SHURE KSM-109SL – Instrument Microphone 20Hz to 20kHz

Discontinued

168.75 incl. GR VAT

Out of stock

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The Shure KSM109 offers incredible performance for its price. It combines an extended frequency response for natural sound reproduction with a smooth high end and a tight, controlled low end. It’s all the mic you need for studio instrument recording. Features A tight cardioid polar pattern Transformerless Class-A preamplifier circuitry design Outstanding transparency without crossover […]

 

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The Shure KSM109 offers incredible performance for its price. It combines an extended frequency response for natural sound reproduction with a smooth high end and a tight, controlled low end. It’s all the mic you need for studio instrument recording.

Features

  • A tight cardioid polar pattern
  • Transformerless Class-A preamplifier circuitry design
  • Outstanding transparency without crossover distortion
  • An extended frequency response (20Hz to 20KHz)
  • Natural reproduction of sound with a smooth high-end and a tight/controlled low-end
  • Switchable -15dB Pad allows the input of a wider range of SPL sources

APPLICATIONS

Some typical applications for the KSM109 are listed below. Microphone use, however, is a matter of personal taste. The KSM109 may be used for a variety of applications other than those listed.

  • Acoustic instruments — such as piano, guitar, drums, percussion, strings
  • Wind instruments — brass and woodwind
  • Overhead miking — drums or percussion
  • Ensembles — choral or orchestral
  • Room ambiance pick-up — guitar amplifier or drums

Both the acoustic environment and microphone placement strongly affect the sound obtained from miking a source. You may need to experiment with microphone placement and room treatments to achieve the best overall sound for each application.

Suggested Applications

Acoustic Guitar
Acoustic Bass
Cymbals
Brass/Woodwinds
Orchestra
Ensemble Vocals
Piano
Strings
Room Ambience
Live Recording

Weight 0.50 kg

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Quick Comparison

SHURE KSM-109SL - Instrument Microphone 20Hz to 20kHz removeSENNHEISER E-904 CARDIOID DYNAMIC INSTRUMENT MICROPHONE removeSENNHEISER E-906 SUPER-CARDIOID DYNAMIC MICROPHONE removeSHURE KSM-137SL - Cardioid Instrument Microphone 20Hz to 20kHz removeSENNHEISER E-609 Dynamic Microphone for Strings removeBEYERDYNAMIC M 88 TG Dynamic Microphone (Hypercardioid) remove
NameSHURE KSM-109SL - Instrument Microphone 20Hz to 20kHz removeSENNHEISER E-904 CARDIOID DYNAMIC INSTRUMENT MICROPHONE removeSENNHEISER E-906 SUPER-CARDIOID DYNAMIC MICROPHONE removeSHURE KSM-137SL - Cardioid Instrument Microphone 20Hz to 20kHz removeSENNHEISER E-609 Dynamic Microphone for Strings removeBEYERDYNAMIC M 88 TG Dynamic Microphone (Hypercardioid) remove
Imagebeyerdynamaic m 88 tg dynamic hyperdioid microphone
SKUKSM109SLH10SE00103H10SE00105KSM137/SLH10SE00147M-88 TG
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Price 168.75 incl. GR VAT 179.00 incl. GR VAT 189.00 incl. GR VAT 396.80 incl. GR VAT 98.00 incl. GR VAT 419.99 incl. GR VAT
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Description
  • Legendary, universal all purpose microphone classic
  • Perfectly suitable for stage and studio
  • Unbelievably rich sound
  • Made in germany
Content

The Shure KSM109 offers incredible performance for its price. It combines an extended frequency response for natural sound reproduction with a smooth high end and a tight, controlled low end. It's all the mic you need for studio instrument recording.

Features

  • A tight cardioid polar pattern
  • Transformerless Class-A preamplifier circuitry design
  • Outstanding transparency without crossover distortion
  • An extended frequency response (20Hz to 20KHz)
  • Natural reproduction of sound with a smooth high-end and a tight/controlled low-end
  • Switchable -15dB Pad allows the input of a wider range of SPL sources

APPLICATIONS

Some typical applications for the KSM109 are listed below. Microphone use, however, is a matter of personal taste. The KSM109 may be used for a variety of applications other than those listed.

  • Acoustic instruments -- such as piano, guitar, drums, percussion, strings
  • Wind instruments -- brass and woodwind
  • Overhead miking -- drums or percussion
  • Ensembles -- choral or orchestral
  • Room ambiance pick-up -- guitar amplifier or drums

Both the acoustic environment and microphone placement strongly affect the sound obtained from miking a source. You may need to experiment with microphone placement and room treatments to achieve the best overall sound for each application.

Suggested Applications

Acoustic Guitar
Acoustic Bass
Cymbals
Brass/Woodwinds
Orchestra
Ensemble Vocals
Piano
Strings
Room Ambience
Live Recording

  • Especially for tom and snare recording
  • Polar pattern: cardioid
  • Frequency range: 40 - 18,000 Hz
  • Impedance: 350 Ω
  • Robust metal chassis
  • Incl. special tom holder
  • Bag included
  • Dimensions: 63 x 41 mm
  • Weight: 125 g

The supercardioid e 906 instrument microphone was especially designed for
guitar amplifiers, but it is also an excellent choice for percussion and brass
instruments.

