| Content |
The new Stereo VideoMic Pro provides a high quality stereo option for videographers, and is ideal for recording music, and the atmospheric ambience essential in building a realistic audio scene.
The new Stereo VideoMic Pro provides a high quality stereo option for videographers, and is ideal for recording music, and the atmospheric ambience essential in building a realistic audio scene. Based around the all new capsule with its matched pair of high sensitivity ½”cardioid condensers in a coincident XY pair, the Stereo VideoMic Pro provides a wide stereo image with natural depth.
Another new addition is the integrated Rycote® Lyre® based shock mounting system, which separates the Stereo VideoMic Pro capsule and electronics from its mount, providing isolation from external physical factors that may cause unwanted rumble and vibrations in the microphone. Constructed from a single piece of hard-wearing thermoplastic, the Lyre® provides superior acoustic suspension to traditional elastic solutions, and will never wear out, sag or snap.
The Stereo VideoMic Pro, with its ergonomic form factor, make it perfectly suited to DSLR, consumer camcorders and large-sensor video cameras. The newly designed Kevlar reinforced braided cable, as well as the improved foam windscreen, provides excellent acoustic decoupling from the camera and offers significantly lower noise transference and higher sensitivity.The user friendly designed rear of the microphone body features the power and equalisation controls, including a high pass filter at 75Hz which is designed to cut out the noise generated by air conditioning, traffic and other undesirable low frequency interference.
A -10dB PAD allows the user to reduce the sensitivity of the microphone, making it suitable for recording loud sound sources such as live music or at sporting events. Like the VideoMic Pro, the Stereo VideoMic Pro features a +20dB level boost specifically designed to provide a higher quality signal with DSLR cameras. When activated, the typically low quality camera preamp level can be reduced, resulting in a lower noise floor and much clearer recording. The RØDE Stereo VideoMic Pro is designed and made in Australia, and covered by RØDE Microphones' industry leading 10 year warranty.
| Type: | Condenser Microphone | | Pick Up Pattern: | Cardioid | | Frequency response: | 40Hz - 20kHz | | Sensitivity: | -38.0dB re 1 Volt/Pascal (12.60mV @ 94 dB SPL) +/- 2 dB @ 1kHz | | Ιmpedance: | 200Ω | | Τotal harmonic distortion: | - | | Dimensions: | 134mmH x 80mmW x 115mmD | | Weight: | 116 gr |
|
Audio-Technica's AT875R is designed for video production and broadcast (ENG/EFP) audio acquisition. Audio-Technica's shortest shotgun microphone, it mounts conveniently on a DV camcorder without adding noticeable heft, and is ideal for use with compact digital cameras. This high-performance microphone offers a narrow acceptance angle of line + gradient design. It also features smooth, natural-sounding on-axis audio quality and excellent off-axis rejection of sound arriving from the sides and rear of mic.
Designed for video production and broadcast (ENG/EFP) audio acquisition
Extremely short length (under 7“) ideal for use with compact digital cameras
Provides the narrow acceptance angle desirable for long-distance sound pickup
Excellent sound rejection from the sides and rear of mic
Tailored response minimizes camera and handling noise
Operates on phantom power only
RoHS compliant free from all substances specified in the EU directive on hazardous substances
Element: Fixed-charge back plate, permanently polarized condenser
Polar Pattern: Line + gradient
Frequency Response: 90-20,000 Hz
Open Circuit Sensitivity: 30 dB (31.6 mV) re 1V at 1 Pa
Impedance: 100 ohms
Maximum Input Sound Level: 127 dB SPL, 1 kHz at 1% T.H.D.
Dynamic Range: 107 dB, 1 kHz at Max SPL
Signal to Noise Ratio: 74 dB, 1 kHz at 1 Pa
Phantom Power Requiremens: 11-52V DC, 2 mA typical
Weight: 80 g (2.8 oz)
Dimensions: 175.0 mm (6.89“) long, 21.0 mm (0.83“) diameter
Output Connector: Integral 3-pin XLRM-type
Accessories: AT8405a stand clamp for 5/8“-27 threaded stands; 5/8“-27 to 3/8“-16 threaded adapter; windscreen; soft protective pouch
|
he PRO24-CMF camcorder microphone is a lightweight, compact stereo condenser ideal for digital recording with high-fidelity stereo sound. Equipped with a windjammer, accessory shoe and permanently attached coiled cable, the microphone features a pair of cardioid elements in an X-Y configuration to provide the spatial impact and realism of a live sound field. The microphone is designed for either battery operation or battery-free operation when used with camcorders that provide plug-in power at the mic input. Like all Audio-Technica mics, the PRO24-CM is rugged; it's built to endure the rigors of field production. - Stereo microphone designed to attach to a camcorder
- For camcorders with an accessory shoe and stereo microphone input
- Lightweight, portable design with rugged all-metal construction
- Pair of cardioid condenser elements provides spatial impact and high-fidelity stereo sound image
- Battery-free operation when used with recording devices that provide plug-in power at the mic input
- On/off switch for convenient operation
- Includes camera-mount, windscreen, windjammer, battery and protective pouch
- Permanently attached 6""-12“" coiled cable with right-angle molded 3.5 mm stereo mini plug at output end
Polar Pattern: X/Y Stereo
Frequency Response: 100-17,000 Hz
Open Circuit Sensitivity: -50 dB (3.1 mV) re 1V at 1 Pa
Impedance: 600 ohms
Maximum Input Sound Level: 119 dB SPL, 1 kHz at 1% T.H.D.
