An essential drum mic package. The PGDMK4 drum mic kit includes three PG56 snare/tom microphones, one PG52 kick drum microphone, three A50D drum mounts, four 15ft. (4.5m) XLR-XLR cables and a durable carrying case.
An essential drum mic package. The PGDMK4 drum mic kit includes three PG56 snare/tom microphones, one PG52 kick drum microphone, three A50D drum mounts, four 15ft. (4.5m) XLR-XLR cables and a durable carrying case.
Weight | 2.00 kg |
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Shure PGDMK-4 - Drum Mic Kit remove | SENNHEISER E-604 CARDIOID DYNAMIC MICROPHONE remove | AKG C 414-XLII/ST Matched Pair remove | SENNHEISER E-904 CARDIOID DYNAMIC INSTRUMENT MICROPHONE remove | LD Systems LDWS1000MW Wind / Percussion Instrument Clip Microphone remove | SENNHEISER E-609 Dynamic Microphone for Strings remove | |||||||||||||
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Name | Shure PGDMK-4 - Drum Mic Kit remove | SENNHEISER E-604 CARDIOID DYNAMIC MICROPHONE remove | AKG C 414-XLII/ST Matched Pair remove | SENNHEISER E-904 CARDIOID DYNAMIC INSTRUMENT MICROPHONE remove | LD Systems LDWS1000MW Wind / Percussion Instrument Clip Microphone remove | SENNHEISER E-609 Dynamic Microphone for Strings remove | ||||||||||||
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SKU | PGDMK-4 | H10SE00051 | C 414-XLII ST | H10SE00103 | LDWS1000MW | H10SE00147 | ||||||||||||
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Price | €295.32 incl. GR VAT | €115.00 incl. GR VAT | €2,100.00 incl. GR VAT | €179.00 incl. GR VAT | €108.04 incl. GR VAT | €98.00 incl. GR VAT | ||||||||||||
Stock | Out of stock | Available on backorder | Available on backorder | In stock | Available on backorder | In stock | ||||||||||||
Availability | Out of stock | Available on backorder | Available on backorder | In stock | Available on backorder | In stock | ||||||||||||
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Description | ||||||||||||||||||
Content | An essential drum mic package. The PGDMK4 drum mic kit includes three PG56 snare/tom microphones, one PG52 kick drum microphone, three A50D drum mounts, four 15ft. (4.5m) XLR-XLR cables and a durable carrying case. | The e 604 is a cardioid microphone especially suitable for use with drums and brass instruments. Features Rugged reinforced glass-fibre body Low sensitivity to impact and handling noise Very high sound pressure handling capability Low distortion microphone Hum compensating coil Easy to position due to compact design Integral stand mount Delivery Includes 1 e 604 1 drum clip 1 pouch Technical Data Frequency Response 40.....18000 Hz Sensitivity in free field, no load (1kHz) 1,8 mV/Pa Min. terminating impedance 1000 Ohm Dimensions d 33 x 59 mm Weight w/o cable 60 g |
Complete With Stereo Bar, Windshield's and Cradle' The C 414 B-XL II/ST is especially useful for stereo recordings taken from the far field with the inclusion of useful and often valuable room acoustics. The matched pairs consist of two microphones that are within 1 dB to each other in sensitivity and also within 1 dB to each other in the range of 300 Hz to 8,000 Hz of the individual frequency response when used in cardioid mode and are selected from a large quantity of individual microphones using the described criteria by using a proprietary computer program. Using this matched pair for stereo recordings utilizing various techniques will provide for a good and stable balance without frequency-dependent shifting of the stereo panorama. The kit comes complete in an all-metal 'Soundtool' Hard Shell road case with 2 x AKG H-85 shock mounts, 2 x W414X external windscreens, an H50 stereo bar and an individually-measured chart showing the response curve of the microphone. See www.dv247.com Alternative Products and Related Products on this page for your options. The C 414B-XLII has been carefully designed to maintain the legendary sonic character of the C 414 family while integrating new features and performance enhancements made possible by new technology. A classic microphone with a distinctive timbre especially designed for recording of solo vocals and solo instruments. Whats the difference between the C 414B-XLII and the C 414 B XLS? The main difference between the two current C414 models lies in their frequency responses. The C 414B-XLII has a series of presence rises between 2.5 KHz and 9 KHz. This will make any recording with this microphone brighter or more sibilant than the original sound. This upper mid range boost is quite helpful on vocals and certain instruments such as classical acoustic guitars using nylon or natural strings. The C 414B XLS, see www.dv247.com Alternative Products on this page, has a very flat response that will not color the original sound which is important especially in instrumental recordings. It more suited for general use. The microphone's 5 pickup patterns are easily selectable via an electronic switch with LED indication and offer the selection of omnidirectional, cardioid wide cardioid, hyper cardioid and figure-eight patterns. The pickup pattern selector switch utilizes a dual-color LED indicator that provides visual indication of the pattern selected and also changes from green to red to indicate if the microphone's output electronics are being overloaded. The pattern selector can also be used to "lock" the microphone's switch settings by pressing and holding it for 3 seconds. On the rear of the microphone, an electronic switch allows the selection of -6, -12 and -18 dB pre-attenuation levels which are accomplished by changing the polarization voltage to the capsule. The C 414B-XLII has switchable bass cut filters of 12 dB-per-octave at 40 Hz and 80 Hz, and a 6 dB-per-octave filter at 160 Hz for control of proximity effect. On-axis sensitivity for all patterns is 23 mV/Pa and its self-noise is an extremely low 6 dB-A. The C 414B-XLII has a transformerless output and all-metal chassis, making it immune to electrical interference and RF from digital equipment, video monitors and wireless systems. Features:
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User's manual [7,20 MB] Wind / percussion instrument clip microphone Linear frequency response, natural sound reproduction, lightweight, easy and stable positioning thanks to the gooseneck, very good impact sound isolation thanks to elastic capsule fastening, strong clamp providing good fastening without causing any damage to the instrument thanks to the soft rubber inner surface of the clips. Phantom Power Adapter LDPHA also available separately. Specifications:
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The super-cardioid e 609 instrument microphone has been specially developed for miking guitar cabs face on and extremely close to the signal source.
Pick-up pattern : Super-cardioid | ||||||||||||
Weight | 2.00 kg | 0.10 kg | 2.00 kg | 0.30 kg | 0.35 kg | 0.14 kg | ||||||||||||
Dimensions | N/A | N/A | N/A | N/A | N/A | N/A | ||||||||||||
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