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The X1 A from sE Electronics is a versatile entry-level microphone with a small-diaphragm condenser element that can be used to record a wide variety of sources including vocals, percussion, electric and acoustic guitars, piano, and other instruments.
Styled with a black grille and white chassis, the X1 A uses a 2/3" electret-condenser diaphragm and completely redesigned electronic components to deliver high-quality results at a budget-friendly price. An optional 100 Hz high-pass filter with a 6 dB per octave slope can be engaged to filter-out low end; this is especially useful in reducing the proximity effect if the mic is placed very close to the sound source. The X1 A offers a 20 dB pad switch that allows the mic to handle even very loud sources, such as guitar amplifiers, at up to 150 dB SPL.
Connection to a wide variety of professional gear is ensured through a durable gold-plated XLR connector, and 48V phantom power is required. A mic clip and thread adapter, allowing you to mount the X1 A to any standard microphone stand is included.
- Versatile entry-level studio microphone
- 2.3" electret-condenser capsule
- Cardioid pickup pattern for less background sound
- 100 Hz high-pass filter
- 20 dB pad allows mic to handle up to 150 dB SPL
- All-metal housing with integrated windscreen
Primary Applications |
Studio Recording |
Form Factor |
Stand/Boom Mount |
Intended Sound Sources |
Vocals, Speech/Voice Over, Acoustic Guitar, Electric Guitar, Piano, Percussion, Cymbals, Overhead, Instrument |
Sound Field |
Mono |
Capsule |
1 x Condenser |
Diaphragm |
0.7" / 16.9 mm (Condenser) |
Polar Pattern |
Cardioid |
Orientation |
Side Address |
Circuitry |
Solid-State |
Pad |
-20 dB |
High-Pass Filter |
100 Hz, 6 dB/Octave |
Tone Adjustment |
None |
Gain Adjustment |
None |
On-Board Controls |
High-Pass Filter, Pad |
Windscreen |
Built-In |
Performance
Frequency Range |
20 Hz to 20 kHz |
Maximum SPL |
150 dB SPL (.5% THD, 1-Kilohm Load) |
Impedance |
50 Ohms |
Load Impedance |
> 1 Kilohms |
Sensitivity |
-34 dBV |
Dynamic Range |
134 dB (with Pad) |
Signal-to-Noise Ratio |
78 dB A-Weighted |
Equivalent Noise Level |
16 dB A-Weighted |
Connectivity
Output Connectors (Analog) |
1 x XLR 3-Pin Male (on Mic) |
Headphone Connector |
None |
Power
Operating Voltage |
48 V (Phantom Power) |
Operating Current Consumption |
4 mA (Phantom Power) |
Physical
Color |
White |
Mounting |
Mic Clip/Stand Adapter (with Included Hardware) |
Included Case |
None |
Included Filters |
None |
Dimensions |
ø: 2.3 x L: 6.7" / ø: 58 x L: 169 mm (Microphone) |
Weight |
13.8 oz / 390 g |
| AKG C411L Ultralight Condenser Microphone
- Ultra-light vibration pickup
- Condenser transducer in sealed enclosure
- Cable with lockable miniature XLR connector
Weighing only 18 grams (0.6 oz.), this ultra-light condenser pickup is ideal for acoustic guitar, mandolin, violin, and most other stringed instruments. The C 411 will give a clear and uncolored sound without changing the balance of the instrument. Attaching the C 411 on or near the bridge or anywhere else on the instrument is easy with the included non-marring, reusable, solventfree adhesive compound.
C 411 L: With mini XLR connector for use with B 29 L battery operated power supply, MPA V L external phantom power adapter, or AKG WMS bodypack transmitters.
