations, and synthesizers
  • BNC wordclock jack can be assigned as an input or output
  • Barrel input for AC power adapter
Form Factor Tabletop
Channels of I/O Analog:
8 Inputs / 8 Outputs
Digital:
12 Inputs / 12 Outputs
Max Sample Rate/Resolution 192 kHz / 24-Bit
Number of Mic Preamps 2
Input Level Adjustment 1 x Knob
Expansion Slots None
Pad None
Gain/Trim Range 1/4″ Hi-Z Inputs:
+6 dB
Combo XLR-1/4″ Mic/Line Inputs:
+75 dB
1/4″ Line Inputs:
+12 dB
High-Pass Filter None
Solo/Mute None
Connectivity
Analog Audio I/O 2 x Combo XLR-1/4″ TRS Balanced Mic/Line Input (Front Panel)
2 x 1/4″ TRS Balanced/Unbalanced Line/Hi-Z Input (Front Panel)
4 x 1/4″ TRS Balanced Line Input
6 x 1/4″ TRS Balanced Line Output
1 x 1/4″ TRS Unbalanced Headphone Output (Front Panel)
Phantom Power 48 V, Selectable On/Off
Digital Audio I/O 1 x TOSLINK Optical ADAT Input
1 x TOSLINK Optical ADAT Output
1 x XLR 3-Pin AES3 Input (on Breakout Cable)
1 x XLR 3-Pin AES3 Input (on Breakout Cable)
1 x RCA Coaxial S/PDIF Input (on Breakout Cable)
1 x RCA Coaxial S/PDIF Output (on Breakout Cable)
Host Connection / USB 1 x USB Type-B (USB 2.0)
USB (Non-Host) 1 x USB Type-A (External Storage)
Sync I/O 1 x BNC Word Clock Input or Output
Network I/O None
MIDI I/O 1 x DIN 5-Pin Input
1 x DIN 5-Pin Output
Other I/O 1 x DE-9/DB-9 9-Pin Breakout Cable In/Out
Wireless Connectivity None
Performance
Max Input Level 1/4″ Hi-Z Inputs:
+13 dBu (Min Gain)
-5 dBu (Max Gain)
Combo XLR-1/4″ Mic Inputs:
+18 dBu (Min Gain)
-57 dBu (Max Gain)
Combo XLR-1/4″ Line Inputs:
+24 dBu (Min Gain)
-51 dBu (Max Gain)
1/4″ Line Inputs:
+19 dBu (Min Gain)
+1 dBu (Max Gain)
Max Output Level Line/Headphone Outputs:
+19 dBu
Headphone Output Power 210 mW per Channel into 32 Ohms (Max, 0.1% THD)
Impedance Combo XLR-1/4″ Mic Inputs:
5.4 Kilohms
Combo XLR-1/4″ Line Inputs:
10 Kilohms (Balanced)
5 Kilohms (Unbalanced)
1/4″ Line Inputs:
12 Kilohms (Balanced)
8 Kilohms (Unbalanced)
Line Outputs:
75 Ohms
Headphone Outputs:
1 Ohm
Dynamic Range Line Outputs:
115 dB (A-Weighted)
112 dB RMS (Unweighted)
SNR 1/4″ Line Inputs:
115 dB (A-Weighted)
112 dB RMS (Unweighted)
Digital Audio
Sample Rates Up to 192 kHz
Sample Rate Conversion None
Bit Depths 24-Bit
Sync Sources ADAT, AES3, Internal, S/PDIF, Word Clock
Memory Card Slot None
Compatibility
OS Compatibility macOS
Windows
Linux
Included Software None
Compatible Software (Not Included) Any Core Audio (Mac) Compliant Software
Included Plug-Ins None
Mobile Device Compatibility None
Required Hardware Available USB 2.0 Port or USB 3.0 / 3.1 Gen 1 Port
Internet Connection Required for Registration, Software/Driver Download
Power
Power Requirements AC/DC Power Adapter (Not Included)
AC/DC Power Adapter 9 to 18 VDC (Not Included)
Power Consumption 12 W
Physical
Rackmount Size 1 RU (1/2-Rack)
Weight 1 kg

