Compact and competitively priced, the Solid State Logic SSL 2 desktop 2×2 USB audio interface puts legendary SSL analog character, pristine conversion, and intuitive console-style workflow within reach for producers, home recordists, musicians, and songwriters on a tight budget. Its two SSL-designed mic preamps—accessible via XLR-1/4″ combo inputs—feature class-leading gain, headroom, and noise specs for […]
Compact and competitively priced, the Solid State Logic SSL 2 desktop 2×2 USB audio interface puts legendary SSL analog character, pristine conversion, and intuitive console-style workflow within reach for producers, home recordists, musicians, and songwriters on a tight budget.
Its two SSL-designed mic preamps—accessible via XLR-1/4″ combo inputs—feature class-leading gain, headroom, and noise specs for tracking mics, electric instruments, or line-level signals with ultraclean definition. When you do want some character and pizzazz for an input, simply press that channel’s “Legacy 4K” button to add a high-frequency boost and smooth harmonic distortion, both inspired by the classic and heralded 4000-Series consoles used on countless hit records.
Both input channels, which are arranged vertically like a large-format mixing board, also provide 5-segment LED metering and selectable 48V phantom power per channel. The SSL 2 is equipped with a pair of monitor outputs and a high-current headphone out with high dynamic range, independent level control via Alps pots, and a selectable mono/stereo monitor mix.
The layout of the interface harkens back to SSL’s classic large-format analog consoles, featuring a prominent monitor level knob and smaller controls for your headphone out and monitor mix. The monitor mix knob can be used to counter any latency while recording at high buffer rates in your DAW by sourcing the monitor signal directly from the input path. Or rotate the knob to the right to introduce more of the USB return from your computer for easy overdubs.
Bundled with the SSL 2 is the SSL Production Pack, an inspiring collection of software, sounds, and plug-ins that’ll not only help you get started, but also keep your work fresh track after track. Included are 1.5GB of loops and samples from Loopcloud, over 2000 sounds from Native Instruments, two DAWs (Pro Tools | First and Ableton Live Lite), and SSL’s own Vocalstrip 2 and Drumstrip plug-ins.
High-Gain Microphone Preamps
Both mic preamps on the SSL 2 provide up to 62 dB of gain to ensure optimal recording levels for your favorite condenser mic, industry-standard dynamic mics such as the Shure SM7B, and electric instruments such as guitar and bass. They incorporate a two-stage design with low-noise transistors and ICs (integrated circuits) to deliver top-of-the-line noise performance and ample gain.
Console-Style Channels Strips
Each input section offers switches for +48V phantom power and selection of line-level or Hi-Z input signal. Plus, you’ll find 5-segment LED metering and gain knobs on both channels.
Analog Tone Enhancement
Underneath the gain knobs on both input channels, you’ll note the Legacy 4K button. This feature helps you bring dull, uninspiring audio to life as you record it, doing so by adding subtle harmonic distortion and a high-frequency boost. Both are analog processes that take their cue from the sound of the legendary and classic SSL 4000 Series consoles, hence the name 4K.
Independent Monitor and Headphone Outs
Presented on the rear panel of the SSL 2 are 1/4″ jacks for the stereo monitor outs and the high-current NJM headphone amp output. Separate high-quality pots are provided for independent volume control of your speakers and headphones.
Pristine Converters
Packed with the same AKM AD/DA converters as SSL’s acclaimed Alpha-Link I/O products, the SSL 2 offers pristine conversion at up to 24-bit / 192 kHz. Record and mix confidently knowing that the interface captures and reproduces your tracks without compromise
High-Quality Components
The SSL 2 is laden with high-grade Neutrik connectors and Alps pots, and all knobs and switches are reminiscent of iconic SSL consoles.
USB Type-C or Type-A Host Connection
Since the SSL 2 is powered via USB, there’s no need to be concerned with power cables, AC adapters, or batteries. It sports a USB Type-C connection and includes USB Type-C and USB Type-C to Type-A cables for easy hookup to your Mac/Windows computer.
