DESCRIPTION
The Fireface UCX II is a highly integrated pro audio solution in an ultra-compact format for studio and live recordings. It continues RME’s long tradition of designing compact advanced interfaces, packing into a half-rack size unit what usually would be spread out over two or three 19 inch panels.
The most powerful & portable RME Audio USB Interface :
This unique audio system is capable of transferring analog and digital audio data directly to Windows and Mac computers. The latest Plug and Play technology guarantees a simple installation, even for the inexperienced user.
Compact, portable, and packed with features from their premier interfaces, the RME Fireface UCX II is a desktop 20×20 USB audio/MIDI interface that effectively serves as a mobile version of RME’s respected UFX rackmount models, earning it the flexibility to benefit musicians, content creators, and serious engineers alike. Not only is it a capable interface with plenty of analog and digital I/O for your DAW-based productions, but it also supports powerful remote control options and standalone operation to accommodate a myriad of workflows and recording scenarios. Additionally, it can record all I/O channels directly to USB flash storage thanks to the internal DURec digital recorder.
Since it has eight analog inputs—two high-gain mic/line preamps, two line / Hi-Z inputs, and four rear-panel line inputs, the Fireface UCX II can easily handle dynamic and condenser mics, electric instruments, and professional line-level devices. With six balanced TRS line outputs and a stereo headphone jack, it has no problem feeding monitors, cans, and even CV/gate inputs on synth gear. Reference-class clocking and compliance with resolutions up to 24-bit / 192 kHz enable the interface to perform at its best, and a crisp color display shows metering for all inputs and outputs at the same time.
Big on Features, Small on Size
The Fireface UCX II is a highly integrated pro-audio solution in an ultracompact format for studio and live recordings. It continues RME’s long tradition of designing advanced compact interfaces, packing into a half-rack size unit what usually would be spread outover two or three 19″ panels.
With up to 20 channels for recording and playback, SteadyClock FS, high-performance microphone inputs, parametric EQ, dynamics processing, echo, reverb, DURec (Direct USB Recording), MIDI I/O, a powerful headphone output, and full standalone operation, the Fireface UCX II excels with RME’s highest feature-to-space ratio ever.
Special Functionality
Full standalone operation, no computer required
DURec-integrated digital recorder allows you to record directly to USB memory devices
All channels (20 inputs and 20 outputs) can be individually chosen for recording and playback
CV/gate low-latency voltage control for automating synthesizers, mixing consoles, and effects
SteadyClock FS reference-class digital clocking
USB out for ARC USB remote control (available separately)
Compatible with TotalMix FX for iPad
DIGICheck turns the interface into a highly versatile front-end for audio measurements and software development
Class-compliant mode for Linux environments
Crisp high-resolution color display shows metering for all input and output channels
Eight Analog Inputs
Two XLR-1/4″ combo mic/line preamps with phantom power and up to 75 dB of gain, plenty even for low-output dynamic mics such as the Shure SM7B
Two 1/4″ TRS inputs for balanced line-level sources or unbalanced Hi-Z instruments
Input sensitivity for line/Hi-Z inputs switchable to 19 or 13 dBu
Four rear-panel balanced 1/4″ TRS line-level inputs with up to 12 dB of gain, perfect for patching in synths or outboard gear
All analog inputs are digitally controlled
Eight Analog Outputs
Six balanced 1/4″ TRS line outputs with high dynamic range (115 dBA) and three selectable output levels (+19, +13, or +4 dBu)
High-power 1/4″ stereo headphone output
Digital I/O
8-channel ADAT I/O via TOSLINK optical ports
2-channel AES3 I/O via breakout cable
2-channel S/PDIF I/O via breakout cable
USB Type-B host connection for Mac/Windows/Linux supports USB 2.0 and 3.0 standards
Extra Connections
DIN 5-pin MIDI I/O for connecting keyboard controllers, arranger workstations, and synthesizers
BNC wordclock jack can be assigned as an input or output
1/4″ Hi-Z Inputs:
+6 dB Combo XLR-1/4″ Mic/Line Inputs:
+75 dB 1/4″ Line Inputs:
+12 dB
High-Pass Filter
None
Solo/Mute
None
Connectivity
Analog Audio I/O
2 x Combo XLR-1/4″ TRS Balanced Mic/Line Input (Front Panel) 2 x 1/4″ TRS Balanced/Unbalanced Line/Hi-Z Input (Front Panel) 4 x 1/4″ TRS Balanced Line Input 6 x 1/4″ TRS Balanced Line Output 1 x 1/4″ TRS Unbalanced Headphone Output (Front Panel)
Phantom Power
48 V, Selectable On/Off
Digital Audio I/O
1 x TOSLINK Optical ADAT Input 1 x TOSLINK Optical ADAT Output 1 x XLR 3-Pin AES3 Input (on Breakout Cable) 1 x XLR 3-Pin AES3 Input (on Breakout Cable) 1 x RCA Coaxial S/PDIF Input (on Breakout Cable) 1 x RCA Coaxial S/PDIF Output (on Breakout Cable)
DESCRIPTION
The Fireface UCX II is a highly integrated pro audio solution in an ultra-compact format for studio and live recordings. It continues RME's long tradition of designing compact advanced interfaces, packing into a half-rack size unit what usually would be spread out over two or three 19 inch panels.