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Quick Comparison

RME Fireface UCX-II USB 2.0 Audio/Midi Interface ADAT 20X20 removeNOVATION Nio 2|4 AUDIO INTERFACE removeMOTU Ultralite-mk3 Hybrid FIREWIRE USB2 AUDIO INTERFACE removeEDIROL FA-101 FireWire Audio Capture removeDIGIDESIGN Pro Tools Mbox USB AUDIO INTERFACE 4X4 removeAPOGEE Ensemble Multi-Channel, 24bit/192kHz Audio Interface remove
NameRME Fireface UCX-II USB 2.0 Audio/Midi Interface ADAT 20X20 removeNOVATION Nio 2|4 AUDIO INTERFACE removeMOTU Ultralite-mk3 Hybrid FIREWIRE USB2 AUDIO INTERFACE removeEDIROL FA-101 FireWire Audio Capture removeDIGIDESIGN Pro Tools Mbox USB AUDIO INTERFACE 4X4 removeAPOGEE Ensemble Multi-Channel, 24bit/192kHz Audio Interface remove
ImageRME Fireface UCX-II Kάρτα Ήχου USB - RME
SKUJ08RM00066NIO 2 4Ultralite-mk3FA101ProTools MboxENSEMBLE
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Price 1,449.00 incl. GR VAT 125.62 incl. GR VAT599.84 incl. GR VAT 468.91 incl. GR VAT 583.29 incl. GR VAT 1,249.99 incl. GR VAT
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Description
  • Musicians, Content Creators & Engineers
  • USB 2.0 and ADAT Connectivity
  • 2 Mic/Line In, 2 Line/Hi-Z In, 4 Line In
  • 1 Headphone Out, 6 TRS Line Out
  • 24-Bit / 192 kHz AD/DA Conversion
  • AC Powered / Mac, Windows, Linux
  • Phantom Power, MIDI I/O, Wordclock I/O
  • Record all I/O to USB Flash Storage
  • Supports Standalone Operation
  • Powerful Remote Control Options
ContentDESCRIPTION The Fireface UCX II is a highly integrated pro audio solution in an ultra-compact format for studio and live recordings. It continues RME's long tradition of designing compact advanced interfaces, packing into a half-rack size unit what usually would be spread out over two or three 19 inch panels. The most powerful & portable RME Audio USB Interface : This unique audio system is capable of transferring analog and digital audio data directly to Windows and Mac computers. The latest Plug and Play technology guarantees a simple installation, even for the inexperienced user.
Compact, portable, and packed with features from their premier interfaces, the RME Fireface UCX II is a desktop 20x20 USB audio/MIDI interface that effectively serves as a mobile version of RME's respected UFX rackmount models, earning it the flexibility to benefit musicians, content creators, and serious engineers alike. Not only is it a capable interface with plenty of analog and digital I/O for your DAW-based productions, but it also supports powerful remote control options and standalone operation to accommodate a myriad of workflows and recording scenarios. Additionally, it can record all I/O channels directly to USB flash storage thanks to the internal DURec digital recorder. Since it has eight analog inputs—two high-gain mic/line preamps, two line / Hi-Z inputs, and four rear-panel line inputs, the Fireface UCX II can easily handle dynamic and condenser mics, electric instruments, and professional line-level devices. With six balanced TRS line outputs and a stereo headphone jack, it has no problem feeding monitors, cans, and even CV/gate inputs on synth gear. Reference-class clocking and compliance with resolutions up to 24-bit / 192 kHz enable the interface to perform at its best, and a crisp color display shows metering for all inputs and outputs at the same time.

Big on Features, Small on Size

The Fireface UCX II is a highly integrated pro-audio solution in an ultracompact format for studio and live recordings. It continues RME's long tradition of designing advanced compact interfaces, packing into a half-rack size unit what usually would be spread outover two or three 19" panels. With up to 20 channels for recording and playback, SteadyClock FS, high-performance microphone inputs, parametric EQ, dynamics processing, echo, reverb, DURec (Direct USB Recording), MIDI I/O, a powerful headphone output, and full standalone operation, the Fireface UCX II excels with RME's highest feature-to-space ratio ever.

