SOUNDCRAFT GIGRAC 300 8-CHANNEL 1X300W POWERED MIXER

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The Soundcraft GigRac 300 8-Channel Power Mixer is easy to move, easy to set up, and has impeccable Soundcraft-quality sonics. Perfect for solo performers or small groups. Eight channels with high-quality preamps and 2-band EQ, 300W of power, 7-band BSS-made graphic equalizer for overall sound tweaking, and a selection of preset digital effects to give […]

 

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The Soundcraft GigRac 300 8-Channel Power Mixer is
easy to move, easy to set up, and has impeccable Soundcraft-
quality sonics. Perfect for solo performers or small groups.
Eight channels with high-quality preamps and 2-band EQ,
300W of power, 7-band BSS-made graphic equalizer for
overall sound tweaking, and a selection of preset digital
effects to give you major stage presence. It also has CD
inputs for playing music while you’re on break.
Soundcraft GigRac 300 8-Channel Powered Mixer Features:

8 main channels
2-band channel EQs
High-quality preamps
7-band BSS Audio graphic equalizer
300W power into 4 ohms
RCA record outs
Speakon speaker connectors
RCA inputs for CD player
49x22x32cm
11,5kg.

Weight 11.50 kg

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Quick Comparison

SOUNDCRAFT GIGRAC 300 8-CHANNEL 1X300W POWERED MIXER removePHONIC Powerpod-630 RW Powered Mixer removeBEHRINGER PMP4000 Europower Powered Mixer 2 x 300W 8 ohm 16 channel removeDYNACORD MP-7 Powered Mixer 2x300 Watts 7 Channels removeDYNACORD POWERMATE 600-3 COMPACT POWER MIXER.2X340W-4ohms 3 years warranty removeBEHRINGER PMP2000D 14-CHANNEL 2000 Watt Powered Mixer With KLARK TEKNIK FX remove
NameSOUNDCRAFT GIGRAC 300 8-CHANNEL 1X300W POWERED MIXER removePHONIC Powerpod-630 RW Powered Mixer removeBEHRINGER PMP4000 Europower Powered Mixer 2 x 300W 8 ohm 16 channel removeDYNACORD MP-7 Powered Mixer 2x300 Watts 7 Channels removeDYNACORD POWERMATE 600-3 COMPACT POWER MIXER.2X340W-4ohms 3 years warranty removeBEHRINGER PMP2000D 14-CHANNEL 2000 Watt Powered Mixer With KLARK TEKNIK FX remove
Imagebehringer pmp4000 powered mixer κονσολα αυτοενισυόμενη artsound
SKUGIGRAC 300H01PH00035E005338MP 7E004223E008812
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Description
Content

The Soundcraft GigRac 300 8-Channel Power Mixer is
easy to move, easy to set up, and has impeccable Soundcraft-
quality sonics. Perfect for solo performers or small groups.
Eight channels with high-quality preamps and 2-band EQ,
300W of power, 7-band BSS-made graphic equalizer for
overall sound tweaking, and a selection of preset digital
effects to give you major stage presence. It also has CD
inputs for playing music while you're on break.
Soundcraft GigRac 300 8-Channel Powered Mixer Features:

8 main channels
2-band channel EQs
High-quality preamps
7-band BSS Audio graphic equalizer
300W power into 4 ohms
RCA record outs
Speakon speaker connectors
RCA inputs for CD player
49x22x32cm
11,5kg.

300W 6 CHANNEL POWERED MIXER WITH USB RECORDER AND BLUETOOTH

The Phonic Powerpod 630 RW powered mixer is a versatile front of house PA mixer built into a compact and durable molded cabinet. Each Powerpod 630 RW has a built-in stereo amplifier which is bridgeable and patchable. Super Hi-Z inputs allow for the addition of guitars and other instruments. A USB recorder/player is also incorporated into the unit, allowing the main mix to be captured onto any standard USB storage device. The units also offer high definition digital effects with 16 preset programs, each with it\'s own user-definable parameter. The 2-band EQ on every channel and dual multi-band graphic EQ with selectable In/Out switches give you maximum control over your mix. Further more, Powerpod 630 RW has a built-in Bluetooth module offering audio streaming from Bluetooth-enabled mobile device.


