SOUNDCRAFT M8 MIXING DESK

Discontinued

490.95 incl. GR VAT

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In a world full of cheap compact mixers, Soundcraft has achieved something exceptional with the Spirit M Series. Equally suited to recording and live sound applications, the Spirit M Series delivers a great-sounding, reliable performance, session after session, mix after mix. A mixer for life. Even before you plug in a Soundcraft Spirit M Series […]

 

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In a world full of cheap compact mixers, Soundcraft has achieved
something exceptional with the Spirit M Series. Equally suited to
recording and live sound applications, the Spirit M Series delivers
a great-sounding, reliable performance, session after session, mix
after mix. A mixer for life.
Even before you plug in a Soundcraft Spirit M Series mixer you know
it?s something very special. The brushed steel side panels aren?t just
beautiful, they can withstand a weight of 60kg (132 lbs) and are designed
to leave the mixer with no sharp edges. Removing these panels is simple,
revealing a robust, integral rack mounting system equipping the M Series
instantly for a life on the road.

The Spirit M Series is also exceptionally easy to use. The control surface
will be immediately familiar to anyone who has used a mixer before and will
quickly become second nature even to a novice. All inputs, EQ, auxes, panning
and level controls are presented clearly, saving you time when creating your mixes
and providing you with more time to spend on achieving the best sound. High quality
100mm faders combine with signal and peak LEDs on every channel and high resolution
output metering places the operator in total control. You?ll find no unsightly screw heads
anywhere on the M Series? front panel to get in the way of your mixing, while a durable,
multi-coat paint finish, ensures that a Spirit M Series console always looks as good as it sounds.

From raw component level through to cosmetic finishing, the Spirit M Series
has been built to last. Just pick one up and you?ll know what we mean. Even
 the knobs are special, custom designed to our own exacting requirements.
We?ve ensured there is plenty of spacing between the controls, enabling you
to comfortably achieve total control of your mix. Even the headphone jack is
located at the bottom right hand corner of the mixer so a trailing cable will never
get in your way. Just another example of the attention to detail which makes the
Soundcraft Spirit M Series the standard against which other compact mixing consoles must now be judged.

The Soundcraft Spirit M Series is available in 4, 8 or 12 mono input channel frame
sizes. All three mixers include four stereo inputs and four stereo returns, with all
other features and specifications identical.

M4 – 4 mono inputs, 4 stereo inputs, 4 stereo returns
M8 – 8 mono inputs, 4 stereo inputs, 4 stereo returns
M12 – 12 mono inputs, 4 stereo inputs, 4 stereo returns

Applications

Live sound reproduction
Home studio recording
Keyboard, samplers, synthesisers and electronic instrument mixing
PA mixing for bars, schools, leisure centres, places of worship, etc.
Location mixing
Multimedia production
Video post production
Multi-speaker systems
Conference sound systems

Features

    * 4, 8 or 12 input versions
    * S/PDIFDigital output
    * 4, 8 or 12 input versions
    * S/PDIFDigital output
    * Low noise, low distortion and RF rejection mic preamps
    * Great British EQ with HF range improvements
    * Ground tracking architecture minises noise and hum
    * 100mm fader throw
    * Professional grade connections throughout
    * IMaster gain control on all aux busses
    * Switchable direct outputs
    * Intelligent rackmounting system
    * Direct outputs ( pre or post fade ) on all mono channels
    * Signal present and peak LEDs on all input channels
    * Mute and PFL on all input channels
    * 4 Stereo inputs on all variants
    * 4 Stereo returns & return master for FX

Weight 8.25 kg

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Quick Comparison

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SKUSPIRIT M8SPIRIT FOLIO FX16 IISPIRIT EPM6SPIRIT LX7 24CH MKII149.049SPIRIT EPM8
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Description
Content

In a world full of cheap compact mixers, Soundcraft has achieved
something exceptional with the Spirit M Series. Equally suited to
recording and live sound applications, the Spirit M Series delivers
a great-sounding, reliable performance, session after session, mix
after mix. A mixer for life.
Even before you plug in a Soundcraft Spirit M Series mixer you know
it?s something very special. The brushed steel side panels aren?t just
beautiful, they can withstand a weight of 60kg (132 lbs) and are designed
to leave the mixer with no sharp edges. Removing these panels is simple,
revealing a robust, integral rack mounting system equipping the M Series
instantly for a life on the road.

