Frequency Response10Hz to 40kHz +/- 0.5dB re 1kHz @ 96kHz sample rate THD + Noise0.005% max (@1kHz, 22-22kHz BW, gain=20dB, -10dBu in) ADC32 bit precision; 120dB dynamic range min (A-weighted, gain=10dB, fader=0dB) Equivalent Input Noise-130dBV (-128dBu) max (A-weighting, gain=76dB, 150 ohm source impedance) Inputs
Mic: XLR active-balanced; 4k input Z
Line: XLR active-balanced; 4k input Z
Aux/Mic in: 3.5mm TRS, 2-channel unbalanced; 100k input Z
USB Audio: 2 channels
All inputs fully RF-filtered and overload protected.
Gain
Mic input: +6dB to +76dB
Line input: -20dB to +30dB
Fader: -inf to +20dB
Headphone: -inf to +20dB
Total, Mic-to-recording (max): +96dB
Aux In (Mic): Gain = +10dB to +40dB
Aux In (Line): Gain = -10dB to +20dB
Total Aux Gain including Fader (Mic-to-recording): +60dB
Maximum Input Level
Mic XLR: +14dBu (limiters on or off)
Line XLR: +40dBu (limiters on or off)
Aux In (Mic): -10dBu
Aux In (Line): +10dBu
Low Cut Filters40Hz to 160Hz (adjustable), 18 dB/oct. First stage analog, subsequent stages digital. Microphone Powering
Mic XLRs: 48V via 6.8k resistors, 10mA each
Mic 3.5mm: 3V @ 3k source Z
LimitersLimiter at all gain stages, range > 40dB. First stage analog, subsequent stages digital. DAC feeding Stereo Out, Headphone Out32 bit precision; 115dB dynamic range (A-weighted) Stereo Out3.5mm TRS stereo unbalanced, 500 ohm output Z, +7.8dBu max output level Headphones Out3.5mm TRS stereo unbalanced, for use with any impedance headphones USB
Audio Interface (USB-C): 5-in/2-out; 44.1 to 96 kHz; 16/24-bit; Class-compliant USB 2.0 high speed or ASIO (supplied)
Mass Storage (USB-C): USB 2.0 high speed
Keyboard (USB-A): Text entry and control
Maximum Record Tracks 5 Tracks: Stereo mix + 3 ISOs Sampling Frequency
44.1 kHz
48 kHz
96 kHz
Bit Depth16, 24 Recording Storage
Type: SD, SDXC, SDHC Card
Max Storage Size: 512 GB (SDXC)
Card format: FAT32 (32GB or less) or exFAT (>32GB)
File TypeWAV (Broadcast Wave File Format) with embedded timecode stamp and metadata Timecode Modes
Time of Day (file stamped w/current ToD)
LTC Input (file stamped w/incoming LTC on Aux 3.5mm)
HDMI TC (file stamped w/incoming TC from HDMI & sample clock slaved from HDMI sample clock. Only works on specific cameras that support HDMI TC.
Timecode Frame Rates:
Auto-detects (fps): 23.98 (same as 23.976)
24
25
29.97
29.97DF
30
Remote Control
Bluetooth Smart: Wireless control using Wingman app
HDMI: Auto-record start/stop trigger from cameras that output record flag over HDMI
Timecode: Auto-record start/stop trigger via Aux In timecode
Touch Screen320x240; 1.6-inch, color, sunlight-viewable IPS LCD Power
AA Batteries: 4x AA sled (included); 8x AA sled (optional accessory). NiMH recommended
From computer: Bus-powered via USB-C port; use MX-USBY cable (included), connects one USB-C to two USB-A ports
AC Adapter: MX-Charge (not included) Power supply wall adapter w/ USB-C connector; 15W; has 4 adapter plugs for US, UK, AU & Europe
L-Mount: Optional sled for 2x (hot-swappable) Sony L-type Li-ion batteries
Environmental
Operating: -20°C to 60°C, 0 to 90% relative humidity; (non-condensing)
Storage: -40°C to 85°C
Dimensions and Weight
Dimensions: 144 mm x 110 mm x 36 mm (H x W x D); 5.68” x 4.35” x 1.40”
Weight: .48 kg; 16.8 oz. (unpackaged, without batteries)
Specifications are subject to change without prior notice.
