| Content | Designed and made in Australia, the M5 is a compact ½" cardioid condenser microphone with low noise and a full frequency response. A result of many years' experience building the award-winning NT5 microphone, RØDE has succeeded in making a high-quality ʽpencil' style permanently polarized condenser that will impress even the most demanding of artists and engineers. Ideal for studio recording and live on stage, the M5 is equally at home on a range of acoustic instruments, choirs, or anywhere you would employ a small diaphragm condenser microphone, either individually or as a stereo array. This matched pair has been carefully selected to ensure a variation of no more than 1dB sensitivity between the microphones. A premium foiled certificate is supplied to verify the authenticity of the pair. The M5 is finished with RØDE's proprietary ceramic coating which offers a sleek matt black finish, and is supplied with WS5 windshields and RM5 stand mounts.
• ½" capsule with gold-plated membrane
• Cardioid polar pattern
• All metal body
• Ultra-low noise transformerless circuitry
• State-of-the-art surface mount electronics
• Heavy-duty matte black finish
• Gold plated output connectors
• Includes microphone clips and windshields
• Designed & manufactured in Australia
- Acoustic Principle Pressure Gradient
- Active Electronics JFET impedance converter with bipolar output buffer
- Directional Pattern Cardioid
- Frequency Range 20Hz ~ 20kHz
- Output Impedence 200Ω
- Equivalent Noise 19 dBA SPL (as per IEC651)
- Maximum Output +13.5 dBu (1kHz, 1% THD into 1K Ω load)
- Sensitivity -34 dB re 1V/Pa(10.46mV @ 94dB SPL)± 2dB @ 1kHzDynamic Range 121 dB SPL
- Maximum SPL 140 dB SPL
- Signal / Noise 75 dBA SPL (as per IEC651)
- Power Requirements 24V phantom power 48V phantom power
- Output Connection 3 Pin XLR Balanced output between pin 2 (+), pin 3 (-) and pin 1 (ground)
- Net Weight 80g (per microphone)
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The e 865 is a fully professional super-cardioid vocal microphone utilising the very best in condenser microphone technology to achieve new standards of quality and sound. The microphone capsule insorporates special blast/pop protiction plate to shield the diaphragm from excessive sound pressure levels. ON/OFF Switch.
- Pick-up pattern : super cardioid
- Sensitivity in free field, no load : (1kHz) 3 mV/Pa
- Max. Sound pressure level (aktiv) : 150 dB
- Nominal impedance : 200 Ohm
- Min. terminating impedance : 1000 Ohm
- Dimensions : d 47 x 193 mm
- Weight : w/o cable 311 g
- Frequency response (microphone) : 40.....20000 Hz
- Phantom powering : 12 - 48 V
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C 568 B
Compact, short shotgun microphone
Integrated, switchable bass cut filter minimizes mechanical noise
Operates on phantom power
High directivity and wide frequency response in a relatively short shotgun make this
microphone a perfect tool for theater, sound reinforcement, and film/TV applications.
Due to its compact and lightweight design, the C 568 B is ideal for camera mount
applications. Below 500 Hz it functions as a hypercardioid microphone; above 500 Hz
the acoustic interference tube introduces increasing directivity. A switchable 12 dB/
octave 120 Hz bass cut filter effectively suppresses rumble and wind noise. The rugged,
all-metal body contains the built-in preamp. Phantom powering (9?52 V) required; foam
windscreen and stand adapter included.
SPECIFICATIONS:
Polar pattern hypercardioid/directional
Frequency range 20 to 20,000 Hz
Sensitivity 11 mV/Pa (-39 dBV)
Max. SPL 128 dB
Equivalent noise level (CCIR 468-3) 29 dB
Equivalent noise level 18 dB-A
Signal/noise ratio 76 dB
Bass filter 12 dB/octave at 120 Hz
Impedance 600 ohms
Recommended load impedance >2000 ohms
Supply voltage 9 to 52 V phantom power to DIN 45596
Current consumption |
The Shure Model VP88 is a single-point, stereo condenser microphone for use in professional studio recording, field production, electronic news gathering (ENG), and studio broadcasting applications. It combines two condenser cartridges in a single housing to create a stereo audio image of the sound source. It is unique in its ability to capture the realism of a live event and yet withstand rigorous field production environments.
The VP88 uses a mid-side (M-S) configuration. One microphone cartridge (Mid) faces forward to capture on-axis sound using a cardioid pickup pattern. The other microphone cartridge (Side) is bi-directional, capturing sound from either side. The VP88 contains an internal M-S matrix with three settings for different degrees of stereo image seperation. The internal matrix can be bypassed if an external matrix is used or if stereo imaging is done in post-production. Switches on the top of the microphone control output mode, stereo imaging, low-frequency rolloff settings, and battery on/off.
The VP88 can operate on phantom power or an internal 6V battery. The VP88 is supplied with a multi-connector "Y-splitter" cable, foam windscreen, swivel stand adapter, 6-volt battery, and zippered carrying/storage bag. Optional accessories include an isolation mount, a 7.6 m (25 ft) microphone extension cable, a phantom power supply, and a 4.3 m (14 ft) microphone stand.
- Time-coherent, Mid-Side (M-S) design for optimal stereo imaging
- Built-in stereo matrix for direct control of the stereo spread; direct M-S outputs available
- Mono compatibility ideal for broadcast applications
- 40 to 20,000 Hz frequency response
- Low noise and distortion
- Wide dynamic range
- Switch-selectable, low-frequency rolloff (12 dB/octave below 80 Hz) for reduced pickup of ambient noise and stand vibration
- Operates on phantom power or a 6V camera battery
- LED power indicator
- Internal shock mount for reduced stand vibration and handling noise
- Built-in "pop" screen
- Includes windscreen, swivel adapter, and Y-cable
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The e 914 is a high grade condenser microphone for very demanding applications.
Its outstanding sound properties qualify the e 914 for highly sophisticated tasks.
The e 914 is a perfect microphone for ambitious recordings and live performances.
Its main areas of application are acoustic guitars, cymbals, percussion, overhead,
orchestras, grand pianos etc .
Features
Exceptionally lively, clear sound
Three-position sensitivity switch
Three-position bass roll-off/cut-off switch
Very high sound pressure handling capability
Exchangeable microphone capsule
Delivery Includes
e 914 microphone
Microphone clamp
Windscreen
Pouch
User manual
Technical Data
Pick-up pattern cardioid
Frequency response 20...20 000 Hz
Sensitivity in free field, no load (1kHz) 7 mV/Pa
Equivalent noise level 19 dB(A)
Attenuation 0, -10, -20 dB
Max. Sound pressure level (aktiv) 137, 147, 157 dB
Nominal impedance 100 Ohm
Min. terminating impedance 1000 Ohm
Dimensions 24 x 157 mm
Weight 198 g
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The ME 67 is a long gun microphone head designed for use with the K6 and K6P powering modules. A highly directional microphone, it can be used where the microphone must be placed at a distance from the sound source. Matt black, anodised, scratch-resistant finish.
Pick-up pattern : lobar
Sensitivity in free field, no load (1kHz) : 50 mV/Pa +- 2,5 dB
Nominal impedance : 200 Ohm (K6)
Min. terminating impedance : 1000 Ohm (K6)
Equivalent noise level : 10 dB
Dimensions : d 22,5 x 343 mm
Weight : 100 g
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