SHURE Beta98D/S – Snare/Tom Microphone

The Beta 98D/S is a high performance mini-condenser microphone designed to excel at professional sound reinforcement or recording. Its ultra-uniform supercardioid pickup pattern provides high gain before feedback and excellent rejection of unwanted noise. In addition, an optional cardioid cartridge lets you easily adapt the mic to different applications. For toms, snares and percussion instruments, no other microphone stands up to the performance and versatility of the new Shure Beta 98D/S.

As the successor to the popular SM98A, the Beta 98D/S features several notable improvements. Dynamic range is 4 dB greater, as is headroom, while maximum SPL is 5 dB higher (now 160 dB!). Physically, the mic utilizes a thicker, beefier Triple-Flex? cable (detachable).

With the unique A98D microphone drum mount (supplied), no other rim-mounted microphone stays more securely in place. This hardware has been redesigned for quicker, more secure, rim-mounting without the need for a drum key. Its flexible gooseneck lets you position the mic in practically any configuration, so you get a virtually unlimited choice of sound options. Its unobtrusive design and compact size help the Beta 98D/S reduce stage clutter to an absolute minimum. (The microphone is also available without the drum mount - model Beta 98/S.) And because it bears the Shure name, you can be certain that the Beta 98D/S will withstand just about any abuse it may run across and keep delivering great sound.

The D 40 with its solid all-metal body will stand up to the hardships of night-after-night onstage use "with a smile“.
The Varimotion diaphragm deep-drawing process allows the diaphragm itself to be fine-tuned with no need for tuning resonators, leading to a quantum leap in audio performance.
The transducer is protected by a sturdy wire-mesh cap and takes extremely high sound pressure levels with ease.
An integrated stand adapter and standard H 440 mounting bracket for snare drums, tom-toms, etc. make the D 40 a highly versatile tool for use on drums, percussions, wind instruments, and guitar amps.

Musical instruments, Live applications.
Dynamic microphone designed for drums and percussions, wind instruments, and guitar amps
Patented AKG Varimotion diaphragm
Custom built capsule mounting
Spring steel wire-mesh cap
Rugged all-metal body withstands typical tough handling on stage

Type Cardioid
Polar pattern 75 to 20,000 Hz
Sensitivity 4 mV/Pa (-48 dBV)
Max. SPL 144/156 dB SPL (for 1%/3 % THD)
Equivalent noise level 18 dB-A
Impedance =1000 ohms
Connector 3-pin XLR
Finish dark stage blue
Dimensions length 104 mm (4.1 in.) height (incl. stand adapter): 79 mm (3.1 in.) max. dia.: 44 mm (1.7 in.)
Net weight 245 g (8.6 oz.)
 

The Shure KSM137 is an end-address condenser microphone with a cardioid polar pattern. Designed for studio use, yet rugged enough for live applications, the KSM137 can withstand extremely high sound pressure levels (SPL). Its low self-noise and extended frequency response make it ideal for recording musical instruments.

Features

• A highly consistent cardioid polar pattern
• Ultra-thin, 2.5 micron, 24 karat gold-layered, low mass Mylar? diaphragm for superior transient response
• Class A, discrete, transformerless preamplifier for transparency, extremely fast transient response, no crossover distortion, and minimal harmonic and intermodulation distortion
• Premium electronic components, including gold-plated internal and external connectors
• Subsonic filter eliminates low frequency rumble (less than 17 Hz) caused by mechanical vibration
• Switchable 15 dB pad for handling extremely high sound pressure levels (SPLs)
• Three-position switchable pad (0 dB, 15 dB, and 25 dB) for handling extremely high sound pressure levels (SPLs)
• Three-position switchable low-frequency filter reduces background noise and counteracts proximity effect

Performance Characteristics

• Extended frequency response
• Low self noise
• Exceptional reproduction of low-frequency sounds
• Can withstand high sound pressure levels (SPL)
• High output level
• No crossover distortion
• Uniform polar response
• Superior common mode rejection and suppression of radio frequency interference

APPLICATIONS

Some typical applications for the KSM137 are listed below. Microphone use, however, is a matter of personal taste. The KSM137 may be used for a variety of applications other than those listed.

• Acoustic instruments -- such as piano, guitar, drums, percussion, strings
• Wind instruments -- brass and woodwind
• Low frequency instruments -- such as double bass, electric bass, kick drum
• Overhead miking -- drums or percussion
• Ensembles -- choral or orchestral
• Room ambiance pick-up -- guitar amplifier or drums

Both the acoustic environment and microphone placement strongly affect the sound obtained from miking a source. You may need to experiment with microphone placement and room treatments to achieve the best overall sound for each application.

Suggested Applications

Acoustic Guitar
Acoustic Bass
Cymbals
Brass/Woodwinds
Orchestra
Ensemble Vocals
Piano
Strings
Room Ambience
Live Recording

Legendary among harmonica players for its classic blues harp sound, the 520D's tradition is carried on by the 520DX "Green Bullet" and has a contoured size and shape that fits perfectly between harmonica and hands.

• New volume control knob allows musicians to adjust the volume to fit each musical situation
• New rugged, dynamic cartridge with improved response
• High-impedance, omnidirectional
• Supplied with 1/4 inch connector
• Frequency response: 100 to 5,000 Hz

• Tailored frequency response provides drums, guitars, vocals, and horns with studio quality sound
• Uniform supercardioid pattern for high gain-before-feedback and superior rejection of off-axis sound
• Hardened steel mesh grille that facilitates use of proximity effect and resists wear and abuse
• Neodymium magnet for high signal-to-noise ratio output
• Advanced pneumatic shock mount system that minimizes transmission of mechanical noise and vibration
• Frequency response: 50 to 16,000 Hz

The supercardioid e 906 instrument microphone was especially designed for
guitar amplifiers, but it is also an excellent choice for percussion and brass
instruments.

Features
Lively, full sound
Very fast attack
Flat shape of microphone body perfect for guitar amps 
Three adjustable sound characteristics (bright, normal, smooth)
Hum compensating coil
Rugged metal body
Delivery Includes
e 906 microphone
MZQ 100 clamp
Pouch
User manual

Technical Data
Pick-up pattern  supercardioid 
Frequency response  40...18000 Hz 
Sensitivity in free field, no load (1kHz)  2,2 mV/Pa 
Nominal impedance  350 Ohm 
Min. terminating impedance  1000 Ohm 
Dimensions  55 x 34 x 134 mm 
Weight  140 g