Weight
1.00 kg
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Frequency Response10Hz to 40kHz +/- 0.5dB re 1kHz @ 96kHz sample rate THD + Noise0.005% max (@1kHz, 22-22kHz BW, gain=20dB, -10dBu in) ADC32 bit precision; 120dB dynamic range min (A-weighted, gain=10dB, fader=0dB) Equivalent Input Noise-130dBV (-128dBu) max (A-weighting, gain=76dB, 150 ohm source impedance) Inputs
Mic: XLR active-balanced; 4k input Z
Line: XLR active-balanced; 4k input Z
Aux/Mic in: 3.5mm TRS, 2-channel unbalanced; 100k input Z
USB Audio: 2 channels
All inputs fully RF-filtered and overload protected.
Gain
Mic input: +6dB to +76dB
Line input: -20dB to +30dB
Fader: -inf to +20dB
Headphone: -inf to +20dB
Total, Mic-to-recording (max): +96dB
Aux In (Mic): Gain = +10dB to +40dB
Aux In (Line): Gain = -10dB to +20dB
Total Aux Gain including Fader (Mic-to-recording): +60dB
Maximum Input Level
Mic XLR: +14dBu (limiters on or off)
Line XLR: +40dBu (limiters on or off)
Aux In (Mic): -10dBu
Aux In (Line): +10dBu
Low Cut Filters40Hz to 160Hz (adjustable), 18 dB/oct. First stage analog, subsequent stages digital. Microphone Powering
Mic XLRs: 48V via 6.8k resistors, 10mA each
Mic 3.5mm: 3V @ 3k source Z
LimitersLimiter at all gain stages, range > 40dB. First stage analog, subsequent stages digital. DAC feeding Stereo Out, Headphone Out32 bit precision; 115dB dynamic range (A-weighted) Stereo Out3.5mm TRS stereo unbalanced, 500 ohm output Z, +7.8dBu max output level Headphones Out3.5mm TRS stereo unbalanced, for use with any impedance headphones USB
Audio Interface (USB-C): 5-in/2-out; 44.1 to 96 kHz; 16/24-bit; Class-compliant USB 2.0 high speed or ASIO (supplied)
Mass Storage (USB-C): USB 2.0 high speed
Keyboard (USB-A): Text entry and control
Maximum Record Tracks 5 Tracks: Stereo mix + 3 ISOs Sampling Frequency
44.1 kHz
48 kHz
96 kHz
Bit Depth16, 24 Recording Storage
Type: SD, SDXC, SDHC Card
Max Storage Size: 512 GB (SDXC)
Card format: FAT32 (32GB or less) or exFAT (>32GB)
File TypeWAV (Broadcast Wave File Format) with embedded timecode stamp and metadata Timecode Modes
Time of Day (file stamped w/current ToD)
LTC Input (file stamped w/incoming LTC on Aux 3.5mm)
HDMI TC (file stamped w/incoming TC from HDMI & sample clock slaved from HDMI sample clock. Only works on specific cameras that support HDMI TC.
Timecode Frame Rates:
Auto-detects (fps): 23.98 (same as 23.976)
24
25
29.97
29.97DF
30
Remote Control
Bluetooth Smart: Wireless control using Wingman app
HDMI: Auto-record start/stop trigger from cameras that output record flag over HDMI
Timecode: Auto-record start/stop trigger via Aux In timecode
Touch Screen320x240; 1.6-inch, color, sunlight-viewable IPS LCD Power
AA Batteries: 4x AA sled (included); 8x AA sled (optional accessory). NiMH recommended
From computer: Bus-powered via USB-C port; use MX-USBY cable (included), connects one USB-C to two USB-A ports
AC Adapter: MX-Charge (not included) Power supply wall adapter w/ USB-C connector; 15W; has 4 adapter plugs for US, UK, AU & Europe
L-Mount: Optional sled for 2x (hot-swappable) Sony L-type Li-ion batteries
Environmental
Operating: -20°C to 60°C, 0 to 90% relative humidity; (non-condensing)
Storage: -40°C to 85°C
Dimensions and Weight
Dimensions: 144 mm x 110 mm x 36 mm (H x W x D); 5.68” x 4.35” x 1.40”
Weight: .48 kg; 16.8 oz. (unpackaged, without batteries)
Specifications are subject to change without prior notice.
