SHURE KSM44A/SL – Large Dual-Diaphragm Microphone 20Hx to 20kHz

938.00 incl. GR VAT

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KSM44A Multi-Pattern Dual Diaphragm Microphone Premium microphone with three polar pattern options (cardioid, omnidirectional, bidirectional). Features Prethos® Advanced Preamplifier Technology: Class A, discrete, transformerless preamplifier provides  transparency, extremely fast transient response and no crossover distortion. Minimizes harmonic and intermodulation distortions.   Groundbreaking specifications: 4dB of self-noise and max SPL of 131 dB for a total dynamic […]

 

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KSM44A Multi-Pattern Dual Diaphragm Microphone

Premium microphone with three polar pattern options (cardioid, omnidirectional, bidirectional).

Features

  • Prethos® Advanced Preamplifier Technology: Class A, discrete, transformerless preamplifier provides  transparency, extremely fast transient response and no crossover distortion. Minimizes harmonic and intermodulation distortions.  
  • Groundbreaking specifications: 4dB of self-noise and max SPL of 131 dB for a total dynamic range of 127 dB – an increase of 7 dB that defines the new standard for cleanly nuanced audio capture
  • Multiple polar patterns–cardioid, omnidirectional and bidirectional–for maximum flexibility in a wide variety of recording applications
  • Dual 1 inch, externally biased, ultra-thin, 2.5 μm, 24 Karat gold-layered, low mass diaphragms provide superior frequency response
  • Premium electronic components and gold-plated internal and external connectors
  • Subsonic filter eliminates rumble from mechanical vibration below 17 Hz.
  • Switchable 15 dB pad for handling extremely high sound pressure levels (SPLs)
  • 3-position switchable low-frequency filter helps reduce unwanted stand vibration noise or counteract proximity effect
  • Integrated three-stage “pop” protection grille reduces plosives and other breath noise
    Type Condenser (externally biased)
    Frequency Response 20 to 20,000 Hz
    Polar Pattern Cardioid, Omnidirectional, Bidirectional
    lmpedance 50 ohms
    Phantom power required? 11–52 V DC phantom power (IEC-61938) 5.8 mA, maximum
Weight 1.00 kg

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Quick Comparison

SHURE KSM44A/SL - Large Dual-Diaphragm Microphone 20Hx to 20kHz removeAKG C 3000B Condenser cardioid microphone removeAKG C-214 Condenser Microphone removeNEUMANN U-87 Ai Studio Set Condenser studio microphone removeAvantone AV-CK6 Condenser FET mic, inc shock mount, wooden mic box and metal case removeBEHRINGER C-2 - 2 Matched Studio Condenser Microphones remove
NameSHURE KSM44A/SL - Large Dual-Diaphragm Microphone 20Hx to 20kHz removeAKG C 3000B Condenser cardioid microphone removeAKG C-214 Condenser Microphone removeNEUMANN U-87 Ai Studio Set Condenser studio microphone removeAvantone AV-CK6 Condenser FET mic, inc shock mount, wooden mic box and metal case removeBEHRINGER C-2 - 2 Matched Studio Condenser Microphones remove
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SKUKSM44SLC 3000BC 214H11NE00046AV-CK6E005251
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Price 938.00 incl. GR VAT 209.99 incl. GR VAT 408.00 incl. GR VAT 2,849.00 incl. GR VAT212.03 incl. GR VAT67.00 incl. GR VAT
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Description
Content

KSM44A Multi-Pattern Dual Diaphragm Microphone Premium microphone with three polar pattern options (cardioid, omnidirectional, bidirectional).

Features

  • Prethos® Advanced Preamplifier Technology: Class A, discrete, transformerless preamplifier provides  transparency, extremely fast transient response and no crossover distortion. Minimizes harmonic and intermodulation distortions.  
  • Groundbreaking specifications: 4dB of self-noise and max SPL of 131 dB for a total dynamic range of 127 dB – an increase of 7 dB that defines the new standard for cleanly nuanced audio capture
  • Multiple polar patterns–cardioid, omnidirectional and bidirectional–for maximum flexibility in a wide variety of recording applications
  • Dual 1 inch, externally biased, ultra-thin, 2.5 μm, 24 Karat gold-layered, low mass diaphragms provide superior frequency response
  • Premium electronic components and gold-plated internal and external connectors
  • Subsonic filter eliminates rumble from mechanical vibration below 17 Hz.
  • Switchable 15 dB pad for handling extremely high sound pressure levels (SPLs)
  • 3-position switchable low-frequency filter helps reduce unwanted stand vibration noise or counteract proximity effect
  • Integrated three-stage "pop” protection grille reduces plosives and other breath noise

