The Shure KSM32 is a side-address, cardioid condenser microphone for highly critical studio recording and live sound productions. It offers an extended frequency response for an open, natural sounding reproduction of the original sound source. FEATURES Class A, transformerless preamplifier circuitry eliminates cross-over distortion for improved linearity across the full frequency range. Embossed, high-compliance diaphragm […]
The Shure KSM32 is a side-address, cardioid condenser microphone for highly critical studio recording and live sound productions. It offers an extended frequency response for an open, natural sounding reproduction of the original sound source.
FEATURES
Class A, transformerless preamplifier circuitry eliminates cross-over distortion for improved linearity across the full frequency range.
Ultra-thin, gold-layered, low-mass, Mylar? diaphragm for excellent transient response
15 dB attenuation switch for handling extremely high sound pressure levels (SPL)
Switchable low-frequency filter provides greater flexibility to reduce background noise or to counteract proximity effect.
Integrated three-stage pop protection grille reduces “pop” and other breath noise
Internal shock mount reduces transmission of handling noise
Performance Characteristics
Extended frequency response
Very low self-noise
Exceptional low-frequency reproduction
High output level
High input SPL capability
No cross-over distortion
Extremely uniform polar response
Superior common mode rejection and suppression of radio frequency interference
MODEL VARIATIONS
The KSM32/SL has a champagne-colored finish and comes with the following accessories:
Locking aluminum carrying case
ShureLockTM elastic-suspension shock mount
ShureLockTM swivel mount
Protective velveteen pouch
The KSM32/CG has a non-reflective, charcoal-gray finish for situations where less microphone visibility is preferred, such as live sound and stage production. It comes with the following accessories:
ShureLockTM swivel mount
Padded, zippered carrying bag
APPLICATIONS
Some typical applications for the KSM32 are listed below. Microphone use, however, is a matter of personal taste. The KSM32 may be used for a variety of applications other than those listed.
Acoustic instruments — such as piano, guitar, drums, percussion, strings
Wind instruments — brass and woodwind
Low frequency instruments — such as double bass, electric bass, kick drum
Overhead miking — drums or percussion
Ensembles — choral or orchestral
Room ambiance pick-up — guitar amplifier or drums
Both the acoustic environment and microphone placement have significant effects on the sound obtained when miking a source. You may need to experiment with these variables to achieve the best overall sound for each application.
Suggested Applications
Studio Vocals
Ensemble Vocals
Live Recording
Acoustic Guitar/Bass
Percussion
Cymbals
Strings
Woodwinds
Saxophone
Weight
0.80 kg
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The Shure KSM32 is a side-address, cardioid condenser microphone for highly critical studio recording and live sound productions. It offers an extended frequency response for an open, natural sounding reproduction of the original sound source.
FEATURES
Class A, transformerless preamplifier circuitry eliminates cross-over distortion for improved linearity across the full frequency range.
Ultra-thin, gold-layered, low-mass, Mylar? diaphragm for excellent transient response
15 dB attenuation switch for handling extremely high sound pressure levels (SPL)
Switchable low-frequency filter provides greater flexibility to reduce background noise or to counteract proximity effect.
Integrated three-stage pop protection grille reduces "pop" and other breath noise
Internal shock mount reduces transmission of handling noise
Performance Characteristics
Extended frequency response
Very low self-noise
Exceptional low-frequency reproduction
High output level
High input SPL capability
No cross-over distortion
Extremely uniform polar response
Superior common mode rejection and suppression of radio frequency interference
MODEL VARIATIONS
The KSM32/SL has a champagne-colored finish and comes with the following accessories:
Locking aluminum carrying case
ShureLockTM elastic-suspension shock mount
ShureLockTM swivel mount
Protective velveteen pouch
The KSM32/CG has a non-reflective, charcoal-gray finish for situations where less microphone visibility is preferred, such as live sound and stage production. It comes with the following accessories:
ShureLockTM swivel mount
Padded, zippered carrying bag
APPLICATIONS
Some typical applications for the KSM32 are listed below. Microphone use, however, is a matter of personal taste. The KSM32 may be used for a variety of applications other than those listed.
Acoustic instruments -- such as piano, guitar, drums, percussion, strings
Wind instruments -- brass and woodwind
Low frequency instruments -- such as double bass, electric bass, kick drum
Overhead miking -- drums or percussion
Ensembles -- choral or orchestral
Room ambiance pick-up -- guitar amplifier or drums
Both the acoustic environment and microphone placement have significant effects on the sound obtained when miking a source. You may need to experiment with these variables to achieve the best overall sound for each application.
Suggested Applications
Studio Vocals
Ensemble Vocals
Live Recording
Acoustic Guitar/Bass
Percussion
Cymbals
Strings
Woodwinds
Saxophone
Live sound
Podcasting
Home recording
Vocals
Musical instruments
Perception 120
General-purpose cardioid recording microphone
Extended frequency response
Roadworthy construction
Switchable 20 dB preattenuation pad
Switchable bass cut filter
Designed and engineered by AKG in Vienna, Austria
The Perception 120 is a 2/3-inch diaphragm true condenser microphone that offers solid build quality, outstanding performance, and excellent value. The low-mass diaphragm delivers a clear sound with accurate sonic detail. A switchable 20 dB preattenuation pad and bass cut filter make the Perception 120 an excellent choice for a wide range of recording and live sound applications.