The most powerful & portable RME Audio USB Interface :
This unique audio system is capable of transferring analog and digital audio data directly to Windows and Mac computers. The latest Plug and Play technology guarantees a simple installation, even for the inexperienced user.
Compact, portable, and packed with features from their premier interfaces, the RME Fireface UCX II is a desktop 20x20 USB audio/MIDI interface that effectively serves as a mobile version of RME's respected UFX rackmount models, earning it the flexibility to benefit musicians, content creators, and serious engineers alike. Not only is it a capable interface with plenty of analog and digital I/O for your DAW-based productions, but it also supports powerful remote control options and standalone operation to accommodate a myriad of workflows and recording scenarios. Additionally, it can record all I/O channels directly to USB flash storage thanks to the internal DURec digital recorder.
Since it has eight analog inputs—two high-gain mic/line preamps, two line / Hi-Z inputs, and four rear-panel line inputs, the Fireface UCX II can easily handle dynamic and condenser mics, electric instruments, and professional line-level devices. With six balanced TRS line outputs and a stereo headphone jack, it has no problem feeding monitors, cans, and even CV/gate inputs on synth gear. Reference-class clocking and compliance with resolutions up to 24-bit / 192 kHz enable the interface to perform at its best, and a crisp color display shows metering for all inputs and outputs at the same time.
Big on Features, Small on Size
The Fireface UCX II is a highly integrated pro-audio solution in an ultracompact format for studio and live recordings. It continues RME's long tradition of designing advanced compact interfaces, packing into a half-rack size unit what usually would be spread outover two or three 19" panels.
With up to 20 channels for recording and playback, SteadyClock FS, high-performance microphone inputs, parametric EQ, dynamics processing, echo, reverb, DURec (Direct USB Recording), MIDI I/O, a powerful headphone output, and full standalone operation, the Fireface UCX II excels with RME's highest feature-to-space ratio ever.
Special Functionality
Full standalone operation, no computer required
DURec-integrated digital recorder allows you to record directly to USB memory devices
All channels (20 inputs and 20 outputs) can be individually chosen for recording and playback
CV/gate low-latency voltage control for automating synthesizers, mixing consoles, and effects
SteadyClock FS reference-class digital clocking
USB out for ARC USB remote control (available separately)
Compatible with TotalMix FX for iPad
DIGICheck turns the interface into a highly versatile front-end for audio measurements and software development
Class-compliant mode for Linux environments
Crisp high-resolution color display shows metering for all input and output channels
Eight Analog Inputs
Two XLR-1/4" combo mic/line preamps with phantom power and up to 75 dB of gain, plenty even for low-output dynamic mics such as the Shure SM7B
Two 1/4" TRS inputs for balanced line-level sources or unbalanced Hi-Z instruments
Input sensitivity for line/Hi-Z inputs switchable to 19 or 13 dBu
Four rear-panel balanced 1/4" TRS line-level inputs with up to 12 dB of gain, perfect for patching in synths or outboard gear
All analog inputs are digitally controlled
Eight Analog Outputs
Six balanced 1/4" TRS line outputs with high dynamic range (115 dBA) and three selectable output levels (+19, +13, or +4 dBu)
High-power 1/4" stereo headphone output
Digital I/O
8-channel ADAT I/O via TOSLINK optical ports
2-channel AES3 I/O via breakout cable
2-channel S/PDIF I/O via breakout cable
USB Type-B host connection for Mac/Windows/Linux supports USB 2.0 and 3.0 standards
Extra Connections
DIN 5-pin MIDI I/O for connecting keyboard controllers, arranger workstations, and synthesizers
