RODE PodMic Dynamic Podcasting Microphone

115.00 incl. GR VAT

Only 1 left in stock (can be backordered)

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Dynamic Podcasting Microphone. Transducer: Dynamic Polar Pattern: Cardioid Frequency Range: 50 Hz to 13 kHz Impedance: 32 Ohms Sensitivity Polar Chart:Cardioid

 

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Dynamic Podcasting Microphone.
  • Transducer: Dynamic
  • Polar Pattern: Cardioid
  • Frequency Range: 50 Hz to 13 kHz
  • Impedance: 32 Ohms
  • Sensitivity
    Polar Chart:Cardioid
Weight 1.00 kg

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RODE PodMic Dynamic Podcasting Microphone removeAUDIO TECHNICA AT8035 SHOTGUN BROADCASTING MICROPHONE WITH BATTERY 14.53" removeEDIROL CS-15 Condenser Stereo Microphone removeEDIROL CS-50 Stereo Shotgun Condenser Broadcast Microphone removeAUDIO TECHNICA BP4071L BROADCASTING MICROPHONE 21.22" long removeSENNHEISER MD-46 Reporting Dynamic Microphone remove
NameRODE PodMic Dynamic Podcasting Microphone removeAUDIO TECHNICA AT8035 SHOTGUN BROADCASTING MICROPHONE WITH BATTERY 14.53" removeEDIROL CS-15 Condenser Stereo Microphone removeEDIROL CS-50 Stereo Shotgun Condenser Broadcast Microphone removeAUDIO TECHNICA BP4071L BROADCASTING MICROPHONE 21.22" long removeSENNHEISER MD-46 Reporting Dynamic Microphone remove
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SKUH11RD00067AT8035CS15CS50BP4071LH10SE00078
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Price 115.00 incl. GR VAT 310.00 incl. GR VAT 117.32 incl. GR VAT 486.27 incl. GR VAT 1,134.00 incl. GR VAT 255.00 incl. GR VAT
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Description
ContentDynamic Podcasting Microphone.
  • Transducer: Dynamic
  • Polar Pattern: Cardioid
  • Frequency Range: 50 Hz to 13 kHz
  • Impedance: 32 Ohms
  • Sensitivity Polar Chart:Cardioid

The length (14.53“) of the AT8035 Line + Gradient Condenser Microphone is well-suited for ENG, outdoor recording and other specialized uses. The microphone is designed for video production and broadcast (ENG/EFP) audio acquisition. Suited for both boom & handheld use, it provides the narrow acceptance angle desirable for long-distance sound pickup, featuring excellent sound rejection from the sides and rear of mic and switchable low-frequency roll-off. It operates on battery or phantom power.

Designed for video production and broadcast (ENG/EFP) audio acquisition
Length is well-suited for ENG, outdoor recording and other specialized uses
Provides the narrow acceptance angle desirable for long-distance sound pickup
Excellent sound rejection from the sides and rear of mic
Switchable low-frequency roll-off
Operates on battery or phantom power
RoHS compliant - free from all substances specified in the EU directive on hazardous substances


Element: Fixed-charge back plate, permanently polarized condenser
Polar Pattern: Line + gradient
Frequency Response: 40-20,000 Hz
Low Frequency Roll Off: 80 Hz, 12 dB/octave
Open Circuit Sensitivity: Phantom: -38 dB (12.5 mV) re 1V at 1 Pa Battery: 39 dB (11.2 mV) re 1V at 1 Pa
Impedance: Phantom: 250 ohms Battery: 300 ohms
Maximum Input Sound Level: Phantom: 132 dB SPL, 1 kHz at 1% T.H.D. Battery: 120 dB SPL, 1 kHz at 1% T.H.D.
Dynamic Range: Phantom: 110 dB, 1 kHz at Max SPL Battery: 98 dB, 1 kHz at Max SPL
Signal to Noise Ratio: 72 dB, 1 kHz at 1 Pa
Phantom Power Requiremens: 11-52V DC, 2 mA typical
Battery Type: 1.5V AA/UM3
Battery Current Life: 0.4 mA / 1200 hours typical (alkaline)
Switch: Flat, roll-off
Weight: 170 g (6.0 oz)
Dimensions: 369.0 mm (14.53“) long, 21.0 mm (0.83“) diameter
Output Connector: Integral 3-pin XLRM-type
Accessories: AT8405a stand clamp for 5/8“-27 threaded stands; 5/8“-27 to 3/8“-16 threaded adapter; AT8132 windscreen; battery; protective carrying case

For when you need even more advanced recording than R-09's built-in mic
CS-15CS-15 For serious field recording, the optional CS-15 cardioid-type stereo microphone is a great match for the R-09. For portability and convenience, the R-09 supplies the power to the mic. Bundled with the microphone are a desktop stand, a hand-held mount, and a windscreen.
    
