OVERVIEW Feed your inner wild streak freq-out with the Reaction Dynamic Filter. Are you searching for something new to add to your setup and spice things up? Are you a guitar player who wants to add a crazy, phasey and downright out of sight twisted effect to your pedal arsenal. Maybe you are a bass […]
Feed your inner wild streak freq-out with the Reaction Dynamic Filter.
Are you searching for something new to add to your setup and spice things up? Are you a guitar player who wants to add a crazy, phasey and downright out of sight twisted effect to your pedal arsenal. Maybe you are a bass player searching for something that will give you that funk with lots of punch?
The Reaction Dynamic Filter utilizes harmonic phase shifting effect that sweeps the frequency spectrum from high to low providing a unique one-of-a-kind sound. Since a dynamic filter is triggered by your pick attack, the harder you pick the string, the higher the resonant frequencies become. The sensitivity control determines the frequency at which the filter will begin its phase shifting.
For bass players, lower sensitivity settings provide a funky walking talking swanky arpeggio effect tracking your pick dynamics to produce a smooth and cool feel. Turn on the distortion to make it growl.
For guitar players higher sensitivity settings provide a more expressive “zipper” effect that is suited ideally for lead breaks. Play around with it and you will find that there are a lot of possibilities, all the way to a searing razor edge off the hook vibe controlled by your pick attack.
Level control determines the output level of the effect. An included distortion button gives you a little more “dirt” when playing. The footswitch on the Reaction Dynamic Filter controls On/Off status as shown by the LED indicator. Reaction stomp boxes run on a 9V Alkaline battery, or may also be powered by Rocktron’s DC OnTap Universal Power Supply adaptor.
Rocktron’s Reaction Series pedals are built into a rugged metal slim form factor chassis, taking up as little space as possible on your pedal board. The Reaction Dynamic Filter is a true bypass pedal: when you turn it off, it is out of your signal path.
The Reaction Dynamic Filter can be placed in the signal chain before or after a distortion, but it is recommended to place it after. If using multiple pedals such as delays and other modulation effects, try the Reaction Dynamic Filter in different parts of the signal chain until you find the sound you personally prefer.
FEATURES
Sensitivity control
Distortion switch
9VDC input
Level control
On/Off LED
Battery compartment and cover
Input Jack
Thumb screws for battery compartment
Footswitch
Weight
0.40 kg
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Feed your inner wild streak freq-out with the Reaction Dynamic Filter.
Are you searching for something new to add to your setup and spice things up? Are you a guitar player who wants to add a crazy, phasey and downright out of sight twisted effect to your pedal arsenal. Maybe you are a bass player searching for something that will give you that funk with lots of punch?
The Reaction Dynamic Filter utilizes harmonic phase shifting effect that sweeps the frequency spectrum from high to low providing a unique one-of-a-kind sound. Since a dynamic filter is triggered by your pick attack, the harder you pick the string, the higher the resonant frequencies become. The sensitivity control determines the frequency at which the filter will begin its phase shifting.
For bass players, lower sensitivity settings provide a funky walking talking swanky arpeggio effect tracking your pick dynamics to produce a smooth and cool feel. Turn on the distortion to make it growl.
For guitar players higher sensitivity settings provide a more expressive "zipper" effect that is suited ideally for lead breaks. Play around with it and you will find that there are a lot of possibilities, all the way to a searing razor edge off the hook vibe controlled by your pick attack.
Level control determines the output level of the effect. An included distortion button gives you a little more "dirt" when playing. The footswitch on the Reaction Dynamic Filter controls On/Off status as shown by the LED indicator. Reaction stomp boxes run on a 9V Alkaline battery, or may also be powered by Rocktron's DC OnTap Universal Power Supply adaptor.
Rocktron's Reaction Series pedals are built into a rugged metal slim form factor chassis, taking up as little space as possible on your pedal board. The Reaction Dynamic Filter is a true bypass pedal: when you turn it off, it is out of your signal path.
The Reaction Dynamic Filter can be placed in the signal chain before or after a distortion, but it is recommended to place it after. If using multiple pedals such as delays and other modulation effects, try the Reaction Dynamic Filter in different parts of the signal chain until you find the sound you personally prefer.
