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The Shure KSM32 is a side-address, cardioid condenser microphone for highly critical studio recording and live sound productions. It offers an extended frequency response for an open, natural sounding reproduction of the original sound source.
FEATURES
- Class A, transformerless preamplifier circuitry eliminates cross-over distortion for improved linearity across the full frequency range.
- Embossed, high-compliance diaphragm provides extended low-frequency response.
- Ultra-thin, gold-layered, low-mass, Mylar? diaphragm for excellent transient response
- 15 dB attenuation switch for handling extremely high sound pressure levels (SPL)
- Switchable low-frequency filter provides greater flexibility to reduce background noise or to counteract proximity effect.
- Integrated three-stage pop protection grille reduces "pop" and other breath noise
- Internal shock mount reduces transmission of handling noise
Performance Characteristics
- Extended frequency response
- Very low self-noise
- Exceptional low-frequency reproduction
- High output level
- High input SPL capability
- No cross-over distortion
- Extremely uniform polar response
- Superior common mode rejection and suppression of radio frequency interference
MODEL VARIATIONS
The KSM32/SL has a champagne-colored finish and comes with the following accessories:
- Locking aluminum carrying case
- ShureLockTM elastic-suspension shock mount
- ShureLockTM swivel mount
- Protective velveteen pouch
The KSM32/CG has a non-reflective, charcoal-gray finish for situations where less microphone visibility is preferred, such as live sound and stage production. It comes with the following accessories:
- ShureLockTM swivel mount
- Padded, zippered carrying bag
APPLICATIONS
Some typical applications for the KSM32 are listed below. Microphone use, however, is a matter of personal taste. The KSM32 may be used for a variety of applications other than those listed.
- Voice -- solo, background, voice-over, broadcasting
- Acoustic instruments -- such as piano, guitar, drums, percussion, strings
- Wind instruments -- brass and woodwind
- Low frequency instruments -- such as double bass, electric bass, kick drum
- Overhead miking -- drums or percussion
- Ensembles -- choral or orchestral
- Room ambiance pick-up -- guitar amplifier or drums
Both the acoustic environment and microphone placement have significant effects on the sound obtained when miking a source. You may need to experiment with these variables to achieve the best overall sound for each application.
Suggested Applications
Studio Vocals
Ensemble Vocals
Live Recording
Acoustic Guitar/Bass
Percussion
Cymbals
Strings
Woodwinds
Saxophone
| The C 414 B/XLS has been carefully designed to maintain the legendary sonic character of the C 414 family while integrating new features and performance enhancements made possible by new technology. The C 414B/XLS is designed to deliver accurate pickup of all acoustic instruments and voices.
The microphone's 5 pickup patterns are easily selectable via an electronic switch with LED indication and offer the selection of omnidirectional, cardioid, wide cardioid, hypercardioid and figure-eight patterns.
The pickup pattern selector switch utilizes a dual-color LED indicator that provides visual indication of the pattern selected and also changes from green to red to indicate if the microphone's output electronics are being overloaded. The pattern selector can also be used to "lock" the microphone's switch settings by pressing and holding it for 3 seconds.
On the rear of the microphone, an electronic switch allows the selection of -6 dB, -12 dB and -18 dB pre-attenuation levels which are accomplished by changing the polarization voltage to the capsule. The C 414 B/XLS has switchable bass cut filters of 12 dB-per-octave at 40 Hz and 80 Hz, and a 6-dB-per-octave filter at 160 Hz for control of proximity effect. On-axis sensitivity for all patterns is 23 mV/Pa and its self-noise is an extremely low 6 dB-A.
The C 414 B/XLS has a transformerless output and all-metal chassis, making it immune to electrical interference and RF from digital equipment, video monitors and wireless systems. It comes complete in an all-metal road case with the AKG H-85 shock mount, a PF80 external two-stage pop filter, a W414X external windscreen and an individually-measured chart showing the response curve of the microphone. It is also available in factory-matched stereo pairs packaged with a H50 stereo bar instead of the external pop filter.