SSL Production Pack
DAWs: Pro Tools | First (plus an exclusive collection of 23 plug-ins) and Ableton Live Lite
Virtual Instruments: Native Instruments Hybrid Keys and Komplete Start
Plug-Ins: Vocalstrip 2 and Drumstrip, plus a 6-month trial of all SSL Native plug-ins
Samples and Loops: 1.5GB of curated content from Loopcloud
Form Factor
Tabletop
Display
2 x Multi-Segment LED Meter
Channels of I/O
Analog:
2 Inputs / 2 Outputs at 192 kHz
Max Sample Rate/Resolution
192 kHz / 24-Bit
Number of Mic Preamps
2
Input Level Adjustment
2 x Knob
Solo/Mute
None
Pad
None
High-Pass Filter
None
Expansion Slots
None
Connectivity
Analog Audio I/O
2 x Combo XLR-1/4″ TRS Balanced/Unbalanced Mic/Line/Hi-Z Input 2 x 1/4″ TRS Balanced Monitor Output 1 x 1/4″ TRS Unbalanced Headphone Output
Phantom Power
+48 V, Selectable On/Off (Selectable on Individual Inputs)
Digital Audio I/O
None
Host Connection / USB
1 x USB Type-C (USB 2.0)
USB (Non-Host)
None
Network I/O
None
Sync I/O
None
MIDI I/O
None
Wireless Connectivity
None
Memory Card Slot
None
Performance
Frequency Response
Line, Hi-Z Inputs:
20 Hz to 20 kHz ±0.05 dB Mic Inputs:
20 Hz to 20 kHz ±0.1 dB
Gain/Trim Range
Mic/Line/Hi-Z Inputs:
Up to 62 dB
Max Input Level
Mic Inputs:
+5.5 dBu Line Inputs:
+24 dBu Hi-Z Inputs:
+15 dBu
Compact and competitively priced, the Solid State Logic SSL 2 desktop 2x2 USB audio interface puts legendary SSL analog character, pristine conversion, and intuitive console-style workflow within reach for producers, home recordists, musicians, and songwriters on a tight budget.
Its two SSL-designed mic preamps—accessible via XLR-1/4" combo inputs—feature class-leading gain, headroom, and noise specs for tracking mics, electric instruments, or line-level signals with ultraclean definition. When you do want some character and pizzazz for an input, simply press that channel's "Legacy 4K" button to add a high-frequency boost and smooth harmonic distortion, both inspired by the classic and heralded 4000-Series consoles used on countless hit records.
Both input channels, which are arranged vertically like a large-format mixing board, also provide 5-segment LED metering and selectable 48V phantom power per channel. The SSL 2 is equipped with a pair of monitor outputs and a high-current headphone out with high dynamic range, independent level control via Alps pots, and a selectable mono/stereo monitor mix.
The layout of the interface harkens back to SSL's classic large-format analog consoles, featuring a prominent monitor level knob and smaller controls for your headphone out and monitor mix. The monitor mix knob can be used to counter any latency while recording at high buffer rates in your DAW by sourcing the monitor signal directly from the input path. Or rotate the knob to the right to introduce more of the USB return from your computer for easy overdubs.
Bundled with the SSL 2 is the SSL Production Pack, an inspiring collection of software, sounds, and plug-ins that'll not only help you get started, but also keep your work fresh track after track. Included are 1.5GB of loops and samples from Loopcloud, over 2000 sounds from Native Instruments, two DAWs (Pro Tools | First and Ableton Live Lite), and SSL's own Vocalstrip 2 and Drumstrip plug-ins.
High-Gain Microphone Preamps
Both mic preamps on the SSL 2 provide up to 62 dB of gain to ensure optimal recording levels for your favorite condenser mic, industry-standard dynamic mics such as the Shure SM7B, and electric instruments such as guitar and bass. They incorporate a two-stage design with low-noise transistors and ICs (integrated circuits) to deliver top-of-the-line noise performance and ample gain.
Console-Style Channels Strips
Each input section offers switches for +48V phantom power and selection of line-level or Hi-Z input signal. Plus, you'll find 5-segment LED metering and gain knobs on both channels.
