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Frequency Response10Hz to 80kHz +/- 0.5dB re 1kHz @ 192kHz sample rate THD + Noise0.005% max (@1kHz, 22-22kHz BW, gain=20dB, -10dBu in) ADC32 bit precision; 120dB dynamic range min (A-weighted, gain=10dB, fader=0dB) Equivalent Input Noise-130dBV (-128dBu) max (A-weighting, gain=76dB, 150 ohm source impedance) Inputs - Mic: XLR active-balanced; 4k input Z
- Line: XLR active-balanced; 4k input Z
- Aux/Mic in: 3.5mm TRS, 2-channel unbalanced; 100k input Z
- Line: ¼-inch TRS active-balanced; 4k input Z
- USB Audio: 4 channels
- All inputs fully RF-filtered and overload protected.
Gain- Mic input: +6dB to +76dB
- Line input: -20dB to +30dB
- Fader: -inf to +20dB
- Headphone: -inf to +20dB
- Total, Mic-to-recording (max): +96dB
- Aux In (Mic): Gain = +10dB to +40dB
- Aux In (Line): Gain = -10dB to +20dB
- Total Aux Gain including Fader (Mic-to-recording): +60dB
Maximum Input Level- Mic XLR: +14dBu (limiters on or off)
- Line XLR/¼-inch: +40dBu (limiters on or off)
- Aux In (Mic): -10dBu
- Aux In (Line): +10dBu
Low Cut Filters40Hz to 160Hz (adjustable), 18 dB/oct. First stage analog, subsequent stages digital. Microphone Powering- Mic XLRs: 48V via 6.8k resistors, 10mA each
- Mic 3.5mm: 3V @ 3k source Z
LimitersLimiter at all gain stages, range > 40dB. First stage analog, subsequent stages digital. DAC feeding Stereo Out, Headphone Out32 bit precision; 115dB dynamic range (A-weighted) Stereo Out3.5mm TRS stereo unbalanced, 500 ohm output Z, +7.8dBu max output level Headphones Out3.5mm TRS stereo unbalanced, for use with any impedance headphones USB- Audio Interface (USB-C): 8-in/4-out; 44.1 to 96 kHz; 16/24-bit; Class-compliant USB 2.0 high speed or ASIO (supplied)
- Mass Storage (USB-C): USB 2.0 high speed
- Keyboard (USB-A): Text entry and control
Maximum Record Tracks 8 Tracks: Stereo mix + 6 ISOs Sampling Frequency- 44.1 kHz
- 48 kHz
- 96 kHz
- 192 kHz
Bit Depth16, 24 Recording Storage - Type: SD, SDXC, SDHC Card
- Max Storage Size: 512 GB (SDXC)
- Card format: FAT32 (32GB or less) or exFAT (>32GB)
File TypeWAV (Broadcast Wave File Format) with embedded timecode stamp and metadata Timecode Modes- Time of Day (file stamped w/current ToD)
- LTC Input (file stamped w/incoming LTC on Aux 3.5mm)
- HDMI TC (file stamped w/incoming TC from HDMI & sample clock slaved from HDMI sample clock. Only works on specific cameras that support HDMI TC.
Timecode Frame Rates:- Auto-detects (fps): 23.98 (same as 23.976)
- 24
- 25
- 29.97
- 29.97DF
- 30
Remote Control - Bluetooth Smart: Wireless control using Wingman app
- HDMI: Auto-record start/stop trigger from cameras that output record flag over HDMI
- Timecode: Auto-record start/stop trigger via Aux In timecode
Touch Screen320x240; 1.6-inch, color, sunlight-viewable IPS LCD Power- AA Batteries: 4x AA sled (included); 8x AA sled (optional accessory). NiMH recommended
- From computer: Bus-powered via USB-C port; use MX-USBY cable (included), connects one USB-C to two USB-A ports
- AC Adapter: MX-Charge (not included) Power supply wall adapter w/ USB-C connector; 15W; has 4 adapter plugs for US, UK, AU & Europe
- L-Mount: Optional sled for 2x (hot-swappable) Sony L-type Li-ion batteries
Environmental- Operating: -20°C to 60°C, 0 to 90% relative humidity; (non-condensing)
- Storage: -40°C to 85°C
Dimensions and Weight- Dimensions: 166 mm x 118 mm x 36 mm (H x W x D); 6.53” x 4.65” x 1.40”
- Weight: .56 kg; 19.9 oz. (unpackaged, without batteries)
Specifications are subject to change without prior notice.
