SHURE KSM-137SL – Cardioid Instrument Microphone 20Hz to 20kHz

396.80 incl. GR VAT

Available on backorder

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The Shure KSM137 is an end-address condenser microphone with a cardioid polar pattern. Designed for studio use, yet rugged enough for live applications, the KSM137 can withstand extremely high sound pressure levels (SPL). Its low self-noise and extended frequency response make it ideal for recording musical instruments. Features A highly consistent cardioid polar pattern Ultra-thin, […]

 

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The Shure KSM137 is an end-address condenser microphone with a cardioid polar pattern. Designed for studio use, yet rugged enough for live applications, the KSM137 can withstand extremely high sound pressure levels (SPL). Its low self-noise and extended frequency response make it ideal for recording musical instruments.

Features

  • A highly consistent cardioid polar pattern
  • Ultra-thin, 2.5 micron, 24 karat gold-layered, low mass Mylar? diaphragm for superior transient response
  • Class A, discrete, transformerless preamplifier for transparency, extremely fast transient response, no crossover distortion, and minimal harmonic and intermodulation distortion
  • Premium electronic components, including gold-plated internal and external connectors
  • Subsonic filter eliminates low frequency rumble (less than 17 Hz) caused by mechanical vibration
  • Switchable 15 dB pad for handling extremely high sound pressure levels (SPLs)
  • Three-position switchable pad (0 dB, 15 dB, and 25 dB) for handling extremely high sound pressure levels (SPLs)
  • Three-position switchable low-frequency filter reduces background noise and counteracts proximity effect

Performance Characteristics

  • Extended frequency response
  • Low self noise
  • Exceptional reproduction of low-frequency sounds
  • Can withstand high sound pressure levels (SPL)
  • High output level
  • No crossover distortion
  • Uniform polar response
  • Superior common mode rejection and suppression of radio frequency interference

APPLICATIONS

Some typical applications for the KSM137 are listed below. Microphone use, however, is a matter of personal taste. The KSM137 may be used for a variety of applications other than those listed.

  • Acoustic instruments — such as piano, guitar, drums, percussion, strings
  • Wind instruments — brass and woodwind
  • Low frequency instruments — such as double bass, electric bass, kick drum
  • Overhead miking — drums or percussion
  • Ensembles — choral or orchestral
  • Room ambiance pick-up — guitar amplifier or drums

Both the acoustic environment and microphone placement strongly affect the sound obtained from miking a source. You may need to experiment with microphone placement and room treatments to achieve the best overall sound for each application.

Suggested Applications

Acoustic Guitar
Acoustic Bass
Cymbals
Brass/Woodwinds
Orchestra
Ensemble Vocals
Piano
Strings
Room Ambience
Live Recording

Weight 0.50 kg

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Quick Comparison

SHURE KSM-137SL - Cardioid Instrument Microphone 20Hz to 20kHz removeSHURE Beta98HC - clip on condenser instrument mic removeAKG C 414-XLII/ST Matched Pair removeAKG D 40 Dynamic Instrument Microphone removeSHURE BETA 52A - Kick Drum Microphone 20Hz to 10kHz removeSENNHEISER E-902 CARDOID DYNAMIC INSTRUMENT MICROPHONE remove
NameSHURE KSM-137SL - Cardioid Instrument Microphone 20Hz to 20kHz removeSHURE Beta98HC - clip on condenser instrument mic removeAKG C 414-XLII/ST Matched Pair removeAKG D 40 Dynamic Instrument Microphone removeSHURE BETA 52A - Kick Drum Microphone 20Hz to 10kHz removeSENNHEISER E-902 CARDOID DYNAMIC INSTRUMENT MICROPHONE remove
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SKUKSM137/SLBETA98H/CC 414-XLII STD 40BETA 52AH10SE00102
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Price 396.80 incl. GR VAT 241.91 incl. GR VAT 2,100.00 incl. GR VAT117.89 incl. GR VAT 231.36 incl. GR VAT 185.00 incl. GR VAT
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Description
Content

The Shure KSM137 is an end-address condenser microphone with a cardioid polar pattern. Designed for studio use, yet rugged enough for live applications, the KSM137 can withstand extremely high sound pressure levels (SPL). Its low self-noise and extended frequency response make it ideal for recording musical instruments.

