| Content | Compact and competitively priced, the Solid State Logic SSL 2 desktop 2x2 USB audio interface puts legendary SSL analog character, pristine conversion, and intuitive console-style workflow within reach for producers, home recordists, musicians, and songwriters on a tight budget.
Its two SSL-designed mic preamps—accessible via XLR-1/4" combo inputs—feature class-leading gain, headroom, and noise specs for tracking mics, electric instruments, or line-level signals with ultraclean definition. When you do want some character and pizzazz for an input, simply press that channel's "Legacy 4K" button to add a high-frequency boost and smooth harmonic distortion, both inspired by the classic and heralded 4000-Series consoles used on countless hit records.
Both input channels, which are arranged vertically like a large-format mixing board, also provide 5-segment LED metering and selectable 48V phantom power per channel. The SSL 2 is equipped with a pair of monitor outputs and a high-current headphone out with high dynamic range, independent level control via Alps pots, and a selectable mono/stereo monitor mix.
The layout of the interface harkens back to SSL's classic large-format analog consoles, featuring a prominent monitor level knob and smaller controls for your headphone out and monitor mix. The monitor mix knob can be used to counter any latency while recording at high buffer rates in your DAW by sourcing the monitor signal directly from the input path. Or rotate the knob to the right to introduce more of the USB return from your computer for easy overdubs.
Bundled with the SSL 2 is the SSL Production Pack, an inspiring collection of software, sounds, and plug-ins that'll not only help you get started, but also keep your work fresh track after track. Included are 1.5GB of loops and samples from Loopcloud, over 2000 sounds from Native Instruments, two DAWs (Pro Tools | First and Ableton Live Lite), and SSL's own Vocalstrip 2 and Drumstrip plug-ins.
High-Gain Microphone Preamps
Both mic preamps on the SSL 2 provide up to 62 dB of gain to ensure optimal recording levels for your favorite condenser mic, industry-standard dynamic mics such as the Shure SM7B, and electric instruments such as guitar and bass. They incorporate a two-stage design with low-noise transistors and ICs (integrated circuits) to deliver top-of-the-line noise performance and ample gain.
Console-Style Channels Strips
Each input section offers switches for +48V phantom power and selection of line-level or Hi-Z input signal. Plus, you'll find 5-segment LED metering and gain knobs on both channels.
Analog Tone Enhancement
Underneath the gain knobs on both input channels, you'll note the Legacy 4K button. This feature helps you bring dull, uninspiring audio to life as you record it, doing so by adding subtle harmonic distortion and a high-frequency boost. Both are analog processes that take their cue from the sound of the legendary and classic SSL 4000 Series consoles, hence the name 4K.
Independent Monitor and Headphone Outs
Presented on the rear panel of the SSL 2 are 1/4" jacks for the stereo monitor outs and the high-current NJM headphone amp output. Separate high-quality pots are provided for independent volume control of your speakers and headphones.
Pristine Converters
Packed with the same AKM AD/DA converters as SSL's acclaimed Alpha-Link I/O products, the SSL 2 offers pristine conversion at up to 24-bit / 192 kHz. Record and mix confidently knowing that the interface captures and reproduces your tracks without compromise
High-Quality Components
The SSL 2 is laden with high-grade Neutrik connectors and Alps pots, and all knobs and switches are reminiscent of iconic SSL consoles.
USB Type-C or Type-A Host Connection
Since the SSL 2 is powered via USB, there's no need to be concerned with power cables, AC adapters, or batteries. It sports a USB Type-C connection and includes USB Type-C and USB Type-C to Type-A cables for easy hookup to your Mac/Windows computer.