FEATURES
Sensitivity control
Distortion switch
9VDC input
Level control
On/Off LED
Battery compartment and cover
Input Jack
Thumb screws for battery compartment
Footswitch
The new V847 Wah-Wah pedal is an enhanced version of the most famous guitar effects pedal of all time. Based on the specifications of the original pedal developed by VOX in the '60s, the new Wah-Wah offers guitarists the same legendary tone with the addition of AC power capability and a buffered input jack for preserving the unprocessed guitar tone when the pedal is not engaged. The pedalʼs inductor has undergone a redesign to be closer in specification to the original VOX wah inductors, for improved dynamics and tone. These additions will benefit players of all genres who use a wah pedal as an integral part of their sound.
About the Wah-Wah
VOX developed the worldʼs first Wah-Wah effect during the '60s in an effort to allow guitarists to emulate the sound of a trumpet being muted — an important musical ingredient of the day. VOXʼs original Wah-Wah pedal quickly gained widespread popularity and its unique sonic characteristics have encouraged further experimentation by guitarists ever since. Having made spotlight appearances on some of the most famous recordings of all time, the Wah-Wah is still considered "must-have equipment” for guitar players of all levels and abilities today.
VOX V847 Wah-Wah Specificaitons
Input/Output jacks: INST jack, AMP jack, DC i/p jack.
Power supply: One 9V DC battery 6F22(S-006P)
Power consumption: 540uA @ 9VDC
Battery life for continuous use: approximately >100 hours with manganese battery (will vary depending on conditions)
Dimensions: 102(W) x 252(D) x 75(H) (including rubber feet, pedal in lowest postion)
Weight: 1673g (including battery)
Included Accessories: Vinyl carry bag
Product Features:
Shape your sound and eliminate feedback with 7 bands of equalization
This BEHRINGER product has been designed to compete head to head with leading products on the market
Wide frequency range from 50 Hz to 10 kHz with a powerful 15 dB boost/cut per band
Status LED for effect on/off and battery check
Runs on 9 V battery or the BEHRINGER PSU-SB DC power supply (not included)
First-class electronic On/Off switch for noise-free operation
High-quality components and exceptionally rugged construction ensure long life
Conceived and designed by BEHRINGER Germany
How the specific frequency bands of the BEQ700 can shape your sound
50 Hz (sub-bass)
Boost: To thicken up sub-bass content, which is mostly felt rather than heard
Cut: To eliminate stage "rumble” and sub-bass content that can rob sound system power
120 Hz (soft bass)
Boost: To enhance the lower end of the bass spectrum
Cut: To reduce the tendency of low frequency content to overwhelm a small room
400 Hz (hard bass)
Boost: To enhance the "hard” bass punch of fundamental tones
Cut: To reduce punch for better linkage with the kick drum
500 Hz
Boost: or Cut: To control bass clarity and warmth
800 Hz
Boost: To add an aggressive edge to the overall bass sound
Cut: For reducing somewhat nasal or horn-like content
4.5 kHz
Boost: To make the bass cut through the mix. Creates a more distinctive plucked tone
Cut: To eliminate harshness
10 kHz
Boost: To bring out the upper harmonics and add edge to the overall bass tonality
Cut: Apply a cut to reduce harsh high-frequency content or hiss
User's Manual
Vintage BOSS phasing effects including 4-, 8-, 10-, and 12-stage phasers, plus new "Rise" and "Fall" effects for unidirectional phasing. Tap tempo sync or realtime control of rate via an Expression/Pedal input.
Nominal Input Level
-20 dBu
Input Impedance
1 M ohms
Nominal Output Level
-20 dBu
Output Impedance
1 k ohms
Recommended Load Impedance
10 k ohms or greater
Residual Noise Level
-92 dBu (IHF-A, Typ.)
Connectors
INPUT Jack, OUTPUT Jack, EXP/CTL Jack, AC Adaptor Jack (DC 9 V)
Power Supply
DC 9 V: Dry Battery 9 V type (6F22/9 V), AC Adaptor
Current Draw
50 mA (DC 9 V)
Accessories
Dry Battery 9 V type (6F22/9 V)
Options
AC Adaptor (PSA-Series), Expression Pedal (Roland EV-5), Footswitch (FS-5U)
Size and Weight ( incl. battery )
Width
73 mm
2-7/8 inches
Depth
129 mm
5-1/8 inches
Height
59 mm
2-3/8 inches
Weight
420 g
0 lbs. 15 oz.
Studio Quality Effects at Your Feet
Top recording studios worldwide use Eventide effects on hit after hit. TimeFactor includes Eventide's best delay effects from the past 36 years without compromising quality OR flexibility.