Special Functionality

  • Full standalone operation, no computer required
  • DURec-integrated digital recorder allows you to record directly to USB memory devices
  • All channels (20 inputs and 20 outputs) can be individually chosen for recording and playback
  • CV/gate low-latency voltage control for automating synthesizers, mixing consoles, and effects
  • SteadyClock FS reference-class digital clocking
  • USB out for ARC USB remote control (available separately)
  • Compatible with TotalMix FX for iPad
  • DIGICheck turns the interface into a highly versatile front-end for audio measurements and software development
  • Class-compliant mode for Linux environments
  • Crisp high-resolution color display shows metering for all input and output channels

Eight Analog Inputs

  • Two XLR-1/4" combo mic/line preamps with phantom power and up to 75 dB of gain, plenty even for low-output dynamic mics such as the Shure SM7B
  • Two 1/4" TRS inputs for balanced line-level sources or unbalanced Hi-Z instruments
  • Input sensitivity for line/Hi-Z inputs switchable to 19 or 13 dBu
  • Four rear-panel balanced 1/4" TRS line-level inputs with up to 12 dB of gain, perfect for patching in synths or outboard gear
  • All analog inputs are digitally controlled

Eight Analog Outputs

  • Six balanced 1/4" TRS line outputs with high dynamic range (115 dBA) and three selectable output levels (+19, +13, or +4 dBu)
  • High-power 1/4" stereo headphone output

Digital I/O

  • 8-channel ADAT I/O via TOSLINK optical ports
  • 2-channel AES3 I/O via breakout cable
  • 2-channel S/PDIF I/O via breakout cable
  • USB Type-B host connection for Mac/Windows/Linux supports USB 2.0 and 3.0 standards

Extra Connections

  • DIN 5-pin MIDI I/O for connecting keyboard controllers, arranger workstations, and synthesizers
  • BNC wordclock jack can be assigned as an input or output
  • Barrel input for AC power adapter
Form Factor Tabletop
Channels of I/O Analog: 8 Inputs / 8 Outputs Digital: 12 Inputs / 12 Outputs
Max Sample Rate/Resolution 192 kHz / 24-Bit
Number of Mic Preamps 2
Input Level Adjustment 1 x Knob
Expansion Slots None
Pad None
Gain/Trim Range 1/4" Hi-Z Inputs: +6 dB Combo XLR-1/4" Mic/Line Inputs: +75 dB 1/4" Line Inputs: +12 dB
High-Pass Filter None
Solo/Mute None
Connectivity
Analog Audio I/O 2 x Combo XLR-1/4" TRS Balanced Mic/Line Input (Front Panel) 2 x 1/4" TRS Balanced/Unbalanced Line/Hi-Z Input (Front Panel) 4 x 1/4" TRS Balanced Line Input 6 x 1/4" TRS Balanced Line Output 1 x 1/4" TRS Unbalanced Headphone Output (Front Panel)
Phantom Power 48 V, Selectable On/Off
Digital Audio I/O 1 x TOSLINK Optical ADAT Input 1 x TOSLINK Optical ADAT Output 1 x XLR 3-Pin AES3 Input (on Breakout Cable) 1 x XLR 3-Pin AES3 Input (on Breakout Cable) 1 x RCA Coaxial S/PDIF Input (on Breakout Cable) 1 x RCA Coaxial S/PDIF Output (on Breakout Cable)
Host Connection / USB 1 x USB Type-B (USB 2.0)
USB (Non-Host) 1 x USB Type-A (External Storage)
Sync I/O 1 x BNC Word Clock Input or Output
Network I/O None
MIDI I/O 1 x DIN 5-Pin Input 1 x DIN 5-Pin Output
Other I/O 1 x DE-9/DB-9 9-Pin Breakout Cable In/Out
Wireless Connectivity None
Performance
Max Input Level 1/4" Hi-Z Inputs: +13 dBu (Min Gain) -5 dBu (Max Gain) Combo XLR-1/4" Mic Inputs: +18 dBu (Min Gain) -57 dBu (Max Gain) Combo XLR-1/4" Line Inputs: +24 dBu (Min Gain) -51 dBu (Max Gain) 1/4" Line Inputs: +19 dBu (Min Gain) +1 dBu (Max Gain)
Max Output Level Line/Headphone Outputs: +19 dBu
Headphone Output Power 210 mW per Channel into 32 Ohms (Max, 0.1% THD)
Impedance Combo XLR-1/4" Mic Inputs: 5.4 Kilohms Combo XLR-1/4" Line Inputs: 10 Kilohms (Balanced) 5 Kilohms (Unbalanced) 1/4" Line Inputs: 12 Kilohms (Balanced) 8 Kilohms (Unbalanced) Line Outputs: 75 Ohms Headphone Outputs: 1 Ohm
Dynamic Range Line Outputs: 115 dB (A-Weighted) 112 dB RMS (Unweighted)
SNR 1/4" Line Inputs: 115 dB (A-Weighted) 112 dB RMS (Unweighted)
Digital Audio
Sample Rates Up to 192 kHz
Sample Rate Conversion None
Bit Depths 24-Bit
Sync Sources ADAT, AES3, Internal, S/PDIF, Word Clock
Memory Card Slot None
Compatibility
OS Compatibility macOS Windows Linux
Included Software None
Compatible Software (Not Included) Any Core Audio (Mac) Compliant Software
Included Plug-Ins None
Mobile Device Compatibility None
Required Hardware Available USB 2.0 Port or USB 3.0 / 3.1 Gen 1 Port
Internet Connection Required for Registration, Software/Driver Download
Power
Power Requirements AC/DC Power Adapter (Not Included)
AC/DC Power Adapter 9 to 18 VDC (Not Included)
Power Consumption 12 W
Physical
Rackmount Size 1 RU (1/2-Rack)