Cardioid-type stereo microphone
    
Battery operation is also possible when using with a recorder that doesn't supply the power
    
Ideal combination with the R-09 --- also the UA-4FX and the UA-1EX
    
Comes with a desktop stand, a hand-held mount (can be attached to the microphone stand) and a windscreen

 

The CS-50 is a compact, light-weight stereo condenser microphone designed for the R-4 and R-4 Pro, videographer, broadcaster, and sound designer. The CS-50 features bass roll-off capability as well as selectable wide stereo or narrow (focused) polar patterns.

From Edirol, the CS-50 Stereo Microphone is designed for use with the Edirol/Roland R4 portable digital field recorder. The microphone features wide stereo and narrow polar patterns. The wide stereo pattern reproduces audio with accurate stereo imaging while the mono pattern is focused and reduces signal at the sides of the capsule. The CS-50 features a low frequency roll-off switch for eliminating hum and low-frequency noise due to wind or proximity effect. A dual XLR output cable is supplied.

Wide Stereo PatternThe wide stereo pattern provides a generous pick up area while reproducing signal with accurate stereo placement. This setting is ideal for ambiance capturing, live music, sound effects, etc.Mono (Narrow) PatternThe narrow pattern provides a focused pick up at the front end of the capsule. The result is an accurate signal without noise at the off-axis sections of the capsule.Low Frequency Roll-OffThe low-frequency roll-off switch eliminates hum and low-frequency noise due to wind, handling and proximity effect.Light Weight ProfileThe light weight, slim profile make the CS-50 ideal for location use while mounted on a boom, pistol grip or camera.

What's in the Box:

  • Windscreen
  • Desktop Prop
  • Mic Stand Adapter
  • L/R XLR Cable 6.56 feet (2m)
  • Soft case
  • 1 Year Warranty
  Specifications:
ransducer Back Electret Condenser
Polar Pattern Line Cardioid
Frequency Response

50 - 20,000Hz

Open Circuit Sensitivity14.9 mV/Pa, -36.5 dBV @ 1 Pa
Dynamic Range (Typical) Not Specified by Manufacturer
Signal-to-Noise Ratio Greater than 70dB (at 1kHz/1Pa)
Maximum Input Sound Level 126dB S.P.L (at 1kHz, 1% T.H.D. Typical)
Power Requirements 48V Phantom x 2ch
Output Impedance 200 Ohms
Current Consumption3.8 mA (Typical)
Output Connectors 3-pin XLR
Pad No
Low Frequency Roll-Off Yes
Dimensions Not Specified by Manufacturer
Weight 2.92 oz (83g)

 


Element: Externally polarized (DC bias) capacitor
Polar Pattern: Line + gradient
Frequency Response: 20-18,000 Hz
Low Frequency Roll Off: 80 Hz, 12 dB/octave
Open Circuit Sensitivity: -29 dB (35.5 mV) re 1V at 1 Pa
Impedance: 50 ohms
Maximum Input Sound Level: 141 dB SPL, 1 kHz at 1% T.H.D.; 151 dB SPL, with 10 dB pad (nominal)
Dynamic Range: 128 dB, 1 kHz at Max SPL
Signal to Noise Ratio: 81 dB, 1 kHz at 1 Pa
Phantom Power Requiremens: 48V DC, 4.8 mA typical
Weight: 175 g (6.2 oz)
Dimensions: 539.0 mm (21.22“) long, 21.0 mm (0.83“) maximum body diameter
Output Connector: Integral 3-pin XLRM-type
Accessories: AT8405a stand clamp for 5/8“-27 threaded stands; 5/8“-27 to 3/8“-16 threaded adapter; AT8147 windscreen; two O-Rings; protective carrying case

The MD 46 is a high-quality reporter's microphone with cardioid pick-up pattern. It has been specially optimised for rough use in live reporting and broadcasting environments. The MD 46 is a very 'good-natured' microphone whose design avoids wind and handling noise problems. Colour: black, sound inlet basket: refined steel, black.

Features
  • Two-ply sound inlet basket provides increased protection from wind and pop noise
  • Rugged metal housing
  • Rubber mounted capsule ensures low sensitivity to handling noise
  • Cardioid pick up pattern ensures excellent speech intelligibility even with high ambient noise levels
Type: Dynamic, Reporting
Pick Up Pattern: omni-directional
Frequency response: 40 - 18 000 Hz
Sensitivity: 2,0 mV/Pa
Ιmpedance: 350 Ohm
Dimensions: Ø 49 x 250 mm
Weight: 360 gr
Use: Video/Broadcast
Weight1.00 kg0.30 kg0.10 kg0.10 kg0.30 kg1.00 kg
DimensionsN/AN/AN/AN/AN/AN/A
Additional information
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Weight 0.10 kg
Weight 0.30 kg
Weight 1.00 kg