he Sontronics SATURN has been developed with the help of top producers, artists and educators from around the world to set a new standard in flexible microphone performance and high-grade audio reproduction. The retro-styled SATURN, whose design is inspired by the classic vocal mics of the 1940s and 50s, is the ideal all-round studio microphone. […]
he Sontronics SATURN has been developed with the help of top producers, artists and educators from around the world to set a new standard in flexible microphone performance and high-grade audio reproduction.
The retro-styled SATURN, whose design is inspired by the classic vocal mics of the 1940s and 50s, is the ideal all-round studio microphone. It will provide you with perfectly detailed, refined results, no matter what you place in front of it.
While SATURN was originally designed with vocals in mind, its choice of polar patterns plus filter and pad controls lend it a great versatility and it gives fantastic results on vocals, speech, guitars, brass, woodwind, strings, piano, drums…
the list goes on!
The five polar patterns – omnidirectional, subcardioid, cardioid, hypercardioid and figure-of-eight – combine with the variable attenuation (-10/-20dB) and high-pass filter (75/125Hz) to let you create exactly the results you want. The only limit with SATURN is your own creativity!
Model: 1099
Bar Code: 5060173280321
Part Number: SATURN
Brand: Sontronics
Polar Pattern: Multiple (5 Patterns)
Mic Type: Condenser
Frequency Response (Hz): 20-20,000
Sensitivity (mV/Pa): -32
Impedence (Ohm): 200
Maximum SPL (dB): 130
Power Requirements: 48V Phantom Power
Connection: XLR 3-Pin
Application: Studio Recording
Pad Attenuation (dB): -10/-20
High-Pass Filter (Hz): 75/125
Included Accessories: Shockmount, Flight Case
Weight
5.00 kg
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he Sontronics SATURN has been developed with the help of top producers, artists and educators from around the world to set a new standard in flexible microphone performance and high-grade audio reproduction.
The retro-styled SATURN, whose design is inspired by the classic vocal mics of the 1940s and 50s, is the ideal all-round studio microphone. It will provide you with perfectly detailed, refined results, no matter what you place in front of it.
While SATURN was originally designed with vocals in mind, its choice of polar patterns plus filter and pad controls lend it a great versatility and it gives fantastic results on vocals, speech, guitars, brass, woodwind, strings, piano, drums…
the list goes on!
The five polar patterns – omnidirectional, subcardioid, cardioid, hypercardioid and figure-of-eight – combine with the variable attenuation (-10/-20dB) and high-pass filter (75/125Hz) to let you create exactly the results you want. The only limit with SATURN is your own creativity!
Model: 1099
Bar Code: 5060173280321
Part Number: SATURN
Brand: Sontronics
Polar Pattern: Multiple (5 Patterns)
Mic Type: Condenser
Frequency Response (Hz): 20-20,000
Sensitivity (mV/Pa): -32
Impedence (Ohm): 200
Maximum SPL (dB): 130
Power Requirements: 48V Phantom Power
Connection: XLR 3-Pin
Application: Studio Recording
Pad Attenuation (dB): -10/-20
High-Pass Filter (Hz): 75/125
Included Accessories: Shockmount, Flight Case
The AVANTONE CK-6 is truly a gorgeous looking and sounding microphone. The design, character and performance can be compared directly to fine studio-standard FET mics…but at a fraction of their cost!
The rugged CK-6 microphone body and capsule assembly are precision machined of Brass. Aesthetically the compact body features an elegant Metallic Cabernet Wine-Red finish, accented with polished nickel trim and capsule assembly. Manufactured using the finest materials yielding a very solid feel, superb structural integrity and rugged reliability.
This Transformerless CLASS A FET Microphone w/ 32mm gold sputtered thin Mylar capsule is designed with circuitry that will yield pleasing professional results comparable to much more expensive designs. It also features -10 dB pad & 80 Hz LF roll off switches for varied recording situations.
The included Custom Retro Shockmount is superb in allowing a precise positioning of the mic while inhibiting the transfer of unwanted vibrations up into the mic. This isolation allows for superior professional results.
Applications
Studio vocals, acoustic guitar, mandolin, drum overheads, piano, etc…
Podcasting
Home recording
Vocals
Musical instruments
Perception 120
General-purpose cardioid recording microphone
Extended frequency response
Roadworthy construction
Switchable 20 dB preattenuation pad
Switchable bass cut filter
Designed and engineered by AKG in Vienna, Austria
The Perception 120 is a 2/3-inch diaphragm true condenser microphone that offers solid build quality, outstanding performance, and excellent value. The low-mass diaphragm delivers a clear sound with accurate sonic detail. A switchable 20 dB preattenuation pad and bass cut filter make the Perception 120 an excellent choice for a wide range of recording and live sound applications.