SSL Production Pack
- DAWs: Pro Tools | First (plus an exclusive collection of 23 plug-ins) and Ableton Live Lite
- Virtual Instruments: Native Instruments Hybrid Keys and Komplete Start
- Plug-Ins: Vocalstrip 2 and Drumstrip, plus a 6-month trial of all SSL Native plug-ins
- Samples and Loops: 1.5GB of curated content from Loopcloud
| Form Factor |
Tabletop |
| Display |
2 x Multi-Segment LED Meter |
| Channels of I/O |
Analog:
2 Inputs / 2 Outputs at 192 kHz |
| Max Sample Rate/Resolution |
192 kHz / 24-Bit |
| Number of Mic Preamps |
2 |
| Input Level Adjustment |
2 x Knob |
| Solo/Mute |
None |
| Pad |
None |
| High-Pass Filter |
None |
| Expansion Slots |
None |
Connectivity
| Analog Audio I/O |
2 x Combo XLR-1/4" TRS Balanced/Unbalanced Mic/Line/Hi-Z Input
2 x 1/4" TRS Balanced Monitor Output
1 x 1/4" TRS Unbalanced Headphone Output |
| Phantom Power |
+48 V, Selectable On/Off (Selectable on Individual Inputs) |
| Digital Audio I/O |
None |
| Host Connection / USB |
1 x USB Type-C (USB 2.0) |
| USB (Non-Host) |
None |
| Network I/O |
None |
| Sync I/O |
None |
| MIDI I/O |
None |
| Wireless Connectivity |
None |
| Memory Card Slot |
None |
Performance
| Frequency Response |
Line, Hi-Z Inputs:
20 Hz to 20 kHz ±0.05 dB
Mic Inputs:
20 Hz to 20 kHz ±0.1 dB |
| Gain/Trim Range |
Mic/Line/Hi-Z Inputs:
Up to 62 dB |
| Max Input Level |
Mic Inputs:
+5.5 dBu
Line Inputs:
+24 dBu
Hi-Z Inputs:
+15 dBu |
| Max Output Level |
Monitor Outputs:
+12.5 dBu
Headphone Outputs:
+10 dBu |
| Dynamic Range |
Mic/Line/Hi-Z Inputs:
110.5 dB (A-Weighted)
Monitor Outputs:
112 dB (A-Weighted)
Headphone Outputs:
111 dB (A-Weighted) |
| Impedance |
Mic Inputs:
1.2 Kilohms
Line Inputs:
10 Kilohms
Hi-Z Inputs:
1 Megohm
Monitor Outputs:
1 Ohm
Headphone Outputs:
10 Ohms |
| THD+N |
Mic/Line/Hi-Z Inputs:
< 0.005% (at -1 dBFS)
Monitor Outputs:
< 0.002% (at -1 dBFS) |
| EIN |
Mic Inputs:
-130.5 dBu A-Weighted (150-Ohm Source) |
Digital Audio
| Sample Rates |
Up to 192 kHz |
| Sample Rate Conversion |
None |
| Bit Depths |
Up to 24-Bit |
| Latency |
< 1 ms at 48 kHz (Input to Output) |
| Sync Sources |
Internal |
Compatibility
| OS Compatibility |
macOS 10.11 / 10.12 / 10.13 / 10.14 / 10.15
Windows 8.1 / 10 |
| Compatible Software (Not Included) |
Any Core Audio (Mac) Compliant Software |
| Included Software |
Ableton Live Lite
Pro Tools First |
| Supported Drivers/API |
macOS Class-Compliant (No Driver Needed)
ASIO |
| Mobile Device Compatibility |
None |
| Required Hardware |
Available USB 2.0 Port
USB Cable (Included) |
| Internet Connection |
Required for Registration, Software/Driver Download |
Power
| Power Requirements |
USB Bus Power |
Physical
| Anti-Theft Features |
Kensington Security Slot |
| Operating Temperature |
33 to 104°F / 1 to 40°C |
| Storage Temperature |
-4 to 122°F / -20 to 50°C |
| Dimensions |
9.2 x 6.2 x 2.7" / 23.4 x 15.7 x 6.9 cm |
| Weight |
1.9 lb / 880.0 g |
Packaging Info
10.5 x 7.8 x 4.2"
| Package Weight |
2.535 lb |
| Box Dimensions (LxWxH) |
|
|
![]() | ![]() | ![]() | 8 channels of premium 24-bit 192K AD/DA conversion | | | ![]() | ![]() | 4 digitally controlled 75db microphone preamps | | | ![]() | ![]() | 2 fully balanced inserts on mic pre channels | | | ![]() | ![]() | 4 Hi-Z instrument inputs capable of handling high level instruments | | | ![]() | ![]() | 2 individual, controllable and assignable high level headphone outputs | | | ![]() | ![]() | 2, 6 or 8 channel monitor outputs | | | | ![]() | 8 channels of ADAT I/O | | | | ![]() | FireWire 400 I/O, compatible with OS X Core Audio (no driver required) | | | | ![]() | 2 channels of SPDIF I/O | | | | ![]() | “Soft Limit” for maximum digital input level without overs | | | | ![]() | “UV22HR” for superior dither of 24 bit resolution down to 16-bit | | | | ![]() | Advanced, dual-stage "Intelliclock” | | | | ![]() | Complete integration and control with Appleʼs Logic Pro Software | | | | ![]() | Compatibility with any CoreAudio software applications | | | | ![]() | Apogeeʼs Maestro Software for advanced control and routing outside of Logic Pro |
|
Turn your computer into a powerful digital audio workstation with eight mic inputs. Or add eight high-quality mic/instrument inputs to your current system.
