DESCRIPTION
The Fireface UCX II is a highly integrated pro audio solution in an ultra-compact format for studio and live recordings. It continues RME’s long tradition of designing compact advanced interfaces, packing into a half-rack size unit what usually would be spread out over two or three 19 inch panels.
The most powerful & portable RME Audio USB Interface :
This unique audio system is capable of transferring analog and digital audio data directly to Windows and Mac computers. The latest Plug and Play technology guarantees a simple installation, even for the inexperienced user.
Compact, portable, and packed with features from their premier interfaces, the RME Fireface UCX II is a desktop 20×20 USB audio/MIDI interface that effectively serves as a mobile version of RME’s respected UFX rackmount models, earning it the flexibility to benefit musicians, content creators, and serious engineers alike. Not only is it a capable interface with plenty of analog and digital I/O for your DAW-based productions, but it also supports powerful remote control options and standalone operation to accommodate a myriad of workflows and recording scenarios. Additionally, it can record all I/O channels directly to USB flash storage thanks to the internal DURec digital recorder.
Since it has eight analog inputs—two high-gain mic/line preamps, two line / Hi-Z inputs, and four rear-panel line inputs, the Fireface UCX II can easily handle dynamic and condenser mics, electric instruments, and professional line-level devices. With six balanced TRS line outputs and a stereo headphone jack, it has no problem feeding monitors, cans, and even CV/gate inputs on synth gear. Reference-class clocking and compliance with resolutions up to 24-bit / 192 kHz enable the interface to perform at its best, and a crisp color display shows metering for all inputs and outputs at the same time.
Big on Features, Small on Size
The Fireface UCX II is a highly integrated pro-audio solution in an ultracompact format for studio and live recordings. It continues RME’s long tradition of designing advanced compact interfaces, packing into a half-rack size unit what usually would be spread outover two or three 19″ panels.
With up to 20 channels for recording and playback, SteadyClock FS, high-performance microphone inputs, parametric EQ, dynamics processing, echo, reverb, DURec (Direct USB Recording), MIDI I/O, a powerful headphone output, and full standalone operation, the Fireface UCX II excels with RME’s highest feature-to-space ratio ever.
Special Functionality
Full standalone operation, no computer required
DURec-integrated digital recorder allows you to record directly to USB memory devices
All channels (20 inputs and 20 outputs) can be individually chosen for recording and playback
CV/gate low-latency voltage control for automating synthesizers, mixing consoles, and effects
SteadyClock FS reference-class digital clocking
USB out for ARC USB remote control (available separately)
Compatible with TotalMix FX for iPad
DIGICheck turns the interface into a highly versatile front-end for audio measurements and software development
Class-compliant mode for Linux environments
Crisp high-resolution color display shows metering for all input and output channels
Eight Analog Inputs
Two XLR-1/4″ combo mic/line preamps with phantom power and up to 75 dB of gain, plenty even for low-output dynamic mics such as the Shure SM7B
Two 1/4″ TRS inputs for balanced line-level sources or unbalanced Hi-Z instruments
Input sensitivity for line/Hi-Z inputs switchable to 19 or 13 dBu
Four rear-panel balanced 1/4″ TRS line-level inputs with up to 12 dB of gain, perfect for patching in synths or outboard gear
All analog inputs are digitally controlled
Eight Analog Outputs