Korg D-4 Digital Recording Studio
High-performance recording studio in a friendly, compact package
Welcome a new member to Korg?s lineup of D-series recorders - acclaimed for their superb audio quality and intuitive ease-of-use. About the same size as a VHS video tape, the D4 Digital Recorder contains built-in effects, rhythms, and a tuner, everything needed to plug in a guitar or mic and start recording right away. Five real-time knobs provide immediate control over numerous functions, including a full array of Korg?s proprietary ?REMS? modeling effects. These same knobs perform double duty as Pan knobs and Record Select buttons; an informative backlit LCD screen keeps it all together. Inside, you?ll find powerful recording and sophisticated editing functions that rival high level models. There?s even a USB connector that makes it easy to transfer song data to a computer. With enormous potential packed into its small size, the D4 is the ideal partner for your creative music life.
Main features ? 4-Track digital recorder features 8 virtual tracks per track, for a total of 32 tracks. ? Two tracks of simultaneous recording. ? High audio quality with extended recording times using MPEG1 Layer 2 compressed recording format. ? XLR and 1/4 inch inputs accommodate both a microphone and/or guitar. ? Intuitive user interface provides plenty of knobs for easy operation. ? Instantly recall frequently-used effect settings, including custom-tailored settings, using the Favorites knob. ? Five knobs (with push-button function) allow for easy effect editing and pan control. ? Full suite of non-destructive editing tools includes punch-in/out, bounce, copy/paste, delete ? even pro-level functions such as time compression/expansion are provided. ? Korg?s proprietary ?REMS? modeling technology delivers 93 effect types that can be used for guitar, insert, master, or final effect processing. There are 100 preset effect programs ready for immediate use, and 100 user program locations. ? High-capacity CompactFlash data storage. ? Transfer data to a computer quickly and easily via the USB connector. ? Built-in mic allows immediate recording on the go. ? 87 Rhythm / metronome patterns and a chromatic tuner are built-in. ? The custom LCD display is backlit for easy visibility - even in dark locations. ? AC adaptor and 64 MB CompactFlash media are included.
A studio that?s just the right size The D4 is a complete four-track recording studio, providing multi-effects based on Korg?s proprietary ?REMS? modeling technology, and an array of rhythm and metronome patterns to compliment any musical style. Just plug a guitar or microphone into the D-4 and you can begin creating your own song a track at a time. Eight virtual tracks are provided for each track, so you can choose the best take as you build your song. The D4 records directly to CompactFlash using one of three modes ?High Quality, Standard or Economy ? providing extended recording time with great audio quality. CompactFlash cards of up to 2 GB* may be used and each one can store up to 99 songs, recorded and saved in MP2 (MPEG-1 Layer-2) format. A built-in mic lets you make quick musical memos as inspiration comes to you. There?s also a built-in tuner, ensuring that you?ll be in tune whenever you record.
*maximum recording time = 72 hours, single track using Economy mode with a 2 GB CompactFlash.
Simple, easy-to-use controls, including new ?turn and push? knobs Despite its compact size, the D4 offers quick and convenient control of its many professional features and rich functionality. A single knob takes you from mode to mode. Five dedicated knobs provide real-time editing of the onboard REMS effects. By pushing down on these same knobs you can select recording status of each track and turn effects on and off. There?s also a ?favorites knob? that lets you instantly recall eleven of your favorite effects. The Value Dial provides a quick way to change settings and select various options. With trim knobs on both inputs (XLR and 1/4" are provided for Input 2, 1/4" only on Input 1), you?ll be able to get the optimum level in any recording situation.
A full suite of editing tools bring a final polish to your song The D4 provides the functionality and flexibility you?ve come to expect from Korg digital recorders, including copy, delete, punch-in recording and more. Bounce recording combines multiple tracks into one ? with no loss of fidelity ? and frees up tracks for additional recording. You can also use professional time compression/expansion editing functions to alter previously-recorded phrases so they match the tempo of your song.
“REMS" modeling effect technology KORG?s proprietary "REMS" (Resonant structure and Electronic circuit Modeling System) modeling technology simulates the audio characteristics of many classic guitar amps, legendary recording microphones and numerous effects with startling realism, adding depth and character to your original recordings. The AMP effect faithfully recreates a range of amps; from classics such as the VOX AC30TB through today?s latest guitar amps. The CABINET effect accurately simulates a wide variety of speaker cabinets that match the various AMP types. The 4-BAND EQ allows you to make detailed adjustments to the tonal character and you can also apply chorus, phaser, and flanger type MODULATION effects. For recording bass parts, the BASS DRIVE and BASS CABINET effects provide a broad spectrum of bass sounds that perfectly simulate the character of various bass rigs. When it comes time to add vocals ? or another acoustic instrument ? the mic simulator recreates the ideal tonality for various recording applications.