The 8pre FireWire audio interface delivers everything you need to turn your computer into a powerful 24-bit, 96kHz digital audio workstation. The 8pre provides eight microphone/instrument preamps with pristine 96kHz analog recording and playback, combined with 8 channels of ADAT optical digital I/O. Expand your system by connecting additional 8pres or other MOTU FireWire audio interfaces.
The 8pre as your primary audio interface
Use the included CueMix™ software to mix all 16 inputs from your computer. Eight channels of ADAT optical I/O make the 8pre an ideal companion for a digital mixer. Two ADAT lightpipe connections work together to support a full 8 channels of optical digital I/O at any sample rate up to 96kHz.
Connect all of your studio gear, including microphones, guitars, synths, keyboards, drum machines and even effects processors. Then monitor all of these live inputs via the 8preʼs main outs or headphone jack — with virtually no monitoring latency and no processor drain on your computer. You can even create separate monitor mixes for the main outs and headphones. Control everything, including talk-back and listen-back, from the included CueMix Console™ software, just like a large studio console.
The 8pre includes a 16-channel MIDI interface. Simply plug in your FireWire cable, and both MIDI and audio are ready to go. Connect any MIDI device, such as a controller keyboard, synth module, automated control surface or drum machine. Timing is sample-accurate with supporting software.
The 8pre provides cross-platform compatibility with Mac OS X 10.3 or higher, Windows XP and all of your favorite audio software and host-based effects via WDM/ASIO/Core Audio drivers. Or you can use the included AudioDesk workstation software for Mac OS, with 24-bit recording/editing and 32-bit mixing/processing/mastering.
The 8pre as a microphone preamp expansion interface
The 8pre is really two products in one. When it is not connected to a computer via FireWire, the 8pre functions as an eight-channel analog to digital (optical) converter. Connect the 8pre to your MOTU 828, 896, Traveler or even another 8pre via the optical "lightpipe” connection to add eight high-quality microphone pre-amps to your system. Since the connection is digital, 100% pristine sound is maintained, down to the very last sample.
MOTU FireWire audio interfaces are fully compatible with FireWire 800-equipped Macs. All you need is a standard FireWire 400-to-800 cable. Just plug in and go. The FireWire bus operates at 400 Mb/sec, providing the same high speed, low latency and rock solid reliability that MOTU FireWire interfaces are known for.
The 8pre is the perfect way to instantly add eight more mic inputs to any audio interface or digital mixer with optical I/O. If you have a MOTU interface with on-board CueMix DSP mixing, such as the 828mkII, 896HD or Traveler, the 8pre inputs appear directly in the host interface's CueMix mixer to becomes a transparent extension of your system, operating together with your primary interface as a single, integrated unit — even when the host interface is not connected to a computer and is instead operating as a stand-alone mixer.