Features:

  • Built-in 2 x 150W / 4 ohms dual power amplifier for Main or Main/Monitor (Bridge mono, 300W / 8 ohms)
  • 32/40-bit digital multi-effect processor with 16 programs plus parameter control and footswitch jack
  • Six balanced Mic inputs and eight Line inputs (4 mono, 2 stereo channels)
  • Two Super Hi-Z inputs optimized for direct instrument input
  • 2-band EQ on each input channel
  • 7-band master graphic EQ
  • Pad control on channels 1 to 4
  • AUX input
  • Stereo RCA I/O
  • +48V phantom power on channels 1 through 4
  • Built-in limiters
  • Monitor and effect sends on each input channel
  • Drive level / effect out master control for signals sent to effect processor
  • USB recorder/player
  • Bluetooth audio streaming
Μic Input: 1-6
Power 4Ω: 200W - 300W
Console Layout: Vertical
EUROPOWER PMP4000 1600-Watt 16-Channel Powered Mixer with Multi-FX Processor and FBQ Feedback Detection System

General

At first glance, this might look like just another one of the many simple 16-channel mixing consoles out there, but with such plentiful functionality, Behringer has succeeded in creating a console is anything but average. The internal amplification module delivers enough power to drive two full-range speakers at 8 ohms. With an impedance of 4 ohms, you can get a lot more volume with only one unit, as you can connect two 8-ohm PA speakers to one output, and two 8-ohm floor monitors to the other.

Behringer Europower PMP4000: Feedback Detection System

Furthermore, the mixer has a number of convenient functions such as a feedback detection system, an equalizer for adjusting the timbre, and an FX processor for adding your personal touch to specific channels.This really is a complete system that offers just about everything you need to provide good amplification for a band. None of that dilly dallying with effects tracks, especially if you don't have room for that in small locations.
  • Ultra-compact 2 x 800-Watt stereo powered mixer (1600-Watt bridged mode)
  • Revolutionary Class-D amplifier technology: enormous power, incredible sonic performance and super-light weight
  • Ultra-compact design at nearly half the weight of conventional powered mixers
  • 16-channel mixer section features 8 mono and 4 stereo channels plus separate CD/Tape input/output
  • Studio-grade 24-bit stereo FX processor with 100 awesome presets including reverb, chorus, flanger, delay, pitch shifter and various multi-effects
  • Revolutionary FBQ Feedback Detection system instantly reveals critical frequencies for easy feedback removal
  • 8 high-quality XENYX Mic Preamps with switchable +48 V phantom power for condenser microphones
  • Effective, extremely musical 3-band EQ, switchable Low cut filter, and Clip LEDs on all mono channels
  • Stereo 7-band graphic EQ allows precise frequency correction of monitor or main outputs
  • Voice Canceller function removes singerʼs voice from recordings for karaoke applications
  • Selectable stereo (main L/R), double mono (main/monitor) or bridged mono amplifier operation mode
  • Breathtaking XPQ 3D stereo surround effect for more vitality and enhanced stereo image
  • Adjustable stereo CD/Tape input for connecting external signal sources
  • Multi-functional stereo Preamp outputs for added flexibility
  • Internal switch-mode power supply, noise-free audio, superior transient response and very low power consumption
  • High-quality components and exceptionally rugged construction ensure long life
  • Conceived and designed by BEHRINGER Germany
  The new BEHRINGER PMP Powered Mixers (2 x 800-Watt stereo, 1600-Watt bridged mode) produce even more power than their predecessors while maintaining a famously low weight and high efficiency. These mixers employ Class-D technology including a new switch-mode power supply, significantly reducing weight and heat. The 20-channel PMP6000 features 12 built-in XENYX preamps, the 16-channel PMP4000 features 8 built-in XENYX mic preamps, and the 10-Channel PMP1680S features 8 high-quality built-in mic preamps. All three models feature 24-bit FX processors and FBQ Feedback Detection. What is Class-D Technology? Instead of operating relatively continuously like Class AB circuits, Class-D amps switch on and off thousands of times per second, delivering power only when needed. In other words, the amplifier is either fully on or fully off , which significantly reduces power losses from the output devices given off as heat. Less heat means our amps donʼt need massive heat sinks, and that means we can make them lighter. Our no-compromise design means the new PMP mixers will deliver full power with incredible fidelity all night long, without the need for lengthy rest cycles. When used in conjunction with switching-mode power supplies, which donʼt require huge and heavy transformers, our Class-D amplifiers provide tremendous dynamic punch and superior fidelity. The resulting speaker systems are much lighter, making them easy to transport and set up. Massive Mono or Stunning Stereo Our latest PMP give you the choice of 2 x 800-Watt stereo, 2 x 800-Watt dual mono mode (giving you a mono version of the main signal through one powered output plus a mono version of all monitor send signals through the second powered input) or 1,600-Watt bridged mono sound. Whether the center of attention happens to be a folk trio, a speech, or a synth-rock band with mind-boggling stereo patches, PMP mixers can accommodate. This sonic versatility also makes it an excellent choice for churches, where vocals and stereo recordings often share face time. Small, Simple, Superb Medium-sized events call for a lightweight (PMP6000: 13.1 kg/ 28.9 lbs; PMP4000: 0.4 kg/22.9 lbs; PMP1680S: 9.9 kg/28.8 lbs), easy-to-use powered mixer. BEHRINGER powered mixers are the most efficient, affordable mixers for the job, and are even suitable for use as pure analog mixers or as pure power amplfiers. With new technological advantages and incredible built-in features, itʼs easier than ever to lend exceptional sound quality to all kinds of public performances.