What is REMS? REMS (Resonant structure and Electronic circuit Modeling System) is Korg?s proprietary modeling technology that digitally simulates a wide range of factors that affect sound, including the sound-producing mechanism of acoustic and electric/electronic instruments, the body and cabinet resonances that affect the tone, the spatial character of the sound field in which the sound is heard, the electrical and acoustical response of the mics and speakers that are in the sound-transmission path, and the way in which electrical circuits such as vacuum tubes and transistors affect the tone.
Create multi-effect ?chains? using up to five simultaneous effects The D4 digital recorder provides four types of effect chains, in which up to five effects can be connected in a specified order. This makes it easy to create multi-effects that are suitable for the material you?re recording. These effect chains are stored as programs, with 100 user and 100 preset locations for easy access. The presets contain programs created by professional musicians and studio engineers and are ready to use. You can edit the effects in a program and store it in the user program area. Four chain types are provided. [GUITAR/MIC] is used when applying effects to a mono input, such as guitar or vocal; [INSERT/GTR+VO] is for use with a stereo input, or when applying separate effects to a vocal track and a guitar track that are being recorded simultaneously; [MASTER] makes the overall sound more consistent; and [FINAL], which applies overall adjustments to the final output stage. A dedicated switch is provided to select each chain type. No complicated operations are required, letting you concentrate on your recording.
High-quality PCM rhythms Inside the D4 is a PCM sound generator that can produce 87 different rhythm patterns (32 metronome patterns and 55 rhythm patterns). The rich array of patterns include 8 beat, 16 beat, Rock, Funk, Big Beat, House, Reggae, Hip-Hop, R&B, Disco, Dance, Jazz, 3/4, 6/8, 5/4, and 7/4, covering a broad range from simple beats to highly distinctive styles. These rhythm patterns may be used as recording guides, or as an easy way to create tracks.
Reliable, convenient CompactFlash storage CompactFlash capacities of 16 MB ? 2 GB are supported for data storage.*1*2 The data is written automatically when you?ve finished recording or editing. The D4 also provides a USB connector, so it?s easy to transfer song data and user effect data to your computer for backup.*3 Completed songs created within the D4 as stereo MPEG format*4 song files, can be played back as stereo MPEG files on your computer.*5 This also makes it easy to distribute or exchange data on the Internet.
*1 One (1) 64 MB CompactFlash card containing demo song data is included. *2 CF TYPE I cards only. CF TYPE II cards are not supported. *3 USB connection requires Windows 2000/Me or later, or Mac OS 9.0.4 or later. If your computer does not have a USB connector, you can still use a card reader/writer to backup data that?s stored on the card. *4 MPEG1 Layer2 format. *5 Windows Me, Windows 2000, Mac OS 9.0.4, or later systems are supported - when using a PC with an audio card that supports 32 kHz.
ψ6.3 mm phone jack (use separately sold PS-1 foot switch)
USB:
Connector:
Type B
Supported OS:
Windows Me/2000 or later, Mac OS 9.0.4 or later
Included Items:
CompactFlash, AC adapter
D4 Options:
PS-1 Foot Switch
* 8-track Digital Portastudio with CD Burner * Records to SD/SDHC Card media * Import audio tracks from CD * Built-in stereo condenser microphone * Two XLR microphone inputs with phantom power * 1/4" stereo line inputs * Switchable instrument-level input for guitar/bass direct recording * Multi-band mastering effects * 2-band EQ per track * Internal reverb processor with dedicated send per track * Chromatic Tuner and Metronome * Track editing, autopunch and bounce features * Optional RC-3F footswitch offers three switches for punch-in and transport operation * Compact and lightweight * Dimensions: 11.4" W x 2.1" H x 8.2" D * Weight: 4lbs
To further enhance the HD-R1's feature set, Mic preamps (w/20dB pad) and Phantom Power (rear-panel selectable) have been included. The HD-R1 offers a variety of contractor-friendly I/O options; such as, Unbalanced (RCA), Balanced (XLR and Euroblock), and S/PDIF Digital (Coaxial and Optical).
And of course... the traditional source device features are Power-on-Play, Front Panel Rotary Input Level Controls, Headphone Jack with level control, and a variety of Playback Modes.