If you have a 2408mk3, digital mixer or other audio device that supports 96kHz optical and also has two optical inputs, the 8pre connects to it via both optical ports to provide a full eight channels of analog to optical conversion at the 88.2 or 96kHz sample rates.
|
MINIMUM SYSTEM REQUIREMENTS - Mac
* OS X Leopard 10.5.8 or Snow Leopard 10.6.3
* 1 GB RAM (2 GB recommended)
* 6 GB free disk space
* Intel® processor (no PowerPC® support)
* One native USB port
MINIMUM SYSTEM REQUIREMENTS - PC
* Windows® XP 32-bit SP3, Windows Vista® 32-bit SP2, Windows 7 32-bit Native, or Windows 7 64-bit Native
* 1 GB RAM (2 GB recommended)
* 5 GB free disk space
* One native USB port
What's in the Box?
* Mbox Mini interface
* Pro Tools LE 8 software DVD-ROM installer (includes electronic versions of user guides, plus software plug-in bundle)
* Mbox user guide
* Registration information card
* USB cable
|
System Requirements
Mac PC
* Mac OS X 10.5.8 (Leopard) or 10.6.1-10.6.4 (Snow Leopard)
* 1 GB RAM (2 GB recommended)
* 6 GB free disk space
* Intel® processor (no PowerPC® support)
* One FireWire port
* Windows® XP 32-bit SP3, Windows Vista® 32-bit SP2, Windows 7 32-bit, or Windows 7 64-bit
* 1 GB RAM (2 GB recommended)
* 5 GB free disk space
* One FireWire port
Compatibility
ASIO, Core Audio, WDM, MME, and multi-client drivers
Mbox Pro Hardware
Pro Tools Mbox Pro
Mbox® Pro is the ultimate high-definition recording interface, packing a wide range of analog and digital I/O connections into a desktop audio workstation.
* Compatible with most major audio software (Pro Tools LE®, Logic, Live, Cubase, and more)
* FireWire connection
* Professional-grade circuitry and converters deliver exceptional audio performance
* Up to 24-bit, 192 kHz sample rates*
* Soft-clip limiter lets you track hot signals without clipping—providing a classic overdriven tape saturation sound
* Built-in guitar tuner
* Onboard DSP offers flexible cue mixing and reverb effects
* Assignable Pro Tools multi-function button on interface gives you fast access to software functions
* Connect up to three pairs of monitors or do 5.1 surround mixing**
* Hardware configuration:
o 8 x 8 simultaneous channels of I/O
o 4 mic inputs with 48 V phantom power and high pass filter (2 XLR/DI combo, 2 XLR)
o 4 1/4" TRS line inputs
o 2 unbalanced Alt line inputs (2 RCA, 1 mini 1/8”)
o 6 1/4" TRS balanced line outputs
o 2 discrete 1/4” stereo headphone outputs with separate volume controls
o Stereo S/PDIF digital I/O
o 1 MIDI input, 1 MIDI output
o Word clock I/O
o Monitor control section with Mono, Mute, Dim, Alt Source, and Speaker A/B/C switching controls
o Dedicated monitor volume knob
* Up to 96 kHz sample rates supported with Pro Tools LE software.
** Mixing 5.1 surround sound in Pro Tools LE requires Complete Production Toolkit
Pro Tools LE Software
Pro Tools 8 Software
The Pro Tools software platform is used in professional studios around the world, and includes all the tools you need to easily compose, record, edit, mix, and master your projects with pro results—every time.
Key Features
* Award-winning Pro Tools recording, editing, and mixing
* 48 simultaneous stereo audio tracks (expandable with Toolkit options)
* Includes over 70 professional effects and virtual instruments
* Professional MIDI sequencing with dedicated MIDI Editor window
* Integrated Score Editor based on award-winning Sibelius notation software
* Full Elastic Time and Elastic Pitch to easily adjust timing and pitch on your tracks
* Unique Beat Detective LE automatic groove analysis and correction tool
* ReWire support for streaming your favorite applications right into Pro Tools
* Huge selection of compatible third-party plug-ins and software options
* Works on Windows and Mac computers
|
- Hybrid FireWire/USB2 connectivity — connect to your computer via either bus-powered FireWire or hi-speed USB2.
- CueMix FX™ — flexible 10 input/14 bus mixer with on-board DSP effects, including reverb with sends/returns, plus EQ and compression on every input and output.