Six balanced 1/4″ TRS line outputs with high dynamic range (115 dBA) and three selectable output levels (+19, +13, or +4 dBu)
High-power 1/4″ stereo headphone output
Digital I/O
8-channel ADAT I/O via TOSLINK optical ports
2-channel AES3 I/O via breakout cable
2-channel S/PDIF I/O via breakout cable
USB Type-B host connection for Mac/Windows/Linux supports USB 2.0 and 3.0 standards
Extra Connections
DIN 5-pin MIDI I/O for connecting keyboard controllers, arranger workstations, and synthesizers
BNC wordclock jack can be assigned as an input or output
1/4″ Hi-Z Inputs:
+6 dB Combo XLR-1/4″ Mic/Line Inputs:
+75 dB 1/4″ Line Inputs:
+12 dB
High-Pass Filter
None
Solo/Mute
None
Connectivity
Analog Audio I/O
2 x Combo XLR-1/4″ TRS Balanced Mic/Line Input (Front Panel) 2 x 1/4″ TRS Balanced/Unbalanced Line/Hi-Z Input (Front Panel) 4 x 1/4″ TRS Balanced Line Input 6 x 1/4″ TRS Balanced Line Output 1 x 1/4″ TRS Unbalanced Headphone Output (Front Panel)
Phantom Power
48 V, Selectable On/Off
Digital Audio I/O
1 x TOSLINK Optical ADAT Input 1 x TOSLINK Optical ADAT Output 1 x XLR 3-Pin AES3 Input (on Breakout Cable) 1 x XLR 3-Pin AES3 Input (on Breakout Cable) 1 x RCA Coaxial S/PDIF Input (on Breakout Cable) 1 x RCA Coaxial S/PDIF Output (on Breakout Cable)
DESCRIPTION
The Fireface UCX II is a highly integrated pro audio solution in an ultra-compact format for studio and live recordings. It continues RME's long tradition of designing compact advanced interfaces, packing into a half-rack size unit what usually would be spread out over two or three 19 inch panels.
The most powerful & portable RME Audio USB Interface :
This unique audio system is capable of transferring analog and digital audio data directly to Windows and Mac computers. The latest Plug and Play technology guarantees a simple installation, even for the inexperienced user.
Compact, portable, and packed with features from their premier interfaces, the RME Fireface UCX II is a desktop 20x20 USB audio/MIDI interface that effectively serves as a mobile version of RME's respected UFX rackmount models, earning it the flexibility to benefit musicians, content creators, and serious engineers alike. Not only is it a capable interface with plenty of analog and digital I/O for your DAW-based productions, but it also supports powerful remote control options and standalone operation to accommodate a myriad of workflows and recording scenarios. Additionally, it can record all I/O channels directly to USB flash storage thanks to the internal DURec digital recorder.
Since it has eight analog inputs—two high-gain mic/line preamps, two line / Hi-Z inputs, and four rear-panel line inputs, the Fireface UCX II can easily handle dynamic and condenser mics, electric instruments, and professional line-level devices. With six balanced TRS line outputs and a stereo headphone jack, it has no problem feeding monitors, cans, and even CV/gate inputs on synth gear. Reference-class clocking and compliance with resolutions up to 24-bit / 192 kHz enable the interface to perform at its best, and a crisp color display shows metering for all inputs and outputs at the same time.
Big on Features, Small on Size
The Fireface UCX II is a highly integrated pro-audio solution in an ultracompact format for studio and live recordings. It continues RME's long tradition of designing advanced compact interfaces, packing into a half-rack size unit what usually would be spread outover two or three 19" panels.
With up to 20 channels for recording and playback, SteadyClock FS, high-performance microphone inputs, parametric EQ, dynamics processing, echo, reverb, DURec (Direct USB Recording), MIDI I/O, a powerful headphone output, and full standalone operation, the Fireface UCX II excels with RME's highest feature-to-space ratio ever.