nio 2 | 4 is a 2 In / 4 Out mobile USB interface for the modern music maker. Nio 2 | 4 features Novationʼs unique ʽDirect FXʼ technology, placing a powerful multi-effects engine within nio 2 | 4ʼs custom drivers. These effects rest close to the core of your computer, working independently of other software and providing powerful ultra-low latency effects for hassle-free, real time jamming and recording. This same unique environment ensures rock-solid, lightning-fast performance, making it the ideal interface solution for home recording, live performing and DJʼing alike; one size fits all. With two headphones outputs, itʼs also an ideal solution for the classroom environment.

Specifications Audio Interfacing



Inputs:
  • 1 XLR (with phantom power)
  • 1 TS Jack
  • 2 RCA Phono
  • Two inputs simultaneously only - either stereo RCA phono or the XLR and Jack


Outputs:
  • 4 RCA Phono
  • 2 stereo 1/4" Headphones Jacks


Digital Audio:
  • 44.1/48kHz sample rate
  • 24-bit resolution


Other interfacing
  • Data ports: 1 x USB 1.1
  • MIDI i/o


System requirements
  • Operating system: Mac OSX 10.3.9 or greater (Leopard also supported) or Windows XP with Service Pack 2 or greater (Vista 32/64 also supported)
  • Minimum Computer spec: Mac - G3/600MHz or G4/667MHz, both with 256MB RAM or PC - Pentium 3/500MHz/256MB RAM (machines running Vista will require a higher spec)

    Interfacing: USB 1.1 compatible USB connector (also compatible with USB 2.0), 28/24 awg USB cable recommended


Weights and Dimensions
  • 633g
  • 45.4mm (H) x 144mm (W) x 149mm (D)

 