Dynamic Range: 82 dB, 1 kHz at Max SPL
Signal to Noise Ratio: 57 dB, 1 kHz at 1 Pa
Battery Type: 1.5V LR44
Battery Current Life: 0.6 mA / 200 hours typical
Switch: On/off
Weight: 3.9 oz (111 g)
Dimensions: 4.59“" (116.5 mm) long, 0.83" (21.0 mm) maximum body diameter
Output Connector: 3.5 mm stereo mini plug on cable
Cable: Permanently attached 152.4 mm - 304.8 mm (6""-12"") coiled cable with right-angle molded 3.5 mm stereo mini-plug at output end
Accessories: Video-camera shoe mount; LR44 battery; windscreen; Fur windjammer AT8123 and soft protective pouch
| RODE NT G8 Broadcast Quality RF-bias Shotgun Microphone
Based on RØDE's award winning NTG3, the NTG8 is a broadcast quality RF-bias shotgun microphone that exhibits increased directionality across a wide frequency response range. This makes the NTG8 the perfect microphone for film, television, sports and outdoor broadcasting, live performance, and any professional distance miking application.
Like the NTG3, the NTG8 features low self-noise, natural sound without colouration both on and off-axis, and RF bias technology to ensure that it is almost completely resistant to high humidity environments which could cause other condenser microphones to fail.
The NTG8 is finished in matte black and supplied with a specially designed shock mount (SM8) that is engineered to provide excellent handling noise isolation, cable management and versatile mounting options for the microphone. A rugged weatherproof aluminium cylinder is also included, providing ultimate protection for the microphone when in transport or storage. The WSNTG8 windshield completes the package, providing light environmental protection.
Acoustic Principle Line Gradient
Active Electronics RF Bias
Capsule 0.50“
Polar Pattern Hyper Cardioid
Address Type End
Frequency Range 40Hz - 20kHz
Output Impedance 2Ω
Maximum SPL 124dB SPL (@ 1kHz, 1% THD into 1KΩ load)
Maximum Output Level 8.2dBu (@ 1kHz, 1% THD into 1KΩ load)
Sensitivity -20.0dB re 1 Volt/Pascal (97.50mV @ 94 dB SPL) +/- 2 dB @ 1kHz
Power Options
(44-52V min 2.5mA)
Weight 345.00gm
Dimensions 559.00mmH x 19.00mmW x 19.00mmD
Output XLR |
Audio-Technicaʼs high-SPL BP892 MicroSet® offers the ultimate in low-profile, high-performance audio. Delivering clear and accurate sound in an inconspicuous package, the ultra-lightweight BP892 hooks securely behind either ear and can be worn for hours without fatigue. For maximum stability and comfort, the included AT8464 dual-ear microphone mount converts the MicroSet to a dual-ear-worn unit.
The microphone features a flat, extended frequency response and other outstanding performance specifications, resulting in extremely intelligible, natural audio for stage and television talent, lecturers and houses of worship. Protected by a highly durable Parylene coating, the new headworn mic is built to stand up to the rigors of day-to-day use.
Handles high sound pressure levels with ease
Extremely intelligible natural audio
Inconspicuous, lightweight headset with capsule diameter of just 2.6 mm is ideal for applications requiring minimum visibility
Ergonomic under-ear design—flexible, lightweight contoured loop hooks behind the ear for an ultra-secure, comfortable fit with or without glasses
Comes equipped with AT8464 Dual-Ear Microphone Mount that converts single ear-worn MicroSet to a dual-ear-worn unit for maximum stability and comfort
High-pass filter on power module provides a steep low-frequency attenuation to improve sound pickup without affecting voice quality
Element: Fixed-charge back plate, permanently polarized condenser
Polar Pattern: Omnidirectional
Frequency Response: 20-20,000 Hz
Low Frequency Roll-Off: 80 Hz, 18 dB/octave (wired only)
Open Circuit Sensitivity: –49 dB (3.5 mV) re 1V at 1 Pa
Impedance: 250 ohms (wired only)
Maximum Input Sound Level: 135 dB SPL, 1 kHz at 3% T.H.D.