Special Functionality
Full standalone operation, no computer required
DURec-integrated digital recorder allows you to record directly to USB memory devices
All channels (20 inputs and 20 outputs) can be individually chosen for recording and playback
CV/gate low-latency voltage control for automating synthesizers, mixing consoles, and effects
SteadyClock FS reference-class digital clocking
USB out for ARC USB remote control (available separately)
Compatible with TotalMix FX for iPad
DIGICheck turns the interface into a highly versatile front-end for audio measurements and software development
Class-compliant mode for Linux environments
Crisp high-resolution color display shows metering for all input and output channels
Eight Analog Inputs
Two XLR-1/4" combo mic/line preamps with phantom power and up to 75 dB of gain, plenty even for low-output dynamic mics such as the Shure SM7B
Two 1/4" TRS inputs for balanced line-level sources or unbalanced Hi-Z instruments
Input sensitivity for line/Hi-Z inputs switchable to 19 or 13 dBu
Four rear-panel balanced 1/4" TRS line-level inputs with up to 12 dB of gain, perfect for patching in synths or outboard gear
All analog inputs are digitally controlled
Eight Analog Outputs
Six balanced 1/4" TRS line outputs with high dynamic range (115 dBA) and three selectable output levels (+19, +13, or +4 dBu)
High-power 1/4" stereo headphone output
Digital I/O
8-channel ADAT I/O via TOSLINK optical ports
2-channel AES3 I/O via breakout cable
2-channel S/PDIF I/O via breakout cable
USB Type-B host connection for Mac/Windows/Linux supports USB 2.0 and 3.0 standards
Extra Connections
DIN 5-pin MIDI I/O for connecting keyboard controllers, arranger workstations, and synthesizers
BNC wordclock jack can be assigned as an input or output
1/4" Hi-Z Inputs:
+6 dB
Combo XLR-1/4" Mic/Line Inputs:
+75 dB
1/4" Line Inputs:
+12 dB
High-Pass Filter
None
Solo/Mute
None
Connectivity
Analog Audio I/O
2 x Combo XLR-1/4" TRS Balanced Mic/Line Input (Front Panel)
2 x 1/4" TRS Balanced/Unbalanced Line/Hi-Z Input (Front Panel)
4 x 1/4" TRS Balanced Line Input
6 x 1/4" TRS Balanced Line Output
1 x 1/4" TRS Unbalanced Headphone Output (Front Panel)
Phantom Power
48 V, Selectable On/Off
Digital Audio I/O
1 x TOSLINK Optical ADAT Input
1 x TOSLINK Optical ADAT Output
1 x XLR 3-Pin AES3 Input (on Breakout Cable)
1 x XLR 3-Pin AES3 Input (on Breakout Cable)
1 x RCA Coaxial S/PDIF Input (on Breakout Cable)
1 x RCA Coaxial S/PDIF Output (on Breakout Cable)
Combo XLR-1/4" Mic Inputs:
5.4 Kilohms
Combo XLR-1/4" Line Inputs:
10 Kilohms (Balanced)
5 Kilohms (Unbalanced)
1/4" Line Inputs:
12 Kilohms (Balanced)
8 Kilohms (Unbalanced)
Line Outputs:
75 Ohms
Headphone Outputs:
1 Ohm
Dynamic Range
Line Outputs:
115 dB (A-Weighted)
112 dB RMS (Unweighted)
SNR
1/4" Line Inputs:
115 dB (A-Weighted)
112 dB RMS (Unweighted)
Digital Audio
Sample Rates
Up to 192 kHz
Sample Rate Conversion
None
Bit Depths
24-Bit
Sync Sources
ADAT, AES3, Internal, S/PDIF, Word Clock
Memory Card Slot
None
Compatibility
OS Compatibility
macOS
Windows
Linux
Included Software
None
Compatible Software (Not Included)
Any Core Audio (Mac) Compliant Software
Included Plug-Ins
None
Mobile Device Compatibility
None
Required Hardware
Available USB 2.0 Port or USB 3.0 / 3.1 Gen 1 Port
Internet Connection
Required for Registration, Software/Driver Download
Power
Power Requirements
AC/DC Power Adapter (Not Included)
AC/DC Power Adapter
9 to 18 VDC (Not Included)
Power Consumption
12 W
Physical
Rackmount Size
1 RU (1/2-Rack)
The all new 896mk3 FireWire audio interface delivers high-end performance, superb sound, innovative new features and enhanced standard features that remain unique.