The Spirit M Series is also exceptionally easy to use. The control surface
will be immediately familiar to anyone who has used a mixer before and will
quickly become second nature even to a novice. All inputs, EQ, auxes, panning
and level controls are presented clearly, saving you time when creating your mixes
and providing you with more time to spend on achieving the best sound. High quality
100mm faders combine with signal and peak LEDs on every channel and high resolution
output metering places the operator in total control. You?ll find no unsightly screw heads
anywhere on the M Series? front panel to get in the way of your mixing, while a durable,
multi-coat paint finish, ensures that a Spirit M Series console always looks as good as it sounds.

From raw component level through to cosmetic finishing, the Spirit M Series
has been built to last. Just pick one up and you?ll know what we mean. Even
 the knobs are special, custom designed to our own exacting requirements.
We?ve ensured there is plenty of spacing between the controls, enabling you
to comfortably achieve total control of your mix. Even the headphone jack is
located at the bottom right hand corner of the mixer so a trailing cable will never
get in your way. Just another example of the attention to detail which makes the
Soundcraft Spirit M Series the standard against which other compact mixing consoles must now be judged.

The Soundcraft Spirit M Series is available in 4, 8 or 12 mono input channel frame
sizes. All three mixers include four stereo inputs and four stereo returns, with all
other features and specifications identical.

M4 - 4 mono inputs, 4 stereo inputs, 4 stereo returns
M8 - 8 mono inputs, 4 stereo inputs, 4 stereo returns
M12 - 12 mono inputs, 4 stereo inputs, 4 stereo returns

Applications

Live sound reproduction
Home studio recording
Keyboard, samplers, synthesisers and electronic instrument mixing
PA mixing for bars, schools, leisure centres, places of worship, etc.
Location mixing
Multimedia production
Video post production
Multi-speaker systems
Conference sound systems

Features

    * 4, 8 or 12 input versions
    * S/PDIFDigital output
    * 4, 8 or 12 input versions
    * S/PDIFDigital output
    * Low noise, low distortion and RF rejection mic preamps
    * Great British EQ with HF range improvements
    * Ground tracking architecture minises noise and hum
    * 100mm fader throw
    * Professional grade connections throughout
    * IMaster gain control on all aux busses
    * Switchable direct outputs
    * Intelligent rackmounting system
    * Direct outputs ( pre or post fade ) on all mono channels
    * Signal present and peak LEDs on all input channels
    * Mute and PFL on all input channels
    * 4 Stereo inputs on all variants
    * 4 Stereo returns & return master for FX

Soundcraft FX16ii - rebirth of a classic

The Soundcraft FX16ii mixer uses the same AudioDNA processor featured in many of the Digitech and Lexicon outboard equipment including the highly respected Lexicon MX500 processor. With over 35 years experience, the Lexicon name is synonymous with the best reverb and processing in the business, ensuring the finest quality effects not usually found in a console at this price level.

The Soundcraft FX16ii offers a combination of powerful live and recording features; each channel has a Direct Output which is individually switch-able pre or post fader to enable use with 16-track recording systems. The Lexicon effects work just as well in the live as well as the recording environment with a tap tempo function, 3 parameter controls, user effects settings store ability, effects clip LED and 32 powerful and editable effects to choose from.

The use of the latest PCB surface mount technology means that the Soundcraft FX16ii fits all of these features into a rugged, compact frame which can be optionally rack-mounted into a 10U space via Soundcraft FX16ii's rotating connector pod which allows cables to be connected conveniently behind the rack and save rack space.

Soundcraft FX16ii main features include:

  • 26 inputs
  • 16 mono microphone channels
  • 4 stereo returns
  • 4-bus architecture, with sub-group routable to mix
  • Built-in 24 bit Lexicon digital effects processor
  • 32 FX settings
  • Tap Tempo
  • 3 FX parameter adjust rotaries
  • User FX settings store function
  • Direct outputs for multi-track recording individually switch-able for pre-post-fade operation
  • Inserts on all mono channels
  • Inserts on stereo mix output
  • Classic Soundcraft 3-band EQ with swept mid-band
  • Stereo 18dB/octave 100Hz high-pass filter
  • Dual global +48V phantom power split channels 1-8 and 9-16
  • Channel Mute control
  • 10-segment tri-coloured metering
  • Two sub-group outputs
  • Separate mono sum output
  • Integral universal power supply
Low-cost high-performance mixers Key Features
  • 6 Mono & 2 Stereo Input Channels
  • 6x GB30 Microphone Preamplifiers
  • Recording and Live Sound Audio Console
  • Compact Mobile Enclosure
The Soundcraft EPM Series provides a straight-forward, yet professional alternative to complex audio mixers. Constructed in a 6-, 8- or 12-channel chassis, the EPM mixers are well-suited for recording and sound reinforcement applications. The EPM 6 features 6 mono and 2 stereo input channels providing the flexibility needed to accommodate the recording studio, venue or touring musician. All mono inputs feature 1/4" phone line and balanced XLR microphone inputs. The famed GB30 microphone preamps provide the quiet, detailed signal synonymous with Soundcraft\'s large FOH consoles. The stereo inputs provide L/R 1/4" phone connections and are ideal for connecting stereo devices such as keyboards, returning effects, etc. The EQ section features a sweepable mid-range on all mono channels and provides smooth frequency contouring. Inserts on all mono channels and stereo output enable signal routing to external signal processors. The compact profile, rich sound quality and flexibility of the EPM Series provides everything necessary for use in project recording, video editing, night clubs, bars, meeting halls, houses-of-worship, and more. 6 Mono and 2 Stereo Channels The EPM 6 features 6 mono microphone and line input channels, 2 stereo inputs feature L/R 1/4" phone connections Comprehensive Controls The comprehensive layout is designed to attract users who require a straight-forward mixing environment GB30 Microphone Preamplifiers All 12 mono inputs feature Soundcraft\'s GB30 microphone preamps for quiet, clean large-format FOH console quality Compact and Professional The EPM Series consoles pack a professional feature set in a compact, mobile enclosure
Total # Of Inputs 6x Mono 2x Stereo
Mic/Line Inputs 6x Line Mono: 1/4" TRS Phone 2x Line Stereo: L/R 1/4" TRS Phone 6x Microphone: 3-pin XLR
Stereo Line Inputs 2x Stereo: L/R 1/4" TRS Phone
In-Line Inputs/Returns No
AUX Sends 2x Aux Sends
AUX Returns No dedicated returns
Inserts 1/4" TRS Phone - Mono Inputs, Main Stereo Output
BUS (Group) Outputs Stereo Output Only
2 Trk Master I/O Mix L/R: Stereo Paired L/R RCA Phono
ALT I/O No
Monitor Outputs Monitor: L/R Stereo Paired 1/4" TRS Phone
EQ Section Mono Inputs +/- 15 dB Lo: 80 Hz Mid: 150 Hz - 3.5 kHz (swept) Hi: 12 kHz Q: 1.5 Stereo Inputs +/-15 dB Lo: 80 Hz Mid: 720 Hz Hi: 12 kHz
Solo/Mute All Input Channels
Channel Level Control 100 mm Faders
Trim/Gain Control Rotary Potentiometers
Phantom Power +48 V Phantom
Metering 10-Segment L/R Peak LEDs +48 V Phantom Power LED PFL Active LED Power Indicator LED
Frequency Response 20 Hz to 20 kHz +/-1.5 dB
Dynamic Range Not specified by manufacturer
Signal-to-Noise Ratio Noise (22 Hz - 22 kHz measurement bandwidth) Mic EIN @ max gain, 150 ohms source impedance -127 dBu Mix @ max, faders to down
Total Harmonic Distortion (THD) Mic sensitivity 30 dB, +14 dBu @ mix output:

The LX7 combines the essential Soundcraft live mixer qualities
with basic recording-oriented features, in a compact frame that's
light enough for one person to carry yet easy to configure and use.
This makes it especially suitable for multi-purpose use in venues
such as small halls and community centres, while its direct channel
outputs make the LX7 an ideal choice for bands who need a live desk
that can double up in the studio.

Housed in a choice of 16, 24 or 32 channel frame, LX7 provides 24,
32 or 40 inputs - with no less than 7 separate bus outputs including
mix, 4 groups and a dedicated mono bus for centre speaker clusters,
side or rear fills. The output count rises to 29 with the inclusion of direct
outs on the first 16 mono inputs and six auxiliary busses.

LX7's balanced mic inputs all use patented Ultramic preamps,
providing 60dB of gain range and 22dBu of headroom. Each input
also includes 4 band EQ with two swept mid frequency controls.
In addition, EQ In/Out switch and steep 18dB/Octave High Pass Filter,
allow effective audio control in difficult venues whilst the six auxiliary sends
are pre-post switchable in pairs from each channel, providing a maximum of
4 pre-fader and six post-fader. This makes LX7 equally applicable
for foldback - heavy performance or in situations where more effects are required.

LX7's groups section houses two further stereo inputs - with EQ, auxiliaries
for keyboards or stereo recording devices - as well as two FX returns. All four
groups are routable to mix and include 12 segment bargraph metering for
accurate monitoring and inserts. Six auxiliary masters on rotary controls also
included AFL soloing.