  • Hybrid FireWire/USB2 connectivity — connect to your computer via either bus-powered FireWire or hi-speed USB2.
  • CueMix FX™ — flexible 10 input/14 bus mixer with on-board DSP effects, including reverb with sends/returns, plus EQ and compression on every input and output.
  • 10 inputs / 14 outputs — there's no channel sharing in the UltraLite-mk3 Hybrid; the mic inputs, S/PDIF I/O, headphone out and main outs are all handled as separate channels.
  • Classic Reverb™ — provides five different room types, three frequency shelves with adjustable crossover points, shelf filtering and reverb lengths up to 60 seconds.
  • Two forms of compression — a standard compressor with conventional threshold/ratio/attack/release/gain controls and the Leveler™, an accurate model of the legendary LA-2A optical compressor, which provides vintage, musical automatic gain control.
  • Modeled EQ — provides 7-band parametric EQ modeled after British analog console EQs, featuring 4 filter styles (gain/Q profiles) to effectively cover a wide range of audio material. LP and HP filters are also supplied with slopes that range from 6 to 36 dB.
  • CueMix FX cross-platform mixing software — attractive graphic mixing, graphic editing of parametric EQ and a convenient tabbed interface for quick access to all features in one window. Also provides full-screen real-time FFT display, spectrogram "waterfall" display, oscilloscope, X-Y plot and linear or polar phase analysis.
  • Front-panel control — access any setting in your entire UltraLite-mk3 Hybrid mix directly from the front panel.
  • “Reverb return" stream — allows users to record or mix UltraLite-mk3 Hybrid reverb output separately in their DAW. Effects can also be applied when the UltraLite-mk3 Hybrid is operating stand-alone (without a computer) as a complete stand-alone mixer.
  • Stand-alone operation — program your mixes at the studio and then bring the UltraLite-mk3 Hybrid to your gig — no computer needed. Just plug in the included power adapter and you are ready to go. Need to tweak the mix? Do it on site using the back-lit LCD and front-panel controls.
  • Multiple CueMix FX mixes — for example, create different monitor mixes for the main outs and headphones. Or add send/return loops for outboard gear — with no latency.
  • Two combo jacks provide hi-Z 1/4” guitar input or low-Z XLR mic input with phantom power, pad and plenty of gain.
  • Eight 24-bit 192kHz analog inputs and outputs on balanced/unbalanced 1/4" TRS jacks
  • Precision Digital Trim™ — Digitally controlled analog trim on all analog inputs (mic/guitar inputs + quarter-inch TRS inputs) provides accurate adjustements in 1 dB increments. Fine-tune the balance of your analog inputs and then save/recall trim configurations.
  • Direct Digital Synthesis™ (DDS) — a DSP-driven phase lock engine and internal clock source that produces imperceptibly low jitter characteristics (below the noise floor), even when the UltraLite-mk3 Hybrid is resolved to an external clock source via SMPTE time code.
  • Time code support — directly resolves to (or generates) time code via any quarter-inch input or output, without the need for an extra synchronizer.
  • Sample-accurate MIDI — connect a MIDI controller and/or sound module with no separate interface needed. MIDI I/O is sample-accurate with supporting software.
  • Expandable — add additional interfaces for more I/O as your needs grow.
  • Separate TRS main outs with front panel volume control.
  • Stereo 24-bit 96kHz S/PDIF in/out.
  • Includes drivers for Mac & PC, including ASIO, WDM, Wave, Core Audio, and Core MIDI. Supports all popular Mac and Windows audio software.
  • 100% compatible with all host-based effects processing in today's popular audio programs.
  • Includes AudioDesk full-featured sample-accurate workstation software for the Mac with recording, editing, mixing, real-time 32-bit effects processing & sample-accurate sync.
  • Plug-and-play operation with your Mac or PC via FireWire or USB2.
  • Front panel volume control for monitoring. Stereo, Quad, 6.1, 7.1 and user-defined surround monitoring setups available.
  • Front panel headphone jack with volume control.
  • Bus-powered FireWire operation. No need for external power when operating as a FireWire interface connected to a computer. A power supply is included for stand-alone operation.
  • Chassis dimensions, excluding rack ears and front and back panel knobs and connectors: 9.5 x 7 x 1.75 inches (24.13 x 17.78 x 4.45 cm). Knobs and connectors extend up to 0.5 inch (1.27 cm) from front and back panels, adding 1 inch (2.54 cm) to depth. With rack ears attached, fits one half of a standard 19 inch (48.26 cm) rack at 1U high.
Portable 10-in/10-out compact, mobile FireWire audio at home or on the road The FA-101 has the highest specs available to support your most demanding applications. You get 24-bit, 192kHz simultaneous recording and playback in a compact 1U half-rack unit, with all the headroom you need. Supports up to 24 bit, 192 kHz Compatible with Mac OS X standard driver Two independent, on board mic pre-amps Capable of full duplex recording and playback on 10 independent channels Bus powered and durable metal construction for mobile applications Lots of ins and outs to support a wide range of recording and gigging applications The FA-101 is a feature-packed 10x10 audio interface that can handle a full 10 channels of input/output at 24-bit/96kHz. Record and monitor all 10 channels simultaneously in full duplex. Phenomenal audio power for the studio musician! In addition, the FA-101 offers 6-channel recording and playback at 24-bit/192kHz for performance at DVD-A quality. * 10x10 24-bit/96kHz audio performance * 6x6 24-bit/192kHz audio performance * Firewire bus-powered * Direct monitoring * Low-latency driver support * Native Support in Mac OS X (10.3.4 or later) * 2x phantom-powered mic preamps * 8x8 balanced analog I/O * S/PDIF optical I/O * MIDI I/O