Analog Tone Enhancement
Underneath the gain knobs on both input channels, you'll note the Legacy 4K button. This feature helps you bring dull, uninspiring audio to life as you record it, doing so by adding subtle harmonic distortion and a high-frequency boost. Both are analog processes that take their cue from the sound of the legendary and classic SSL 4000 Series consoles, hence the name 4K.
Independent Monitor and Headphone Outs
Presented on the rear panel of the SSL 2 are 1/4" jacks for the stereo monitor outs and the high-current NJM headphone amp output. Separate high-quality pots are provided for independent volume control of your speakers and headphones.
Pristine Converters
Packed with the same AKM AD/DA converters as SSL's acclaimed Alpha-Link I/O products, the SSL 2 offers pristine conversion at up to 24-bit / 192 kHz. Record and mix confidently knowing that the interface captures and reproduces your tracks without compromise
High-Quality Components
The SSL 2 is laden with high-grade Neutrik connectors and Alps pots, and all knobs and switches are reminiscent of iconic SSL consoles.
USB Type-C or Type-A Host Connection
Since the SSL 2 is powered via USB, there's no need to be concerned with power cables, AC adapters, or batteries. It sports a USB Type-C connection and includes USB Type-C and USB Type-C to Type-A cables for easy hookup to your Mac/Windows computer.
SSL Production Pack
DAWs: Pro Tools | First (plus an exclusive collection of 23 plug-ins) and Ableton Live Lite
Virtual Instruments: Native Instruments Hybrid Keys and Komplete Start
Plug-Ins: Vocalstrip 2 and Drumstrip, plus a 6-month trial of all SSL Native plug-ins
Samples and Loops: 1.5GB of curated content from Loopcloud
Form Factor
Tabletop
Display
2 x Multi-Segment LED Meter
Channels of I/O
Analog:
2 Inputs / 2 Outputs at 192 kHz
Max Sample Rate/Resolution
192 kHz / 24-Bit
Number of Mic Preamps
2
Input Level Adjustment
2 x Knob
Solo/Mute
None
Pad
None
High-Pass Filter
None
Expansion Slots
None
Connectivity
Analog Audio I/O
2 x Combo XLR-1/4" TRS Balanced/Unbalanced Mic/Line/Hi-Z Input
2 x 1/4" TRS Balanced Monitor Output
1 x 1/4" TRS Unbalanced Headphone Output
Phantom Power
+48 V, Selectable On/Off (Selectable on Individual Inputs)
Digital Audio I/O
None
Host Connection / USB
1 x USB Type-C (USB 2.0)
USB (Non-Host)
None
Network I/O
None
Sync I/O
None
MIDI I/O
None
Wireless Connectivity
None
Memory Card Slot
None
Performance
Frequency Response
Line, Hi-Z Inputs:
20 Hz to 20 kHz ±0.05 dB
Mic Inputs:
20 Hz to 20 kHz ±0.1 dB
Gain/Trim Range
Mic/Line/Hi-Z Inputs:
Up to 62 dB
Max Input Level
Mic Inputs:
+5.5 dBu
Line Inputs:
+24 dBu
Hi-Z Inputs:
+15 dBu
Required for Registration, Software/Driver Download
Power
Power Requirements
USB Bus Power
Physical
Anti-Theft Features
Kensington Security Slot
Operating Temperature
33 to 104°F / 1 to 40°C
Storage Temperature
-4 to 122°F / -20 to 50°C
Dimensions
9.2 x 6.2 x 2.7" / 23.4 x 15.7 x 6.9 cm
Weight
1.9 lb / 880.0 g
Packaging Info
10.5 x 7.8 x 4.2"
Package Weight
2.535 lb
Box Dimensions (LxWxH)
The SONAR REAC Recording System when used in conjunction with the RSS V-Mixing System or RSS Digital Snakes provides the most comprehensive live recording, mixing, mastering and delivery product available. This is the next phase in product development of the REAC driver, which Cakewalk engineered for Roland as a way for users to record from their Digital Snake/V-Mixer System directly into SONAR. The SONAR REAC Recording System includes:
The REAC protocol provides up to 40 channels of audio to be sent via a single CAT5e Ethernet or fiber optic cable. The REAC driver, developed by Cakewalk, allows the REAC output from the RSS V-Mixer or RSS Digital Snake to connect directly into a PC using a single Ethernet cable.