Product features

  • 19 inches no
  • Number of auxiliaries 1 - 2
  • Number of microphone inputs 5 - 8
  • Number of mono channels 8
  • Number of stereo channels 4
  • Number of submasters 2
  • Compressor on the inputs no
  • Equalizer 3-band, Master EQ
  • Built-in protection peak limiter, clip indicator
  • Built-in effects yes
  • Panning per channel yes
  • Peak power in watts 1,500 - 1,999 watts
  • Connector position front
  • RMS power (4 ohms) 2x 600 W
  • RMS power (8 ohms) 2x 300 W
  • Type of mixer inputs microphone input (XLR), balanced line input (TRS jack), unbalanced line input (RCA), Hi-Z input (TS jack)
  • Type of mixer outputs stereo headphone output (TRS jack or mini jack), lockable speaker output
  • Mixer power power cable
  • Volume control faders

Weight and dimensions including packaging

  • Weight (incl. packaging) 12.9 kg
  • Dimensions (incl. packaging) 56.0 x 53.0 x 21.0 cm

Product specifications

  • compact powered mixer
  • integrated amplifier
  • power at 8 ohms: 2x 300 W RMS, 1x 1,200 W RMS bridged, 2x 400 W max, 1x 1,600 W max bridged
  • power at 4 ohms: 2x 600 W RMS, 2x 600 W max
  • class D amplification technology
  • 8 mono and 4 stereo channels and split CD/tape input/output
  • 24-bit stereo effects processor with 100 presets
  • FBQ feedback detection system
  • 3-band EQ, switchable pad and clip LEDs on every mono channel
  • stereo 7-band graphic EQ for precise corrections of monitor and main outputs
  • voice canceller function for karaoke applications, for example
  • selectable stereo (main L/R), double mono (main/monitor) or bridged mono amplification modes
  • speaker processing function adjusts frequency response to match each speaker
  • standby switch for muting all input channels by signal via the CD/Tape input
  • adjustable stereo aux input for connecting to external signal sources
  • internal power switch-mode supply for noise-free audio
  • dimensions: 122 x 476 x 460 mm
  • weight: 10.4 kg
 

A professional mixer offering two digital effect units and a 2 x 300 watts power amplifier to be used in entertainment and multimedia applications. Whether it is being used as mobile DJ-mixer, by a rental company, in a clubhouse, a hotel, a club / bistro, or in the party cellar at home: the comprehensive set of features and professional audio quality of the MP-7 Entertainment System also solves your sound reinforcement problem.