Features

  • A highly consistent cardioid polar pattern
  • Ultra-thin, 2.5 micron, 24 karat gold-layered, low mass Mylar? diaphragm for superior transient response
  • Class A, discrete, transformerless preamplifier for transparency, extremely fast transient response, no crossover distortion, and minimal harmonic and intermodulation distortion
  • Premium electronic components, including gold-plated internal and external connectors
  • Subsonic filter eliminates low frequency rumble (less than 17 Hz) caused by mechanical vibration
  • Switchable 15 dB pad for handling extremely high sound pressure levels (SPLs)
  • Three-position switchable pad (0 dB, 15 dB, and 25 dB) for handling extremely high sound pressure levels (SPLs)
  • Three-position switchable low-frequency filter reduces background noise and counteracts proximity effect

Performance Characteristics

  • Extended frequency response
  • Low self noise
  • Exceptional reproduction of low-frequency sounds
  • Can withstand high sound pressure levels (SPL)
  • High output level
  • No crossover distortion
  • Uniform polar response
  • Superior common mode rejection and suppression of radio frequency interference

APPLICATIONS

Some typical applications for the KSM137 are listed below. Microphone use, however, is a matter of personal taste. The KSM137 may be used for a variety of applications other than those listed.

  • Acoustic instruments -- such as piano, guitar, drums, percussion, strings
  • Wind instruments -- brass and woodwind
  • Low frequency instruments -- such as double bass, electric bass, kick drum
  • Overhead miking -- drums or percussion
  • Ensembles -- choral or orchestral
  • Room ambiance pick-up -- guitar amplifier or drums

Both the acoustic environment and microphone placement strongly affect the sound obtained from miking a source. You may need to experiment with microphone placement and room treatments to achieve the best overall sound for each application.

Suggested Applications

Acoustic Guitar
Acoustic Bass
Cymbals
Brass/Woodwinds
Orchestra
Ensemble Vocals
Piano
Strings
Room Ambience
Live Recording

A high performance mini-condenser for sound reinforcement and recording. Great for instruments or drums. The ultra-uniform pickup pattern provides high gain before feedback and excellent rejection of unwanted noise.

Other features include:

  • Mew A98D flexible drum mount
  • SPL handling to 160dB
  • frequency response of 20 to 20,000Hz and included preamplifier
  • shock mount and windscreen

Complete With Stereo Bar, Windshield's and Cradle'

The C 414 B-XL II/ST is especially useful for stereo recordings taken from the far field with the inclusion of useful and often valuable room acoustics. The matched pairs consist of two microphones that are within 1 dB to each other in sensitivity and also within 1 dB to each other in the range of 300 Hz to 8,000 Hz of the individual frequency response when used in cardioid mode and are selected from a large quantity of individual microphones using the described criteria by using a proprietary computer program.

Using this matched pair for stereo recordings utilizing various techniques will provide for a good and stable balance without frequency-dependent shifting of the stereo panorama.

The kit comes complete in an all-metal 'Soundtool' Hard Shell road case with 2 x AKG H-85 shock mounts, 2 x W414X external windscreens, an H50 stereo bar and an individually-measured chart showing the response curve of the microphone. See www.dv247.com Alternative Products and Related Products on this page for your options.

The C 414B-XLII has been carefully designed to maintain the legendary sonic character of the C 414 family while integrating new features and performance enhancements made possible by new technology. A classic microphone with a distinctive timbre especially designed for recording of solo vocals and solo instruments.