* 1U Rack-mount Solid-State Recorder
* Compact Flash Card
* USB host interface for USB Flash Cards
* Audio data formats: PCM (16/24 bit), MP3
* Sampling rates supported: 44.1, 48, 88.2, 96kHz
* Mic/Line XLR (with 20dB pad) balanced I/O
* Phantom Power (rear panel switch and front LED indicator)
* Euroblock terminal (Input and Output)
* Unbalanced RCA (Input and Output)
* Front panel rotary input level controls
* RS-232 interface for control
* RJ45 100Mbit/s Ethernet interface for file transfer and control
* 25-pin parallel remote control interface
* 16 Direct Play via D=SUb25 pin parallel interface
* Power on play (front panel selectable)
* S/PDIF Digital In/Out (Coaxial and Optical)
* Headphone Jack w/level control
* Input through and Auto Fade function
* Input monitoring / mixing of live stereo input along with playback
* Program Play, Folder Play, Shuffle Play, Interval Play modes, etc...
Specifications
General
Recording media CompactFlash card
Tested media SanDisk Extreme IV 4 GB, 8 GB, 16 GB
SanDisk Extreme 4 GB, 8 GB, 16 GB
File system FAT32
File format BWF (single-channel, multi-channel)
Number of audio channels 8 channels at 44.1 kHz, 48 kHz, 88.2 kHz, 96 kHz
8 channels + stereo mix at 44.1 kHZ, 48 kHz
4 channels at 176.4 kHz, 192 kHz
Quantization bit rates 16 bit/24 bit
Sampling frequencies 44.1/47.952/48/48.048/88.2/96/176.4/192 kHz
(47.952/48.048: 48 kHz ± 0.1% pull-up/pull-down)
Reference clock Internal, Word in, Video in,
Digital in (CH 1-2, CH 3-4, CH 5-6, CH 7-8)
Timecode frame rates 23.976, 24, 25, 29.97 DF, 29.97 NDF, 30 DF, 30 NDF
Built-in mic Omni directional, monaural
Low cut filter Cut-off frequency: 40/80/120 Hz
Slope: –12/–18 dB/oct
Analogue audio inputs and outputs
MIC IN/LINE IN connectors (1–8) XLR-3-31 (1: GND, 2: HOT, 3: COLD)
Input impedance (LINE) 10 kOhm
Nominal input level (LINE) + 6 dBu (Ref. level: –9 dB)
+ 4 dBu (Ref. level: Other than –9 dB)
Maximum input level (LINE) Selectable: +15 dBu, +18 dBu, +20 dBu, + 22 dBu, +24 dBu
Input impedance (MIC –25) 2.4 kOhm
Minimum input level (MIC –25) –45 dBu
Maximum iput level (MIC –25) +11 dBu
Input impedance (MIC 0) 2.4 kOhm
Minimum input level (MIC 0) –70 dBu
Maximum input level (MIC 0) –14 dBu
LINE OUT connectors (L/R) XLR-3-32 (1: GND, 2: HOT, 3: COLD)
Output impedance 100 Ohm or less
Nominal output level +6 dBu (Ref. level: –9 dB)
Nominal output level +4 dBu (Ref. level: Other than –9 dB)
Maximum output level Selectable: +15 dBu, +18 dBu, +20 dBu, +22 dBu, +24 dBu
PHONES connector 6.3-mm stereo phone jack
Maximum output power 100 mW + 100 mW or more (THD+N: 1 % or less, at 32 Ohm)
Digital audio inputs and outputs
DIGITAL I/O connector D-Sub, 25-pin connector
Format AES3-2003/IEC60958-4 (AES/EBU)
Minimum input voltage 200 mVpp
Maximum input voltage 7 Vpp
Output voltage 3.5 Vpp
DIGITAL OUT connectors BNC
Format AES3-2003/AES-3id-2001 (AES/EBU)
Output voltage 1 Vpp at 75 Ohm
Control inputs and outputs
EXT DC IN connector XLR-4-32 (1: –, 2: NC, 3: NC, 4: +)
Input voltage 11–16 V (2 A)
CASCADE/WORD/VIDEO IN connector BNC
Input voltage 5 V TTL equivalent
Input impedance 75 Ohm ±10 %
Allowable frequency deviation of external sync ±100 ppm
CASCADE/WORD OUT connector BNC
Output voltage 5 V TTL equivalent
Output impedance 75 Ohm ±10 %
Sampling frequencies 44.1/47.952/48/48.048/88.2/96/176.4/192 kHz
(47.952/48.048: 48 kHz ± 0.1 % pull-up/pull-down)
TIME CODE IN connector BNC
Input voltage 0.5–5 Vpp
Input impedance 10 kOhm
TIME CODE OUT connector BNC
Output voltage 2.0 Vpp
Output impedance 600 Ohm
USB port USB B-type, 4-pin
Format USB2.0 HIGH SPEED (480 MBit/s)
KEYBOARD connector Mini-DIN connector (PS/2)
Audio performance
Frequency response (MIC/LINE IN to LINE OUT)
All sample rates 20 Hz – 20 kHz, 0 dB (±0.5 dB)
88.2/96 kHz sample rates at 40 kHz –1 dB (±1.0 dB)