Backed by AKG\'s six decades of experience in making microphones and input from sound engineers around the world, the Perception 120 now brings AKG studio quality to musicians and project studio applications.
Type
2/3\" Diaphragm True Condenser
Polar pattern
cardioid
Frequency range
20 to 20,000 Hz
Sensitivity
22 mV/Pa (-33 dBV)
Max. SPL
130/150 dB (0/-20 dB) for 0.5% THD
Equivalent noise level
22 dB-A (IEC 60268-4)
Signal/noise ratio (A-weighted)
72 dB
Preattenuation pad
0 dB, -20 dB
Bass filter
12 dB/octave at 300 Hz
Impedance
Recommended load impedance
>= 1,000 ohms
Powering
Power requirement
48 V phantom power to DIN/IEC
Connector
3-pin XLR
Finish
metallic blue
Dimensions
53 dia. x 165 mm (2.1 dia. x 6.5 in.)
Net weight
525 g (18.5 oz.)
Shipping weight
955 g (33.7 oz.)
AKG C214 – large 1” diaphragm microphone with cardioid polar pattern, frequency response: 20Hz-20kHz, 20dB pad, requires phantom power (12-52V), XLR connector. Includes clip, case and windshield. Dimensions: 160 x 55mm. Weight: 280g, optional microphone holder SA61
The C214 professional large-diaphragm condenser microphone has been designed as a cost-effective alternative to the high-end C414 family. Like the C414, the C214 offers a supreme one-inch capsule on an integrated suspension to reduce mechanical noise. A switchable 20dB attenuation pad allows recording of loud sources of up to 156dB SPL. A switchable bass-cut filter allows close-up recording with almost no proximity effect.
The C214 captures sound by combining one capsule of the legendary C414 dual-capsule system and the patented AKG Back-Plate Technology, resulting in an outstanding performance close to the famous C414 XLII.
Sonic character of the C414 XLII
for beautifully detailed recording of lead vocals and solo instruments
Outstanding dynamic range and ultralow noise
for close-up recording of high-output sources of up to 156dB SPL
Switchable 20dB attenuator and bass-cut filter
for close-up recording and reduction of proximity effect
Integrated suspension
to reduce mechanical noise and vibration from stage
Roadworthy design
all-metal die-cast body with shock- and scratch-resistant finish
Behringer C-1 Studio Condenser Microphone
Behringer C-1 Studio Condenser Microphone
The C-1 Studio Condenser Microphone from Behringer offers a cardioid pickup pattern for maximum sound source separation and feedback rejection. This low noise microphone is suitable for a wide range of recording scenarios, including project, professional, and home studio applications. There is a pressure gradient transducer and a shock-mounted large diaphragm capsule for open, transparent sound with high-quality transient response. It is constructed of a die-cast metal body for durability and features an LED light to indicate when the microphone is receiving phantom power. The C-1 includes a swivel mount and custom case.
Professional large-diaphragm condenser microphone for unsurpassed audio quality
Ideal as main and support microphone for studio and live applications
Exceptionally flat frequency response and ultra-high sound resolution
Cardioid pickup pattern for outstanding sound source separation and feedback rejection
Ultra low-noise transformerless FET input circuitry
LED indicates phantom power operation
Gold-plated 3-pin XLR output connector for perfect signal transmission
Ultra-rugged construction with die-cast body
Swivel stand mount and carrying case included
Operating Principle
Pressure Gradient
Capsule
Condenser
Diaphragm
0.63" / 16.0 mm
Polar Pattern
Cardioid
Performance
Frequency Range
40 Hz to 20 kHz
Maximum SPL
136 dB SPL
Impedance
100 Ohms
Load Impedance
1000 Ohms
Sensitivity
-33 dB
THD
1%
Connectivity
Output Connectors (Analog)
1 x XLR 3-Pin
Power
Operating Voltage
36 to 52 V
Operating Current Consumption
2.5 µA
Physical
0.93 lb / 0.42 kg
Dimensions
ø: 2.13 x L: 7.09" / ø: 54 x L: 180 mm
Weight
The RODE NT1-A has become an industry standard; delivering the warmth, extended dynamic range, clarity and high SPL capability usually only featured by some of the most expensive microphones.
Now available as the \'Complete Vocal Recording Solution\' this NT1-A package now includes everything you need to get truly professional vocal recordings - the world\'s quietest studio microphone, a studio grade pop shield and shock mount, a premium 20\' cable, dust cover, an instructional DVD with recording tips, and of course R DE\'s industry leading ten year warranty.
Large 1" (25mm) capsule with gold plated diaphragm
Cardioid polar pattern
Self noise of only 5dB (A)
Ultra low noise, transformerless surface mount circuitry
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