Maximum Midband Output Power, 1 kHz, THD = 1%: - into 4 ohms 2 x 340 W into 8 ohms 2 x 200 W Rated Output Power, 20Hz… 20 kHz, THD =0.2%: - into 4 ohms 2 x 300 W into 8 ohms 2 x 150 W Maximum Output Voltage of the power amplifier, no load THD @ 1 kHz, MBW=80kHz 43 Vrms MIC input to Main L/R output, +16 dBu 90 dB Channel seperation > 70 dB Input Sensitivity, all level controls in max. position: - MIC input -74 dBu (155µV) Line Input (Mono) -54 dBu (1.55 mV) CD/MD Line Input (Stereo) -24 dBu (49 mV) Phone Input (Stereo) -61.5 dBu (652 µV) Power Amplifier Input +6 dBu (1.55 V) Maximum Level, mixing desk: - MIC inputs +11 dBu Line inputs +30 dBu All other inputs +20 dBu Record Send output +14 dBu All other outputs +20 dBu Input Impedances: - MIC 1.8 kohms All other inputs > 10 kohms Output Impedances: - Record Send 1 kohms Phones 47 ohms All other outputs 75 ohms Equivalent Input Noise, MIC Input, A-weighted 150 ohms -130 dBu Noise, Channel inputs to Main L/R outputs, A-weighted: - Master fader down -104 dBu Master fader 0 dB, Channel fader down -91 dBu Master fader 0 dB, Channel fader 0 dB, Channel gain unity -84 dBu Signal/Noise-Ratio, power amplifier, A-weighted 105 dB Equalization STEREO: - LO Shelving +9/-30 dB / 60 Hz MID Peaking +9/-30 dB / 2.4 kHz HI Shelving +9/-30 dB / 12 kHz Equalization MIC: - LO Shelving ±15 dB / 60 Hz MID Peaking ±12 dB / 2.4 kHz HI Shelving ±15 dB / 12 kHz Master EQ, 2x7-band, Stereo ±10 dB Phantom Power, all MIC Inputs +24V dc Lamp +12V dc Power Requirements, factory preset, 50Hz....60Hz 100V/120V/230V/240V Power Consumption at 1/8 maximum output power 4 ohms 450 W Dimensions, (WxHxD), mm 455,5 x 175,8 x 340.6 Weight, including lid 13 kg Optional Rack-Mount-Kit MP7