    Type Condenser (externally biased)
    Frequency Response 20 to 20,000 Hz
    Polar Pattern Cardioid, Omnidirectional, Bidirectional
    lmpedance 50 ohms
    Phantom power required? 11–52 V DC phantom power (IEC-61938) 5.8 mA, maximum


 
  • Polar pattern: Cardioid
  • Switchable -10dB PAD
  • Frequency response: 20 - 20,000 Hz
  • Max. SPL: 140/150 dB (THD = 0.5%)
  • Electrical impedance: 200 Ohm
  • Requires phantom power
  • Diameter: 53 mm
  • Length: 162 mm
  • Net weight: 320 g
  • Colour: Black
  • Incl. shock mount
  • Highly affordable AKG large-diaphragm microphone technology
  • Cardioid polar pattern for multiplicity of vocal and instrument applications
The earlier model C 3000 has had a large fan club in the project studio and home recording worlds for years. For the new C 3000 B, AKG designed a special 1-inch large-diaphragm transducer that closely approximates the vibration performance of top-class studio microphones, but can be made at much lower cost. Due to its surface area and special capsule tuning, the C 3000 B large-diaphragm transducer produces an exceptionally pleasing, smooth sound. Unlike in the C 3000, the switchable 10-dB preattenuation pad immediately follows the transducer in the signal path, thus increasing the C 3000 B\'s SPL capability by a true 10 dB. Loud sound sources are therefore no problem. An acoustically optimized cardioid polar pattern makes the C 3000 B an excellent choice for both recording and live sound applications where high gain before feedback is paramount.
Polar pattern cardioid
Frequency range 20 to 20,000 Hz
Sensitivity 25 mV/Pa (-32 dBV)
Max. SPL 140/150 dB (k=0,5%)
Equivalent noise level (CCIR 468-3) 25 dB
Equivalent noise level 14 dB-A
Signal/noise ratio (A-weighted) 80 dB
Preattenuation pad 10 dB, switchable
Bass filter 6 dB/octave below 500 Hz
Impedance 200 ohms
Recommended load impedance >1000 ohms
Supply voltage 9 to 52 V phantom power to DIN 45596
Current consumption
Connector 3-pin XLR
Finish silver gray
Net weight 320 g / 11.3 oz.
Shipping weight 950 g / 2.1 lbs.
Patent(s) Electrostatic transducer (Patent no. AT 395.225, DE 4.103.784, JP 2.815.488)
AKG C214 – large 1” diaphragm microphone with cardioid polar pattern, frequency response: 20Hz-20kHz, 20dB pad, requires phantom power (12-52V), XLR connector. Includes clip, case and windshield. Dimensions: 160 x 55mm. Weight: 280g, optional microphone holder SA61 The C214 professional large-diaphragm condenser microphone has been designed as a cost-effective alternative to the high-end C414 family. Like the C414, the C214 offers a supreme one-inch capsule on an integrated suspension to reduce mechanical noise. A switchable 20dB attenuation pad allows recording of loud sources of up to 156dB SPL. A switchable bass-cut filter allows close-up recording with almost no proximity effect. The C214 captures sound by combining one capsule of the legendary C414 dual-capsule system and the patented AKG Back-Plate Technology, resulting in an outstanding performance close to the famous C414 XLII. Sonic character of the C414 XLII for beautifully detailed recording of lead vocals and solo instruments Outstanding dynamic range and ultralow noise for close-up recording of high-output sources of up to 156dB SPL Switchable 20dB attenuator and bass-cut filter for close-up recording and reduction of proximity effect Integrated suspension to reduce mechanical noise and vibration from stage Roadworthy design all-metal die-cast body with shock- and scratch-resistant finish
Variable large diaphragm microphone
Pressure-gradient transducer with double membrane capsule
The studio microphone classic
Three directional characteristics: omni, cardioid, figure-8
Switchable low frequency roll-off
Switchable 10 dB pre-attenuation

Ideal as main and as support microphone in the most differing recording situations

 