SONAR 8 Producer gives you what you need for recording, composing, editing, mixing, and mastering. Get innovations that matter, from exclusive features to ignite creativity and perfect your tracks, to groundbreaking technologies that always keep you in control, all backed by the industry's leading 64-bit audio quality. And SONAR 8 Producer delivers the go-to production tools you want with the best collection of virtual instruments, mixing, and mastering effects found in any DAW.
With unlimited tracks, amazing creative tools, inspiring virtual instruments, the freedom to work with any audio interface or control surface, and the most complete delivery capability for collaboration with users of other DAWS, award-winning SONAR Producer is your best choice in a digital audio workstation.
SONAR 8 is the only DAW that offers one-of-a-kind music creation tools that actually help in the songwriting process. Whether you are searching for new ideas or looking to add musical parts to existing songs, SONAR 8 can help you break through those creative blocks.
SONAR 8 provides the most comprehensive recording features of any DAW on the market today. It's designed to meet the needs of even the most demanding professional—whether recording a solo performance, a band, or even an orchestra.
Recommended System Requirements:
* Operating System: Windows XP (32 bit), Windows Vista (32 bit or 64 bit) * Processor Speed: Intel Core 2 Duo 2GHz or higher * RAM: 3 GB for 40 Channel Recording * Ethernet Port Speed: Gigabit Ethernet/CAT5e Only * Graphics: 1280 x 960, 24-bit color or higher * Audio Hard Drive Size: 30 GB * Audio Hard Disk Type: RAID 0 with (2) SATA drives * Audio Interface: SPS/FA-66 FireWire Audio Interface or Cakewalk VS-700 R * Media Drive: DVD-ROM, DVD+/-R or DVD+/-RW * Other Hardware: RSS Digital Snake or V-Mixing System, Roland CAT5e Cables (supplied with Digital Snakes), Gigabit Ethernet Switch (optional) * Other Software: Adobe Acrobat
nio 2 | 4 is a 2 In / 4 Out mobile USB interface for the modern music maker. Nio 2 | 4 features Novationʼs unique ʽDirect FXʼ technology, placing a powerful multi-effects engine within nio 2 | 4ʼs custom drivers. These effects rest close to the core of your computer, working independently of other software and providing powerful ultra-low latency effects for hassle-free, real time jamming and recording. This same unique environment ensures rock-solid, lightning-fast performance, making it the ideal interface solution for home recording, live performing and DJʼing alike; one size fits all. With two headphones outputs, itʼs also an ideal solution for the classroom environment.
Specifications
Audio Interfacing
Inputs:
1 XLR (with phantom power)
1 TS Jack
2 RCA Phono
Two inputs simultaneously only - either stereo RCA phono or the XLR and Jack
Outputs:
4 RCA Phono
2 stereo 1/4" Headphones Jacks
Digital Audio:
44.1/48kHz sample rate
24-bit resolution
Other interfacing
Data ports: 1 x USB 1.1
MIDI i/o
System requirements
Operating system: Mac OSX 10.3.9 or greater (Leopard also supported) or Windows XP with Service Pack 2 or greater (Vista 32/64 also supported)
Minimum Computer spec: Mac - G3/600MHz or G4/667MHz, both with 256MB RAM or PC - Pentium 3/500MHz/256MB RAM (machines running Vista will require a higher spec)
Interfacing: USB 1.1 compatible USB connector (also compatible with USB 2.0), 28/24 awg USB cable recommended
Weights and Dimensions
633g
45.4mm (H) x 144mm (W) x 149mm (D)
Yamaha AUDIOGRAM3 Computer Recording System Specifications:
Mic/Hi-Z input: 1
Audio Format: USB AUDIO 1.1, 16bit/44.1kHz
Combo Connectors: 1
Stereo In connectors: Phone connector x 2 (L/MONO x 2, R x 2)
USB Connector: To Host x 1
Headphone connector: Stereo Phone connector x 1
Stereo Out connector: Phone connector x 2 (L, R)
Power Supply: USB powered
Dimensions (W x H x D): 180 mm x 61 mm x 112 mm (7-1/8" x 2-3/8" x 4-3/8“)
Accessories: CUBASE AI DVD, Owner's Manual, USB Cable
System Requirements
Windows Vista
Windows-based computer with built-in USB interface
CPU: Intel CPU / Macintosh G3 processor 300 MHz or better
Memory: More than 128MB
Cubase AI4 System Requirements:
Windows
OS: Windows XP Professional SP1 / XP Home Edition SP1 / Windows Vista (32-bit)
CPU: Intel Pentium 1.4GHz or better
Available Memory: More than 512MB
Hard Disk: Free disk space of 1GB or more
Audio Interface: Windows DirectX / ASIO compatible
Macintosh
OS: Mac OS X 10.4 or higher
CPU: Power Mac G4 1GHz or Core Solo 1.5GHz or better
Available Memory: More than 512MB
Hard Disk: Free disk space of 1GB or more
The all new 896mk3 FireWire audio interface delivers high-end performance, superb sound, innovative new features and enhanced standard features that remain unique.
