The S gate 4 is a versatile four channel Expander/Gate/Ducker that can be operated as four discrete gates or linked into two stereo pairs. The unit’s discerning circuitry provides precise frequency dependent triggering with two bands of highly accurate, selectable filters. Its handling of audio is fast and precise offering subtle control, and can be […]
The S gate 4 is a versatile four channel Expander/Gate/Ducker that can be operated as four discrete gates or linked into two stereo pairs. The unit’s discerning circuitry provides precise frequency dependent triggering with two bands of highly accurate, selectable filters. Its handling of audio is fast and precise offering subtle control, and can be sonically invisible if so desired. The S gate 4’s powerful Ducker feature allows the user to automatically lower the signal of a channel or stereo pair. You can also lower or “duck” the signal level by inserting an external source into the Key Input. This is especially useful for utilizing another audio source, such as a solo instrument or voice-over to “duck,” or regulate, a rhythm track or stereo program track. A Key Listen switch enables monitoring of the key signal. The S gate 4’s Link switch allows the settings on channels 1 and 3 to control the processing of channels 2 and 4. In this mode, stereo Gating and Ducking can be accomplished easily. Each of the gate channels has High and Low Pass Filters, Threshold, Attack, Release, and Range Controls for precise manipulation. An 8-segment Gain Reduction LED allows the user to monitor the circuit’s effect. Ducker, Link, In/Out, Filter and Key Listen switches add increased versatility.
Weight
3.40 kg
Reviews
There are no reviews yet.
Be the first to review “SAMSON S-GATE 4 FOUR CHANNELS GATE-DUCKER” Cancel reply
The S gate 4 is a versatile four channel Expander/Gate/Ducker that can be operated as four discrete gates or linked into two stereo pairs. The unit's discerning circuitry provides precise frequency dependent triggering with two bands of highly accurate, selectable filters. Its handling of audio is fast and precise offering subtle control, and can be sonically invisible if so desired. The S gate 4's powerful Ducker feature allows the user to automatically lower the signal of a channel or stereo pair. You can also lower or "duck" the signal level by inserting an external source into the Key Input. This is especially useful for utilizing another audio source, such as a solo instrument or voice-over to "duck," or regulate, a rhythm track or stereo program track. A Key Listen switch enables monitoring of the key signal. The S gate 4's Link switch allows the settings on channels 1 and 3 to control the processing of channels 2 and 4. In this mode, stereo Gating and Ducking can be accomplished easily. Each of the gate channels has High and Low Pass Filters, Threshold, Attack, Release, and Range Controls for precise manipulation. An 8-segment Gain Reduction LED allows the user to monitor the circuit's effect. Ducker, Link, In/Out, Filter and Key Listen switches add increased versatility.
GENERAL DATA
Power Supply 220 / 110V 25 VA
Dimension 434x351x44mm (1 rack unit)
Weight » 4 Kg
MEETING INTERFACE IN / OUT
Connector DB 9 female
Nominal in / out audio level 0 dBm
Input impedance 600 W / 10 KW (selectable)
Output impedance 100 W
* nominal line level: - 6 dBm
** it can vary depending on characteristics of telephone line
All measurements are intended at 1 kHz.
