SHURE KSM-32SL – Single-Diaphragm Microphone 20Hz to 20kHz

The Shure KSM32 is a side-address, cardioid condenser microphone for highly critical studio recording and live sound productions. It offers an extended frequency response for an open, natural sounding reproduction of the original sound source.

FEATURES

• Class A, transformerless preamplifier circuitry eliminates cross-over distortion for improved linearity across the full frequency range.
• Embossed, high-compliance diaphragm provides extended low-frequency response.
• Ultra-thin, gold-layered, low-mass, Mylar? diaphragm for excellent transient response
• 15 dB attenuation switch for handling extremely high sound pressure levels (SPL)
• Switchable low-frequency filter provides greater flexibility to reduce background noise or to counteract proximity effect.
• Integrated three-stage pop protection grille reduces "pop" and other breath noise
• Internal shock mount reduces transmission of handling noise

Performance Characteristics

• Extended frequency response
• Very low self-noise
• Exceptional low-frequency reproduction
• High output level
• High input SPL capability
• No cross-over distortion
• Extremely uniform polar response
• Superior common mode rejection and suppression of radio frequency interference

MODEL VARIATIONS

The KSM32/SL has a champagne-colored finish and comes with the following accessories:

• Locking aluminum carrying case
• ShureLockTM elastic-suspension shock mount
• ShureLockTM swivel mount
• Protective velveteen pouch

The KSM32/CG has a non-reflective, charcoal-gray finish for situations where less microphone visibility is preferred, such as live sound and stage production. It comes with the following accessories:

• ShureLockTM swivel mount
• Padded, zippered carrying bag

APPLICATIONS

Some typical applications for the KSM32 are listed below. Microphone use, however, is a matter of personal taste. The KSM32 may be used for a variety of applications other than those listed.

• Voice -- solo, background, voice-over, broadcasting
• Acoustic instruments -- such as piano, guitar, drums, percussion, strings
• Wind instruments -- brass and woodwind
• Low frequency instruments -- such as double bass, electric bass, kick drum
• Overhead miking -- drums or percussion
• Ensembles -- choral or orchestral
• Room ambiance pick-up -- guitar amplifier or drums

Both the acoustic environment and microphone placement have significant effects on the sound obtained when miking a source. You may need to experiment with these variables to achieve the best overall sound for each application.

Suggested Applications

Studio Vocals
Ensemble Vocals
Live Recording
Acoustic Guitar/Bass
Percussion
Cymbals
Strings
Woodwinds
Saxophone

• Large 1" (25mm) capsule with gold plated diaphragm
• Cardioid polar pattern
• Self noise of only 5dB (A)
• Ultra low noise, transformerless surface mount circuitry
• Wide dynamic range
• Gold plated output contacts
• True condenser (externally biased)
• Internal capsule shock mounting

KSM44A Multi-Pattern Dual Diaphragm Microphone Premium microphone with three polar pattern options (cardioid, omnidirectional, bidirectional).

Features

• Prethos® Advanced Preamplifier Technology: Class A, discrete, transformerless preamplifier provides  transparency, extremely fast transient response and no crossover distortion. Minimizes harmonic and intermodulation distortions.  
• Groundbreaking specifications: 4dB of self-noise and max SPL of 131 dB for a total dynamic range of 127 dB – an increase of 7 dB that defines the new standard for cleanly nuanced audio capture
• Multiple polar patterns–cardioid, omnidirectional and bidirectional–for maximum flexibility in a wide variety of recording applications
• Dual 1 inch, externally biased, ultra-thin, 2.5 μm, 24 Karat gold-layered, low mass diaphragms provide superior frequency response
• Premium electronic components and gold-plated internal and external connectors
• Subsonic filter eliminates rumble from mechanical vibration below 17 Hz.
• Switchable 15 dB pad for handling extremely high sound pressure levels (SPLs)
• 3-position switchable low-frequency filter helps reduce unwanted stand vibration noise or counteract proximity effect
• Integrated three-stage "pop” protection grille reduces plosives and other breath noise
  
  

  Type	Condenser (externally biased)
  Frequency Response	20 to 20,000 Hz
  Polar Pattern	Cardioid, Omnidirectional, Bidirectional
  lmpedance	50 ohms
  Phantom power required?	11–52 V DC phantom power (IEC-61938) 5.8 mA, maximum

  
  

The AVANTONE CK-6 is truly a gorgeous looking and sounding microphone. The design, character and performance can be compared directly to fine studio-standard FET mics…but at a fraction of their cost!

The rugged CK-6 microphone body and capsule assembly are precision machined of Brass. Aesthetically the compact body features an elegant Metallic Cabernet Wine-Red finish, accented with polished nickel trim and capsule assembly. Manufactured using the finest materials yielding a very solid feel, superb structural integrity and rugged reliability.

This Transformerless CLASS A FET Microphone w/ 32mm gold sputtered thin Mylar capsule is designed with circuitry that will yield pleasing professional results comparable to much more expensive designs. It also features -10 dB pad  &  80 Hz LF roll off switches for varied recording situations.
 
The included Custom Retro Shockmount is superb in allowing a precise positioning of the mic while inhibiting the transfer of unwanted vibrations up into the mic. This isolation allows for superior professional results.
 
Applications

Studio vocals, acoustic guitar, mandolin, drum overheads, piano, etc…

Specifications

Type: True Transformerless Condenser
Polar Pattern: Cardioid
Frequency Response: 35-20,000 Hz +/- 3.5dB
Output Impedance:

Rode's new NTK has the quality and warmth demanded from a tube mic.
With the large 1 in. capsule gold-plated membrane and twin triode tubes
(hand graded and selected), Rode is again setting the standard for value.
This is a tube mic designed exclusively for recording professionals who
want what only the best can offer.

Features:
Dynamic range of 47dB
Ultra low noise of only 12dB
Internal capsule shock mounting
Cardioid polar pattern
20Hz - 20kHz frequency response
Includes a power supply, 30 ft. cable, and stand adapter

Technical Description:
Capsule: Externally polarised 1 in. pressure-gradient condenser
Active Electronics: Unity-gain closed-loop impedance converter;
vacuum-tube input with bipolar buffering
Pickup Pattern: Cardioid
Frequency Response: 20Hz - 20kHz (+/-6dB)
Output Impedance: 200 ohms (100 ohms per leg)
Sensitivity: -38dB re 1V/Pa (12mV @ 94dB SPL) +/-1dB
Equivalent Noise: 12dB SPL (A-weighted per IEC268-15) +/-2dB
Maximum Output: > +29dBu (@ 1kHz, 5% THD into 1k (load)
Dynamic Range: > 147dB (A-weighted, per IEC268-15)
Maximum SPL: > 158dB SPL (@ 1kHz, 5% THD into 1k (load)
Signal/Noise Ratio: > 82dB (A-weighted, per IEC268-15)
External power supply: 100-120V/200-240V AC (user selectable)
50Hz/60Hz, 25VA maximum
Packed Weight: 4.53 kg (Mic only 760 gm)

Accessories included:
Power Supply
30 ft (10 m) Multicore Cable
M2 Standmount plus 3/8-5/8 in. Thread Adapter
Optional Extras: SM2 Shockmount