The C 414B/XLS is built in Vienna, Austria and comes with a three-year limited parts and labor warranty.
Features
High sensitivity and extremely low self noise
Five switchable polar patterns for placement and application flexibility
Two-color LEDs provide quick visual indication of selected polar pattern and output overload
Elastic capsule suspension greatly minimizes structurally-transmitted noise from chassis vibration
H 85 professional shock mount/stand adapter, PF 80 external pop filter and W 414 X external windscreen
High sound pressure level capability and wide dynamic range
Completely immune to electrostatic and electro-magnetic interference from digital gear, computer monitors, etc. thanks to solid metal housing and transformerless output stage
Three switchable bass cut filters and three pre-attenuation pads with LEDs for quick visual indication
All switchable components operate in low impedance circuits for ultra-high relability even in extremely humid conditions
Optional R 414 remote control unit (available by the end of 2004) offers full control of all switchable parameters via standard microphone cable and 3-pin XLR-type connectors
Specifications
Type: 1" large diaphragm pressure gradient microphone
Polar Patterns: Omnidirectional, wide cardioid, cardioid, hypercardioid, figure eight
Frequency Range: 20 to 20,000 Hz
Sensitivity: 23 mV/Pa (-33 dBV) +/-0.5 dB
Max. SPL: 140/146/152/158 dB SPL (at 0/-6/-12/-18 dB)
Preattenuation Pad: -6, -12,-18 dB, switchable
Bass Cut Filter Scope: 12 dB/octave at 40 Hz and 80 Hz; 6 dB/octave at 160 Hz
Power Requirements: 48 V phantom power to DIN/IEC
Connector: 3-pin XLR
Dimensions: 2" x 1.5" x 6.3“
Net Weight: 10.6 oz
Shipping Weight: 5 lbs (2.27 kg) |
Acoustical operating principle | Pressure gradient transducer | Directional pattern | Cardioid | Frequency range | 20 Hz ... 20 kHz | Sensitivity at 1 kHz into 1 kohms | 18 mV/Pa | Rated impedance | 50 ohms | Rated load impedance | 1000 ohms | Equivalent SPL CCIR 468-3 | 21 dB | Equivalent SPL DIN/IEC 651 | 10 dB-A | S/N ratio CCIR 468-3 | 73 dB | S/N ratio DIN/IEC 651 | 84 dB | Maximum SPL for THD 0.5% | 140 dB | Maximum output voltage | 13 dBu | Dynamic range of the microphone amplifier DIN/IEC 651 | 130 dB | Supply voltage | 48 V ± 4 V | Current consumption | 3 mA | Matching connectors | XLR 3F | Weight | 480 g | Diameter | 49 mm | Length | 175 mm |
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- One-inch large-diaphragm, true condenser cardioid transducer
- Rugged all-metal body
- Roadworthy construction
- Switchable 20 dB preattenuation pad
- Switchable bass cut filter
- Legendary AKG sound quality
- Designed and engineered by AKG in Vienna, Austria
- Comes with spider-type shock mount and aluminium carrying case
The Perception 220 is a large-diaphragm true condenser microphone offering outstanding build quality and excellent value. Its many useful features and included accessories make this microphone uncommonly versatile. It delivers a classic warm, clear sound and conforms to the stringent standards defined for AKG recording products. These standards are based on AKG΄s six decades of experience in making microphones and on input from sound engineers around the world who use AKG products every day.