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UR-80: 24 Bit/96 kHz USB Recording System
Features
- Over forty assignable controls
- Up to 24-bit/96KHz recording
- 2x XLR/TRS combo jack with qualified microphone preamp & phantom power
- Included HQ-GM2, HyperCanvas software synthesizer
- ASIO2.0/WDM, MacOS X compatible drivers, low-latency support.
- UR-80 Editor Software Included
- V-Link support
Knob8Fader9Rotary Encoder1Button25LED10Number of Memory SetsPreset1User7Number of Audio Record/Playback Channels (Full duplex (except for 96 kHz setting))Record2 channels (stereo)Playback2 channels (stereo)Signal ProcessingAD/DA Conversion24 bits (linear)PC interface24 bitsSampling Frequency24 bitsDigital output44.1/48/96 kHzDigital input32/44.1/48/96 kHz* Built-in realtime sample rate converterAD/DA Conversion44.1/48/96 kHzFrequency Response96.0 kHz20 Hz to 40 kHz (+0 dB/-2 dB)48.0 kHz20 Hz to 22 kHz (+0 dB/-2 dB)44.1 kHz20 Hz to 20 kHz (+0 dB/-2 dB)Nominal Input Level (variable)Input Jack 1, 2 (XLR type)-50 to -10 dBuInput Jack 1, 2 (1/4 inch TRS phone type)-35 to +4 dBuInput ImpedanceInput Jack 1, 2 (XLR type)5 k ohmsInput Jack 1, 2 (1/4 inch TRS phone type, Lo-Z)32 k ohmsInput Jack 2 (Hi-Z)1 M ohmsNominal Output LevelOutput Jack0 dBuOutput ImpedanceOutput Jack1 k ohmsHeadphones160 ohmsResidual Noise LevelOutput Jack-90 dBu or less
(input terminated with 1 k ohms, OUTPUT VOLUME: max., INPUT SENS = min., INPUT MONITOR = min., IHF-A, typ.)InterfaceUSB
Digital input/output Coaxial type
Optical type(conforms to S/P DIF)ConnectorsInput Jack 1, 2 (XLR type (phantom power)
1/4 inch TRS phone type)
Digital In Connectors (Coaxial type, Optical type)
Digital Out Connectors (Coaxial type, Optical type)
Headphones Jack (Stereo 1/4 inch phone type)
Output Jack L/R (RCA phone type)OthersPower SupplyAC adaptorCurrent Draw1000 mAAccessoriesInstallation Guide
Owner's Manual
USB cable
AC adaptor
CD-ROM
Overlay Sheets with Application LabelsSize and WeightWidth379 mm14-15/16 inchesDepth239 mm9-7/16 inchesHeight84 mm3-5/16 inchesWeight1.7 kg3 lbs. 11 oz.
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The D-2012C is a 6U rack mountable Remote Console Unit designed for exclusive use with the D-2008SP Digital Mixing Processor Unit. Assigned to any desired channels inside the D-2008SP by the dedicated software, the D-2012C's 12 motorized faders and 8 rotary encoders can remotely adjust their volumes. Desired preset memories can be recalled using 8 function keys. It is equipped with 1 channel line input (stereo), which allows the audio signal to be transmitted to the D-2008SP via monitor bus. Audio signals inside the D-2008SP can be monitored via monitor bus through headphones connected to a stereo headphone output. The D-2012C can be installed on a desk with the additional use of an optional D-2012AS Console Case.
* 0 dB = 0.775 V | Power Source | 220 - 240 V AC | | Power Consumption | 18 W | | Volume Adjustment | 100 mm motorized fader x 12
Rotary encoder x 8 | | Line Input | 1 channel (stereo) | | Headphone Output | Stereo 100 mW + 100 mW (32 Ω load) | | Monitor Bus | 1 stereo input
Connector: RJ45 connector
Connection cable: Shielded twisted pair (STP) Cat 5 or higher LAN cable (2 pairs of data lines)
Maximum cable distance: 100 m (109.36 yd) (between D-2012C and D-2008SP) | | LAN | Network I/F: 10BASE-T/100BASE-TX (Automatic-Negotiation)
RJ45 connector
Network protocol: TCP/IP
Connection cable: Shielded twisted pair (STP) Cat 5 or higher LAN cable
Maximum cable distance: 100 m (109.36 yd) (between D-2008SP and switching hub) | | Control | RS-232C: D-sub connector (9 pins) for maintenance use | | Finish | Panel: Surface-treated steel plate
Rack mounting bracket: Surface-treated steel plate | | Dimensions | 482 (W) × 266 (H) × 138 (D) mm (18.98 × 10.47" × 5.43) | | Weight | 6.6 kg (14.55 lb) | | Accessory | Power cord (2 m (6.5 ft)) ……1
Fader knob (yellow) ……3 | | Option | Console case: D-2012AS |
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The KORE 64™ ROM option represents a complete expansion and reimagining of the PC3 and PC3K's sonic potential (not for the PC3LE). Pushing the limits of V.A.S.T. synthesis for both realistic and experimental electronic sounds, KORE 64™ adds over 300 new programs, including stunning new Synths, Electric Guitars, Horns, Drums and Percussion. With KORE 64™ installed, the PC3/K built-in program library now totals over 1400 presets!