AUDIO PROGRAM IN / OUT
Connectors XLR, electr. balanced
Input impedance 600 W / 10K W (selectable)
Output level * - ¥ ¸ + 16 dBm
Output impedance 100 W
Noise on Receive output
2-Wire separation £ 25 dB**
4-Wire separation £ 70 dB
2-WIRE SECTION
Connector RJ11
Nominal input level - 6 dBm
Nominal output level - 6 dBm
Compensation mode Electronic, transf. decoupled
Impedance 600 W
4-WIRE SECTION
Connector Terminal block
Impedance 600 W
Nominal TX level 0 dBm
Nominal RX level 0 dBm
Product Features:
Ultra-high resolution 24-bit/96 kHz mastering processor featuring 32/40-bit floating-point DSP technology Audiophile 24-bit/96 kHz A/D- and D/A converters offering 113 dB dynamic range 4 concurrently selectable EQ modules (31-band graphic EQ, 10-band parametric EQ, Feedback Destroyer plus 3 Dynamic EQs per stereo channel) Ultra-high resolution 61-band real-time FFT analyzer with additional auto EQ function for room and loudspeaker equalization Unique VPQ (Virtual Paragraphic EQ) option allows parametric control of graphic EQs State-of-the-art compressor/expander with peak limiter per stereo channel, additional stereo imager and stereo delay for delay line applications Multi-functional level meters (peak/RMS, VU and SPL meter with dBA/dBC weighting via RTA/Mic input) 64 user memories for complete setups and/or individual module configurations Separate mic/line input with phantom power for RTA and Auto-EQ applications Balanced inputs and servo-balanced outputs with gold-plated XLR connectors, stereo aux output, AES/EBU and S/PDIF inputs and outputs (XLR and optical) Professional Wordclock input and MIDI connections for full remote control, preset dumps and system updates Open architecture allowing future software updates via MIDI "Planet Earth" switching power supply for maximum flexibility (100 - 240 V~), noise-free audio, superior transient response plus low power consumption for energy saving High-quality components and exceptionally rugged construction ensure long life Conceived and designed by BEHRINGER Germany
Renaissance Compressor
Designed to provide the classic warm sound of analog compressors, the legendary
Renaissance Compressor controls dynamics with studio-style warmth that flatters
full mixes, vocals, or instruments. Controls include selection of vintage-style Opto
or modern Electro compression, and threshold, ratio, and attack controls. Waves
ARC? (Automatic Release Control) algorithm dynamically optimizes the compressor's
release value for a wide-ranging input. ARC? reacts much the way a human ear
expects, and can produce increased RMS level with greater clarity.
In general, the release is faster for peak transients and slower for the overall RMS
level. The ARC? system varies the release time to fit the ear's expectations while
increasing RMS, and without creating distracting artifacts. In this way, the
Renaissance Compressor can serve as a leveler plus a fast compressor simultaneously.
L2 Ultramaximizer Peak Limiter
Heard on countless hit records and soundtracks, the L2 Ultramaximizer puts sound
up-front with breathtaking transparency. The L2 is capable of a very fast, overshoot-free
response. Once the limiter threshold has been set, you can define the actual peak level
that the processed signal will reach. Once set, limiting and level re-scaling becomes a
one-shot process. The L2 can significantly increase the average signal level without
introducing any audible side effects. Yet there is plenty of range to recreate "vintage"
effects such as level pumping or severely limited dynamic range if you like.
Pristine Sound Quality
The MaxxBCL offers 96kHz, 24-bit resolution with a 48-bit, double precision internal
processing path and a dynamic range of ~125dB. The totally passive analog input
path to the ADC uses Jensen transformers, while the output path also features Jensen
analog output transformers. The unit is galvanic-isolated, which prevents ground loops
and allows it to operate in electrically unstable environments. Waves MaxxBCL combines
the highest quality converters available with unequalled processing algorithms to offer you
astonishing new power in bass enhancement, dynamics processing, and format conversion
(analog-to-digital, digital-to-analog, and digital re-quantization).
Versatile Connections
The MaxxBCL supports optical, coaxial S/PDIF, AES/EBU, balanced and unbalanced
line-level analog signals. MaxxBCL features a unique set of input and output trim settings:
analog input headroom can be set from 9dB above 0dBu to 24dB in six precise steps
(using the rear-panel selectors). Analog output level is similarly set with a separate
rear-panel trim pot offering you the ability to connect between devices with a wide range
of input and output levels.