176.4/192 kHz sample rates at 80 kHz –3 dB (+1/–2 dB)
Distortion
LINE IN to LINE OUT 0.003 % or less (–20 dB reference level, +23 dBu input, 1 kHz, AES-17 LPF)
MIC IN (MIC –25) to LINE OUT 0.02 % or less (–20 dB reference level, –10 dBu input, Trim at +20 dB, 1 kHz, AES-17 LPF)
MIC IN (MIC 0) to LINE OUT 0.02 % or less (–20 dB reference level, –35 dBu input, Trim at +20 dB, 1 kHz, AES-17 LPF)
S/N ratio
LINE IN to LINE OUT 110 dB(A) or more (22 kHz LPF)
MIC IN (MIC –25 or MIC 0) to LINE OUT 100 dB(A) or more (22 kHz LPF)
Computer compatibility
Windows Windows XP, Windows Vista, Windows 7
CPU Pentium 300 MHz or faster
Memory 128 MB or more
USB USB 2.0 port
Macintosh Macintosh Mac OS X 10.2 or later
CPU Power PC G3, G4, Intel Mac 266 MHz or faster
Memory 64 MB or more
USB USB 2.0 port
Recommended USB host controller Intel chipset
Power supply and other specifications
Power requirements 100–240 V AC, 50–60 Hz (AC adaptor PS-1225L)
10 AA batteries (Alkaline or NiMH)
External DC battery (DC 11–16 V, 2 A or more)
Battery operation time (continuous operation) Measured according to JEITA standard at 48 kHz, 24-bit, 8 ch playback or recording, phantom power off. Varies with operating conditions.
NP type battery (Li-Ion: 14.8 V/4.6 Ah) About 5 hours
AA type batteries (NiMH) About 2 hours
Power consumption 18 W
Dimensions (W x H x D) 270 mm x 100 mm x 260 mm (excluding protrusions)
Weight 3.65 kg (excluding batteries)
Operating temperature range 0–40 ºC
Tuner + Metronome + Recorder - All in One Unit!
The TMR-50 - Your Ideal Practice Partner
Highlights:
Tuner, metronome, and recorder can be used simultaneously or independently.
Internal mic and speaker make it easy to record and play back your performance
Loop Play function lets you repeat a desired region of a recorded track
High-quality linear PCM recording/playback
Record up to 100 tracks (approximately total 20 minutes)
USB port lets you transfer recorded data and song files between the TMR-50 and your computer
Newly designed highly responsive LCD needle-type meter
Wide detection range from C1 to C8
The Sound Out function produces a reference tone in a three-octave range from the built-in speaker
The Sound Back function generates the reference tone that's closest to the input sound, while the meter indicates the pitch discrepancy between the reference and the input sound - a great function for ear training!
Calibration supports a range of concert pitches
Marks indicate pure major and minor third intervals
Wide tempo range of 30--252 beats per minute
15 rhythm variations let you practice with a broad range of musical styles
Easy tempo settings with two types of tempo step patterns plus a tap tempo function
Large LCD with backlight brightness that's adjustable over two levels for enhanced visibility
Your choice of body color: black or pearl white
Convenient key layout, and newly designed stand and battery cover
Memory Backup and Auto Power Off
Korg's popular TM series of tuner/metronome units is loved by players who practice to perfect their musical skills. Now joining the lineup is the TMR-50, which adds recorder functionality to the already impressive list of features. An extremely valuable way to improve your playing ability is to identify the problem areas that need work, and then practice to improve those areas. With its built-in mic and speaker, the TMR-50 makes it easy to practice this way. It provides high-quality linear PCM recording and a USB port for convenient usage with your computer. The TMR-50 features equally robust capabilities for its tuner and metronome functionality that will help you improve your sense of pitch and rhythm. Two choices of color are available: black and pearl white. Whether you're in a brass band or an orchestra, the TMR-50 is the ideal partner for anyone who wants to improve their playing.