Frequency range |
10 to 18,000 Hz |
Max. SPL |
100 dB (for 1% THD) |
Impedance |
200 ohms unbalanced |
Recommended load impedance |
>=1000 ohms |
Supply voltage |
9 to 52 V phantom power to DIN 45596 or battery powering from B 29 L or AKG bodypack transmitter |
Current consumption |
approx. 2.2 mA |
Connector |
C 411 L: 3-pin mini XLR |
Cable |
C 411 L: 1.5 m (5 ft.) |
Finish |
matte black |
Dimensions |
27 x 14 x 9.5 mm / 1.1 x 0.5 x 0.3 in. |
Net weight |
C 411 L: 18 g / 0.7 oz. |
Shipping weight |
C 411 L: 150 g / 5.5 oz. |
|
C 568 B
Compact, short shotgun microphone
Integrated, switchable bass cut filter minimizes mechanical noise
Operates on phantom power
High directivity and wide frequency response in a relatively short shotgun make this
microphone a perfect tool for theater, sound reinforcement, and film/TV applications.
Due to its compact and lightweight design, the C 568 B is ideal for camera mount
applications. Below 500 Hz it functions as a hypercardioid microphone; above 500 Hz
the acoustic interference tube introduces increasing directivity. A switchable 12 dB/
octave 120 Hz bass cut filter effectively suppresses rumble and wind noise. The rugged,
all-metal body contains the built-in preamp. Phantom powering (9?52 V) required; foam
windscreen and stand adapter included.
SPECIFICATIONS:
Polar pattern hypercardioid/directional
Frequency range 20 to 20,000 Hz
Sensitivity 11 mV/Pa (-39 dBV)
Max. SPL 128 dB
Equivalent noise level (CCIR 468-3) 29 dB
Equivalent noise level 18 dB-A
Signal/noise ratio 76 dB
Bass filter 12 dB/octave at 120 Hz
Impedance 600 ohms
Recommended load impedance >2000 ohms
Supply voltage 9 to 52 V phantom power to DIN 45596
Current consumption |
The e 914 is a high grade condenser microphone for very demanding applications.
Its outstanding sound properties qualify the e 914 for highly sophisticated tasks.
The e 914 is a perfect microphone for ambitious recordings and live performances.
Its main areas of application are acoustic guitars, cymbals, percussion, overhead,
orchestras, grand pianos etc .
Features
Exceptionally lively, clear sound
Three-position sensitivity switch
Three-position bass roll-off/cut-off switch
Very high sound pressure handling capability
Exchangeable microphone capsule
Delivery Includes
e 914 microphone
Microphone clamp
Windscreen
Pouch
User manual
Technical Data
Pick-up pattern cardioid
Frequency response 20...20 000 Hz
Sensitivity in free field, no load (1kHz) 7 mV/Pa
Equivalent noise level 19 dB(A)
Attenuation 0, -10, -20 dB
Max. Sound pressure level (aktiv) 137, 147, 157 dB
Nominal impedance 100 Ohm
Min. terminating impedance 1000 Ohm
Dimensions 24 x 157 mm
Weight 198 g
|
Weighing only 18 grams (0.6 oz.), this ultra-light condenser pickup is ideal for acoustic guitar, mandolin, violin, and most other stringed instruments. The C 411 will give a clear and uncolored sound without changing the balance of the instrument. Attaching the C 411 on or near the bridge or anywhere else on the instrument is easy with the included non-marring, reusable, solventfree adhesive compound.
C 411 PP: For hardwire applications, with standard XLR connector for phantom powering. |
The e 865 is a fully professional super-cardioid vocal microphone utilising the very best in condenser microphone technology to achieve new standards of quality and sound. The microphone capsule insorporates special blast/pop protiction plate to shield the diaphragm from excessive sound pressure levels. ON/OFF Switch.
- Pick-up pattern : super cardioid
- Sensitivity in free field, no load : (1kHz) 3 mV/Pa
- Max. Sound pressure level (aktiv) : 150 dB
- Nominal impedance : 200 Ohm
- Min. terminating impedance : 1000 Ohm
- Dimensions : d 47 x 193 mm
- Weight : w/o cable 311 g
- Frequency response (microphone) : 40.....20000 Hz
- Phantom powering : 12 - 48 V
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