New Setups:
50 new setups featuring the KORE 64™ sounds.
Over 200 new drum grooves in multiple styles.
New Dance and Hip Hop setups for triggering and controlling beats in real time.
New Synths:
New samples modeled after the Oberheim SEM, ARP Chroma, TX802, CZ1, and dozens of legacy waveforms from the K series.
Over 100 new synth programs.
Sounds for popular electronic music styles like House, Trance, Dubstep, Drum&Bass, Glitch, Electro Hip Hop, and more.
More real time controls, beat-synced modulations and envelope control transform sounds without hitting the edit button.
Atmospheric and cycling pads voiced for performing, producing, and scoring.
New Guitars:
New samples modeled after the Gibson Les Paul and Fender Stratocaster.
Palm muted and sustained articulations playable in a picked or legato style.
Instant-shredder arpeggiator patterns, whammy bar effects, and realistic feedback emulations.
Preset sounds from Rock, Country, Rock-a-Billy, Metal, Funk, and more.
New Brass/Woodwinds:
New alto sax, tenor sax, baritone sax, trumpet, and trombone samples.
New programs include solo instruments and custom sections with many combinations of the different instruments.
Articulate with pressure on several new programs.
Sections cover styles from Big Band, Soul, Funk, Latin, R&B, Hip Hop, Rock and more.
New Drums
Drums from Yamaha, Ludwig, Pearl, DW, Rogers, and Gretsch recorded as full kits.
Full cymbal arrays recorded with Zildjian, Paiste, and Sabian cymbals.
72 new Drum Kits and 62 percussion instruments and templates.
10 times the samples and 30 times the data of the existing PC3/PC3K Drums.
All drum kits have mixer functioning on the sliders to change the level the kick, snare, toms, hats, and percussion independently.
Unsurpassed realism and playability for sampled drums.
Full complement of Electronic and Processed Drum samples.
Scratches, hits and Industrial Sounds.
Wide variety of traditional and processed Percussion sounds.
Download the full preset Objects List under the Downloads section
User Installable.
Requires: PC3K OS v2.20 or better
PC3 OS v2.20 or better
All specifications subject to change without notice.
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The DNRP-WRC provides two button record control and visual status indication of a connected Denon® DN-F450R/F650R recorder.
The mouse sized unit, once connecte to the recorder using its integral 5 metre lead, can be placed in a convenient location on a board/ meeting room table to allow the recording of conferences and discussions. Visual indication of recorder status is provided by high brightness red and green indicators located around the RECORD button, which show STOP, PLAY, PLAY PAUSE, PLAY F.FWD, PLAY F.REV, CARD ERROR, RECORD and RECORD PAUSE. The two button control allows the recorder to be placed into record mode, create a new record mark and stop the recording process.
The DNRP-WRC is primarily for the simple control of audio recording in areas where conversations, discussions or conferences are taking place. The unit allows the DNF450R/F650R recorder to be placed out of sight to prevent media tampering or access to all the recorder controls.
- Simple unobtrusive controller for the recording of audio in board/meeting rooms
- Easy connection to Denon DN-F450R/F650R recorder serial (RS232) port
- Provides bright visual indication of STOP, PLAY, PLAY PAUSE, PLAY F.FWD, PLAY F.REV, CARD ERROR, RECORD and RECORD PAUSE
- RECORD and STOP buttons allow simple control without the need to access the recorder
- Ergonomic visually pleasing design with internal weight to prevent table slip
- Ultra low power consumption, no need for additional power adaptor
- Fully sealed label provides protection against drink spills
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For users of just about any TASCAM multitrack, the RC-30P is a wonderful timesaver. Punching in on recordings by hand means you're not ready to play right away. The RC-30P lets you play straight through. While automated punch-ins available on some recorders are also helpful, most punches can be done with the simple and efficient precision of the RC-30P, saving you time.
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