Acoustical operating principle Pressure gradient transducer
Directional pattern Omnidirectional, cardioid, figure-8 plus
Frequency range 20 Hz ... 20 kHz
Sensitivity at 1 kHz into 1 kohm 20/28/22 mV/Pa1)
Rated impedance 200 ohms
Rated load impedance 1 kohms
Equivalent noise level, CCIR2) 26/23/25 dB1)
Equivalent noise level, A-weighted2) 15/12/14 dB-A1)
Signal-to-noise ratio, CCIR2) (rel. 94 dB SPL) 68/71/69 dB1)
Signal-to-noise ratio, A-weighted2) (rel. 94 dB SPL) 79/82/80 dB1)
Maximum SPL for THD 0.5%3) 117 dB (cardioid)
Maximum SPL for THD 0.5% with preattenuation3) 127 dB
Maximum output voltage 390 mV
Dynamic range of the microphone amplifier (A-weighted) 105 dB
Supply voltage (P48, IEC 61938) 48 V ± 4 V
Current consumption (P48, IEC 61938) 0.8 mA
Matching connectors XLR3F
Weight 500 g
Diameter 56 mm
Length 200 mm

 

The AVANTONE CK-6 is truly a gorgeous looking and sounding microphone. The design, character and performance can be compared directly to fine studio-standard FET mics…but at a fraction of their cost!

The rugged CK-6 microphone body and capsule assembly are precision machined of Brass. Aesthetically the compact body features an elegant Metallic Cabernet Wine-Red finish, accented with polished nickel trim and capsule assembly. Manufactured using the finest materials yielding a very solid feel, superb structural integrity and rugged reliability.

This Transformerless CLASS A FET Microphone w/ 32mm gold sputtered thin Mylar capsule is designed with circuitry that will yield pleasing professional results comparable to much more expensive designs. It also features -10 dB pad  &  80 Hz LF roll off switches for varied recording situations.
 
The included Custom Retro Shockmount is superb in allowing a precise positioning of the mic while inhibiting the transfer of unwanted vibrations up into the mic. This isolation allows for superior professional results.
 
Applications

Studio vocals, acoustic guitar, mandolin, drum overheads, piano, etc…

Specifications

Type: True Transformerless Condenser
Polar Pattern: Cardioid
Frequency Response: 35-20,000 Hz +/- 3.5dB
Output Impedance:

Behringer C-2 2 Matched Studio Condenser Microphones 2 Matched Studio Condenser Microphones
  • 2 matched condenser microphones for stereo studio recording and live applications
  • Ideal as main and support microphones for studio and live applications
  • Cardioid pickup pattern for effective feedback elimination
  • Low-mass diaphragm for ultra-wide frequency response and ultimate sound reproduction
  • Switchable low-frequency roll-off and input attenuation
  • Ultra low-noise transformerless FET input eliminates low-frequency distortion
Excellent Source Isolation Our C-2 mics also feature a low-frequency rolloff switch to eliminate infrasonics (mic handling noise, sound created by creaky stages), as well as a switchable -10 dB input pad to accommodate hot signals, such as a really loud vocalist or overzealous cellist. The cardioid pickup pattern provides unparalleled sound source separation and feedback rejection. C-2 mics contain ultra low-noise transformerless FET input circuitry that can handle extreme dynamics with a maximum sound pressure level of 136 dB. So even if the featured performer at your next recording session or live show happens to be a revved-up jet engine, this workhorse mic will not distort! Sound That Astounds Every stitch of these mics is designed to deliver beautiful sound. Beginning with the gold-plated 3-pin XLR connector, you get the highest signal integrity. Once connected to your system, youʼll notice these twin pro-caliber microphones have a 4 dB boost in the 1 kHz - 8 kHz range. For those of you new to condenser mics, this basically means youʼll get a slightly brighter sound that will give the perfect shape to cymbals and overhead miking. Acoustic pianos and choirs also benefit greatly from this type of frequency response. Excellent Source Isolation The cardioid pickup pattern provides unparalleled sound source separation and feedback rejection. C-2 mics contain ultra low-noise transformerless FET input circuitry that can handle extreme dynamics with a maximum sound pressure level of 136 dB. So even if the featured performer at your next recording session or live show happens to be a revved-up jet engine, this workhorse mic will not distort! Our C-2 mics also feature a low-frequency rolloff switch to eliminate infrasonics (mic handling noise, sound created by creaky stages), as well as a switchable -10 dB input pad to accommodate hot signals, such as a really loud vocalist or overzealous cellist. You Are Covered We always strive to provide the best possible Customer Experience. Our products are made in our own MUSIC Group factory using state-of-the-art automation, enhanced production workflows and quality assurance labs with the most sophisticated test equipment available in the world. As a result, we have one of the lowest product failure rates in the industry, and we confidently back it up with a generous 3-Year Warranty program.
Weight1.00 kg1.00 kg0.40 kg2.00 kg0.60 kg0.90 kg
DimensionsN/AN/AN/AN/AN/AN/A
Additional information
Weight 1.00 kg
Weight 1.00 kg
Weight 0.40 kg
Weight 2.00 kg
Weight 0.60 kg
Weight 0.90 kg