BNC wordclock jack can be assigned as an input or output
1/4" Hi-Z Inputs:
+6 dB
Combo XLR-1/4" Mic/Line Inputs:
+75 dB
1/4" Line Inputs:
+12 dB
High-Pass Filter
None
Solo/Mute
None
Connectivity
Analog Audio I/O
2 x Combo XLR-1/4" TRS Balanced Mic/Line Input (Front Panel)
2 x 1/4" TRS Balanced/Unbalanced Line/Hi-Z Input (Front Panel)
4 x 1/4" TRS Balanced Line Input
6 x 1/4" TRS Balanced Line Output
1 x 1/4" TRS Unbalanced Headphone Output (Front Panel)
Phantom Power
48 V, Selectable On/Off
Digital Audio I/O
1 x TOSLINK Optical ADAT Input
1 x TOSLINK Optical ADAT Output
1 x XLR 3-Pin AES3 Input (on Breakout Cable)
1 x XLR 3-Pin AES3 Input (on Breakout Cable)
1 x RCA Coaxial S/PDIF Input (on Breakout Cable)
1 x RCA Coaxial S/PDIF Output (on Breakout Cable)
Combo XLR-1/4" Mic Inputs:
5.4 Kilohms
Combo XLR-1/4" Line Inputs:
10 Kilohms (Balanced)
5 Kilohms (Unbalanced)
1/4" Line Inputs:
12 Kilohms (Balanced)
8 Kilohms (Unbalanced)
Line Outputs:
75 Ohms
Headphone Outputs:
1 Ohm
Dynamic Range
Line Outputs:
115 dB (A-Weighted)
112 dB RMS (Unweighted)
SNR
1/4" Line Inputs:
115 dB (A-Weighted)
112 dB RMS (Unweighted)
Digital Audio
Sample Rates
Up to 192 kHz
Sample Rate Conversion
None
Bit Depths
24-Bit
Sync Sources
ADAT, AES3, Internal, S/PDIF, Word Clock
Memory Card Slot
None
Compatibility
OS Compatibility
macOS
Windows
Linux
Included Software
None
Compatible Software (Not Included)
Any Core Audio (Mac) Compliant Software
Included Plug-Ins
None
Mobile Device Compatibility
None
Required Hardware
Available USB 2.0 Port or USB 3.0 / 3.1 Gen 1 Port
Internet Connection
Required for Registration, Software/Driver Download
Power
Power Requirements
AC/DC Power Adapter (Not Included)
AC/DC Power Adapter
9 to 18 VDC (Not Included)
Power Consumption
12 W
Physical
Rackmount Size
1 RU (1/2-Rack)
Hybrid FireWire/USB2 connectivity — connect to your computer via either bus-powered FireWire or hi-speed USB2.
CueMix FX™ — flexible 10 input/14 bus mixer with on-board DSP effects, including reverb with sends/returns, plus EQ and compression on every input and output.
10 inputs / 14 outputs — there's no channel sharing in the UltraLite-mk3 Hybrid; the mic inputs, S/PDIF I/O, headphone out and main outs are all handled as separate channels.
Classic Reverb™ — provides five different room types, three frequency shelves with adjustable crossover points, shelf filtering and reverb lengths up to 60 seconds.
Two forms of compression — a standard compressor with conventional threshold/ratio/attack/release/gain controls and the Leveler™, an accurate model of the legendary LA-2A optical compressor, which provides vintage, musical automatic gain control.
Modeled EQ — provides 7-band parametric EQ modeled after British analog console EQs, featuring 4 filter styles (gain/Q profiles) to effectively cover a wide range of audio material. LP and HP filters are also supplied with slopes that range from 6 to 36 dB.
CueMix FX cross-platform mixing software — attractive graphic mixing, graphic editing of parametric EQ and a convenient tabbed interface for quick access to all features in one window. Also provides full-screen real-time FFT display, spectrogram "waterfall" display, oscilloscope, X-Y plot and linear or polar phase analysis.
Front-panel control — access any setting in your entire UltraLite-mk3 Hybrid mix directly from the front panel.
“Reverb return" stream — allows users to record or mix UltraLite-mk3 Hybrid reverb output separately in their DAW. Effects can also be applied when the UltraLite-mk3 Hybrid is operating stand-alone (without a computer) as a complete stand-alone mixer.
Stand-alone operation — program your mixes at the studio and then bring the UltraLite-mk3 Hybrid to your gig — no computer needed. Just plug in the included power adapter and you are ready to go. Need to tweak the mix? Do it on site using the back-lit LCD and front-panel controls.