Whats the difference between the C 414B-XLII and the C 414 B XLS? The main difference between the two current C414 models lies in their frequency responses. The C 414B-XLII has a series of presence rises between 2.5 KHz and 9 KHz. This will make any recording with this microphone brighter or more sibilant than the original sound. This upper mid range boost is quite helpful on vocals and certain instruments such as classical acoustic guitars using nylon or natural strings. The C 414B XLS, see www.dv247.com Alternative Products on this page, has a very flat response that will not color the original sound which is important especially in instrumental recordings. It more suited for general use.

The microphone's 5 pickup patterns are easily selectable via an electronic switch with LED indication and offer the selection of omnidirectional, cardioid wide cardioid, hyper cardioid and figure-eight patterns. The pickup pattern selector switch utilizes a dual-color LED indicator that provides visual indication of the pattern selected and also changes from green to red to indicate if the microphone's output electronics are being overloaded. The pattern selector can also be used to "lock" the microphone's switch settings by pressing and holding it for 3 seconds. On the rear of the microphone, an electronic switch allows the selection of -6, -12 and -18 dB pre-attenuation levels which are accomplished by changing the polarization voltage to the capsule. The C 414B-XLII has switchable bass cut filters of 12 dB-per-octave at 40 Hz and 80 Hz, and a 6 dB-per-octave filter at 160 Hz for control of proximity effect. On-axis sensitivity for all patterns is 23 mV/Pa and its self-noise is an extremely low 6 dB-A.

The C 414B-XLII has a transformerless output and all-metal chassis, making it immune to electrical interference and RF from digital equipment, video monitors and wireless systems.

Features:

  • High sensitivity and extremely low self noise
  • Five switchable polar patterns for placement and application flexibility
  • Two-color LEDs provide quick visual indication of selected polar pattern and output overload
  • Elastic capsule suspension greatly minimizes structurally-transmitted noise from chassis vibration
  • Supplied with Hard Shell road case with 2 x AKG H-85 shock mounts, 2 x W414X external windscreens and an H50 stereo bar
  • High sound pressure level capability, 140 - 158dB, and wide dynamic range
  • Completely immune to electrostatic and electro-magnetic interference from digital gear, computer monitors, etc. thanks to solid metal housing and transformerless output stage
  • Three switchable bass cut filters and three pre-attenuation pads with LEDs for quick visual indication
  • All switchable components operate in low impedance circuits for ultra-high relability even in extremely humid conditions

Specifications:

  • Type: 1" large diaphragm pressure gradient microphone
  • Polar Patterns: Omnidirectional, wide cardioid, cardioid, hypercardioid, figure eight
  • Frequency Range: 20 to 20,000 Hz
  • Sensitivity: 23 mV/Pa (-33 dBV) +/-0.5 dB
  • Max. SPL: 140/146/152/158 dB SPL (at 0/-6/-12/-18 dB)
  • Preattenuation Pad: -6, -12,-18 dB, switchable
  • Bass Cut Filter Scope: 12 dB/octave at 40 Hz and 80 Hz; 6 dB/octave at 160 Hz
  • Impedance: = 2,200 ohms
  • Supply voltage: 48 V phantom power to DIN/IEC
  • Current consumption: Approximately 4.5 mA
  • Dynamic range: 134 dB minimum
  • Environment Temperature range: -10° C to +60° C (14° F to 140° F)
  • Relative humidity: 95% (+20° C/68° F), 85% (+60° C/140° F)
  • Connector: 3-pin XLR to IEC
  • Dimensions: 50 x 38 x 160 mm (2.0 x 1.5 x 6.3 in.)
  • Net weight 300 g (10.6 oz.)

 

The D 40 with its solid all-metal body will stand up to the hardships of night-after-night onstage use "with a smile“.
The Varimotion diaphragm deep-drawing process allows the diaphragm itself to be fine-tuned with no need for tuning resonators, leading to a quantum leap in audio performance.
The transducer is protected by a sturdy wire-mesh cap and takes extremely high sound pressure levels with ease.
An integrated stand adapter and standard H 440 mounting bracket for snare drums, tom-toms, etc. make the D 40 a highly versatile tool for use on drums, percussions, wind instruments, and guitar amps.