DYNACORD POWERMATE 600-3 COMPACT POWER MIXER.2X340W-4ohms Original 3 years warranty of Greek distributor This extremely compact powered mixer is the youngest member of the PowerMate3 family. With a total output of 2,000 watts, it is far and away the most powerful compact mixer on the world market, yet it weighs only 9kg! With its very lavish feature set and exemplary versatility it is the ideal choice for all professional applications in which few channels yet very high audio quality are required. Performance without compromises: intuitively operated mixing section; 2 editable digital effects devices with 100 presets each and 20 user memories each; professional 4xIN / 4xOUT digital interface (USB) for the connection of a PC or Mac; stereo equalizer in the master section; large, contrast-rich OLED display; and a class-D high-performance power amplifier delivering 2 x 1,000 watts RMS into 4 ohms. Exclusively high-quality brand components have been used; all faders and potentiometers are supplied by ALPS. In the mixer section, a total of 8 channel strips are available: 4 MIC / LINE channels, 2 MIC / Stereo USB channels ('Super Channels') and 2 stereo LINE channels. The MIC / LINE channels offer extremely low-noise and low-hum electronically balanced XLR microphone inputs with an extremely low distortion factor (typ. < 0.002%) for the connection of low-impedance microphones. For condenser microphones, phantom power (+48 volts) is centrally switchable. The LINE inputs are also electronically balanced and implemented as jack sockets. In addition to a Gain control, a highly efficient 3-band equalizer, an FX send, an AUX send and a MONitor send as well as either Panorama or Balance controls are available. The four MIC / LINE channels boast, in addition, a switchable 80Hz Lo-Cut filter, whilst the Super Channels 5-6 and 7-8 are supplied by the USB inserts 1-2 and 3-4, in each case in stereo. The STEREO-LINE channels (9-10 and 11-12) offer electronically balanced jack inputs for the connection of electronic instruments such as keyboards, drum-computers, guitars and basses with active electronics, as well as all other high-level stereo signal sources such as additional mixers, effects devices etc. CD or MP3 players can be connected to the additional cinch (RCA) inputs CD 1-2 and CD 3-4, which are switched in parallel. The tone controls and sends are identical to those of the MIC / LINE channels. In all input channels, a Signal / Peak LED is provided to assist level control. The SIG LED illuminates at around 30 dB and the PK LED at 6dB beneath the distortion threshold. A MUTE button and a PFL button (in channels 5-12 in stereo) are further features found in all input channels. The DIGITAL AUDIO INTERFACE supplies two stereo channels, present as USB 1-2 and USB 3-4 in Super Channels 5-6 and 7-8 respectively. This interface is implemented professionally in 24-bit resolution and supports sampling rates up to 96 kHz, thereby satisfying studio requirements. The USB sends are supplied with the Master L and R, AUX and MON signals. The DIGITAL AUDIO INTERFACE can be used for input and output simultaneously. Via the USB 2.0 port of your PC / Mac, four channels can be transmitted simultaneously in each direction. When a USB 1.1 interface is used, two channels can be transmitted simultaneously in each direction. The PowerMate is designed for the level of standard PCs / Macs; the gain level can easily be adjusted, if need be, from the computer connected. Included in the delivery is a DVD containing the professional recording software Cubase LE and PC / Mac USB drivers. PC MIDI Interface The PowerMate also makes available a fully-featured PC MIDI interface. The MIDI input also supports the remote switching of both internal effects units using a master keyboard or MIDI footswitch. In the PowerMate's Master Section are to be found the Master A L+R sends (on separate faders), an additional Master B send (switchable pre/post and mono/stereo), the stereo effects returns, and the send signals of the AUXiliary and MONitor busses. If the AUX buss is not used to supply FX 2, it can be switched pre or post and thereby used as an additional monitor send or to supply an external effects device. The 9-band stereo equalizer in the master section allows you to adjust the frequency response to the acoustics of the room. The REC SEND and USB OUT controls determine the level of the master L+R signal at the Rec Send sockets and in the output channels of the digital USB interface. The control below it allows you to adjust the volume in the headphones. Two ten-LED meters provide an overview of the power amplifier level. When the PFL switch is activated, the left-hand LED chain shows the internal level of the master buss in dBu. The STANDBY switch mutes all outputs. For the playback of things like interval music, the DEVICE SETUP menu allows you to route stereo channel 11-12 for standby operation directly to the power amplifiers. The PowerMate is equipped with two very high-quality, 24-bit stereo effects processors, FX 1 and FX 2; these function independently and can therefore be mixed. The two effects units are fully identical in design. Each effects section offers 100 presets including high-quality reverb, delay and modulation effects selected by means of the display. When a delay effect is active, the delay time can be synchronized to the beat of the music using the TAP key. The further possibility exists of modifying individual parameters of the presets and storing the results in the 20 user memories provided. Both effects units are supplied by the FX Send buss. Using the DEVICE SETUP menu, you can, if you wish, configure the AUX send buss to function as an FX 2 send, so that only the FX 1 effects unit is supplied by the FX 1 buss. In this way, the two effects devices can be controlled independently of one another. The effects can be mixed separately in the master and monitor