Waves MaxxBCL Features:
User Interface:
Clear backlit displays, meters, and buttons are visible in all lighting conditions
THD + Noise: ? 0.0006 % @ 1kHz @ -1dBFS
Precision metering with resettable peak hold options (2 sec, infinite)
Accurate, wide-range metering covering 90dB for input and output
and 12dB for compressor and limiter attenuation
Quick access independent bypass on each processing block
Tactile feedback knobs
Four easy store/recall user presets
Input / Output:
Analog, AES/EBU, S/PDIF
Independent rear-panel input and output headroom calibration in six steps
(+9, 12, 15, 18, 20, and 24 dBu)
Passive analog inputs to the A-to-D converters using Jensen analog input transformers
Jensen analog output transformers
High-performance IDR dithering to 16- or 24-bit output
Precise input level setting using 1% resistor networks
Processing:
48-bit end-to-end internal processing path
Switchable compressor/MaxxBass? order
MaxxBass:
Adjustable processor frequency from 25 to 120Hz
Adjustable harmonic mix percentage from 0 to 100%
High-pass Filter "harmonics only" option
Compressor:
Opto/Electro mode selection
Threshold (0-60dB), Ratio (1:1-12:1), and Attack (0.5, 1, 2, 5, 10, 20, and 50 ms) controls
Proprietary ARC? Automatic Release Control
Automatic gain makeup
Limiter:
Overshoot-free look-ahead processing
Adjustable Threshold (0-18dB)
Adjustable Output Ceiling (0-18dBFS)
This website uses cookies to improve your experience. We'll assume you're ok with this, but you can opt-out if you wish. Cookie settingsACCEPT
Privacy & Cookies Policy
Πολιτική χρήσης
Αυτός ο ιστότοπος χρησιμοποιεί cookies για να βελτιώσει την εμπειρία σας ενώ περιηγείστε στον ιστότοπο. Από αυτά τα cookies, κάποια cookie κατηγοριοποιούνται ως απαραίτητα να αποθηκεύονται στο πρόγραμμα περιήγησης σας, καθώς είναι απαραίτητα για τη λειτουργία βασικών λειτουργιών του ιστότοπου. Χρησιμοποιούμε επίσης cookies τρίτων που μας βοηθούν να αναλύσουμε και να κατανοήσουμε πώς χρησιμοποιείτε αυτόν τον ιστότοπο. Αυτά τα cookies θα αποθηκευτούν στο πρόγραμμα περιήγησης σας μόνο με τη συγκατάθεσή σας. Έχετε επίσης την επιλογή να εξαιρεθείτε από αυτά τα cookies. Ωστόσο, η εξαίρεση από ορισμένα από αυτά τα cookie μπορεί να επηρεάσει την εμπειρία περιήγησης σας.
Necessary cookies are absolutely essential for the website to function properly. This category only includes cookies that ensures basic functionalities and security features of the website. These cookies do not store any personal information.
Any cookies that may not be particularly necessary for the website to function and is used specifically to collect user personal data via analytics, ads, other embedded contents are termed as non-necessary cookies. It is mandatory to procure user consent prior to running these cookies on your website.
 <br>Low and High frequency compression in Single Channel mode <br>'Enhance' switch restores spectral balance of compressed signal <br>New Hard/Soft knee compression switch <br>New Adaptive Stereo Link circuit for accurate stereo imaging <br>New Above/Below Threshold LEDs enable at-a-glance compression <br>confirmation <br>Balanced XLR and Jack Inputs and Outputs <br>Sidechain Insert points <br>Intuitive user-friendly layout <br>Flawless performance <br> <br>New Above/Below Threshold LEDs enable at-a-glance compression confirmation<br>New Hard or Soft knee compression option<br>New LED metering provides accurate Level status, with separate Gain Reduction <br>metering in easy to read 'wide scale' meters. There is also comprehensive LED <br>indication of all operating functions and status in any mode.<br>Balanced Inputs and Outputs<br>On the rear panel, each channel has true differential Balanced inputs and outputs, <br>on both XLR and TRS jack connectors. As well, each channel has a TRS jack <br>Sidechain access insert point, for applications such as De-essing (when used with <br>an external equalizer such as the ARX Multi Q or EQ 260).Other features include a <br>true Hardwire bypass switch for each channel, and passive RFI filters on the inputs.<br>Universal AC Power<br>AC power range is a universal 100 to 120V or 220 to 240V AC, and is connected to <br>the unit via a removable power lead and standard 3 pin IEC connector, with built-in <br>fuse and voltage change switch.<br>With its smooth compression, intuitive user friendly layout, high density precision <br>circuitry, and extensive user-variable operating parameters, the unique ARX Afterburner <br>is equally at home in Studio, Installation, Broadcast and Sound Reinforcement <br>environments. It can provide great sounding dynamics control effects that are not <br>available with any other device.