The 896mk3 provides eight channels of pristine 24-bit 192 kHz analog recording and playback, combined with sixteen channels of optical digital I/O, stereo AES/EBU, S/PDIF and separate analog main outs. Expand your system by connecting the 8pre mic input expander or other MOTU audio interfaces.
The 896mk3 is equally well-suited for studio and stage, with or without a computer. As an interface or standalone mixer, the 896mk3 provides 28 separate inputs and 32 separate outputs, including dedicated main outs on XLRs and two front panel headphone outs.
Connect all of your studio gear, including microphones, guitars, synths, keyboards, drum machines and even effects processors. Record, monitor, route and process all of these live inputs using the professional on-board CueMix FX digital mixer – with no latency and no processor strain on your computer. Apply hardware DSP-driven effects processing to inputs, outputs, and busses independent of your host computer. Add Classic Reverb™ with lengths up to 60 seconds. Further sculpt your sound with 7-band parametric EQ featuring filter types carefully modeled after British analog console EQs. Choose between two forms of compression: a conventional compressor and the Leveler™, an accurate model of the legendary LA-2A™ optical compressor that provides vintage, musical automatic gain control.
MOTU FireWire audio interfaces are fully compatible with FireWire 800-equipped Macs. All you need is a standard FireWire 400-to-800 cable. Just plug in and go. The FireWire bus operates at 400 Mb/sec, providing the same high speed, low latency and rock solid reliability that MOTU FireWire interfaces are known for.
When recording from the mic/guitar inputs, the 896mk3ʼs signal overload protection gives you an extra 12 dB of headroom above zero with no clipping or harsh artifacts.
After programming the on-board mixing in the studio, unplug the 896mk3 from the computer and take it on the road for operation as a stand-alone mixer with effects. All mixing and effects parameters are adjustable using the front panel backlit LCD.
The 896mk3 provides cross-platform compatibility with Mac and Windows and all of your favorite audio software and host-based effects via WDM/ASIO/Core Audio drivers. Or you can use the included AudioDesk workstation software for Mac, with 24-bit recording/editing and 32-bit mixing/processing/mastering.
The FA-66 is a 6-channel portable FireWire audio interface designed with the mobile recording and performance professional in mind. The FA-66 offers incredible audio fidelity, stability, and a practical set of input and output options. It also offers two XLR/TRS combo inputs with phantom power, plus two RCA inputs, four balanced +4dBu outputs, optical S/PDIF I/O, a built-in analog limiter, zero-latency direct monitoring, solid metal construction, and FireWire bus power, all in a durable compact case.
* 6-in/6-out 24-bit/96kHz simultaneous performance
* 4-in/4-out 24-bit/192kHz simultaneous performance
* 2 XLR/TRS combo jacks w/premium phantom-powered mic preamps
* +4 dB balanced input and output
* S/PDIF optical input & output ports with Sync LED indicator
* MIDI in/out ports
* Built-in analog limiter and indicator
* FireWire bus powered
* AC adaptor included
* Mac OS X CoreAudio and Windows XP WDM and ASIO 2.0 support
* Zero-latency Direct Monitoring
* 6-pin and 4-pin IEEE1394 ports
* Compact, solid-metal construction
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