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The C03 features dual large, 19mm ultra thin diaphragm capsules which faithfully reproduce a
variety of sound sources including vocals, acoustic instruments and overhead cymbals to
name a few. And to expand your miking options and recording techniques, the C03 features
three pickup patterns. The Cardioid pattern is great for miking applications where
tight pickup is desired, and with the Omni and Figure 8 patterns you can mic multiple
instruments, capture room sounds and expand your soundfield. The extended frequency
and fast transient response insures an accurate reproduction with linear characteristics
from bottom to top.
Features:
? Large diaphragm, multi-pattern studio condenser microphone.
? Dual 19mm capsules with 3-micron diaphragm.
? Smooth and transparent sound reproduction from bottom to top.
? Super Cardioid, Omni and Figure 8 pickup patterns provide versatility in covering a
variety of miking applications.
? Switchable 10 dB PAD for handling signals with high SPL?s (Sound Pressure Levels).
? Switchable Hi-pass Filter, 12dB per octave at 100 Hz.
? 36-52 Volt Phantom Power operation with Blue LED.
? Internal Shock-mounted capsules.
? Extended frequency response.
? Solid Die Cast construction.
? Swivel Stand Mount and Carry Case included.
Specifications:
Type Condenser Microphone
Polar Pattern Super Cardioid/Fig. 8/Omni
Frequency Response 40~18000 Hz
Sensitivity -40 dBV/pa (10mv/pa)
Rated Impedance 350Ω
Equivalent Noise level 23 dB (A weighted IEC/DIN 651)
Max. SPL 142 dB (THD? 0.5% 1000 Hz)
Dynamic Range 119 dB
Power Supply 48V Phantom Power (IEC 268-
15/DIN 45596)
Current Consumption 7.0 mA
Dimensions ? 54 x 180 mm
Weight 460g
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| Acoustical operating principle | Pressure gradient transducer | | Directional pattern | Omnidirectional, wide angle cardioid, cardioid, hypercardioid, figure-8 plus one intermediate position each | | Frequency range | 20 Hz ... 20 kHz | | Sensitivity at 1 kHz into 1 kohm | 34/47/62 mV/Pa* | | Rated impedance | 50 ohms | | Rated load impedance | 1000 ohms | | Equivalent SPL CCIR 468-3 | 28/25/23 dB* | | Equivalent SPL DIN/IEC 651 | 16/13/11 dB-A* | | S/N ratio CCIR 468-3 | 66/69/71 dB* | | S/N ratio DIN/IEC 651 | 78/81/83 dB* | | Typical SPL (tube characteristic) | K | | Maximum output voltage | 18 dBu | | Dynamic range of the microphone amplifier cardioid DIN/IEC 651 for | 101 (121) dB | | Powering | Power supply N 149 | | Matching connectors | Microphone DIN 8F, Power supply XLR 3F | | Weight | 730 g | | Diameter | 70 mm | | Length | 201 mm |
* Omnidirectional / cardioid / figure-8
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| Acoustical operating principle | Pressure gradient transducer | | Directional pattern | Cardioid | | Frequency range | 20 Hz ... 20 kHz | | Sensitivity at 1 kHz into 1 kohms | 18 mV/Pa | | Rated impedance | 50 ohms | | Rated load impedance | 1000 ohms | | Equivalent SPL CCIR 468-3 | 21 dB | | Equivalent SPL DIN/IEC 651 | 10 dB-A | | S/N ratio CCIR 468-3 | 73 dB | | S/N ratio DIN/IEC 651 | 84 dB | | Maximum SPL for THD 0.5% | 140 dB | | Maximum output voltage | 13 dBu | | Dynamic range of the microphone amplifier DIN/IEC 651 | 130 dB | | Supply voltage | 48 V ± 4 V | | Current consumption | 3 mA | | Matching connectors | XLR 3F | | Weight | 480 g | | Diameter | 49 mm | | Length | 175 mm |
| AKG C214 – large 1” diaphragm microphone with cardioid polar pattern, frequency response: 20Hz-20kHz, 20dB pad, requires phantom power (12-52V), XLR connector. Includes clip, case and windshield. Dimensions: 160 x 55mm. Weight: 280g, optional microphone holder SA61
The C214 professional large-diaphragm condenser microphone has been designed as a cost-effective alternative to the high-end C414 family. Like the C414, the C214 offers a supreme one-inch capsule on an integrated suspension to reduce mechanical noise. A switchable 20dB attenuation pad allows recording of loud sources of up to 156dB SPL. A switchable bass-cut filter allows close-up recording with almost no proximity effect.