Dynamic Range: (Typical) 104 dB, 1 kHz at Max SPL (wired only)
Signal-To-Noise Ratio: 63 dB, 1 kHz at 1 Pa
Phantom Power Requirements: 11-52V DC, 2 mA typical (wired only)
Switch: Flat, roll-off (wired only)
Current Consumption: 0.1 mA typical at 5V (wireless only)
Voltage Range: 2.5-11V (wireless only)
Weight (Microphone): Microphone, boom & earpiece: 2.6 g (0.09 oz)
Weight (Power Module): 85 g (3.0 oz) (wired only)
Dimensions Microphone: 8.1 mm (0.32“) long, 2.6 mm (0.10“) diameter Boom: 98.4 mm (3.87“) long, 1.07 mm (0.04“) diameter
Dimensions (Power Module)@ 97.6 mm (3.84“) long, 18.9 mm (0.74“) diameter (wired only)
Output Connector: (Power Module) Integral 3-pin XLRM-type
Cable: 1.4 m (55“) long (permanently attached to microphone), 1.6 mm (0.06“) diameter, 2-conductor shielded cable with locking 4-pin connector (wired only)
Accessories Furnished: BP892: AT8539 power module (wired only); AT8464 dual-ear microphone mount; AT8440 cable clip; two AT8157 windscreens; two AT8156 element covers; moisture guard; belt clip (wired only); carrying case BP892-TH: AT8539 power module (wired only); AT8464-TH dual-ear microphone mount; AT8440 cable clip; two AT8157-TH windscreens; two AT8156-TH element covers; moisture guard; belt clip (wired only); carrying case
Audio-Technica Case Style: M31
|
Based on models originally developed for use in the broadcast of the Sydney Olympics in 2000, the BP4027 (14.96" long) and BP4029 (9.29" long) Stereo Shotgun models are engineered for high-end broadcast and production use. Both microphones feature independent line-cardioid and figure-of-eight elements configured in an MS (Mid-Side) arrangement with switch-selectable internal matrixing. These innovative microphones allow sound recordists the choice of selecting a left-right stereo output (wide or narrow) via the microphone's internal matrixing system or choosing discreet Mid-Side signals for later manipulation, a flexibility not available from any other manufacturer. A switchable low frequency roll-off filter helps minimize the pickup of unwanted low frequency noise. These phantom-powered models feature a rugged lightweight design and sleek black color scheme, perfect for on-camera use.
Designed for broadcasters, videographers and sound recordists
Compact, lightweight design is perfect for camera-mount use
Independent Line-cardioid and Figure-of-eight condenser elements
Switchable low-frequency roll-off
Switch selection of non-matrixed M-S mode and two internally-matrixed left/right stereo modes
Includes a 0.61 m (24“) cable (5-pin XLRF to two standard 3-pin XLRM connectors)
RoHS compliant - free from all substances specified in the EU directive on hazardous substances
Frequency Response: 30-20,000 Hz
Low Frequency Roll Off: 80 Hz, 12 dB/octave
Open Circuit Sensitivity: Mid: -30 dB (31.6 mV) re 1V at 1 Pa; Side: -34 dB (19.9 mV) re 1V at 1 Pa; LR Stereo: -36 dB (15.8 mV) re 1V at 1 Pa
Impedance: 200 ohms
Maximum Input Sound Level: Mid: 123 dB SPL, 1 kHz at 1% T.H.D.; Side: 127 dB SPL, 1 kHz at 1% T.H.D.; LR Stereo: 126 dB SPL, 1 kHz at 1% T.H.D.
Dynamic Range: Mid: 101 dB, 1 kHz at Max SPL; Side: 101 dB, 1 kHz at Max SPL; LR Stereo: 102 dB, 1 kHz at Max SPL
Signal to Noise Ratio: Mid: 72 dB SPL, 1 kHz at 1 Pa; Side: 68 dB SPL, 1 kHz at 1 Pa; LR Stereo: 70 dB SPL, 1 kHz at 1 Pa
Phantom Power Requiremens: 11-52V DC, 4 mA typical at 48V, each channel
Weight: 142 g (5.0 oz)
Dimensions: 380.0 mm (14.96“) long, 21.0 mm (0.83“) diameter
Output Connector: Integral XLR5M-type
Cable: Dual 0.61 m (24“) shielded two-conductor, terminated in two XLR3M-type connectors
Accessories: AT8405a stand clamp for 5/8“-27 threaded stands; AT8135 foam windscreen; 5/8“-27 to 3/8“-16 threaded adapter; protective carrying case
|
Reviews
There are no reviews yet.