The 896mk3 provides eight channels of pristine 24-bit 192 kHz analog recording and playback, combined with sixteen channels of optical digital I/O, stereo AES/EBU, S/PDIF and separate analog main outs. Expand your system by connecting the 8pre mic input expander or other MOTU audio interfaces.
The 896mk3 is equally well-suited for studio and stage, with or without a computer. As an interface or standalone mixer, the 896mk3 provides 28 separate inputs and 32 separate outputs, including dedicated main outs on XLRs and two front panel headphone outs.
Connect all of your studio gear, including microphones, guitars, synths, keyboards, drum machines and even effects processors. Record, monitor, route and process all of these live inputs using the professional on-board CueMix FX digital mixer – with no latency and no processor strain on your computer. Apply hardware DSP-driven effects processing to inputs, outputs, and busses independent of your host computer. Add Classic Reverb™ with lengths up to 60 seconds. Further sculpt your sound with 7-band parametric EQ featuring filter types carefully modeled after British analog console EQs. Choose between two forms of compression: a conventional compressor and the Leveler™, an accurate model of the legendary LA-2A™ optical compressor that provides vintage, musical automatic gain control.
MOTU FireWire audio interfaces are fully compatible with FireWire 800-equipped Macs. All you need is a standard FireWire 400-to-800 cable. Just plug in and go. The FireWire bus operates at 400 Mb/sec, providing the same high speed, low latency and rock solid reliability that MOTU FireWire interfaces are known for.
When recording from the mic/guitar inputs, the 896mk3ʼs signal overload protection gives you an extra 12 dB of headroom above zero with no clipping or harsh artifacts.
After programming the on-board mixing in the studio, unplug the 896mk3 from the computer and take it on the road for operation as a stand-alone mixer with effects. All mixing and effects parameters are adjustable using the front panel backlit LCD.
The 896mk3 provides cross-platform compatibility with Mac and Windows and all of your favorite audio software and host-based effects via WDM/ASIO/Core Audio drivers. Or you can use the included AudioDesk workstation software for Mac, with 24-bit recording/editing and 32-bit mixing/processing/mastering.
he U46XL is a powerful multi-purpose 4-in 6-out multi-channel audio interface designed for various recording applications at home or on the road. The U46XL is the successor of to ESI Audio's famous U46DJ interface.
As its predecessor, it provides 2 stereo line inputs, a microphone input with +48V phantom power and a headphone output. A main difference is the improved analog circuitry improving the audio quality as well as the professional microphone preamplifier with XLR input. This makes the U46XL the perfect solution to record signals from dynamic or condenser microphones on the road or in your studio.
The unit also features an instrument input (Hi-Z), typically to connect a guitar directly to it. Two totally separate stereo line input on the backside provide 4 simultaneously usable input channels at one time. There are also 6 independent individual outputs on the backside, perfect for multi-channel playback applications like to provide individual outputs for software synthesizers, to provide independent playback channels for DJ software or to provide surround playback capability via a 5.1 setup. A separate mix output with professional TRS outputs could be used to connect U46XL to professional stereo studio monitors.
A cool feature is the DirectWIRE support in the driver, allowing you to record signals from one application to another internally. U46XL works with this driver based on our EWDM technology under Windows XP and Windows Vista/7, however U46XL is also Mac OS X compatible.
U46XL ships with Cubase LE 4 from Steinberg for Mac and PC to start recording on a professional level right out of the box.
Accessories: CUBASE AI DVD, Owner's Manual, USB Cable
System Requirements
Windows Vista
Windows-based computer with built-in USB interface
CPU: Intel CPU / Macintosh G3 processor 300 MHz or better
Memory: More than 128MB
Cubase AI4 System Requirements:
Windows
OS: Windows XP Professional SP1 / XP Home Edition SP1 / Windows Vista (32-bit)
CPU: Intel Pentium 1.4GHz or better
Available Memory: More than 512MB
Hard Disk: Free disk space of 1GB or more
Audio Interface: Windows DirectX / ASIO compatible
Macintosh
OS: Mac OS X 10.4 or higher
CPU: Power Mac G4 1GHz or Core Solo 1.5GHz or better
Available Memory: More than 512MB
Hard Disk: Free disk space of 1GB or more
The UA-1G is a compact 1 x 1 USB Audio Interface that offers excellent-quality sound via multiple connection options and a simple, user-friendly design.
