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The e 902 is a dynamic cardioid instrument microphone, which was designed
for lowest bass signals with very high sound pressure levels.It is suitable for
kick drums, bass guitar-amps, tuba, and other bass instruments.
Features
Frequency response optimized for kick drum
Very fast attack
Exceptionally clean and clear pick-up of the deepest bass signals
Integral stand mount
Hum compensating coil
Shock mounted capsule
Robust metal body
Delivery Includes
e 902 microphone
Pouch
User Manual
Technical Data
Pick-up pattern cardioid
Frequency response 20...18000 Hz
Sensitivity in free field, no load (1kHz) 0,2 mV/Pa; (@ 60 Hz): 0,6 mV/Pa
Nominal impedance 350 Ohm
Min. terminating impedance 1000 Ohm
Dimensions 128,5 x 60 mm
Weight 440 g
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Audio Frequency Response 50 Hz - 16,000 Hz
Case Material Die cast zinc
Connector Type 3-pin XLR
Dynamic Range 107 dB
Element Condenser (self-biased)
Finish Textured Satin Black
Impedance, Low-Z balanced 200 Ω
Maximum SPL (1% THD) 132 dB
Mic Type Instrumental
Open Circuit Voltage 6 mV/Pascal
Polar Pattern Cardioid
Power Requirement 11 to 52 VDC, 4 mA
Wired/Wireless Wired
Weight Net 6.21 oz (176 g)
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Audio Frequency Response 50 Hz - 16,000 Hz
Case Material Die cast zinc
Connector Type 3-pin XLR
Element Dynamic
Finish Textured Satin Black
Impedance, Low-Z balanced 600 Ω
Mic Type Instrumental
Open Circuit Voltage 2.2 mV/Pascal
Polar Pattern Supercardioid
Power Requirement Passive
Wired/Wireless Wired
Weight Net 8.32 oz (236 g)
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NEW Wider mounting base capable of accommodating a larger range of microphone stands. Even works with the LP Claw.
Specifically engineered for drum and instrument applications, the Beta 56A's compact, pivoting design makes it the ideal choice for these applications.
Its extremely uniform supercardioid pickup pattern provides high gain before feedback and excellent rejection of unwanted noise. A built-in dynamic locking stand adapter with an integral XLR connector simplifies installation. The stand adapter keeps the microphone securely in place, even if it is struck by a drumstick. Typical Beta 56A applications include close miking of tom-toms and other percussion instruments, as well as guitar amplifiers, brass instruments, and woodwinds.
- Built-in stand adapter with dynamic locking system and XLR connector simplifies setup and provides greater flexibility
- Uniform supercardioid pattern for high gain-before-feedback and superior rejection of off-axis sound
- Compact design reduces stage clutters
- Hardened steel mesh grille resists wear and abuse
- Neodymium magnet for high signal-to-noise ratio output
- Advanced pneumatic shock mount system that minimizes transmission of mechanical noise and vibration
- Frequency response: 50 to 16,000 Hz
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The supercardioid e 906 instrument microphone was especially designed for
guitar amplifiers, but it is also an excellent choice for percussion and brass
instruments.
Features
Lively, full sound
Very fast attack
Flat shape of microphone body perfect for guitar amps
Three adjustable sound characteristics (bright, normal, smooth)
Hum compensating coil
Rugged metal body
Delivery Includes
e 906 microphone
MZQ 100 clamp
Pouch
User manual
Technical Data
Pick-up pattern supercardioid
Frequency response 40...18000 Hz
Sensitivity in free field, no load (1kHz) 2,2 mV/Pa
Nominal impedance 350 Ohm
Min. terminating impedance 1000 Ohm
Dimensions 55 x 34 x 134 mm
Weight 140 g
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Legendary among harmonica players for its classic blues harp sound, the 520D's tradition is carried on by the 520DX "Green Bullet" and has a contoured size and shape that fits perfectly between harmonica and hands. - New volume control knob allows musicians to adjust the volume to fit each musical situation
- New rugged, dynamic cartridge with improved response
- High-impedance, omnidirectional
- Supplied with 1/4 inch connector
- Frequency response: 100 to 5,000 Hz
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