Musical instruments, Live applications.
Dynamic microphone designed for drums and percussions, wind instruments, and guitar amps
Patented AKG Varimotion diaphragm
Custom built capsule mounting
Spring steel wire-mesh cap
Rugged all-metal body withstands typical tough handling on stage

Type Cardioid
Polar pattern 75 to 20,000 Hz
Sensitivity 4 mV/Pa (-48 dBV)
Max. SPL 144/156 dB SPL (for 1%/3 % THD)
Equivalent noise level 18 dB-A
Impedance =1000 ohms
Connector 3-pin XLR
Finish dark stage blue
Dimensions length 104 mm (4.1 in.) height (incl. stand adapter): 79 mm (3.1 in.) max. dia.: 44 mm (1.7 in.)
Net weight 245 g (8.6 oz.)
 

Optimized for low-frequency bass punch/high-power SPL handling. Designed for kick drum. The Shure BETA®52A is a high output dynamic microphone with a tailored frequency response designed specifically for kick drums and other bass instruments. It provides superb attack and "punch“, and delivers studio quality sound even at extremely high sound pressure levels. The Beta 52A features a modified supercardioid pattern throughout its frequency range to insure high gain-before-feedback and excellent rejection of unwanted sound. A built in dynamic locking stand adapter with an integral XLR connector simplifies installation, particularly if the microphone is to be placed inside a kick drum. The stand adapter keeps the microphone position fixed and resists slipping, even when subjected to sharp blows and strong vibrations. A hardened steel mesh grille protects the Beta 52A from the abuse and wear associated with touring. Features
  • Frequency response shaped specifically for kick drums and bass instruments
  • Built–in dynamic locking stand adapter with integral XLR connector simplifies setup, especially inside a kick drum
  • Studio quality performance, even at extremely high sound pressure levels
  • Supercardioid pattern for high gain before feedback and superior rejection of unwanted noise
  • Hardened steel mesh grille that resists wear and abuse
  • Advanced pneumatic shock mount system that minimizes transmission of mechanical noise and vibration
  • Neodymium magnet for high signal–to–noise ratio output
  • Low sensitivity to varying load impedance
  • Legendary Shure quality and reliability
Type Dynamic (moving coil)
Frequency Response 20 to 10,000 Hz
Polar Pattern Supercardioid, rotationally symmetrical about microphone axis
Output Level Open Circuit Voltage: -64 dBV/Pa* (0.6 mV), *1 Pa = 94 dB SPL

The e 902 is a dynamic cardioid instrument microphone, which was designed
for lowest bass signals with very high sound pressure levels.It is suitable for
kick drums, bass guitar-amps, tuba, and other bass instruments.
 
Features
Frequency response optimized for kick drum
Very fast attack
Exceptionally clean and clear pick-up of the deepest bass signals
Integral stand mount
Hum compensating coil
Shock mounted capsule
Robust metal body
Delivery Includes
e 902 microphone
Pouch
User Manual

Technical Data
Pick-up pattern  cardioid 
Frequency response  20...18000 Hz 
Sensitivity in free field, no load (1kHz)  0,2 mV/Pa; (@ 60 Hz): 0,6 mV/Pa 
Nominal impedance  350 Ohm 
Min. terminating impedance  1000 Ohm 
Dimensions  128,5 x 60 mm 
Weight  440 g 

Weight0.50 kg0.20 kg2.00 kg0.24 kg0.80 kg0.44 kg
DimensionsN/AN/AN/AN/AN/AN/A
Additional information
Weight 0.50 kg
Weight 0.20 kg
Weight 2.00 kg
Weight 0.24 kg
Weight 0.80 kg
Weight 0.44 kg