Stereo input and output at 24-bit/96kHz audio quality
High-end A/D and D/A converters for accurate recording and playback
Large Input Level knob for easy control while recording
1/4" jack with Hi-Z option for recording electric guitar or bass
Electret condenser mic input
RCA phono type and optical-digital audio I/O
Headphone output
USB powered – no AC adapter required
SONAR LE for music recording, editing, and publishing on PC
Low-latency ASIO 2.0 (PC); WDM (Windows Vista, Windows XP) and Core Audio (Mac OS X) support
Number of Audio Record/Playback Channels
Record: 1 pair of stereo
Play: 1 pair of stereo
REC SOURCE switch = ANALOG: Full duplex (except for 96 kHz setting)
REC SOURCE switch = DIGITAL: Recording only
Digital output: 32/44.1/48/96 kHz
Digital input: 32/44.1/48/96 kHz
AD/DA Conversion: 32/44.1/48/96 kHz
* ADVANCE DRIVER switch = OFF: 32/44.1/48 kHz
Nominal Input Level
Line input jacks: -10 to +4 dBu
Guiter input jakcs: -30 to -16dBu
Mic input jack: -40 to -26 dBu
Nominal Output Level
Line output jacks: -10 dBu
Interface
USB Digital input (Optical mini type)
* The same jack serves as both the Mic Input jack and digital input connector.
Digital output (Optical mini type)
* The same jack serves as both the headphones jack and digital output connector.
* conforms to IEC60958 consumer format.
USB Connector (B type)
Line Input jacks (L, R) (RCA phono type)
Line Output jacks (L, R) (RCA phono type)
Guiter/Mic Input jack: （1/4 inch phone type)
Mic Input jack (Plug-in powered miniature phone type)
Digital Intput connector (Optical mini type)
* The same jack serves as both the headphones jack and digital output connector.
Headphones jack (Stereo miniature phone type)
Digital Output connector (Optical mini type)
* The same jack serves as both the Mic Input jack and digital input connector.
Power Supply
Supplied from the computer
Current Draw
200 mA
Accessories
Ownerʼs Manual, UA-1G CD-ROM, SONAR LE CD-ROM
Size and Weight
Width
160 mm
6-5/16 inches
Depth
58 mm
2-5/16 inches
Height
28 mm
1-1/8 inches
Weight
165 g
0 lbs. 6 oz.
The FA-66 is a 6-channel portable FireWire audio interface designed with the mobile recording and performance professional in mind. The FA-66 offers incredible audio fidelity, stability, and a practical set of input and output options. It also offers two XLR/TRS combo inputs with phantom power, plus two RCA inputs, four balanced +4dBu outputs, optical S/PDIF I/O, a built-in analog limiter, zero-latency direct monitoring, solid metal construction, and FireWire bus power, all in a durable compact case.
* 6-in/6-out 24-bit/96kHz simultaneous performance
* 4-in/4-out 24-bit/192kHz simultaneous performance
* 2 XLR/TRS combo jacks w/premium phantom-powered mic preamps
* +4 dB balanced input and output
* S/PDIF optical input & output ports with Sync LED indicator
* MIDI in/out ports
* Built-in analog limiter and indicator
* FireWire bus powered
* AC adaptor included
* Mac OS X CoreAudio and Windows XP WDM and ASIO 2.0 support
* Zero-latency Direct Monitoring
* 6-pin and 4-pin IEEE1394 ports
* Compact, solid-metal construction
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