Specifications
Recording format:
PCM audio format, WAV format (extension: .wav) 44.1 kHz@16-bit
Available recording time:
Maximum approx. 20 minutes (Internal Memory size is 120 MB)
Total number of tracks:
Up to 100 tracks
Tuning:
12 note equal temperament
Detection range:
C1 (32.70 Hz) ~ C8 (4186 Hz), Using Sine Wave.
Reference tone:
C3 (130.81 Hz) ~ C6 (1046.50Hz), 3 Octave.
Tuning Mode:
Meter Mode (AUTO), Sound Out Mode (MANUAL), Sound Back Mode (AUTO)
Calibration range:
A4 = 410 ~ 480 Hz (1 Hz steps)
Detection accuracy:
+/- 1 cent
Sound precision:
+/-1 cent
Tempo range:
Quarter Note = 30 to 252 BPM
Tempo setting:
3 Types: Pendulum Step
Full Step
Tap Tempo
Beat range:
Total 10 beats: "0 to 9" as "Quarter-note" Rhythm
Rhythm pattern:
Duplets, triplets, triplets without the center beat, quadruplets, and quadruplets without the center beats
Tempo accuracy:
±0.3%
Terminals:
Input (f6.3mm, Mono-Standard Jack type)
Headphones (f3.5mm, Stereo-mini Jack type)
USB (mini-Type B)
Internal Speaker:
Dynamic Speaker (f28 mm)
Power (Battery):
AAA battery (3.0 V) x 2
Manganese batteries or alkaline batteries, Ni-MH: Nickel metal hydride
Battery Life:
Recorder ... Approximately 16/13/11 hours
(Backlight: off/soft/auto, using alkaline batteries. Maximum of 20 minutes per
recording.)
Tuner ... Approximately 24/22/20 hours
(Backlight: off/soft/auto, A4 continuous input, using alkaline batteries)
Metronome ... Approximately 18/16/14 hours
(Backlight: off/soft/auto, tempo 120, 4 beats, maximum volume, using alkaline batteries)
Dimensions (W x D x H):
111 x 82 x 18 mm / 4/37 x 3.23 x 0.71 inches
Weight:
119 g / 4.19 oz (Including battery)
Included items:
AAA battery (3.0 V) x 2 for verifying proper operation
USB Cable
Options:
Contact Mic = CM-100L
Computer Requirements
Windows:
A computer that satisfies the operating requirements of Microsoft Windows XP/Windows Vista/Windows 7 and is equipped with a USB port
Macintosh:
Mac OS X 10.5 or later
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Αυτός ο ιστότοπος χρησιμοποιεί cookies για να βελτιώσει την εμπειρία σας ενώ περιηγείστε στον ιστότοπο. Από αυτά τα cookies, κάποια cookie κατηγοριοποιούνται ως απαραίτητα να αποθηκεύονται στο πρόγραμμα περιήγησης σας, καθώς είναι απαραίτητα για τη λειτουργία βασικών λειτουργιών του ιστότοπου. Χρησιμοποιούμε επίσης cookies τρίτων που μας βοηθούν να αναλύσουμε και να κατανοήσουμε πώς χρησιμοποιείτε αυτόν τον ιστότοπο. Αυτά τα cookies θα αποθηκευτούν στο πρόγραμμα περιήγησης σας μόνο με τη συγκατάθεσή σας. Έχετε επίσης την επιλογή να εξαιρεθείτε από αυτά τα cookies. Ωστόσο, η εξαίρεση από ορισμένα από αυτά τα cookie μπορεί να επηρεάσει την εμπειρία περιήγησης σας.
Necessary cookies are absolutely essential for the website to function properly. This category only includes cookies that ensures basic functionalities and security features of the website. These cookies do not store any personal information.
Any cookies that may not be particularly necessary for the website to function and is used specifically to collect user personal data via analytics, ads, other embedded contents are termed as non-necessary cookies. It is mandatory to procure user consent prior to running these cookies on your website.
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