In the master section there is talkback provision to all pre-fade auxiliaries and
the mix. Global phantom power and a two track return for pre-show music are
also present. A "two-track" to mix switch allows the engineer to play CD's over
the main PA whilst back-stage set-up is going on, with one press of a button.
The mix is also routable to the separate mono bus if mono PAs are required.

LX7 is built in a rugged wedge-shaped steel chassis with an internal power supply,
professional all-metal jackfield and connectors on the rear of the console. All inputs and outputs are balanced.

Applications:

    * Gigging Bands
    * Small installations
    * Small venues
    * Theatres
    * Houses of Worship
    * Live and studio recording

 
    * 100mm faders
    * +48V phantom power
    * 16, 24 or 32 channel frame sizes
    * Up to 40 inputs (including stereo inputs and returns)
    * 18dB/octave high-pass filter
    * 6 aux sends, 4 of them pre/post switchable
    * Group and mix inserts
    * 12-segment LED metering
    * Integral PSU

Expand Your MCU with More Faders !

The Mackie Control Extender Pro is a control surface extender that expands your Mackie Control Universal Pro unit with the addition of eight motorized, touch-sensitive Penny + Giles faders, plus V-Pot rotary encoders and push-buttons on every channel strip. The Mackie Control Extender Pro module attaches seamlessly to the Control Universal Pro unit, integrating with all the main control surface's functions and commands without the need for any external hardware. You can expand your MCU's ability to control your DAW even further with the addition of the Mackie Control Extender Pro.

The Mackie Control Extender Pro features the same 100mm touch-sensitive optical Penny + Giles motorized faders as the MCU Pro control surface. These smooth faders give you the tactile, responsive feel of an analog console while accurately commanding your state-of-the-art DAW software.

Each of the Mackie Control Extender Pro's eight channels features a multi-function V-Pot for fast and accurate control of panning, effects levels, and more. Also included on each channel strip are mute, solo, pan, send level, and record arm functions, as well as a full meter display.

The Mackie Control Extender Pro is literally the "right hand man" of the Mackie Control Universal Pro control surface. Once connected, it's seamlessly integrated into the system, so all parameters, automation, and other control commands are communicated in concert with the rest of the system - no external hardware required!


Features:

  • Eight-Fader Control Surface Extension for MCU Pro
  • Proprietary Mackie communication protocol for seamless software integration by DAW makers
  • 100mm touch-sensitive optical Penny + Giles motorized faders
  • Multi-function V-Pots for fast control of panning, effects levels and more
  • Channel mute, solo, pan, send level and record arm functions
  • Full meter display with track names and parameters
  • Low-cost high-performance mixers Soundcraft have unveiled another addition to the rapidly growing new Soundcraft family, the multi-format low-cost EPM mixers. The emphasis with the Soundcraft EPM is very firmly on quality build and audio performance, with an easy to understand control surface uncluttered by unnecessary facilities, and Soundcraft have brought new technologies and ideas to this very cost-effective range. Surface mount technology is used throughout, using close-tolerance components for high accuracy and repeatable settings for EQ and gain controls. The highly-transparent GB30 Mic amp (designed by Graham Blyth for the company�s 30th anniversary, and also used on the larger LX7ii and GB Series consoles) features high-resolution adjustment over a wide gain range of 55dB, and provides a stunning +22dB headroom through the console. True professional 48-volt phantom power caters for condenser microphones of all types. A unique feature of the signal monitoring is the PEAK led. This uses multipoint signal take-offs to watch for overload in several parts of the channel strip, and the led lights more brightly as the signal approaches the peak point. For smooth and accurate channel control, the EPM has 60mm high quality faders as used on other Soundcraft desks. The monitor output and headphone output work in parallel so that performers can still listen on phones while an engineer is listening on studio monitors. Other Features:
    • Frame sizes 8+2
    • 2 configurable auxiliary buses
    • XLR-type and Ό� metal jack connector sockets
    • RCA phono stereo playback inputs and record outputs
    • 3-band EQ with a swept mid on mono inputs
    • 2-band EQ on stereo inputs
    • TRS insert sockets and inserts on all mono inputs and mix output
    • Ten-segment LED output metering
    • Intuitive and comprehensive solo system
    • Headphone output
    • Easily rack mountable
    Weight8.25 kg5.00 kg5.20 kg21.80 kg20.00 kg4.00 kg
    DimensionsN/AN/AN/AN/AN/AN/A
    Additional information
    Weight 8.25 kg
    Weight 5.00 kg
    Weight 5.20 kg
    Weight 21.80 kg
    Weight 20.00 kg
    Weight 4.00 kg