Multiple CueMix FX mixes — for example, create different monitor mixes for the main outs and headphones. Or add send/return loops for outboard gear — with no latency.
Two combo jacks provide hi-Z 1/4” guitar input or low-Z XLR mic input with phantom power, pad and plenty of gain.
Eight 24-bit 192kHz analog inputs and outputs on balanced/unbalanced 1/4" TRS jacks
Precision Digital Trim™ — Digitally controlled analog trim on all analog inputs (mic/guitar inputs + quarter-inch TRS inputs) provides accurate adjustements in 1 dB increments. Fine-tune the balance of your analog inputs and then save/recall trim configurations.
Direct Digital Synthesis™ (DDS) — a DSP-driven phase lock engine and internal clock source that produces imperceptibly low jitter characteristics (below the noise floor), even when the UltraLite-mk3 Hybrid is resolved to an external clock source via SMPTE time code.
Time code support — directly resolves to (or generates) time code via any quarter-inch input or output, without the need for an extra synchronizer.
Sample-accurate MIDI — connect a MIDI controller and/or sound module with no separate interface needed. MIDI I/O is sample-accurate with supporting software.
Expandable — add additional interfaces for more I/O as your needs grow.
Separate TRS main outs with front panel volume control.
Stereo 24-bit 96kHz S/PDIF in/out.
Includes drivers for Mac & PC, including ASIO, WDM, Wave, Core Audio, and Core MIDI. Supports all popular Mac and Windows audio software.
100% compatible with all host-based effects processing in today's popular audio programs.
Includes AudioDesk full-featured sample-accurate workstation software for the Mac with recording, editing, mixing, real-time 32-bit effects processing & sample-accurate sync.
Plug-and-play operation with your Mac or PC via FireWire or USB2.
Front panel volume control for monitoring. Stereo, Quad, 6.1, 7.1 and user-defined surround monitoring setups available.
Front panel headphone jack with volume control.
Bus-powered FireWire operation. No need for external power when operating as a FireWire interface connected to a computer. A power supply is included for stand-alone operation.
Chassis dimensions, excluding rack ears and front and back panel knobs and connectors: 9.5 x 7 x 1.75 inches (24.13 x 17.78 x 4.45 cm). Knobs and connectors extend up to 0.5 inch (1.27 cm) from front and back panels, adding 1 inch (2.54 cm) to depth. With rack ears attached, fits one half of a standard 19 inch (48.26 cm) rack at 1U high.
U-CONTROL UCA222 Ultra-Low Latency 2 In/2 Out USB Audio Interface with Digital Output and Massive Software Bundle
Behringer U-Control UCA202
2 In/2 Out USB Audio Interface
Mac or PC, no drivers required
16-bit/48kHz converters
Low latency
Headphone output
S/PDIF optical out
USB powered
Free Software
Ultra-flexible audio interface connects your instruments, mixer, etc. with your computer for recording and playback
Revolutionary energyXT2.5 Compact music production software included with feature-rich audio/MIDI sequencer that loads almost instantaneously on all computer platforms
Massive software bundle includes Audacity audio editor, comprehensive podcasting software and over 150 virtual instruments and effect plug-ins
Works with your PC or Mac computer—no setup or drivers required
High-resolution 48 kHz converters for high-end audio quality
Stereo Headphone output with dedicated Level control lets you monitor both input and output
Additional S/PDIF optical output for direct digital conversion
Powered via USB—no external power supply needed
High-quality components and exceptionally rugged construction ensure long life
Conceived and designed by BEHRINGER Germany
The Smallest, Most Portable 2x2 USB Interface Around!Are you looking for a simple upgrade to your computer's stock audio hardware? Do you want to record high-quality stereo audio to your laptop? Are you searching for the most affordable audio interface for computer DJ applications? The Behringer UCA222 USB Audio Interface does all this and more in one of the smallest, simplest, and lowest-priced packages around. It's a quick, simple, reliable solution for a wide range of audio applications.
High-Quality, Industry Standard ConnectionsLook at your computer's audio output. What is it? A 1/8-inch mini stereo jack, most likely. That's fine for plugging in headphones, but a terrible way to connect to external sound systems, stereos, PAs, mixing boards, or any other audio hardware. The UCA222 easily connects to your outboard pro audio gear, and you even get an optical S/PDIF digital output for connecting to high-end digital equipment. Now, take a look at your computer's input. If it has one at all, it's most likely the same deal -- 1/8-inch mini-jack. Again, the Behringer UCA222 provides universally recognized RCA inputs for bringing a wide variety of audio sources and equipment into your computer for pristine recording. You also get a dedicated headphone output for direct monitoring of both the ins and the outs on the UCA222.