Backed by AKG\'s six decades of experience in making microphones and input from sound engineers around the world, the Perception 120 now brings AKG studio quality to musicians and project studio applications.
Type
2/3\" Diaphragm True Condenser
Polar pattern
cardioid
Frequency range
20 to 20,000 Hz
Sensitivity
22 mV/Pa (-33 dBV)
Max. SPL
130/150 dB (0/-20 dB) for 0.5% THD
Equivalent noise level
22 dB-A (IEC 60268-4)
Signal/noise ratio (A-weighted)
72 dB
Preattenuation pad
0 dB, -20 dB
Bass filter
12 dB/octave at 300 Hz
Impedance
Recommended load impedance
>= 1,000 ohms
Powering
Power requirement
48 V phantom power to DIN/IEC
Connector
3-pin XLR
Finish
metallic blue
Dimensions
53 dia. x 165 mm (2.1 dia. x 6.5 in.)
Net weight
525 g (18.5 oz.)
Shipping weight
955 g (33.7 oz.)
The RODE NT1-A has become an industry standard; delivering the warmth, extended dynamic range, clarity and high SPL capability usually only featured by some of the most expensive microphones.
Now available as the \'Complete Vocal Recording Solution\' this NT1-A package now includes everything you need to get truly professional vocal recordings - the world\'s quietest studio microphone, a studio grade pop shield and shock mount, a premium 20\' cable, dust cover, an instructional DVD with recording tips, and of course R DE\'s industry leading ten year warranty.
Large 1" (25mm) capsule with gold plated diaphragm
Cardioid polar pattern
Self noise of only 5dB (A)
Ultra low noise, transformerless surface mount circuitry
The world's first large diaphragm condenser studio microphone with seamlessly variable Polar
Patterns, Filter and Pad located conveniently on the microphone body. The NT2000?s state of
the art surface-mount electronics combined with the new Australian designed and manufactured
HF1 Capsule, provide extremely low self-noise (7 dBA) and a maximum SPL of 147 dB (157 dB
with pad fully engaged) ensuring exceptional results and the ultimate in recording creativity.
The NT2000 is supplied with the SM2 Shock Mount, together in a durable custom carry case.
SPECIFICATIONS:
Acoustic principle:
Externally polarised 25 mm (1?) dual diaphragm condenser
Directional pattern: Multipattern
Frequency range: 20Hz - 20KHz
Output impedance: 200 ohms
Signal noise ratio din iec 651: 87 dB (1kHz rel 1Pa)
Equvalent noise: 7 dBA SPL (per IEC651, IEC268-15)
Maximum spl:
147 dB (@ 1% THD into 1K ohm) 157dB (@ 1% THD into 1K ohm) with pad set to maximum
Sensitivity:
-36 db re 1 Volt/Pasca (16 mv @94db SPL) +/- 2 dB
Dynamic range din iec 651: 140 dB (per IEC651, IEC268-15)
Power supply voltage: Phantom P48
Weight without battery: 831 gm
Weight with battery: 2.6 kg
Large diaphragm cardioid microphone
Pressure gradient transducer with with one-diaphragm capsule
Transformerless circuitry
Extremely low noise: 7 dB-A
Includes swivel mount
Straightforward handling for homerecording and professional studios
High-quality professional equipment for limited budgets
Acoustical operating principle
Pressure gradient transducer
Directional pattern
Cardioid
Frequency range
20 Hz ... 20 kHz
Sensitivity at 1 kHz into 1 kohm
23 mV/Pa
Rated impedance
50 ohms
Rated load impedance
1 kohms
Equivalent noise level, CCIR1)
17.5 dB
Equivalent noise level, A-weighted1)
7 dB-A
Signal-to-noise ratio, CCIR1) (rel. 94 dB SPL)
76.5 dB
Signal-to-noise ratio, A-weighted1) (rel. 94 dB SPL)
87 dB
Maximum SPL for THD 0.5%2)
138 dB
Maximum output voltage
13 dBu
Dynamic range of the microphone amplifier (A-weighted)
131 dB
Supply voltage (P48, IEC 61938)
48 V ± 4 V
Current consumption (P48, IEC 61938)
3 mA
Matching connector
XLR3F
Weight
approx. 450 g
Diameter
60 mm
Length
132 mm
Variable large diaphragm microphone
Pressure-gradient transducer with double membrane capsule
The studio microphone classic
Three directional characteristics: omni, cardioid, figure-8
Switchable low frequency roll-off
Switchable 10 dB pre-attenuation
Ideal as main and as support microphone in the most differing recording situations
Acoustical operating principle
Pressure gradient transducer
Directional pattern
Omnidirectional, cardioid, figure-8 plus
Frequency range
20 Hz ... 20 kHz
Sensitivity at 1 kHz into 1 kohm
20/28/22 mV/Pa1)
Rated impedance
200 ohms
Rated load impedance
1 kohms
Equivalent noise level, CCIR2)
26/23/25 dB1)
Equivalent noise level, A-weighted2)
15/12/14 dB-A1)
Signal-to-noise ratio, CCIR2) (rel. 94 dB SPL)
68/71/69 dB1)
Signal-to-noise ratio, A-weighted2) (rel. 94 dB SPL)
79/82/80 dB1)
Maximum SPL for THD 0.5%3)
117 dB (cardioid)
Maximum SPL for THD 0.5% with preattenuation3)
127 dB
Maximum output voltage
390 mV
Dynamic range of the microphone amplifier (A-weighted)
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