- 10 inputs / 14 outputs — there's no channel sharing in the UltraLite-mk3 Hybrid; the mic inputs, S/PDIF I/O, headphone out and main outs are all handled as separate channels.
- Classic Reverb™ — provides five different room types, three frequency shelves with adjustable crossover points, shelf filtering and reverb lengths up to 60 seconds.
- Two forms of compression — a standard compressor with conventional threshold/ratio/attack/release/gain controls and the Leveler™, an accurate model of the legendary LA-2A optical compressor, which provides vintage, musical automatic gain control.
- Modeled EQ — provides 7-band parametric EQ modeled after British analog console EQs, featuring 4 filter styles (gain/Q profiles) to effectively cover a wide range of audio material. LP and HP filters are also supplied with slopes that range from 6 to 36 dB.
- CueMix FX cross-platform mixing software — attractive graphic mixing, graphic editing of parametric EQ and a convenient tabbed interface for quick access to all features in one window. Also provides full-screen real-time FFT display, spectrogram "waterfall" display, oscilloscope, X-Y plot and linear or polar phase analysis.
- Front-panel control — access any setting in your entire UltraLite-mk3 Hybrid mix directly from the front panel.
- “Reverb return" stream — allows users to record or mix UltraLite-mk3 Hybrid reverb output separately in their DAW. Effects can also be applied when the UltraLite-mk3 Hybrid is operating stand-alone (without a computer) as a complete stand-alone mixer.
- Stand-alone operation — program your mixes at the studio and then bring the UltraLite-mk3 Hybrid to your gig — no computer needed. Just plug in the included power adapter and you are ready to go. Need to tweak the mix? Do it on site using the back-lit LCD and front-panel controls.
- Multiple CueMix FX mixes — for example, create different monitor mixes for the main outs and headphones. Or add send/return loops for outboard gear — with no latency.
- Two combo jacks provide hi-Z 1/4” guitar input or low-Z XLR mic input with phantom power, pad and plenty of gain.
- Eight 24-bit 192kHz analog inputs and outputs on balanced/unbalanced 1/4" TRS jacks
- Precision Digital Trim™ — Digitally controlled analog trim on all analog inputs (mic/guitar inputs + quarter-inch TRS inputs) provides accurate adjustements in 1 dB increments. Fine-tune the balance of your analog inputs and then save/recall trim configurations.
- Direct Digital Synthesis™ (DDS) — a DSP-driven phase lock engine and internal clock source that produces imperceptibly low jitter characteristics (below the noise floor), even when the UltraLite-mk3 Hybrid is resolved to an external clock source via SMPTE time code.
- Time code support — directly resolves to (or generates) time code via any quarter-inch input or output, without the need for an extra synchronizer.
- Sample-accurate MIDI — connect a MIDI controller and/or sound module with no separate interface needed. MIDI I/O is sample-accurate with supporting software.
- Expandable — add additional interfaces for more I/O as your needs grow.
- Separate TRS main outs with front panel volume control.
- Stereo 24-bit 96kHz S/PDIF in/out.
- Includes drivers for Mac & PC, including ASIO, WDM, Wave, Core Audio, and Core MIDI. Supports all popular Mac and Windows audio software.
- 100% compatible with all host-based effects processing in today's popular audio programs.
- Includes AudioDesk full-featured sample-accurate workstation software for the Mac with recording, editing, mixing, real-time 32-bit effects processing & sample-accurate sync.
- Plug-and-play operation with your Mac or PC via FireWire or USB2.
- Front panel volume control for monitoring. Stereo, Quad, 6.1, 7.1 and user-defined surround monitoring setups available.
- Front panel headphone jack with volume control.
- Bus-powered FireWire operation. No need for external power when operating as a FireWire interface connected to a computer. A power supply is included for stand-alone operation.
- Chassis dimensions, excluding rack ears and front and back panel knobs and connectors: 9.5 x 7 x 1.75 inches (24.13 x 17.78 x 4.45 cm). Knobs and connectors extend up to 0.5 inch (1.27 cm) from front and back panels, adding 1 inch (2.54 cm) to depth. With rack ears attached, fits one half of a standard 19 inch (48.26 cm) rack at 1U high.
|
Reviews
There are no reviews yet.