Greatly Improved AudioYou computer's built-in audio system has a number of limitations, especially if your computer is a laptop. Machine noise and other electrical interference can disrupt, distort, or otherwise ruin recording and critical listening and playback situations. The Behringer UCA222 solves this problem by placing your sound card at the end of a USB cable run far from your machine's noisy electrical components. It seems like a such a simple solution, but this arrangement greatly reduces interference and provides a wonderfully low noise-floor for recording and professional playback. The UCA202 provides analog-to-digital audio conversion at 48 kHz or 44.1 kHz sampling rates and 16-bit resolution.
Super Simple Setup
As a USB device, the UCA222 is the textbook example of a Plug-N-Play device. Compatible with both Windows and Mac systems, the UCA222 requires no additional software drivers to work. Relying on your operating system's sound architecture, the UCA222 is instantly compatible with just about every audio software on the market, from multitrack DAWs like Logic and Cubase to audio editing programs like BIAS to DJ software like Itch. Spend time making music, not troubleshooting your hardware.
The applications for the Behringer UCA222 USB Audio Interface are practically limitless. Whether you're an electronic music producer, latptop DJ, mix engineer, audio archivist, or just a lover of music, the Behringer UCA222 is just about the easiest way to add a professional audio interface to your computer.
The UA-1G is a compact 1 x 1 USB Audio Interface that offers excellent-quality sound via multiple connection options and a simple, user-friendly design.
Stereo input and output at 24-bit/96kHz audio quality
High-end A/D and D/A converters for accurate recording and playback
Large Input Level knob for easy control while recording
1/4" jack with Hi-Z option for recording electric guitar or bass
Electret condenser mic input
RCA phono type and optical-digital audio I/O
Headphone output
USB powered – no AC adapter required
SONAR LE for music recording, editing, and publishing on PC
Low-latency ASIO 2.0 (PC); WDM (Windows Vista, Windows XP) and Core Audio (Mac OS X) support
Number of Audio Record/Playback Channels
Record: 1 pair of stereo
Play: 1 pair of stereo
REC SOURCE switch = ANALOG: Full duplex (except for 96 kHz setting)
REC SOURCE switch = DIGITAL: Recording only
Digital output: 32/44.1/48/96 kHz
Digital input: 32/44.1/48/96 kHz
AD/DA Conversion: 32/44.1/48/96 kHz
* ADVANCE DRIVER switch = OFF: 32/44.1/48 kHz
Nominal Input Level
Line input jacks: -10 to +4 dBu
Guiter input jakcs: -30 to -16dBu
Mic input jack: -40 to -26 dBu
Nominal Output Level
Line output jacks: -10 dBu
Interface
USB Digital input (Optical mini type)
* The same jack serves as both the Mic Input jack and digital input connector.
Digital output (Optical mini type)
* The same jack serves as both the headphones jack and digital output connector.
* conforms to IEC60958 consumer format.
USB Connector (B type)
Line Input jacks (L, R) (RCA phono type)
Line Output jacks (L, R) (RCA phono type)
Guiter/Mic Input jack: （1/4 inch phone type)
Mic Input jack (Plug-in powered miniature phone type)
Digital Intput connector (Optical mini type)
* The same jack serves as both the headphones jack and digital output connector.
Headphones jack (Stereo miniature phone type)
Digital Output connector (Optical mini type)
* The same jack serves as both the Mic Input jack and digital input connector.
Power Supply
Supplied from the computer
Current Draw
200 mA
Accessories
Ownerʼs Manual, UA-1G CD-ROM, SONAR LE CD-ROM
Size and Weight
Width
160 mm
6-5/16 inches
Depth
58 mm
2-5/16 inches
Height
28 mm
1-1/8 inches
Weight
165 g
0 lbs. 6 oz.
The SONAR REAC Recording System when used in conjunction with the RSS V-Mixing System or RSS Digital Snakes provides the most comprehensive live recording, mixing, mastering and delivery product available. This is the next phase in product development of the REAC driver, which Cakewalk engineered for Roland as a way for users to record from their Digital Snake/V-Mixer System directly into SONAR. The SONAR REAC Recording System includes:
The REAC protocol provides up to 40 channels of audio to be sent via a single CAT5e Ethernet or fiber optic cable. The REAC driver, developed by Cakewalk, allows the REAC output from the RSS V-Mixer or RSS Digital Snake to connect directly into a PC using a single Ethernet cable.