busses. The large, high-contrast OLED display is easily read from a wide range of viewing angles—even in very bright surroundings. The operation of the effects units and processing menus is intuitive and made easier still through the use of soft keys and a rotary encoder. Processing Menus: Particularly valuable in making it possible to adjust the PowerMate perfectly to the selected loudspeaker cabinets, thereby optimizing the audio performance and maximizing the operating safety and reliability of the system, are the LPN Processing and Speaker Protection menus. LPN processing Typical small to medium-sized loudspeaker cabinets, for physical reasons that have nothing to do with their make or quality, exhibit distortion in the transient response of the woofer. Since neither graphic nor parametric equalizers can do anything to alleviate this problem, the PowerMate offers a configurable LPN (low-pass notch) filter. Depending upon the size of the loudspeaker cabinet being used and also to adjust to problematic acoustics (such as those of bassy, boom-ridden rooms), the LPN filter can be set to either High or Medium. The result is considerably greater punch (e.g. from the bass drum), an extension downwards of the frequency response, and improved transparency in the bass and midrange. Speaker Protection This menu allows you to match perfectly the continuous power output of the PowerMateʼs power amplifiers to the connected loudspeakers in the interests of greater operational safety and reliability. Through dynamic limiting of the maximum power at the output, loudspeaker damage due to thermal overload can be avoided, without the wide dynamic range of the power amplifiers being sacrificed. For this purpose, the maximum permissible nominal power handling of the connected loudspeaker cabinet can be selected from the menu. Unlike the case with conventional voltage limiters, dynamic peaks of short duration are permitted, as loudspeaker cabinets can as a rule tolerate peak levels many times higher than their nominal sustainable loads (RMS). The speaker protection supervises permanently the amount of energy being fed to the loudspeakers, only limiting it in the event of a threatened overload, and even then, doing so softly and inaudibly. For peak levels of short duration, the full output of the power amplifier remains available at all times, even when relatively small cabinets are being used. As a result, not only is the maximum dynamic range of the system maintained but also, and at all times, the highest degree of operational safety and reliability. Professional Digital High-Performance Power Amplifier The PowerMate is equipped with a professional, extremely powerful, stereo power amplifier that uses modern and highly efficient class-D technology for audio performance of the highest quality. What this means is that at a nominal output of 2 x 1,000 watts RMS into 4 ohms (or 2 x 1,350 watts RMS into 2.7 ohms) only a comparatively small amount of heat is generated within the device, which therefore consumes considerably less electricity than a conventional power amplifier. The minimal load impedance at the output is 2.7 ohms, making operation with up to three 8-ohm loudspeaker cabinets per channel, connected in parallel, possible with no problems. The overall power supply is handled by an extremely stable, microprocessor-controlled, switching power supply, bringing massive gains in terms of weight-saving over a conventional toroidal transformer. Another advantage is the automatic mains voltage switching, which ensues that the PowerMate can be used without any problem anywhere in the world. Voltage surge protection is also integrated. A ʽsoft startʼ function prevents the mains fuse tripping when the device is switched on. The PowerMate is equipped, naturally, with all the protective circuitry familiar from DYNACORD power amplifiers and satisfies even the extreme demands of hard tour use. The power amplifiers are protected against thermal overload, short-circuit, back EMF and no-load operation as well as high-frequencies or DC at the output. Both outputs, here, are supervised independently so that, should a fault occur, only the channel affected is shut down. When the device is powered up, there is a delay before the power outputs are connected, to obviate the risk of noise. The thermal stability of the PowerMate is assured by two very quiet fans the speed of which is continuously variable. The front-to-rear airflow allows the device to be used in large or small racks. Furthermore, the PowerMate is equipped with an intelligent thermo-limiter, so if ever the threat of overheating does arise, the clip limiter intervenes in a highly musical way, acting only upon the peaks. In this way, a total shutdown of the power amplifiers is effectively prevented, as is any obtrusive fall in the overall volume level. The PROTECT and LIMIT LEDs on the front panel indicate the current operating state of the power amplifiers. To ensure safe transportation, the PowerMate 6003 is supplied with a solid plastic lid that is held in place simply and securely, without the need for any locking mechanism, by magnets. Available as an optional accessory, the carrying bag BAG-600PM not only accommodates the PowerMate with its lid but also offers an additional compartment for cables etc. For rack installation, the RMK-PM600-3 rack-mount kit is available as an option. Order No. F01U213899 (DC-PM600-3-UNIV) Channels (Mono + Stereo) 4 + 4 Auxiliarys (MON, FX, AUX) 1 Pre, 1 Post, 1 Pre/Post switchable Maximum Midband Output Power, 1 kHz, THD = 1%, Dual Channel into 4 Ohms 2 x 1000 W Power Requirements (SMPS with auto range mains input) 100 V to 240 V AC, 50 Hz to 60 Hz Power Consumption, at 1/8 maximum output power, 4 Ohms 450 W Dimensions with lid (W x H x D), mm 438.8 x 161.7 x 362.5 Net Weight, without lid 9.0 kg complete specifications see download section, Datasheet EDS User's Manual