The C214 captures sound by combining one capsule of the legendary C414 dual-capsule system and the patented AKG Back-Plate Technology, resulting in an outstanding performance close to the famous C414 XLII.
Sonic character of the C414 XLII
for beautifully detailed recording of lead vocals and solo instruments
Outstanding dynamic range and ultralow noise
for close-up recording of high-output sources of up to 156dB SPL
Switchable 20dB attenuator and bass-cut filter
for close-up recording and reduction of proximity effect
Integrated suspension
to reduce mechanical noise and vibration from stage
Roadworthy design
all-metal die-cast body with shock- and scratch-resistant finish | Live sound
| Podcasting
Home recording
Vocals
Musical instruments |
Perception 120 |
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- General-purpose cardioid recording microphone
- Extended frequency response
- Roadworthy construction
- Switchable 20 dB preattenuation pad
- Switchable bass cut filter
- Designed and engineered by AKG in Vienna, Austria
The Perception 120 is a 2/3-inch diaphragm true condenser microphone that offers solid build quality, outstanding performance, and excellent value. The low-mass diaphragm delivers a clear sound with accurate sonic detail. A switchable 20 dB preattenuation pad and bass cut filter make the Perception 120 an excellent choice for a wide range of recording and live sound applications.
Backed by AKG\'s six decades of experience in making microphones and input from sound engineers around the world, the Perception 120 now brings AKG studio quality to musicians and project studio applications.
| Type |
2/3\" Diaphragm True Condenser |
| Polar pattern |
cardioid |
| Frequency range |
20 to 20,000 Hz |
| Sensitivity |
22 mV/Pa (-33 dBV) |
| Max. SPL |
130/150 dB (0/-20 dB) for 0.5% THD |
| Equivalent noise level |
22 dB-A (IEC 60268-4) |
| Signal/noise ratio (A-weighted) |
72 dB |
| Preattenuation pad |
0 dB, -20 dB |
| Bass filter |
12 dB/octave at 300 Hz |
| Impedance |
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| Recommended load impedance |
>= 1,000 ohms |
| Powering |
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| Power requirement |
48 V phantom power to DIN/IEC |
| Connector |
3-pin XLR |
| Finish |
metallic blue |
| Dimensions |
53 dia. x 165 mm (2.1 dia. x 6.5 in.) |
| Net weight |
525 g (18.5 oz.) |
| Shipping weight |
955 g (33.7 oz.) |
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The AVANTONE CK-6 is truly a gorgeous looking and sounding microphone. The design, character and performance can be compared directly to fine studio-standard FET mics…but at a fraction of their cost!
The rugged CK-6 microphone body and capsule assembly are precision machined of Brass. Aesthetically the compact body features an elegant Metallic Cabernet Wine-Red finish, accented with polished nickel trim and capsule assembly. Manufactured using the finest materials yielding a very solid feel, superb structural integrity and rugged reliability.
This Transformerless CLASS A FET Microphone w/ 32mm gold sputtered thin Mylar capsule is designed with circuitry that will yield pleasing professional results comparable to much more expensive designs. It also features -10 dB pad & 80 Hz LF roll off switches for varied recording situations.
The included Custom Retro Shockmount is superb in allowing a precise positioning of the mic while inhibiting the transfer of unwanted vibrations up into the mic. This isolation allows for superior professional results.
Applications
Studio vocals, acoustic guitar, mandolin, drum overheads, piano, etc…
Specifications
Type: True Transformerless Condenser
Polar Pattern: Cardioid
Frequency Response: 35-20,000 Hz +/- 3.5dB
Output Impedance: |
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