SONAR 8 Producer gives you what you need for recording, composing, editing, mixing, and mastering. Get innovations that matter, from exclusive features to ignite creativity and perfect your tracks, to groundbreaking technologies that always keep you in control, all backed by the industry's leading 64-bit audio quality. And SONAR 8 Producer delivers the go-to production tools you want with the best collection of virtual instruments, mixing, and mastering effects found in any DAW.
With unlimited tracks, amazing creative tools, inspiring virtual instruments, the freedom to work with any audio interface or control surface, and the most complete delivery capability for collaboration with users of other DAWS, award-winning SONAR Producer is your best choice in a digital audio workstation.
SONAR 8 is the only DAW that offers one-of-a-kind music creation tools that actually help in the songwriting process. Whether you are searching for new ideas or looking to add musical parts to existing songs, SONAR 8 can help you break through those creative blocks.
SONAR 8 provides the most comprehensive recording features of any DAW on the market today. It's designed to meet the needs of even the most demanding professional—whether recording a solo performance, a band, or even an orchestra.
Recommended System Requirements:
* Operating System: Windows XP (32 bit), Windows Vista (32 bit or 64 bit) * Processor Speed: Intel Core 2 Duo 2GHz or higher * RAM: 3 GB for 40 Channel Recording * Ethernet Port Speed: Gigabit Ethernet/CAT5e Only * Graphics: 1280 x 960, 24-bit color or higher * Audio Hard Drive Size: 30 GB * Audio Hard Disk Type: RAID 0 with (2) SATA drives * Audio Interface: SPS/FA-66 FireWire Audio Interface or Cakewalk VS-700 R * Media Drive: DVD-ROM, DVD+/-R or DVD+/-RW * Other Hardware: RSS Digital Snake or V-Mixing System, Roland CAT5e Cables (supplied with Digital Snakes), Gigabit Ethernet Switch (optional) * Other Software: Adobe Acrobat
Yamaha GO46 FireWire Interface
The GO46 FireWire interface from Yamaha provides a means to stream
high-quality 24-bit/192kHz digital audio and MIDI into a computer. Connect
it to a laptop, and you've got a rugged and portable interface that can go
anywhere you go, hence the name "GO46." This box is the ideal interface
for great-sounding audio on the "GO."
Yamaha GO46 FireWire Audio/MIDI Interface At a Glance
Premium Mic Pres and Inputs
FireWire Connectivity
Flexible Connectivity Including S/PDIF, Insert Points, and MIDI
Premium Mic Pres and Inputs
The GO46 features combo mic/line terminals (for both XLR and phone jack)
on the front panel. Phantom power is also available and independently
switchable for each input channel. In other words, you can use a condenser
microphone on channel 1 with phantom power switched on to capture the
delicate sounds of a vocal while simultaneously recording an electric/acoustic
guitar plugged into channel 2. These combo inputs are captured at up to 24-bit/
192kHz resolution. This pro-level quality makes the GO46 perfect for any type
of recording, and allows you to capture the full details and nuances of the
original source - from the breathiness of a vocal to the delicate finger slides of
an acoustic guitar performance.
FireWire Connectivity
The FireWire equipped GO46 not only offers the convenience of one plug
connection to a computer, but the GO46 can be powered via bus power
from the FireWire port. Connect the GO46 to the FireWire terminal of a
laptop and you've got and extremely powerful and portable recording studio
that will fit in a backpack. This is also great for using the GO46 in places
where electrical outlets can be scarce, like local clubs.
Flexible Connectivity Including S/PDIF, Insert Points, and MIDI
In order to maximize the flexibility of the GO46, Yamaha included virtually
any kind of connection you might need on location recording gigs. Two
insert points allow for connection to outboard gear like compressors or EQs.
MIDI in/out allows for connection of MIDI sound modules or instruments.
S/PDIF jacks are great for inputting digital signal from another interface or
throughputting the GO46 signal to a digital mixer, separate digital recorder,
or any other digital device.
Yamaha GO46 Features:
FireWire (IEEE1394)
Durable aluminum die cast body
2 x Premium Quality Mic pre amps with XLR/Combo connectors
Phantom Power ( +48V ) switch for each connector
2 x Insert connectors for analog inputs
1 MIDI In/ 1 MIDI Out
S/P DIF In/Out up to 24 bit/96 kHz
24 Bit/192 kHz compatible
Included Cubase LE, HALion SE, and Groove Agent SE
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