 

 

Manual

   

  •     Ultra-compact 2 x 1000-Watt stereo powered mixer
  •     Revolutionary Class-D amplifier technology: enormous power, incredible sonic performance and  super-light weight
  •     9 "Invisible” IMP mic preamps with switchable +48 V phantom power for condenser microphones
  •     Ultra-high quality KLARK TEKNIK FX processor with 25 presets including reverb, chorus, flanger, delay, pitch shifter and various multi-effects
  •     "Wireless-ready" for high-quality BEHRINGER digital wireless system (not included)
  •     14-channel mixer section features 6 mono and 4 stereo channels
  •     Effective, extremely musical 3-band EQ, switchable Pad and Clip LEDs on all mono channels
  •     Dual 9-band graphic EQs allow precise frequency correction of monitor and main outputs
  •     Selectable stereo (main L/R), double mono (main/monitor) or bridged mono amplifier operation mode
  •     Adjustable stereo Aux input for connecting external signal sources
  •     Internal switch-mode power supply, noise-free audio, superior transient response and very low power consumption
  •     3-Year Warranty Program*
  •     Designed and engineered in Germany

EUROPOWER PMP2000D:
The amazing PMP2000D Powered Mixer packs 2,000 Watts of high-efficiency Class-D output power, while maintaining an incredible power-to-weight ratio. With 14 available input channels, the PMP2000D features 9 of our premium-grade "Invisible" IMP mic preamps with switchable +48 V phantom power, 4 stereo channels, an ultra-high quality KLARK TEKNIK FX processor with 25 presets including studio-class reverbs, delays, pitch shifter and various multi-effects - and dual 9-band stereo graphic EQs. Top it all off with "Wireless-ready" operation, thanks to our high-quality ULM digital wireless microphones (sold separately), and the PMP2000D is the ideal, easy to use, and ready for anything live sound solution!

Class-D - Massive Power, Perfect Sound:
Thanks to our revolutionary Class-D amplifier technology, we are able to provide you with enormous power and incredible sonic performance in an easy-to-use, ultra-portable and lightweight package. Class-D amplification makes all the difference, offering the ultimate in energy efficiency - and eliminating the need for heavy power supplies and massive heat sinks. This amazing technology makes it possible to design and build extremely-powerful products that are significantly lighter in weight than their traditional counterparts, while using less energy and protecting the environment.

Massive Mono or Stunning Stereo:
The powerful PMP2000D gives you the choice of 2 x 1,000-Watt stereo, 2 x 1,000-Watt dual mono (1 Mains powered output, 1 Monitor powered output), or 2,000-Watt bridged mono modes. Whether the center of attention happens to be a folk trio, a speech, or a synth-rock band with mind-boggling stereo patches, the PMP2000D can accommodate all of them with ease. This sonic versatility also makes this outstanding powered mixer an excellent choice for churches where vocals and stereo recordings often share face time.

Outstanding "Invisible" Mic Preamps
The EUROPOWER PMP2000D\'s six mono inputs (plus 3 of the 4 stereo channels) feature our ultra-low noise, high-headroom IMP "Invisible" mic preamps, which have been praised by audio professionals all over the world. These studio-grade mic preamps off er a staggering 130 dB of dynamic range, with a bandwidth that extends from below 10 Hz to over 200 kHz, and are perfectly matched to every conceivable microphone - with up to 60 dB gain and a +48 V phantom power supply. Armed with these superb mic preamps, the PMP2000D provides exceptionally-transparent and crystal-clear sonic performance - making it the ideal choice for both live sound and studio recording applications.

KLARK TEKNIK - The Reverb that Made History:
KLARK TEKNIK is recognized worldwide as one of the most prestigious British audio companies, with a 40-year pedigree and even a TEC Lifetime Achievement Award to back it up. The Company has designed and manufactured products for world-class artists, and their legendary DN780 reverb processor is considered by leading audio engineers around the world as the industry standard. Check out their website to learn more about KLARK TEKNIK\'s legendary heritage.
BEHRINGER is proud to incorporate custom-engineered KLARK TEKNIK effects into their products. Featuring 25 world-class presets to choose from including reverb, chorus, flange, delay, pitch shift and many other amazing effects, KLARK TEKNIK created the 24-bit, studio-grade effects engine for BEHRINGER - to give your performance that truly professional finishing touch.

Own the Stage with Digital Wireless:
Get wireless-ready with the built-in, dedicated connectivity of our ULTRALINK ULM Series wireless microphone system (to be ordered separately). Wireless gives you maximum freedom and mobility without the need to run cables. The highest-quality sound is provided thanks to the ULM\'s digital, license-free 2.4 GHz frequency spectrum.
The ULM wireless system combines professional-quality sound with simple setup and an intuitive interface for legendary audio performance right out of the box. Just plug in the ULM receiver "dongle“, and instantly you have an exceptional wireless mic system. Freeing you from cables is the simple and easy way to own the stage.

Getting Connected:
Use the 2-Track RCA inputs to feed in external stereo signals; conversely, the 2-Track RCA outputs can be used to send line-level signals from the mixer to a recording device. Powered outputs on the PMP2000D are available in the professional, twist-lock Speakon-compatible variety. In addition you\'ll find a convenient 1/8" (35 mm) Aux In jack for connecting your smartphone or mp3 device for playing backing tracks, or prerecorded music during your breaks.

