| Content | The Sontronics STC-10 is a cardioid pencil condenser microphone that is based on the companyʼs STC-1.
While the STC-1 accepts alternate capsules with different polar patterns from Sontronics, the company makes no mention of compatibility with the STC-10. This leads us to believe that the capsule is not interchangeable, which likely allows the microphone to be priced lower than its predecessor.
The STC-10 features switches for a pad (-10 dB) and low-cut filter (at 75 Hz) on its front.
According to Sontronics, the STC-10 is designed to sound similar to the STC-1, at a lower cost. The company does not go into specifics, but some examples of areas they were able to cut costs were in accessories and expandability. The STC-10 ships with a mic clip and windscreen, though a shockmount and padded case are available for purchase separately.
Specifications
Pickup Patterns Pads & Filters
Cardioid (11 mV/Pa; 30 Hz - 20,000 Hz)
Pad: -10 dB (Via Switch)
Filter: Low cut at 75 Hz (Via Switch)
Capsule Dimensions Impedance SPL/Noise
Diameter n/a
200 Ohms (Low) Max SPL: 130 dB
Self-noise: 18.0 dB(A)
Weight Length Max Diameter Interface(s)
n/a n/a n/a
3-pin XLR male (1)
Power Specifications
Requires phantom power
Phantom voltage: 48v | The e 945 is a fully professional super-cardioid vocal microphone which cuts
through the mix and offers a smooth, natural sound. Its warm tonal response
is matched with rugged construction and excellent feedback rejection.
Features
Rugged metal body
Advanced shock-mount design
Consistent on-/off-axis response
Hum compensating coil
Made in Germany
Delivery includes a pouch and a microphone clamp
Delivery Includes
1 e 945
MZQ 800 microphone clamp
Pouch
Technical Data
Pick-up pattern Super-cardioid
Frequency response (microphone) 40.....18000Hz
Sensitivity in free field, no load (1kHz)
2,0mV/Pa bei 1 kHz = -54dB (0 dB = 1V/Pa) = -74 dB (0 dB = 1V/ubar)
Nominal impedance 350 Ohm
Min. terminating impedance 1000 Ohm
Dimensions 47 x 186 mm
Weight 330 g |
Cardioid Condenser with 10dB Attenuator and 3 Position Low-Cut Filter
One of the world's great studio microphones, the SM81 provides precise, detailed sound reproduction, is excellent for studio recording, and is rugged enough for live sound reinforcement.
- A standard for acoustic instruments, including guitar and cymbals
- Selectable, low-frequency response -- either flat, 6dB/octave roll-off, or 18 dB/octave roll-off
- Built-in, switchable 10 dB attenuator for use in high SPL situations
- Phantom power only
- Windscreen included
- Low noise and high output clipping
- Cardioid condenser
- Frequency response: 20 to 20,000 Hz
| NT3 - Versatile & Dependable
Stylish and modern, the NT3 is a studio and location workhorse. With both
48V phantom and internal 9V battery operation, this R?DE is at home anywhere.
Intended for studio, stage and location work, this versatile handheld or stand
mounted microphone incorporates a true externally polarized condenser (hyper-
cardioid polar response) transducer with an internal capsule shock mounting
system, and an ultra-low noise electronic circuit that has a high immunity to R.F.
interference. Incorporating a rugged welded and heat-treated mesh head and all
metal body. The NT3 is supplied in a zip pouch with a windshield, stand mount
and thread adaptor.
SPECIFICATIONS:
Acoustic principle: Externally polarised 19mm (3/4“) condenser
Directional pattern: Hypercardioid
Frequency range: 20Hz-20 kHz
Output impedance: 200?
Signal noise ratio din iec 651: > 77dB (per IEC268-15)
Equvalent noise: 123dB (per IEC268-15)
Power supply voltage: P48, P24, P12 phantom 9V battery
Weight without battery: 371g
Weight with battery: 680g |
The ME 62 is an omni-directional microphone head suitable for K6 and K6P
powering modules. It can be used for reporting, discussions and interviews.
The ME 62 is particularly suitable for good reproduction of 'room' ambience
and 'spaced omni' stereo recording. Matt black, anodised, scratch-resistant finish.
Features
Omni-directional pick-up pattern
Minimal inherent self-noise
Excellent rejection of rumble, wind and handling noise
Wide frequency response
High maximum sound pressure level
Integral pop filter
Delivery Includes
1 ME 62
Technical Data
Pick-up pattern omni
Sensitivity in free field, no load (1kHz) 31 mV/Pa +- 2,5 dB
Nominal impedance 200 Ohm (K6)
Min. terminating impedance 1000 Ohm (K6)
Equivalent noise level 15 dB
Equivalent noise level weighted as per CCIR 468-3 27 dB
Dimensions d 22,5 x 94 mm
Weight 30 g
|
C 568 B
Compact, short shotgun microphone
Integrated, switchable bass cut filter minimizes mechanical noise
Operates on phantom power
High directivity and wide frequency response in a relatively short shotgun make this
microphone a perfect tool for theater, sound reinforcement, and film/TV applications.
Due to its compact and lightweight design, the C 568 B is ideal for camera mount
applications. Below 500 Hz it functions as a hypercardioid microphone; above 500 Hz
the acoustic interference tube introduces increasing directivity. A switchable 12 dB/
octave 120 Hz bass cut filter effectively suppresses rumble and wind noise. The rugged,
all-metal body contains the built-in preamp. Phantom powering (9?52 V) required; foam
windscreen and stand adapter included.
SPECIFICATIONS:
Polar pattern hypercardioid/directional
Frequency range 20 to 20,000 Hz
Sensitivity 11 mV/Pa (-39 dBV)
Max. SPL 128 dB
Equivalent noise level (CCIR 468-3) 29 dB
Equivalent noise level 18 dB-A
Signal/noise ratio 76 dB
Bass filter 12 dB/octave at 120 Hz
Impedance 600 ohms
Recommended load impedance >2000 ohms
Supply voltage 9 to 52 V phantom power to DIN 45596
Current consumption |
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