Mbox® is a premium audio interface, packing a wide range of analog and digital I/O connections into a mobile form factor.

* Compatible with most major audio software (Pro Tools LE®, Logic, Live, Cubase, and more)
* Bus-powered USB 2.0 connection for maximum mobility
* Professional-grade circuitry and converters deliver exceptional audio performance
* Up to 24-bit, 96 kHz sample rates
* Soft-clip limiter lets you track hot signals without clipping—providing a classic overdriven tape saturation sound
* Built-in guitar tuner
* Onboard DSP offers flexible cue mixing and reverb effects
* Assignable Pro Tools multi-function button on interface gives you fast access to software functions
* Hardware configuration:
o 4 x 4 simultaneous channels of I/O
o 2 XLR mic/line combo inputs with 48 V phantom power
o 2 1/4” DI inputs on front panel for easy access
o 2 balanced 1/4” monitor outputs
o 1 1/4” stereo headphone output with volume control
o Stereo S/PDIF digital I/O
o 1 MIDI input, 1 MIDI output
o Monitor control section with Mono and Dim controls
o Dedicated monitor volume knob

Pro Tools LE Software
Pro Tools 8 Software

The Pro Tools® software platform is used in professional studios around the world, and includes all the tools you need to easily compose, record, edit, mix, and master your projects with pro results—every time.

Key Features

* Award-winning Pro Tools recording, editing, and mixing
* 48 simultaneous stereo audio tracks (expandable with Toolkit options)
* Includes over 70 professional effects and virtual instruments
* Professional MIDI sequencing with dedicated MIDI Editor window
* Integrated Score Editor based on award-winning Sibelius notation software
* Full Elastic Time and Elastic Pitch to easily adjust timing and pitch on your tracks
* Unique Beat Detective LE automatic groove analysis and correction tool
* ReWire support for streaming your favorite applications right into Pro Tools
* Huge selection of compatible third-party plug-ins and software options
* Works on Windows and Mac computers

System Requirements
Mac PC

* Mac OS X 10.5.8 (Leopard) or 10.6.1-10.6.4 (Snow Leopard)
* 1 GB RAM (2 GB recommended)
* 6 GB free disk space
* Intel® processor (no PowerPC® support)
* One USB port



* Windows® XP 32-bit SP3, Windows Vista® 32-bit SP2, Windows 7 32-bit, or Windows 7 64-bit
* 1 GB RAM (2 GB recommended)
* 5 GB free disk space
* One USB port

Compatibility
ASIO, Core Audio, WDM, MME, and multi-client drivers


8 channels of premium 24-bit 192K AD/DA conversion
4 digitally controlled 75db microphone preamps
2 fully balanced inserts on mic pre channels
4 Hi-Z instrument inputs capable of handling high level instruments
2 individual, controllable and assignable high level headphone outputs
2, 6 or 8 channel monitor outputs
8 channels of ADAT I/O
FireWire 400 I/O, compatible with OS X Core Audio (no driver required)
2 channels of SPDIF I/O
“Soft Limit” for maximum digital input level without overs
“UV22HR” for superior dither of 24 bit resolution down to 16-bit
Advanced, dual-stage "Intelliclock”
Complete integration and control with Appleʼs Logic Pro Software
Compatibility with any CoreAudio software applications
Apogeeʼs Maestro Software for advanced control and routing outside of Logic Pro
Weight1 kg0.63 kg2.00 kg1.00 kg2.00 kg3.00 kg
DimensionsN/AN/AN/AN/AN/AN/A
Additional information
Weight 1 kg
Weight 0.63 kg
Weight 2.00 kg
Weight 1.00 kg
Weight 2.00 kg
Weight 3.00 kg