Flexibility Built-In
Plug-and-play expression pedal control of wet/dry mix or any combination of parameters. Control program changes and vary parameters continuously via MIDI. Supports instrument or line level inputs and outputs. Plays well with others; adapts seamlessly with a wide variety of amps and other foot pedals.
Obsolescence is so 20th Century
Easy to upgrade; download new software from the Internet and install via USB.
Features
10 Stereo or Mono Delay effects
Digital Delay
Vintage Delay
Tape Echo
Mod Delay
Ducked Delay
Band Delay
Filter Pong
MultiTap
Reverse
Looper
Studio Quality Sound
Instant Program Change
Real-time control with 10 knobs, MIDI or expression pedal
Tap Tempo and MIDI Clock Sync
40 User Presets, unlimited through MIDI
True Analog Bypass
Rugged cast metal construction
Metal footswitches for instant Preset access
Mono or Stereo operation
Guitar or Line Level Inputs and Outputs
SPECIFICATIONS:
Analog Input/Output
Input impedance
500K ohms
Output Impedance
470 ohms
Recommended Load Impedance
10K ohms or greater
Connectors
Input 1 (mono)
¼ inch mono phone jack
Input 2
¼ inch mono phone jack
Output 1 (mono)
¼ inch mono phone jack
Output 2
¼ inch mono phone jack
Expression Pedal
¼ inch mono phone jack
Aux Switch
¼ inch stereo phone jack
USB
Type B Socket. Use 2.0 cables only.
MIDI In
Five pin DIN (Female)
MIDI Out/Thru
Five pin DIN (Female)
AC Adapter Jack
Power Supply included (see below)
Physical
Power
9 VDC, 1200 mA, Tip hot (+)
Dimensions
English: 4.8" (H) x 7.5" (W) x 2.12" (D)
Metric: 122 (H) x 190 (W) x 54 (D) mm
Weight
2.15 lbs, 1kG
Studio Quality Effects at Your Feet
Premier recording studios worldwide use Eventide on hit after hit. ModFactor features Eventide's 27 best modulation effects without compromising quality OR flexibility.
Flexibility Built-In
Plug-and-play expression pedal control of wet/dry mix or any combination of parameters. Control program changes and vary parameters continuously via MIDI. Supports instrument or line level inputs and outputs. Plays well with others; adapts seamlessly with a wide variety of amps and other foot pedals.
Obsolescence is so 20th Century
Easy to upgrade; download new software from the Internet and install via USB.
Features
27 of Eventideʼs signature stereo or mono effects:
Liquid Chorus
Shimmer Chorus
Organic Chorus
Negative Phaser
Postive Phaser
BiPhase Phaser
Feedback Phaser
WahWah Q-Wah
Voc-Wah Q-Wah
Positive Flanger
Negative Flanger
Jet Flanger
Thru-o Flanger
Lowpass ModFilter
HiPass ModFilter
BandPass ModFilter
Standard Rotary
Giant Rotary
Bias Tremolo
Opto Tremolo
Modern Vibrato
Vintage Vibrato
Retro Vibrato
Pitch Undulator
Feedback Undulator
Ring (DC) Ringmod
String (AC) Ringmod
Studio quality sound
Software upgradeable via USB 2.0
MIDI control via USB or MIDI in, out/thru
Instant program change
Real-time control with 10 knobs, MIDI, or expression pedal
Tap tempo and MIDI clock sync
40 factory presets, unlimited through MIDI
True analog bypass
Rugged cast metal construction
Reliable metal footswitches for instant preset access
Mono or stereo operation
Guitar or line level inputs and outputs
SPECIFICATIONS:
Analog Input/Output
Input impedance
500K ohms
Output Impedance
470 ohms
Recommended Load Impedance
10K ohms or greater
Connectors
Input 1 (mono)
¼ inch mono phone jack
Input 2
¼ inch mono phone jack
Output 1 (mono)
¼ inch mono phone jack
Output 2
¼ inch mono phone jack
Expression Pedal
¼ inch mono phone jack
Aux Switch
¼ inch stereo phone jack
USB
Type B Socket. Use 2.0 cables only.
MIDI In
Five pin DIN (Female)
MIDI Out/Thru
Five pin DIN (Female)
AC Adapter Jack
Power Supply included (see below)
Physical
Power
9 VDC, 1200 mA, Tip hot (+)
Dimensions
English: 4.8" (H) x 7.5" (W) x 2.12" (D)
Metric: 122 (H) x 190 (W) x 54 (D) mm
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