PG-81 – Instrument Microphone 40Hz to 18kHz A sensitive, flat response microphone ideal for acoustic instruments. Flat frequency response is wide and uniform. Consistent sensitivity through frequency range. Cardioid polar pattern picks up the most sound from in front of the microphone and some sound from the sides. Less susceptible to feedback in high volume […]
A sensitive, flat response microphone ideal for acoustic instruments.
Flat frequency response is wide and uniform. Consistent sensitivity through frequency range.
Cardioid polar pattern picks up the most sound from in front of the microphone and some sound from the sides. Less susceptible to feedback in high volume settings.
Condenser cartridge has a lightweight, sensitive diaphragm. Precisely and smoothly captures sound nuances. Powered by AA battery or phantom power supply.
Internal shock mount for reduced handling noise.
Durable metal construction.
On/off switch for onstage control.
Includes 15ft. (4.57m) cable, break-resistant mic clip and storage bag.
Suggested Applications
Acoustic Guitar
Cymbals
Piano
Strings
Woodwinds
Ensembles
Weight
0.60 kg
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A sensitive, flat response microphone ideal for acoustic instruments.
Flat frequency response is wide and uniform. Consistent sensitivity through frequency range.
Cardioid polar pattern picks up the most sound from in front of the microphone and some sound from the sides. Less susceptible to feedback in high volume settings.
Condenser cartridge has a lightweight, sensitive diaphragm. Precisely and smoothly captures sound nuances. Powered by AA battery or phantom power supply.
Internal shock mount for reduced handling noise.
Durable metal construction.
On/off switch for onstage control.
Includes 15ft. (4.57m) cable, break-resistant mic clip and storage bag.
Suggested Applications
Acoustic Guitar
Cymbals
Piano
Strings
Woodwinds
Ensembles
Excellent for acoustic and electric instruments as well as for vocals, the extremely versatile Beta 57A dynamic microphone provides optimal warmth and presence.
The Beta 57A maintains a true supercardioid pattern throughout its frequency range. This insures high gain before feedback, maximum isolation from other sound sources, and minimum off-axis tone coloration. A completely new grille design lets you take better advantage of proximity effect. The Beta 57A is an exceptionally versatile microphone. Typical applications include drums, guitar amplifiers, brass, woodwinds and vocals.
Tailored frequency response provides drums, guitars, vocals, and horns with studio quality sound
Uniform supercardioid pattern for high gain-before-feedback and superior rejection of off-axis sound
Hardened steel mesh grille that facilitates use of proximity effect and resists wear and abuse
Neodymium magnet for high signal-to-noise ratio output
Advanced pneumatic shock mount system that minimizes transmission of mechanical noise and vibration
The e 902 is a dynamic cardioid instrument microphone, which was designed
for lowest bass signals with very high sound pressure levels.It is suitable for
kick drums, bass guitar-amps, tuba, and other bass instruments.
Features
Frequency response optimized for kick drum
Very fast attack
Exceptionally clean and clear pick-up of the deepest bass signals
Integral stand mount
Hum compensating coil
Shock mounted capsule
Robust metal body
Delivery Includes
e 902 microphone
Pouch
User Manual
Technical Data
Pick-up pattern cardioid
Frequency response 20...18000 Hz
Sensitivity in free field, no load (1kHz) 0,2 mV/Pa; (@ 60 Hz): 0,6 mV/Pa
Nominal impedance 350 Ohm
Min. terminating impedance 1000 Ohm
Dimensions 128,5 x 60 mm
Weight 440 g
Audio Frequency Response 50 Hz - 16,000 Hz
Case Material Die cast zinc
Connector Type 3-pin XLR
Element Dynamic
Finish Textured Satin Black
Impedance, Low-Z balanced 600 Ω
Mic Type Instrumental
Open Circuit Voltage 2.2 mV/Pascal
Polar Pattern Supercardioid
Power Requirement Passive
Wired/Wireless Wired
Weight Net 8.32 oz (236 g)
A high performance mini-condenser for sound reinforcement and recording. Great for instruments or drums. The ultra-uniform pickup pattern provides high gain before feedback and excellent rejection of unwanted noise.
Other features include:
Mew A98D flexible drum mount
SPL handling to 160dB
frequency response of 20 to 20,000Hz and included preamplifier
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Wind / percussion instrument clip microphone 
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