Features
Lively, full sound
Very fast attack
Flat shape of microphone body perfect for guitar amps 
Three adjustable sound characteristics (bright, normal, smooth)
Hum compensating coil
Rugged metal body
Delivery Includes
e 906 microphone
MZQ 100 clamp
Pouch
User manual

Technical Data
Pick-up pattern  supercardioid 
Frequency response  40...18000 Hz 
Sensitivity in free field, no load (1kHz)  2,2 mV/Pa 
Nominal impedance  350 Ohm 
Min. terminating impedance  1000 Ohm 
Dimensions  55 x 34 x 134 mm 
Weight  140 g 

The Shure KSM137 is an end-address condenser microphone with a cardioid polar pattern. Designed for studio use, yet rugged enough for live applications, the KSM137 can withstand extremely high sound pressure levels (SPL). Its low self-noise and extended frequency response make it ideal for recording musical instruments.

Features

  • A highly consistent cardioid polar pattern
  • Ultra-thin, 2.5 micron, 24 karat gold-layered, low mass Mylar? diaphragm for superior transient response
  • Class A, discrete, transformerless preamplifier for transparency, extremely fast transient response, no crossover distortion, and minimal harmonic and intermodulation distortion
  • Premium electronic components, including gold-plated internal and external connectors
  • Subsonic filter eliminates low frequency rumble (less than 17 Hz) caused by mechanical vibration
  • Switchable 15 dB pad for handling extremely high sound pressure levels (SPLs)
  • Three-position switchable pad (0 dB, 15 dB, and 25 dB) for handling extremely high sound pressure levels (SPLs)
  • Three-position switchable low-frequency filter reduces background noise and counteracts proximity effect

Performance Characteristics

  • Extended frequency response
  • Low self noise
  • Exceptional reproduction of low-frequency sounds
  • Can withstand high sound pressure levels (SPL)
  • High output level
  • No crossover distortion
  • Uniform polar response
  • Superior common mode rejection and suppression of radio frequency interference

APPLICATIONS

Some typical applications for the KSM137 are listed below. Microphone use, however, is a matter of personal taste. The KSM137 may be used for a variety of applications other than those listed.

  • Acoustic instruments -- such as piano, guitar, drums, percussion, strings
  • Wind instruments -- brass and woodwind
  • Low frequency instruments -- such as double bass, electric bass, kick drum
  • Overhead miking -- drums or percussion
  • Ensembles -- choral or orchestral
  • Room ambiance pick-up -- guitar amplifier or drums

Both the acoustic environment and microphone placement strongly affect the sound obtained from miking a source. You may need to experiment with microphone placement and room treatments to achieve the best overall sound for each application.

Suggested Applications

Acoustic Guitar
Acoustic Bass
Cymbals
Brass/Woodwinds
Orchestra
Ensemble Vocals
Piano
Strings
Room Ambience
Live Recording

The super-cardioid e 609 instrument microphone has been specially developed for miking guitar cabs face on and extremely close to the signal source.

Pick-up pattern : Super-cardioid
Frequency response : 40.....15000 Hz
Sensitivity in free field, no load (1kHz) : 1,5 mV/Pa
Nominal impedance : 350 Ohm
Min. terminating impedance : 1000 Ohm
Dimensions : 55 x 34 x 134 mm
Weight : 140 g

Technical Data

Transducer Type: Dynamic
Polar Pattern: Hypercardioid
Microphone Frequency Response: 30 - 20.000 Hz
Connection Type: XLR 3-pin

Made in Germany

Like all members of the M series, the M 88 TG is handcrafted in Germany. The materials and the precise craftsmanship that go into the microphone ultimately create a world-class product, a level of quality that turns an ordinary microphone purchase into a long-term investment.

 
Perfect for heavy bass Sources
The M 88 TG excels on the kick drum, saxophone and percussions, the result of a balanced sound profile and deep bass tones. It is a must-have for every microphone collection. And why shouldn’t it be when you consider its features? It is both insensitive to high sound pressure levels and feedback resistant thanks to its nearly perfect hypercardioid!  
Flexible tool iN The studio

The M 88 TG excels in the studio with the help of its multifaceted flexibility. No matter whether the job involves vocals, horns, guitar amplifiers or drums – the microphone is the perfect choice for the widest range of sources. It is all the result of its exceptionally broad frequency response and rich sound.

Weight0.50 kg0.30 kg0.32 kg0.50 kg0.14 kg0.600 kg
DimensionsN/AN/AN/AN/AN/AN/A
Additional information
Weight 0.50 kg
Weight 0.30 kg
Weight 0.32 kg
Weight 0.50 kg
Weight 0.14 kg
Weight 0.600 kg