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In less than 20 minutes you can calibrate your existing studio speakers with a SoundID Reference measurement microphone and calibrate your existing headphones with more than 280 headphone calibration profiles already included in the software as ready-to-use presets.
With an applied calibration profile the software sets thefrequency response target to be completely flat across all audible frequencies so youcan make music that sounds great everywhere.
You can also now make custom adjustments to the target curve in real time with the new custom target feature.
With accurate studio reference sound you can seamlessly switch between speakers,headphones, and rooms.
Finally, ensure continuity of your workflow regardless of distance, your gear or set-up.
Key Features
Speaker calibration: save as many profiles as needed
Headphone calibration profiles for 280+ supported models
Custom target: target curve adjustments in real time
Translation Check: simulating 20+ different devices and device types for
accurate mix translation results everywhere without leaving the workstation
3 filter modes: Zero Latency, Mixed and Linear Phase
Additional DSP processing controls: Mono, Dry/Wet and Safe Headroom
MIDI mapping in the SoundID Reference app for various controls
User Presets in the SoundID Reference app for switching quickly between
predefined output device/channel pair combinations
What's Included
SoundID Reference app for Speakers & Headphones
SoundID Reference DAW plugin (AU, VST, AAX)
SoundID Reference Measurement Microphone with an XLR connection and
individual calibration profile
Averaged profiles for 280+ supported headphone models
Activation key for the product license: the product can be activated and used
on 3 machines
System Requirements
Mac: macOS 10.12 or later
PC: Windows 8 (64-bit) or later
Sonarworks supported or Sonarworks individually calibrated headphones
2.0 or 2.1 stereo speaker system
An audio interface featuring +48V Phantom Power and 44.1 kHz sample rate
capability
During the speaker measurement process, the audio hardware setup must
consist only of a single external hardware device
XLR to XLR audio cable
Microphone Specification
Houses a pre-polarized electret-condenser capsule
Frequency response: 20 Hz - 20 kHz with a supplied calibration profile
Omnidirectional polar pattern
Sensitivity is rated at -37 dB/Pa (14 mV)
Self noise: 24 dB
S/N ratio: 70 dB
Dynamic range: 106 dB
Maximum SPL: 132 dB | The Shure KSM141 is an end-addressed condenser microphone with mechanically switching dual polar patterns (cardioid and omnidirectional). Designed for studio use, yet rugged enough for live applications, the KSM141 can withstand extremely high sound pressure levels (SPL). Its low self-noise and extended frequency response make it ideal for recording musical instruments.
Features
- A mechanical polar pattern switch for highly consistent cardioid and true omnidirectional polar patterns. Provides flexibility in a wide variety of recording applications
- Ultra-thin, 2.5 micron, 24 karat gold-layered, low mass Mylar? diaphragm for superior transient response
- Class A, discrete, transformerless preamplifier for transparency, extremely fast transient response, no crossover distortion, and minimal harmonic and intermodulation distortion
- Premium electronic components, including gold-plated internal and external connectors
- Subsonic filter eliminates low frequency rumble (less than 17 Hz) caused by mechanical vibration
- Three-position switchable pad (0 dB, 15 dB, and 25 dB) for handling extremely high sound pressure levels (SPLs)
- Three-position switchable pad (0 dB, 15 dB, and 25 dB) for handling extremely high sound pressure levels (SPLs)
- Three-position switchable low-frequency filter to reduce background noise and counteract proximity effect
Performance Characteristics
- Extended frequency response
- Low self noise
- Exceptional reproduction of low-frequency sounds
- Can withstand high sound pressure levels (SPL)
- High output level
- No crossover distortion
- Uniform polar response
- Superior common mode rejection and suppression of radio frequency interference
APPLICATIONS
Some typical applications for the KSM141 are listed below. Microphone use, however, is a matter of personal taste. The KSM141 may be used for a variety of applications other than those listed.
- Acoustic instruments -- such as piano, guitar, drums, percussion, strings
- Wind instruments -- brass and woodwind
- Low frequency instruments -- such as double bass, electric bass, kick drum
- Overhead miking -- drums or percussion
- Ensembles -- choral or orchestral
- Room ambiance pick-up -- guitar amplifier or drums
Both the acoustic environment and microphone placement strongly affect the sound obtained from miking a source. You may need to experiment with microphone placement and room treatments to achieve the best overall sound for each application.
Suggested Applications
Acoustic Guitar
Acoustic Bass
Cymbals
Brass/Woodwinds
Orchestra
Ensemble Vocals
Piano
Strings
Room Ambience
Live Recording |
The super-cardioid e 609 instrument microphone has been specially developed for miking guitar cabs face on and extremely close to the signal source.
Pick-up pattern : Super-cardioid
Frequency response : 40.....15000 Hz
Sensitivity in free field, no load (1kHz) : 1,5 mV/Pa
Nominal impedance : 350 Ohm
Min. terminating impedance : 1000 Ohm
Dimensions : 55 x 34 x 134 mm
Weight : 140 g
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A high performance mini-condenser for sound reinforcement and recording. Great for instruments or drums. The ultra-uniform pickup pattern provides high gain before feedback and excellent rejection of unwanted noise.
Other features include:
- Mew A98D flexible drum mount
- SPL handling to 160dB
- frequency response of 20 to 20,000Hz and included preamplifier
- shock mount and windscreen
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The DMK57-52 Drum Mic Kit is a conveniently packaged selection of microphones and mounts, designed to offer a complete core package of microphones for recording and performing drummers at a great price. The Drum Mic Kit includes three SM57 microphones, one Beta 52 microphone, three A56D drum-mounting systems, and a lightweight and durable carrying case.
The industry standard for snare drum, and a reliable and high-performing choice for toms, Shure's cardioid dynamic SM57 microphone features a contoured frequency response that cuts through the mix with exceptional impact, while reproducing sound accurately.
Perfect for the kick drum, the supercardioid Beta 52? derives its low-end punch and sonic presence from a carefully tailored frequency response. Equipped with its own pneumatic shock mount, the Beta 52 is additionally designed with an integral locking stand mount for quick-and-easy set up.
A key element of the kit, Shure's A56D universal drum mounting system can be used to position microphones virtually anywhere -- on drum rims, microphone stands, even cymbal stands. Designed with captive parts to prevent the loss of individual pieces, the A56D is small, secure, and can be used with any standard microphone, making it a great tool for both stage and studio environments. |
Legendary among harmonica players for its classic blues harp sound, the 520D's tradition is carried on by the 520DX "Green Bullet" and has a contoured size and shape that fits perfectly between harmonica and hands. - New volume control knob allows musicians to adjust the volume to fit each musical situation
- New rugged, dynamic cartridge with improved response
- High-impedance, omnidirectional
- Supplied with 1/4 inch connector
- Frequency response: 100 to 5,000 Hz
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