 

 

Microphone Inputs

Type

9x XLR, electronically balanced

Mic Input Noise (E.I.N.)

20 Hz to 20 kHz
At 0 Ohms Source Impedance: -108 dB / -110 dB A-weighted
At 50 Ohms Source Impedance: -108 dB / -110 dB A-weighted
At 150 Ohms Source Impedance: -106 dB / -107 dB A-weighted

Frequency Response

< 20 Hz to 22 kHz (-1 dB)
< 20 Hz to 35 kHz (-3 dB)

Maximum Input Level

+13 dBu with PAD

Impedance

1.5 kOhms, balanced

Signal-to-Noise Ratio (SNR)

98 dB / 100 dB A-weighted (-15 dBu In @ +35 dB gain)

Distortion (THD)

0.002%, A-weighted

Pad

-25 dB, channels 1-6

Phantom Power

Switchable +48 V

Hi-Z / Line Inputs

Type

4x 1/4" / 6.35 mm TRS, balanced (channels 1-4)

Impedance

1.8 MOhms balanced, 1 MOhm unbalanced

Max Input

+ 22 dBu

Mono Input Channels

Type

2x 1/4" / 6.35 mm TRS connector, channels 5-6

Impedance

20 kOhms balanced, 10 kOhms unbalanced

Maximum Input Level

+ 22 dBu

Stereo Inputs

Type

6x 1/4" / 6.35 mm TRS connector, balanced channels 7-12

Impedance

20 kOhms balanced, 10 kOhms unbalanced

Maximum Input Level

+ 22 dBu

Track

Line In

2-Track / Line In: 2x RCA, unbalanced, channels 13-14

Impedance

20 kOhms unbalanced

Gain Range

- ∞ dB to + 20 dB

Maximum Input Level

+ 22 dBu

Equalizer

Equalizer

Low: 60 Hz (± 15 dB)
Mid: 700 Hz (± 15 dB)
High: 6 kHz (± 15 dB)

Aux Inputs

Type

1/8" / 3.5 mm TRS connector, unbalanced

Impedance

10 kOhms

Gain Range

- ∞ dB to +20 dB

Line Output

Type

2x RCA, unbalanced

Impedance

2.4 kOhms

Maximum Output Level

+ 9 dBu

Equalizer

Graphic EQ

Type: Analog 9-band equalizer

Frequency Range

20 Hz to 20 kHz in 9 1-octave bands (ISO frequencies)

Bandwidth

1 octave

Control Range

± 12 dB

Low Cut Frequency

Type: 18 dB/oct, Butterworth, channels 1-6
Frequency: 100 Hz

Wireless

USB

USB Dongle (Not Included): USB socket accepts signals from a maximum of two Behringer ULM microphones

Signal Indicator

LED: 2x green

Main Mix

Noise

Main Mix at - ∞, Channel Fader at - ∞: - 59 dBu / - 59 dBu A-weighted
Main Mix at 0 dB, Channel Fader at - ∞: - 56 dBu / - 56 dBu A-weighted
Main Mix at 0 dB, Channel Fader at 0 dB: - 56 dBu / - 56 dBu A-weighted

Amplifier

Maximum Output Power

Both Channels Driven
8 Ohms Per Channel: 500 W
4 Ohms Per Channel: 1000 W
Bridged Mode
8 Ohms: 2000 W

Speaker

Type

Speakon connector

Load Impedance

Left/Monitor: Minimum 4 Ohms
Right/Mono: Minimum 4 Ohms
Bridge: Minimum 8 Ohms

General

Display

2-digit, 7-segment LED

Power

Mains voltage
120 VAC, 50/60 Hz
Mains Connection: Standard IEC receptacle

Fuse

T 8 A H 250 V

Power Consumption

Power Consumption at 4 Ohms, 1/8 Rated Power: 180 W

Dimensions (H x W x D)

10.9 x 17.9 x 9.8" / 27.6 x 45.5 x 25.0 cm

Weight

19.8 lb / 9.0 kg

 

 

Weight11.50 kg6.00 kg13.30 kg13.00 kg9.00 kg9.00 kg
DimensionsN/AN/AN/AN/AN/AN/A
Additional information
Weight 11.50 kg
Weight 6.00 kg
Weight 13.30 kg
Weight 13.00 kg
Weight 9.00 kg
Weight 9.00 kg