<br> <br>T E C H N I C A L S P E C I F I C A T I O N S <br>Input Impedance Balanced 20 Kohms, Unbalanced 10 Kohms<br>Input Headroom + 22 dB<br>CMRR >60 dB, 20 Hz-20 KHz<br>Output Impedance Balanced 300 ohms, Unbalanced 150 ohms<br>Output Level (Max) + 22 dB<br>Frequency Response 20Hz to 20KHz ±0.2dB<br>Signal to Noise ratio -93 dB Unweighted, -99 dB 'A' weighted<br>Distortion .02% THD @ 0dB,1KHz<br>Dynamic Range 115 dB<br>Sidechain Insert Impedance 10 Kohm<br>Filter Section<br>Filter Type Phase corrected 6dB/octave<br>Summed Filter Response ±0.2dB through crossover region<br>Dividing Frequency 250 Hz<br>Enhance Section<br>Low Enhance 50 Hz, High Enhance 10 KHz<br>Power Requirements 100/120 V AC, 220/240 V AC<br>Weight 5 lbs/2.2 Kg<br>Dimensions 19“W x 1?“H x 6“D, 482 x 44 x 155mm<br>Input/OutputConnector type XLR, Balanced Jack<br>Sidechain Insert Connector TRS Jack </p>
<p>Front Panel Controls<br>Hardwire bypass IN/OUT switch <br>Threshold, Ratio and Output Gain controls <br>Above/Below Threshold LEDs <br>12 segment LED Output Level display <br>Numbered marker panel for labelling compressor assigns <br>7 segment LED Gain Reduction display <br>Enhance switch and status LED <br>Adaptive Stereo link switch and status LED <br>Dual/Single channel mode switch and status LEDs <br>Rear Panel Connectors <br>Balanced Inputs and Outputs, on both XLR and TRS jack <br>connectors. In Single channel (Mono) mode, use Channel <br>1 Inputs and Outputs only <br>Sidechain Insert TRS connector on each channel <br>AC input connector, with voltage switch and fuse. <br> </p></td><td>
<p>The DPR-504 is a 4-channel noise gate. </p>
<p>Each channel features:<br>A parametric key filter with key filter listening. <br>Simultaneous key level and threshold metering with average and <br>peak metering. <br>A gate status LED. <br>A RELEASE/HOLD control (hold tracks proportionally with release <br>times). <br>Attack switchable auto/fast (auto tracks signal dynamics for optimum <br>setting). <br>Link (links two channels together). <br>Key source allows external triggers. </p>
<p>The Range switch selects between 7OdB and 2OdB gating depth to <br>provide alternative release profiles.<br>The unit features electronically balanced inputs and outputs. </p></td><td>
<p>
Psychoacoustic Bass Enhancement Unit with Renaissance Compressor, MaxxBass, and L2
</p>
<p>
Bass Boost for Live Sound, Broadcast, Mastering & Post Production<br>
They say that in electronics there's no new technology - the only changes <br>
will be in size and applications. Things will simply keep getting smaller <br>
while doing more. This is certainly true in music (just think about what an <br>
iPod can do), but as we design smaller playback systems with small speakers, <br>
there are also some tradeoffs, particularly in music. Clever cabinet designs and <br>
high-excursion drivers can get you only so far. Any audio engineer trying to extract <br>
bass from real-world components must eventually face the laws of physics: <br>
All things being equal, small boxes and speaker cones can't move enough air <br>
to produce a room-shaking low end. When working with systems tiny enough to <br>
toss in a shoulder bag, the challenge is even more formidable. Interestingly enough, <br>
Waves MaxxBCL has a new solution to this problem using a very old concept.
</p>
<p>
Waves MaxxBCL at a Glance:<br>
MaxxBass? Bass Enhancement adds deep bass sound without adding bass frequencies<br>
Waves Renaissance Compressor<br>
L2 Ultramaximizer Peak Limiter<br>
24-bit/96kHz resolution with 48-bit, double-precision processing<br>
Supports optical, coaxial S/PDIF, AES/EBU, balanced and unbalanced line-level analog signals
</p>
<p>
MaxxBass Bass Enhancement<br>
Waves' patented algorithm adds stunning bass sound without adding bass frequencies, <br>
delivering a bigger bottom end. MaxxBass? allows your audience to hear bass frequencies <br>
lower than physically present by applying psychoacoustic principles: Even though we <br>
can hear a bass guitar from a small speaker, we don't actually hear the fundamental <br>
frequency because the speaker can't produce a pitch that low. Instead, we hear the <br>
harmonics that the speaker can produce, and this causes the brain to create the "acrobat_reader_logo."){kind=logo}
fundamental." MaxxBass? takes this well-known psychoacoustic phenomenon to the 
Reviews
There are no reviews yet.