Its 1-inch large-diaphragm true condenser transducer brings AKG studio quality to the project studio as well as all other areas of recording and live sound applications. A switchable bass cut filter and preattenuation pad make it perfectly suited even for use on loud sound sources producing sound pressure levels up to 155 dB SPL. The rugged and roadworthy design makes it also a perfect choice for on-stage applications. The Perception 220 comes with a spider-type shock mount and a rugged metal case. |
Type |
1" Large Diaphragm True Condenser |
Polar pattern |
cardioid |
Frequency range |
20 to 20,000 Hz |
Sensitivity |
18 mV/Pa (-35 dBV) |
Max. SPL |
135 dB/155 dB (0/-20 dB) for 0.5% THD |
Equivalent noise level |
16 dB-A (IEC 60268-4) |
Signal/noise ratio (A-weighted) |
78 dB |
Preattenuation pad |
0 dB, -20 dB |
Bass filter |
12 dB/octave at 300 Hz |
Impedance |
=1000 ohms |
Current consumption |
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| A/B, X/Y, and M/S stereo recording
Ambience recording
Grand piano, woodwind and brass instruments
Percussions
Drums
Classical music recording
Studio applications
- Back-to-back large-diaphragm multi-pattern transducer
- True condenser technology
- High sensitivity and 155 dB maximum SPL capability
- Switchable 20 dB preattenuation pad
- Switchable bass cut filter
- Legendary, pristine AKG sound quality
- Complete with spider-type shock mount and aluminium carrying case
Type |
Dual-capsule,1-inch large-diaphragm, true condenser pressure-gradient microphone |
Polar pattern |
Cardioid, omnidirectional, figure-eight |
Frequency range |
20 to 20,000 Hz |
Sensitivity |
28 mV/Pa (-31 dBV) |
Max. SPL |
135/155 dB SPL (0/-20 dB) for 0.5% THD |
Equivalent noise level |
16 dB-A (IEC 60268-4) |
Signal/noise ratio (A-weighted) |
78 dB |
Preattenuation pad |
0 dB, -20 dB |
Bass filter |
12 dB/octave, 300 Hz |
Impedance |
=1000 ohms |
Current consumption |
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K2 - ?It cant be done?? Precision Variable Pattern Dual 1? Condenser Valve Microphone.
The R?DE K2 is the result of designing and building 1000?s of valve microphones. The
K2?s HF-1 capsule is the pinnacle of transducer technology. The sound quality combines
modern high-end specifications with the character and subtleties of the legendary 50?s mics.
Infinitely variable control of the K2?s polar patterns provides the freedom and flexibility to
excel in any recording situation. The K2 is another example of R?DE?s commitment to
building quality studio microphones to meet the exacting standards demanded by today?s
professionals.At the 2004 Frankfurt Music Messa, 56 of the most prestgious music industry
magazines voted the K2 the ?Best Studio Microphone of 2004?.
SPECIFICATIONS:
Features:
? New large capsule with gold sputtered diaphragm. ? Ultra low noise.
? Wide dynamic range. ? Class ?A? valve circuitry. ? Hand-selected and
graded 6922 twin-triode valve. ? Dedicated Power Supply. ? High strength
welded and heat-treated steel mesh head. ? Durable satin nickel finish.
? Internal capsule shock mounting. ? High level of RF rejection. ? Supplied
complete with SM2 Shock Mount and RC2 Custom Carry Case.
? Continuously variable polar patterns. From omni, through cardiod to
figure 8, controlled at the power supply.
Operation power:
The K2 is designed to operate from a dedicated power supply (110 - 120 V/220 - 240 V, 50/60 Hz)
Acoustic principle: Externally polarized 25 mm(1?) condenser.
Directional pattern:
Continuously variable multi pattern -Omni, through Cardioid to figure 8.
Frequency range: 20 Hz - 20 kHz
Output impedance:
Valve impedence converter with bipolar output buffer.
Signal noise ratio din iec 651:
> 81 dB (1kHz relative to 1 Pa; per IEC651,IEC268-15).
Equvalent noise: 10 dBA SPL (per IEC651, IEC268-15).
Maximum spl: 162 dB (@ 1% THD into 1k).
Sensitivity:
-36 dB re 1 Volt/Pascal (16 mV @ 94 dB SPL) +/- 2 dB.
Power supply voltage:
Dedicated Power Supply(110 - 120 V/220 - 240 V, 50/60 Hz).
Weight: 815 gms
Dimensions width: 208.5 mm
Dimensions depth: 55 mm
Dimensions height: 55 mm
Maximum output voltage: > +30 dBu (@ 1% THD into 1 k).
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